Thursday, October 17, 2024

Anvikshiki

 Anvikshiki is a term deeply rooted in the intellectual traditions of ancient India, especially in its philosophical and ethical thought. Derived from Sanskrit, "Anvikshiki" means the science or method of inquiry, often translated as "critical thinking" or "logical reasoning." It forms a crucial part of ancient Indian epistemology and is most famously associated with the Arthashastra, a seminal work on statecraft attributed to Kautilya (Chanakya), who considered Anvikshiki essential for wise governance.


The concept, however, is not limited to statecraft. Anvikshiki embodies the philosophical pursuit of truth, knowledge, and ethical reasoning. It is the foundation upon which various Indian schools of thought, including Nyaya, Vaisheshika, and even aspects of the Upanishads, build their understanding of the world, logic, and ethics.


Historical Context


Anvikshiki was considered one of the most critical disciplines of study in ancient Indian universities such as Nalanda and Takshashila. It was often regarded as a complementary discipline to Vedas, economics (artha), and statecraft. Kautilya, in his Arthashastra, specifically defines Anvikshiki as the study of three distinct branches of philosophy: Samkhya (metaphysical dualism), Yoga (practical philosophy of self-discipline), and Lokayata (materialism or empirical thinking).


Anvikshiki was recognized as a necessary tool for governance, justice, and moral conduct. It helped rulers and scholars develop sound reasoning and the ability to make decisions based on evidence and logic rather than superstition or mere tradition.


The Role of Anvikshiki in Indian Philosophy


The role of Anvikshiki in Indian philosophy can be compared to the role of logic in Western philosophical traditions. It provided the intellectual tools to analyze, critique, and refine the arguments of different philosophical schools. For instance, the Nyaya school, one of the six classical schools of Indian philosophy, is particularly known for its rigorous use of logic and debate. Nyaya philosophy uses a systematic approach to reasoning, emphasizing the importance of inference and deduction in understanding the nature of reality.


Anvikshiki is also associated with skepticism and critical inquiry, which were significant aspects of Indian intellectual tradition. Unlike dogmatic approaches, Anvikshiki encourages an open-minded and questioning attitude, fostering a culture of debate and dialogue among different philosophical schools, such as Buddhism, Jainism, and various Hindu traditions. This pluralistic exchange was fundamental to the growth of Indian philosophy, ensuring that ideas were constantly examined and refined.


Anvikshiki and Statecraft


In Kautilya’s Arthashastra, Anvikshiki is highlighted as an essential tool for the ruler. It is through the application of critical inquiry that a king can make sound decisions regarding governance, economics, and diplomacy. Anvikshiki enables rulers to think rationally, foresee the outcomes of their policies, and maintain justice and order in the state.


According to Kautilya, a ruler who masters Anvikshiki develops the ability to remain detached from emotions, superstition, and bias, thus ensuring that decisions are made based on rational analysis. In this sense, Anvikshiki is not just a tool for intellectual exploration but also a pragmatic guide for governance, as it provides a framework for ethical and strategic decision-making.


Contemporary Relevance


In the modern context, Anvikshiki’s emphasis on logic and critical thinking resonates with contemporary ideas of rationality and evidence-based decision-making. In an age where misinformation and irrational beliefs can spread easily, Anvikshiki serves as a reminder of the importance of critical inquiry, not only in philosophy but also in everyday life, governance, and the pursuit of knowledge.


Moreover, in a world that faces complex ethical dilemmas, Anvikshiki’s principles of objective analysis and ethical reasoning are particularly valuable. As we grapple with issues such as climate change, technological ethics, and global governance, the ability to apply critical thinking in a systematic and disciplined manner is more crucial than ever.


Conclusion


Anvikshiki, the art of inquiry, remains a testament to the intellectual rigor and philosophical depth of ancient Indian thought. Whether applied to philosophical debate or statecraft, it offers a timeless methodology for approaching complex problems with reason, logic, and ethical consideration. In a world that increasingly values critical thinking and rational decision-making, the ancient wisdom of Anvikshiki continues to offer insights into how we might better understand and navigate the challenges of the modern world.


Tuesday, October 15, 2024

Cold coffee.

 Don't leave anything for later.

Later, the coffee gets cold.

Later, you lose interest.

Later, the day turns into night.

Later, people grow up.

Later, people grow old.

Later, life goes by.

Later, you regret not doing something...

When you had the chance. 


Life is a fleeting dance, a delicate balance of moments that unfold before us, never to return in quite the same way again.

Regret is a bitter pill to swallow, a weight that bears down upon the soul with the burden of missed chances and unspoken words.

So, let us not leave anything for later. Let us seize the moments as they come, with hearts open and arms outstretched to embrace the possibilities that lie before us. For in the end, it is not the things we did that we regret, but the things we left undone, the words left unspoken, the dreams left unfulfilled.


   — *Before the Coffee Gets Cold*, 

Toshikazu Kawaguchi

Sunday, October 13, 2024

Nothern lights.

White aura Finland.

 

Alaska.

Iceland colour splash.
Below preparing for the event. 


Other nothern regions. 



The northern lights are an atmospheric phenomenon that's regarded as the Holy Grail of skywatching.

The northern lights, or the aurora borealis, are beautiful dancing ribbons of light that have captivated people for millennia. But for all its beauty, this spectacular light show is a rather violent event. 

The northern lights are created when energized particles from the sun slam into Earth's upper atmosphere at speeds of up to 45 million mph (72 million kph), but our planet's magnetic field protects us from the onslaught. 

As Earth's magnetic field redirects the particles toward the poles — there are southern lights, too, — the dramatic process transforms into a cinematic atmospheric phenomenon that dazzles and fascinates scientists and skywatchers alike.

At any given moment, the sun is ejecting charged particles from its corona, or upper atmosphere, creating the solar wind. When that wind slams into Earth's ionosphere, or upper atmosphere, the aurora is born. In the Northern Hemisphere, the phenomenon is called the northern lights (aurora borealis), while in the Southern Hemisphere, it's called the southern lights (aurora australis).




Saturday, October 12, 2024

Tuesday, October 8, 2024

MMD

 May be a repeat. 

mAdhava mAmava dEva krSNa

yAdava krSNa yadukula krSNa

anupallavi

sAdhu janAdhAra sarvabhAva

caraNam 1

ambuja lOcana kambu shubha grIva
bimbAdhara candra bimbAnana
cAmpEya nAsAgra lagna sumauktika
shArada candra janita madana

caraNam 2

Agama giri shikharOdita satya
chidadvaya lakSaNa sukha bhAnO
bhOgi kuLOttama bhOga shayana dugdha-
sAgarajA lakSaNAdhya tanO

caraNam 3

indirayA saha sundara krSNa
purandarAdi vandya padakamala
nandanandana yOgivarya dhurandhara
nArAyaNa tIrtha mativihAr

Meaning:
pallavi

mAdhava - O husband of Lakshmi (mA) !
mAmava - Protect me.
dEva krSNa - O Lord Krishna !
yAdava krSNa yadukula krSNa - O Scion of the Yadu dynasty !

anupallavi

sAdhu janAdhAra - O Support of good people !
sarvabhAva - O Embodiment of all creation !

caraNam 1

ambuja lOcana - O Lotus-eyed one !
kambu shubha grIva - O One with an auspicious conch-like neck !
bimbAdhara - O One with (red) lips like a bimba fruit (kovvai pazham)!
candra bimbAnana - O One whose face is like the orb of the moon !
lagna sumauktika - O One with a nice pearl fixed
cAmpEya nAsAgra - at the tip of the nose that resembles the Champaka flower !
shArada candra - O One (pleasing) like the autumnal moon !
janita madana - O Father of Manmatha !

caraNam 2

bhAnO - O Sun
Agama giri shikhara udita - rising atop the hill of the Vedas,
satya chidadvaya lakSaNa sukha - embodying existence, awareness and bliss that is your singular definition !
bhOgi kuLOttama bhOga shayana - O One reclining on the hood of the best of serpents !
dugdha- sAgarajA lakSaNAdhya tanO - O One whose body is endowed with the mark (residence) of Lakshmi, the daughter of the Milk Ocean !

caraNam 3

sundara krSNa - O Handsome Krishna (who is)
indirayA saha - along with Lakshmi !
purandaraadi vandya padakamala - O One whose lotus-feet are saluted by Indra and other Devas !
nandanandana - O Child of Nanda !
yOgivarya dhurandhara - O Foremost among the best of Yogis !
nArAyaNa tIrtha mativihAra - O One sporting in the mind of Narayana Teertha !


Sunday, October 6, 2024

Air show.









 





The Indian Air Force’s (IAF) aerobatic team performing mega air show held at Marina beach in Chennai on October 6, 2024. 

The city, which hosted the IAF airshow after 21 years, witnessed a scintillating aerial display of several fighter jets, helicopters, and vintage aircraft, which enthralled the audience. Some of the aircraft and helicopters that participated in various formations include LCA Tejas, Rafale, Sukhoi 30 MKI, Jaguar Mirage 2000, MiG 29, HTT 40, ALH Mk-I, Hawk MK, Chetak, Dakota and Harvard.



https://drive.google.com/drive/folders/1CFcYcQrUrgRSXSyInnJR97ZfF48T9ght?usp=sharing


The fly-past of the airshow, conducted between 11 a.m. and 1 p.m., began with the Dhwaj formation of Chetak helicopters carrying the flags of India and IAF, followed by other formations including Puyal Formation by Rafale, Pallava by Harvard, Kalam by HTT-40, Kaveri by C 295 and DO 228, Nilgiri by Jaguar, Kartikeye and Pandiyan formations by Tejas, Marina and Chola formations by Sukhoi 30 MKI, Dhanush by P-8I and Rafale, Sarang by ALH MK-I and Mahabali formation by C17 and Suryakiran Aerobatic team, Kanchi by AEW&C and MiG 29, Sangam by LCH, Chera by Dakota and PC 7 aircraft, and Natraj by IL-78 and Mirage 2000.

Thursday, October 3, 2024

Kintsugi.

 Kintsugi: The Art of Embracing Imperfections


Kintsugi, a traditional Japanese art form, translates to "golden joinery" or "golden repair." It involves mending broken pottery using lacquer mixed with powdered gold, silver, or platinum. The philosophy behind kintsugi goes beyond merely fixing an object; it celebrates its fractures and history, turning damage into something unique and beautiful. This practice, rooted in the Zen Buddhist philosophy of wabi-sabi, embraces imperfection, impermanence, and the acceptance of change as an inherent part of life.


Origins of Kintsugi


The art of kintsugi originated in the late 15th century during the Muromachi period in Japan. According to legend, the practice began when the Japanese shogun Ashikaga Yoshimasa sent a damaged Chinese tea bowl back to China for repairs. Upon its return, the bowl was restored with unsightly metal staples, which motivated Japanese artisans to develop a more aesthetically pleasing method of repair. Thus, kintsugi was born. This new technique aligned with the cultural values of beauty, impermanence, and respect for the object's history.


The Philosophy of Kintsugi


At its core, kintsugi embodies the idea that brokenness is not something to hide but rather to honor. The mended cracks and fissures are highlighted with precious metals, creating a piece of art that tells a story of resilience and transformation. Kintsugi teaches that experiences of loss or damage do not diminish the value of a person or object. Instead, they add to its beauty and uniqueness.


This practice reflects the broader Japanese aesthetic of wabi-sabi, which finds beauty in the imperfect, the transient, and the incomplete. Unlike Western ideals of perfection, which often prioritize flawless symmetry and permanence, wabi-sabi accepts the natural cycle of growth and decay. The imperfections of the repaired pottery, now made more striking by the golden veins, become metaphors for life’s inevitable imperfections.


Kintsugi in Contemporary Culture


Today, kintsugi has transcended its original craft and has been adopted as a powerful metaphor for personal growth and healing. Many people find comfort in the idea that their own emotional scars and life challenges can be seen as something to embrace rather than hide. The concept of “being made more beautiful for having been broken” resonates with individuals experiencing loss, failure, or trauma. Kintsugi invites reflection on how we handle adversity and offers an empowering perspective on the value of imperfections.


Additionally, in an age of mass production and consumerism, kintsugi encourages mindful consumption by emphasizing the value of repair over replacement. Rather than discarding broken objects, kintsugi suggests that with care and craftsmanship, damaged items can gain new life. This approach aligns with modern sustainability movements that challenge the throwaway culture by encouraging people to value the stories and longevity of their possessions.


Conclusion


Kintsugi is more than just a method of repairing pottery; it is a philosophy that teaches us to find beauty in brokenness, to honor the passage of time, and to embrace imperfection. By highlighting the fractures rather than concealing them, kintsugi elevates the damaged object into something richer and more meaningful. This ancient Japanese art form offers a timeless lesson: that our struggles, far from diminishing us, have the potential to make us stronger, wiser, and more beautiful.