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 "I sat with my anger long enough until she told me her real name was grief."

By Anupama Joshi.

This quote, though often misattributed to C.S. Lewis, carries a truth many of us live but never voice.

As a child, I was known for my temper, it didn’t take much to spark a reaction in me. The anger was a mask, a cry, a plea for acknowledgement. It wasn’t just rebellion, it was a reaching out for love, acknowledgement and safety. It wasn’t rooted in one big traumatic event it was a thousand small moments of being ignored, being sidelined. My straightforward nature and unfiltered honesty often intimidated others, leading to misunderstandings and strained relationships. People found me too blunt, too direct, too intense. I didn’t know how to sugarcoat the truth - still don’t, honestly.

Over the years, life taught me to smooth those rough edges. Through experiences, wisdom, and personal growth, I began to understand that beneath my anger lay a reservoir of hurt and unaddressed grief. Even now, when I withdraw or disconnect; often because I am hurting, overwhelmed, or simply protecting my energy, the people in my life assume I am angry. Very few stop to consider that my silence might be coming from pain, not rage. It is disheartening when those who are close to you focus solely on reactions, overlooking their own actions or words that may have caused them. 

And the part that stings the most is that when I do the work to process everything to bring myself back to a place of calm and grounding, they mock. They pass it off by saying, “Oh look, she has calmed down now,” Like it is an entertaining performance, like the work it took to come back to myself is invisible. Like it was never about grief, or healing, or layers of hurt they never cared to understand. As if my process was a tantrum, not a transformation; and as if healing is something funny.

Anger is never the full story. It is the lid. And when you’re brave enough to lift it, you find unacknowledged grief, disappointment, fear, and truth. And to know this is to begin the real work. It is a reminder to approach others with empathy, recognizing that behind a fiery exterior might be a wounded soul seeking understanding. If you have ever been told you are too much - too loud, too angry, too emotional; I just want you to know, I see the grief behind the fire and the ache beneath the silence. Whenever you are ready to be seen beyond the fire, I am here.

Pundalik

https://youtube.com/shorts/J0jK7vUAEs8?si=VxB_f-bPXsjjdj1M

a devotee is pushed round in circles as abhangs are being sung. Devotion is to be watched, it takes one to another level altogether. 

The story of Pundalik is one of the most cherished tales in the Bhakti tradition of Maharashtra and is intimately connected with Lord Vitthal (Vithoba) of Pandharpur. 

 The Devotee Who Brought God to Earth

Pundalik was originally a resident of Kundinapura (in present-day Maharashtra). Initially, he was not a saint but a worldly and selfish man, disrespectful even to his own parents.

After his marriage, Pundalik became absorbed in family life and started neglecting his aged mother and father. He ill-treated them and made them do menial work. His attitude deeply hurt his parents, who were saints at heart but bore everything silently.

One day, Pundalik decided to go on a pilgrimage to Kashi (Varanasi) with his wife. His parents, although old and frail, accompanied them on foot. On the way, Pundalik kept treating them harshly. But then something miraculous happened.

While passing through the ashram of the sage Kukkut, Pundalik witnessed a divine sight. He saw three celestial women entering the ashram, their clothes soiled and faces gloomy. But when they emerged after cleaning the ashram, they were glowing with divine light.

Pundalik asked the sage about the women the sage explained:

 “They are the personifications of Ganga, Yamuna, and Saraswati. They wash away people’s sins daily, but become polluted themselves. By cleaning the homes of saints and pure souls, they regain their purity.”

This struck Pundalik deeply. He realized the greatness of serving the noble and living selflessly.

Realizing his mistake, Pundalik turned back from his pilgrimage and returned home with his parents. From then on, he became the ideal son, serving them with utmost devotion and love. He saw God in his parents and dedicated his life to their care.

Pundalik's devotion was so intense that it touched the heart of Lord Krishna. One day, Krishna appeared at Pundalik's door, eager to bless him.

But Pundalik was at that moment massaging his father’s feet. He did not want to interrupt his service, even for the Lord. So, he threw a brick (vit) for the Lord to stand on and said:

 “Please wait, Lord. I will attend to you after I finish my duty to my parents.”

Touched by this humility and pure devotion, the Lord stood on the brick, waiting patiently with his hands on his waist – the very form in which Vithoba is now worshipped in Pandharpur.

When Pundalik finally came out, he bowed down to the Lord. Pleased, Krishna granted him a boon. Pundalik requested:

“May you always remain here in this form to bless devotees.”

Thus, the idol of Vitthal (Vithoba) was installed in Pandharpur, where it still stands today on the brick, embodying the Lord’s boundless love for bhakti (devotion) and seva (service to parents).

True devotion lies in selfless service, especially to one's parents.

God is pleased more by loving action than by rituals.

Humility and surrender can bring the divine closer than any austerity.

Vithoba's (Vitthal's or Panduranga's) idol, especially the one at Pandharpur in Maharashtra, is among the most iconic and beloved in Indian devotion. This is how it is traditionally described.

Physical Description of Vithoba's Idol:

Vithoba is depicted standing upright on a brick (known as vit in Marathi, which gives the name "Vitthal").

His hands rest on his hips, a unique posture conveying confidence, waiting, and steadfastness — often interpreted as him patiently waiting for his devotee Pundalik.

The face is gentle and smiling, symbolizing grace and affection toward his devotees.

He wears a tall crown (kirita mukuta).

A Vaishnava tilak (U-shaped with a central line) adorns his forehead, marking him as a form of Lord Vishnu/Krishna.

The idol is richly decorated with jewels, garlands, and silken robes.

He wears earrings (kundalas), armlets, and anklets.

The idol is of black stone, symbolizing the Shyama (dark) form of Krishna.

A key feature — Vithoba stands on a brick placed by his devotee Pundalik, representing devotion and humility.

Arms on Hips: Signifies both impatience with insincerity and assurance to true devotees.

Brick beneath feet: A devotee's offering that became divine — showing that even the smallest act of devotion is recognized.

Smile: Represents the welcoming nature of the deity — especially for saints like Tukaram, Namdev, Chokhamela, Janabai.

Behold the Lord of brick and smile,

Who waits with arms akimbo, still —

On the sacred banks of Bhima's flow,

In Pandharpur, the hearts he fills.

A dusky hue like raincloud’s breast,

He stands in silence, calm and deep;

A crown upon his curly hair,

With lotus eyes that never sleep.

His feet upon the devotee’s stone,

A tale of love and Pundalik's gift;

In patient poise, his hands akimbo,

The veil of sorrow he does lift.

A tulsi garland graces his neck,

His form with yellow silk is dressed;

The conch and discus carved within,

Though unseen — in bhakti manifest.

The cowherd boy of Gokul's field,

Now reigns the shrine in simple grace;

With no throne grand, nor jewels rare,

But just his smile — and endless space.

Namdev sings, “He is my kin,”

Tukaram cries, “He dwells in me!”

To Chokhamela, “He came and spoke,”

Janabai says, “He swept with me!”

Lunar standstill.

 A major lunar standstill is an extraordinary astronomical event occurring roughly every 18.6 years, when the Moon’s orbit around Earth reaches its steepest tilt relative to our equator. This tilt swings between about ±18° at its shallowest ("minor") and about ±28.5° at its steepest ("major") due to the combined inclinations of Earth (~23.4°) and the Moon (~5°)  

What Happens During a Major Lunar Standstill

1. Extreme moonrise/moonset positions

During this period, each full moon rises and sets significantly farther north and south than the Sun ever does at solstices, shifting up to ~70° across the horizon month-to-month  .

2. Extreme altitudes

The moon attains higher and lower daily maximum altitudes than usual. Around full Moon, you’ll see it soaring well above the summer Sun or dipping below the winter Sun’s highest point  .

3. Duration

Unlike a solstice’s brief occurrence, the Moon’s directional extremes persist over nearly two years, centered on the standstill peak  .

4. Cultural and tidal impact

Ancient sites like Stonehenge, Callanish, and Chimney Rock align with these extreme moonrises/sets. The peak tidal effects also fluctuate slightly across the cycle  .

When Is the Next Major Lunar Standstill (2024–2026)?

Peak period: January 2025 marks the central peak, but the standstill effect began in late 2024 and continues through mid-2026  .

Key observation dates:

June 11, 2025: Highlighted event by Griffith Observatory for peak moonrise/showing full-moon extremes  .

May 14, 2025: Southernmost full moonrise, also broadcast by Griffith Observatory  .

Notable full moons: Around the September 2024 & March 2025 equinoxes are prime moments to witness dramatic full moon extremes  .

December 2024 Cold Moon: A full moon coinciding with the standstill in mid-December that offers impressive horizon positions  .

 Deep Dive 

1. The Astronomical Mechanics

The Moon’s 18.6-year cycle arises from the precession of its orbital nodes, causing its highest declination relative to Earth's equator to oscillate between ~±18° and ±28.5°  . During a major standstill, the orbital tilt peaks at ~28.6°, making moonrise positions reach extreme limits  .

2. Observational Effects

As the Moon orbits monthly, its declination swings within this maximum range. Over consecutive months, it rises further north before transitioning to its southern extremes. Full moons especially stand out, because they are visible throughout the night aligned with these horizons  .

3. Cultural Resonance

Ancient civilizations etched alignments into stone to mark these celestial extremes. Sites such as Stonehenge, Callanish, and Chimney Rock were likely built with an eye toward lunar standstill moonrises/sets  .

4. Modern-Day Watching

During 2024-2026, astronomers and enthusiasts can observe full moons tracing stunning arcs over northern and southern horizons. Griffith Observatory, British Heritage, and others are hosting events that line up with key dates—June 11 and May 14, 2025 are great ones  .

 How to Experience It This Year

Look out for full moons near equinoxes—especially Sept 2024, March & June 2025, and Dec 2024.

Note moonrise/set directions: full moonrise far north or south of the standard sunrise position.

Attend live streams or viewings by observatories like Griffith (US) or heritage organizations (UK/Ireland).

Use open horizons and minimal light pollution for the best visuals.

Track tides: enhanced diurnal tides are associated with historical effects during major standstill years  .

 Quick Timeline for 2024–2026

Period Event Description

Late 2024 – Mid 2026 Broad window of major lunar standstill effects

Dec 15, 2024 Cold Moon full moon aligning with standstill extremes  

Sept 22, 2024 Full moon near equinox, dramatic rise/set 

Jan 2025 Peak standstill period 

Mar 20, 2025 Equinox full moon with wide swing 

May 14, 2025 Southernmost full moonrise 

June 11, 2025 Highlight standstill moonrise 

In summary: A major lunar standstill is a rare and prolonged celestial spectacle where full moons show off the widest swing across the sky. We’re currently in the midst of it, with best viewing opportunities in late 2024 through mid‑2026, especially around December 2024, March, May, and June 2025. It's a wonderful time to connect with ancient skywatchers—and a visual feast for anyone gazing at moonrise.

Secret.

 The Rahasyas (secrets or deeper meanings) of the Ramayana are the hidden spiritual, symbolic, and philosophical truths embedded in the narrative. While the Ramayana is often read as a divine history (itihasa) of Lord Rama's life, sages and scholars have drawn out inner meanings and esoteric teachings over the centuries.

1. Rama as the Atman (Self)

Rama symbolizes the Atman, the divine self within each being.

His calm, righteous behavior reflects the pure, undisturbed consciousness.

His journey is the journey of the soul toward truth and liberation.

2. Sita as the Jiva (Individual Soul)

Sita represents the individual soul (jivatma).

Her separation from Rama (the Atman) and abduction by Ravana (ego/desire) represents the soul’s entanglement in the world of illusion (maya).

Her return to Rama signifies spiritual reunion or liberation (moksha).

3. Ravana as the Ego (Ahamkara)

Ravana symbolizes ego, desire, and arrogance.

Despite being a great scholar and devotee, his downfall comes due to pride and uncontrolled desires.

His ten heads represent ten negative qualities or senses (such as lust, anger, greed, etc.), which must be destroyed.

4. Hanuman as the Guru or Prana (Vital Force)

Hanuman is the divine bridge between the soul (Sita) and God (Rama).

As a Guru, he helps the soul reconnect with the Supreme.

He also represents prana (life force), the awakened energy required for spiritual practice.

5. The Bridge to Lanka – The Path of Sadhana

The bridge (Setu) built by monkeys symbolizes the path of spiritual effort (sadhana) across the ocean of samsara (worldly existence).

Only through devotion, effort, and divine grace can one cross over.

6. Jatayu – The Dying Dharma

The vulture Jatayu, who dies trying to protect Sita, represents dharma (righteousness).

His sacrifice shows that even when dharma is defeated in the material world, it earns divine recognition.

7. Lanka as the Mind Ruled by Ego

Lanka, full of gold but ruled by Ravana, symbolizes the mind that is outwardly brilliant but inwardly corrupted by ego and passion.

Rama’s conquest of Lanka is the conquest of the mind.

8. Manthara and Kaikeyi – Forces of Karma and Maya

Manthara represents negative tendencies or karma that distort perception.

Kaikeyi’s change of heart shows how even noble people can be manipulated when clouded by attachment or fear.

9. Forest Exile – The Inner Journey

Rama’s 14-year exile symbolizes the spiritual retreat from the distractions of society.

The forest stands for the inner world where the seeker confronts challenges, tests, and purification.

10. Return to Ayodhya – Moksha

The return of Rama to Ayodhya (his kingdom) symbolizes the soul’s return to the Supreme state after overcoming all trials.

Bonus Rahasya: Names Have Power

Ra-ma — "Ra" burns ignorance, "Ma" removes suffering. Even the syllables of Rama's name are said to carry transformative energy.

Sources of These Rahasyas:

Advaita Vedanta and Bhakti interpretations

Tattva Rahasya by Sri Ramanuja

Ram Gita (a teaching of Rama to Lakshmana in the Padma Purana)

Spiritual commentaries by sages like Swami Chinmayananda, Tulsidas, and others.

A beautiful and profound conversation between Lord Rama and Hanuman, known as Tattva Rahasya – the secret of ultimate truth – drawn from devotional and philosophical traditions (especially from the Adhyatma Ramayana, Padma Purana, and later bhakti commentaries).

Rama Reveals the Rahasya to Hanuman

After the war in Lanka had ended and Sita had been reunited with Rama, Hanuman bowed before the Lord, his heart filled with humility and devotion. Though the victory was grand and the world sang Rama's glory, Hanuman desired not celebration, but wisdom – the inner truth behind Rama’s divine play.

With folded hands, Hanuman asked:

 "Prabhu, I have seen your actions as a son, warrior, king, and husband. But I feel there is something deeper – a mystery beyond the story. Who are you truly? And what is the nature of this world?"

Rama looked at Hanuman with a gentle smile. In that sacred moment, he revealed the secret:

Rama's Words to Hanuman – The Tattva Rahasya

 "Hanuman, listen with a pure heart. I shall tell you what only the wisest of sages perceive through lifetimes of penance."

"I am not merely Dasharatha’s son. I am the unborn, eternal Brahman – the pure Consciousness that pervades all things. I take form by my own will, to guide beings lost in ignorance."

"Sita is none other than Maya Shakti, my divine energy. She appears separate, yet never truly leaves me – just as the shadow cannot leave its source."

"Ravana symbolizes the ego – powerful, learned, but blinded by desire and arrogance. When the ego abducts the soul (Sita), the divine must descend to rescue it."

"You, Hanuman, are Bhakti (devotion). You are the bridge between the soul and the Supreme. Through selfless service and love, you unite the scattered pieces of creation back to me."

"Lanka is the realm of the mind when ruled by desire. The golden city is beautiful on the outside, but it burns with inner restlessness."

"The forest represents the journey within – a time of trial and purification. Ayodhya is not just a kingdom – it is the state of inner peace, free from duality."

"My bow is knowledge, my arrows are discrimination, and my chariot is dharma. With these, I destroy the demons of delusion."

"Every event in this leela (divine play) teaches a path: the path of karma, jnana, and bhakti. But Bhakti – your path – is the dearest to me. For in love, the soul surrenders all."

 Hanuman’s Response

Hanuman, with tears flowing, touched Rama’s feet.

"O Lord, now I know your true form. You are beyond name and form, and yet you take form for our sake. Let me ever serve you, whether in this world or beyond. My joy lies not in liberation, but in serving your feet.”

 Rama’s Blessing

"Hanuman, you are dear to me as my breath. Wherever my name is spoken, your name shall be sung too. You shall live eternally, for your heart is my temple."

Summarized

Rama – the Supreme Reality

Sita – the individual soul

Ravana – ego and desire

Hanuman – devotion and life-force

The War – the struggle within

Victory – the return to the Self

This secret, the Tattva Rahasya, is said to liberate the listener just by contemplation. It transforms Ramayana from a historical epic into a map of the soul’s journey.

Hanuman Speaks:

 O Lord of Ayodhya, my heart’s true King,

I’ve seen your arrows, your bow, your swing.

But who are You beyond this tale?

What lies beneath the dharma’s veil?

The sages chant your sacred name,

But is there more behind this game?

Tell me, Master, clear and true—

What is this world? And who are You?

Rama Replies:

O son of the wind, so pure, so wise,

You’ve pierced the veil with seeking eyes.

The world sees Rama, prince and man—

But few can grasp the deeper plan.

I am not born, though I appear,

Not made of flesh, though I come near.

I am the Self, the changeless core,

Beyond all death, forevermore.

 Sita is the Soul:

Sita is the soul divine,

Entangled in the worldly vine.

Though ever mine, she seems apart,

As Maya plays her wondrous art.

When ego steals her from my side,

The soul forgets, is tossed by pride.

But know, Hanuman, she cannot fall—

For love remembers, after all.

Ravana is Ego:

Ravana stands with tenfold head,

Each head a craving never fed.

His strength is vast, his learning deep,

But still he falls from lust’s great steep.

For pride and passion, even dressed as wise,

Shall never reach the Self that flies.

You, Hanuman:

 And you, my child, are Bhakti’s flame,

The breath that chants my holy name.

Through you the bridge to me is laid—

With love and strength, it shall not fade.

No weapon wins this war inside,

But heart and faith, where truth does hide.

The Journey:

The forest is the seeker’s way,

The trials that lead the mind to pray.

Ayodhya is the peace within,

Where joy returns and doubts grow thin.

My bow is Knowledge, sharp and bright,

My arrows are the rays of light.

With Dharma's chariot, firm and still,

I ride the path of God’s own will.

Final Blessing:

O Hanuman, forever be

The light of love, the path to Me.

Where my name lives, so shall you,

For hearts like yours are ever true.

Let all who hear this truth awake—

This world is dream, this Self won’t break.

The Ramayana, to those who see,

Is not a tale—but You and Me.

5.6.25.

 

The idols were adorned with magnificent ornaments, including a 1,000-carat diamond, 30kg of silver, 300 grams of gold, and 300 carats of rubies, all donated by Mukesh Patel, a businessman from Surat.

Once-in-a-lifetime creation': Exquisite Ram Darbar unveiled at Ayodhya, new idols to last a thousand years.

A new spiritual milestone was etched in the holy city of Ayodhya on Thursday as the pran pratishtha (consecration) ceremony of the Ram Darbar was performed with grandeur and precision at the Shri Ram Janmabhoomi temple complex. Uttar Pradesh Chief Minister Yogi Adityanath attended the auspicious ceremony as the chief guest, underscoring its historical and devotional significance.

The Ram Darbar, established on the first floor of the temple above the sanctum of Ram Lalla, features exquisitely sculpted idols of Lord Ram, Goddess Sita, and his brothers Lakshman, Bharat, and Shatrughna, along with Lord Hanuman. The event marks the most significant spiritual moment at the temple since the Pran Pratishtha of Ram Lalla on January 22, 2024 — exactly 498 days earlier.

The consecration rituals were performed between 11.25 and 11.40am aligning with the auspicious occasion of Ganga Dussehra. Temple priests noted that the rituals coincided with a rare ‘Siddha Yoga’, enhancing the spiritual impact of the ceremony.

"This is a divine alignment. The pran pratishtha of the Ram Darbar in Ayodhya took place on the same day as that in Rameshwaram, symbolically connecting the spiritual geography of India," said Mahant Amrita Das, a senior seer associated with the temple.

At 35.

At 35.

An In-depth Exploration of the Divine Traits of a True Devotee

The 12th chapter of the Bhagavad Gita, titled Bhakti Yoga, is a beautiful exposition on the path of devotion. In verses 13 to 20, Lord Krishna enumerates the qualities of a true devotee whom He loves dearly. These qualities are not only spiritual ideals but also guidelines for living a peaceful, compassionate, and meaningful life.

Verses 12.13 – 12.14

1. Adveṣṭā sarva-bhūtānām – Non-hateful towards any being

A true devotee bears no hatred or enmity, seeing all beings as part of the Divine.

2. Maitraḥ – Friendly and kind

A bhakta naturally radiates warmth and goodwill.

3. Karuṇaḥ – Compassionate

Deeply empathetic, they feel the pain of others and act to relieve it.

4. Nirmamaḥ – Free from possessiveness

There is no attachment to "mine"; all is seen as belonging to God.

5. Nirahankāraḥ – Free from ego

They are humble, without pride or superiority.

6. Sama-duḥkha-sukhaḥ – Balanced in joy and sorrow

Equanimity is their hallmark – neither elated by success nor dejected by failure.

7. Kṣamī – Forgiving

Enduring injury or insult, they forgive with a large heart.

8. Santuṣṭaḥ satataṁ – Always content

Satisfied with what they have, grateful at all times.

9. Yogī – Steadfast in yoga (union with the Divine)

Disciplined in mind, body, and soul.

10. Yatatātmā – Self-controlled

Mastery over desires and the senses is essential to spiritual growth.

11. Dṛḍha-niścayaḥ – Firm in conviction

Their faith in God is unwavering.

12. Mayy arpita-mano-buddhiḥ – Mind and intellect dedicated to Me (Krishna)

Every thought and decision is aligned with divine will.

13. Sa me priyaḥ – Such a devotee is dear to Me

Krishna affirms His love for such a devotee.

Verse 12.15

14. Yasmān nodvijate loko – One from whom the world is not disturbed

Their presence brings peace, not fear or anxiety.

15. Lokān nodvijate ca yaḥ – Who is not disturbed by the world

They are immune to external disturbances or criticism.

16. Harṣāmarṣa-bhayodvegair muktaḥ – Free from joy, envy, fear, and anxiety

Rising above emotional extremes, they live in inner serenity.

17. Sa ca me priyaḥ – Such a one is dear to Me

Krishna repeats His deep affection for such a person.

Verse 12.16

18. Anapekṣaḥ – Expecting nothing

Acts without selfish motives or expectations of reward.

19. Śuciḥ – Pure

Inner and outer cleanliness, ethical living.

20. Dakṣaḥ – Skillful and efficient

Does duties well, with care and precision.

21. Udaasīnaḥ – Unconcerned or detached

Detached not due to apathy but spiritual understanding.

22. Gatavyathaḥ – Untroubled

Free from mental sorrow or distress.

23. Sarvārambha-parityāgī – Renounces all selfish undertakings

Does not initiate actions driven by ego or desire.l

24. Sa me priyaḥ – Such a person is beloved to Me

Krishna reinforces His admiration.

Verse 12.17

25. Yo na hṛṣyati – Does not rejoice excessively

They are not overjoyed by gain.

26. Na dveṣṭi – Does not hate

No room for malice or resentment in the heart.

27. Na śocati – Does not grieve

Understanding the impermanence of life, they accept loss.

28. Na kāṅkṣati – Does not crave or desire

Free from longing, living in divine contentment.

29. Śubhāśubha-parityāgī – Renounces good and evil outcomes

Detached from dualities, accepting all as divine will.

30. Bhakti-mān – Full of devotion

Surrenders completely to God with love and trust.

31. Sa me priyaḥ – Such a devotee is dear to Me

Krishna treasures such single-minded bhaktas.

Verse 12.18 – 12.19

32. Samaḥ śatrau ca mitre ca – Equal to friend and foe

They see all beings as souls, beyond roles of enemy or ally.

33. Tathā mānāpamānayoḥ – In honor and dishonor the same

Praise or blame – neither disturbs them.

34. Śītoṣṇa-sukha-duḥkheṣu samaḥ – Balanced in heat, cold, joy, and sorrow

Physical and mental experiences don’t shake their inner poise.

35. Sthira-matiḥ – Steady-minded

A calm and resolute mind, unaffected by outer drama.

The Divine Endorsement

In verse 12.20, Lord Krishna concludes:

"Ye tu dharmyāmṛtam idam yathoktaṁ paryupāsate, śraddadhānā mat-paramā bhaktās te 'tīva me priyāḥ."

"Those who follow this path of nectar-like dharma with faith and devotion – such devotees are supremely dear to Me."

These 35 qualities represent the essence of a true devotee, transcending religious rituals and entering the realm of inner transformation. They teach us to live a life of love, humility, purity, and steadfastness, fully centered in the Divine. Even striving toward these qualities gradually brings us closer to God and inner peace.

Isnt anti gravity.

 Fire is not anti-gravity, but it can appear that way in certain situations because of how it behaves.

Why fire seems to rise (but isn’t anti-gravity):

When something burns, it heats the surrounding air.

Hot air is less dense than cold air, so it rises due to buoyancy—just like a hot air balloon.

As the hot air rises, it pulls the flame upward with it, giving the illusion that fire is “defying gravity.”

This rising motion is not because fire resists gravity, but because of how hot gases interact with gravity.

In zero gravity (like on the space station):

Flames look round and blue because there’s no "up" for hot air to rise.

Without gravity to move hot air upward, convection stops, and fire behaves very differently.

So, fire relies on gravity for its familiar shape—it’s not anti-gravity at all.