Thursday, January 22, 2026

Observations

 

Why the Sky Seems Different These Days


Earth’s “Second Moon” and the Curious Case of the Closer Stars


Many of us who have spent years quietly looking at the night sky feel something has changed. Where once a single bright star stood alone, now we sometimes see two, three, or even four lights closely grouped together. News headlines also tell us that Earth has a “second moon” until 2083. It all sounds mysterious, even unsettling.

But the truth is calmer, more beautiful, and deeply connected to how the universe moves — and how we see it.

Earth’s “Second Moon” — What It Really Means

First, about the so-called second moon.

Earth still has only one real Moon — the same one that has guided tides, festivals, and poetry for thousands of years. The “second moon” spoken of today is not a moon at all.

It is a small space rock, an asteroid, that is travelling around the Sun almost alongside Earth, like a fellow walker on a circular path. Because it moves at nearly the same speed and stays nearby for many decades, scientists call it a quasi-moon — meaning “moon-like, but not truly a moon.”

It does not circle Earth, does not affect tides, and cannot be seen with the naked eye. Around the year 2083, it will slowly drift away, just as quietly as it came.

 Earth has not gained a new companion — it merely has a temporary fellow traveller.

Why Do Stars Look Closer or Multiplied?

Now to the — one many people ask quietly:

“Why do stars seem closer? Why do I see four stars where earlier I saw one?”

There are several gentle reasons, and none of them mean the stars are actually moving toward Earth.

1. Some “Single Stars” Were Never Single

Many bright stars are actually groups of stars, called star clusters or binary systems. They are born together and travel together.

Earlier:

Our eyes, street lighting, and air pollution made them appear as one merged point of light.

Now:

With cleaner skies in some seasons, better eyesight correction, and more awareness, the same light separates into two or four tiny points.

Nothing new has appeared — our perception has improved.

2. Planets Often Pretend to Be Stars

Planets like Jupiter, Venus, Mars, and Saturn shine brightly and sit close to real stars.

At certain times of the year:

A planet passes near a star or star group

The sky shows a tight cluster of lights

It looks like one star has suddenly multiplied

In reality:  Some of those “stars” are planets reflecting sunlight, not stars at all.

3. Earth’s Atmosphere Plays Tricks

The air above us is never still. Layers of warm and cool air bend light slightly.

This causes:

Splitting of light

Shimmering

Momentary doubling or quadrupling

Just like a flame reflected in rippling water looks like many flames.

4. Our Own Eyes Change with Time

As we grow older:

The eye lens changes

Light scatters more

Bright points sometimes appear as clusters or halos

This is natural and gentle — not a sign of danger, only of time passing.

Are the Stars Really Coming Closer?

No.

The stars are so unimaginably far away that even the nearest star would take over four years for its light to reach us — and it has been at roughly the same distance for thousands of years.

What has changed is:

Our awareness

Our viewing conditions

Our curiosity

A Sky That Feels Alive

In earlier times, people accepted the sky as it was. Today, we watch, question, and notice patterns. When science gives names like “second moon” or “quasi-satellite,” it is not announcing danger — it is simply describing a dance that was always happening.

Perhaps the sky has not changed at all.

Perhaps we have slowed down enough to look carefully.

And when one star becomes four, it is not the universe crowding in —

it is the universe gently revealing its depth.




Remembered.

 https://youtube.com/shorts/Mat674XHZ5g?si=jd88HZKuaDyzBxSr

The soul’s greatest prayer is not for reward or relief,

but for the courage to return—

and the humility to be held once more by Grace.

The core idea being expressed

At heart, it is about the soul’s homesickness for the Divine.

Not fear.

Not punishment.

But longing.

The feeling says:

“I have wandered far, worn many identities, played many roles—but I remember something purer. I want to go back.”

This is not a dramatic fall-and-redemption story.

It is quieter, deeper.

Why this longing arises

According to Vedantic and Bhakti traditions:

The soul (jīva) is not created broken

It is created complete, but veiled

Life in the world is not exile—it is forgetfulness

When the veil thins—through suffering, beauty, devotion, or sheer exhaustion—the memory awakens.

That memory feels like:

Tears without clear cause

Attraction to the Divine Name

Disinterest in worldly victories

A soft shame, not of sin, but of distance

This is what the images are trying to show.

“Accepted once more” — what does that really mean?

This is crucial.

The Divine never rejects the soul.

So “being accepted again” is not about God changing His mind.

It is about the soul becoming honest.

In the Bhāgavata Purāṇa, the Lord says (in essence):

“I never abandon those who turn toward Me—even once.”

The only barrier was the soul’s own turning away.

So the return is not dramatic.

It is inevitable.

Like a river that wandered through fields and dust— yet always flowed toward the ocean.

Why the imagery often feels sorrowful

Because remembrance hurts before it heals.

When you remember:

What you once were

What you could be

What has been diluted by habit and hurry

There is grief.

But this grief is pure.

It is called viraha in Bhakti—the pain of separation that proves love exists.

Saints say:

If you did not belong, you would not ache.

The deeper teaching hidden inside

The message is not:

“You failed. Try harder.”

The message is:

“You were never lost. Just tired.”

And the Divine is not waiting with judgment, but with recognition.

Like saying:

“Ah. You remembered.”

Why this resonates 

something you heard stirred devotion

something small opened something vast

That is exactly this state.

The longing itself is already half the return.

The Soul’s Longing to Return: Anchored in Sacred Verse

1. The ache itself is divine remembrance

Bhagavad Gītā 15.7

ममैवांशो जीवलोके जीवभूतः सनातनः

mamaivāṁśo jīvaloke jīvabhūtaḥ sanātanaḥ

“The living being in this world is My eternal fragment.”

Longing arises because the soul is not a stranger to God—it is of Him.

One does not yearn for what one has never known. This verse explains why the heart feels restless even amid comfort: it is an eternal part remembering its source.

The images you shared are not about guilt; they are about identity stirring awake.

2. Forgetfulness, not sin, is the real exile

Bhagavad Gītā 15.15

सर्वस्य चाहं हृदि सन्निविष्टो

मत्तः स्मृतिर्ज्ञानमपोहनं च

“I dwell in the heart of all; from Me come remembrance, knowledge, and forgetfulness.”

The soul’s wandering is permitted—not condemned.

Even forgetfulness is allowed by the Lord, so that remembrance may one day be chosen.

Thus, when longing appears, it is God restoring memory from within, not the soul struggling upward alone.

3. Acceptance was never withdrawn

Bhagavad Gītā 9.30–31

अपि चेत्सुदुराचारो भजते मामनन्यभाक्

साधुरेव स मन्तव्यः

“Even if one has acted wrongly, if they worship Me with single-minded devotion, they are to be regarded as righteous.”

The fear of “Will I be accepted again?” exists only in the human mind.

The Divine verdict is already given: belonging is intact.

This verse dissolves the anxiety behind longing and replaces it with assurance.

4. The Lord waits only for the turning of the heart

Bhāgavata Purāṇa 11.14.15

भक्त्या मामभिजानाति यावान्यश्चास्मि तत्त्वतः

“Only through devotion can I be truly known as I am.”

The return is not through perfection, knowledge, or penance—but through sincere turning.

Longing itself is devotion in its earliest form.

Before prayer has words, it has tears and silence.

5. Separation deepens love, not distance

Bhāgavata Purāṇa 10.47.61 (Uddhava to the Gopīs)

आसामहो चरणरेणुजुषामहं स्यां

“Let me become even a blade of grass touched by the dust of their feet.”

Viraha (separation) is not absence—it is intensity.

The pain of distance sharpens love until it becomes incapable of forgetting.

What feels like sorrow in the images is actually love ripening beyond form.

6. The return is inward, not distant

Kaṭha Upaniṣad 2.2.13

न तत्र सूर्यो भाति न चन्द्रतारकं

तमेव भान्तमनुभाति सर्वं

“There the sun does not shine, nor the moon nor stars.

By His light alone does everything shine.”


The destination the soul longs for is not a place.

It is recognition of the Light already illuminating one’s being.

Hence the strange paradox:

The soul seeks what it has never left.

7. The final reassurance

Bhagavad Gītā 18.66

सर्वधर्मान्परित्यज्य मामेकं शरणं व्रज

अहं त्वां सर्वपापेभ्यो मोक्षयिष्यामि मा शुचः

“Abandon all burdens and take refuge in Me alone.

I shall free you from all sorrow—do not grieve.”


This is not a command—it is a comfort.

The Lord does not say “Prove yourself.”

He says “Do not grieve.”

The soul’s longing ends not in judgment, but in rest.

Closing reflection 

The longing to return is not weakness—it is memory awakening.

Not fear of rejection—but confidence in belonging.

Not the cry of the lost—but the sigh of one who has finally remembered the way home.

Poem

The Soul Remembers

I was never cast away—

only carried far

by names, by needs, by noise.

Yet somewhere beneath the dust

Your Name kept breathing.

mamaivāṁśo jīvaloke jīvabhūtaḥ sanātanaḥ

(Gītā 15.7)

I am of You.

That is why the ache would not leave.

I walked through days of forgetting,

thinking distance was freedom,

thinking silence meant absence.

But even my forgetting

was held inside Your will.

mattaḥ smṛtir jñānam apohanaṁ ca

(Gītā 15.15)

You stayed—

quiet as a heartbeat I ignored.

Sometimes the longing rose suddenly,

without reason, without form—

a tear at dusk,

a pause mid-song,

a question that had no words.

It was not guilt.

It was memory.

I feared You might ask for proofs,

accounts of where I strayed,

explanations for my delays.

But You asked only for my face

turned toward You.

api cet sudurācāro bhajate mām ananya-bhāk

(Gītā 9.30)

Even now, You called me good.

In separation, love sharpened.

In absence, You grew nearer.

I learned that distance

does not weaken devotion—

it deepens it.

āsāmaho caraṇa-reṇu-juṣām ahaṁ syām

(Bhāgavata 10.47.61)

Let me be dust, I prayed,

if dust remembers You best.

I searched for You in far heavens,

in imagined returns,

in promised crossings—

until the search itself grew still.

tameva bhāntam anubhāti sarvaṁ

(Kaṭha Upaniṣad 2.2.13)

You were the light

by which I was searching.

Then You spoke,

not as command,

not as judgment,

but as rest.

mā śucaḥ

(Gītā 18.66)

Do not grieve.

So I come as I am—

not perfected,

not explained,

only honest.

If longing is my offering,

receive it.

If remembering is my return,

let it be enough.

For I was never lost—

only late in recognizing

that I had always been

home.

Basanth

Basant Panchami: Saraswati, Sri, and the Awakening of Divine Wisdom

A Vaishnava Reflection

Basant Panchami is not merely the announcement of spring; it is the soft opening of the inner bud of wisdom. Celebrated on the fifth day of the bright fortnight of Magha, it marks the moment when Nature herself becomes a teacher, instructing the soul in renewal, patience, and quiet blossoming.

In the Vaishnava understanding, knowledge (Vidya) is never independent. It flows from Narayana, rests in Saraswati, and culminates in Bhakti. Thus Basant Panchami becomes a sacred confluence of Saraswati Devi and Sri Mahalakshmi, both eternally residing at the feet of the Lord.

“Sarasvatī cha Lakṣmīścha

Patnau Nārāyaṇasya tu”

“Saraswati and Lakshmi

Are both consorts of Narayana.”

Knowledge without devotion becomes pride; devotion without understanding becomes sentiment. Basant Panchami harmonises both.

Yellow as the Colour of Sri Hari

Yellow is not chosen by accident. It is the colour of Sri Hari’s Pitambara, the garment that signifies sattva, compassion, and spiritual ripeness.

“Pītāmbara-dharaṁ viṣṇuṁ

Sarva-yajñeśvaraṁ prabhum”

“I meditate upon Vishnu,

Clad in yellow garments,

The Lord of all sacrifices.”

Mustard fields bloom as if the earth itself has donned the Lord’s garment. Basant Panchami teaches us that Nature worships Narayana silently, without rituals or words.

Saraswati in Vaishnava Thought

In Vaishnava tradition, Saraswati is revered as Vāk Devi, the divine energy that enables the soul to glorify Vishnu correctly.

“Anādi-nidhanāṁ brahma

Vāk-devīm varadāṁ smaret”

She is not worshipped merely for scholarship but for pure speech, speech that praises the Lord and uplifts others.

This is why on Basant Panchami:

Scriptures are placed before the deity

Musical instruments are rested, not played

Ego bows before learning

“Na vidyā vidyate yasya

Harir ārādhito yadi”

“There is no true knowledge

Where Hari is not worshipped.”

Vidyarambham: Offering the Intellect to Vishnu

The tradition of Vidyarambham—the first writing of letters—is deeply symbolic. A child is not told, “You are learning,” but rather, “You are being allowed to learn.”

“Tameva viditvā ati mṛtyum eti”

(Śvetāśvatara Upaniṣad)

“By knowing Him alone

One crosses beyond death.”

In Vaishnava homes, this act is often accompanied by the chanting of:

“Om Namo Nārāyaṇāya”

Thus, the first syllables of life are anchored in surrender.

Regional Expressions Through a Vaishnava Lens

Bengal, Odisha, Mithila

Saraswati Puja flourishes as an act of humility. Students refrain from touching books until worship is complete, acknowledging that knowledge is grace, not possession.

Vrindavan, Mathura, Ayodhya

Basant Panchami recalls Krishna’s joyous pastimes, His love for yellow garments, flowers, and music. Temples adorn the Lord in basanti hues, symbolising divine playfulness and wisdom combined.

“Barhāpīḍaṁ naṭa-vara-vapuḥ karṇayor karṇikāram”

(Śrīmad Bhāgavatam)

Punjab and North India

Kites soar skyward, mirroring the jīva’s aspiration to rise above bondage, tethered only by devotion.

Spring in the Bhāgavata Vision

In the Bhāgavata tradition, seasons are expressions of the Lord’s compassion.

“Kālaḥ svabhāvo niyatiḥ

Yadṛcchā guṇā eva ca”

(Bhāgavatam 2.5.22)

Spring is when the heart softens, making it receptive to bhakti. Basant Panchami thus becomes an inner invitation:

“Let the frozen intellect melt into devotion.”

Knowledge That Leads to Bhakti

Vaishnava scriptures consistently remind us:

“Bhaktyā mām abhijānāti

Yāvān yaś cāsmi tattvataḥ”

(Bhagavad Gita 18.55)

“Only through devotion

Can I be truly known.”

Basant Panchami celebrates that knowledge which bows, not boasts—learning that ends in surrender at the feet of Sri Hari.

A Festival That Teaches Silence

Basant Panchami does not demand loud celebration. Like Saraswati herself, it speaks softly. It reminds us that:

Wisdom ripens quietly

Learning begins with humility

True scholarship ends in devotion

“Vidya dadāti vinayam”

“Knowledge gives humility.”

May this Basant Panchami bless us with speech that glorifies Hari, learning that dissolves ego, and devotion that blooms like spring in the heart.

“Śrī Kṛṣṇārpaṇam astu”

Basant Panchami: When Knowledge, Nature, and Devotion Blossom Together

Basant Panchami marks the gentle arrival of Vasant Ritu—the season of renewal, hope, and awakening. Celebrated on the fifth day (Panchami) of the bright fortnight of Magha, this sacred day announces that winter’s austerity is slowly yielding to warmth, colour, and life. In India’s civilizational rhythm, seasons are not merely climatic changes; they are cosmic signals reminding humanity of the eternal cycles of decay and regeneration.

Basant Panchami is most intimately associated with Goddess Saraswati, the embodiment of knowledge (vidyā), wisdom (prajñā), music (saṅgīta), and refined speech (vāk). On this day, learning is worshipped as sacred, and knowledge is seen as divine grace rather than human achievement.

“Saraswati namastubhyam varade kāmarūpiṇi

Vidyārambham kariṣyāmi siddhir bhavatu me sadā”

“O Saraswati, bestower of boons,

As I begin my learning,

May success ever walk with me.”

The Spiritual Meaning of Yellow

The colour yellow (basanti) dominates Basant Panchami—fields of mustard bloom in radiant gold, homes glow with turmeric hues, and devotees dress in yellow garments. Spiritually, yellow signifies:

Sattva guna – purity and clarity

Knowledge that dispels ignorance

Ripening of wisdom, just as crops ripen in the fields

Unlike festive excess, Basant Panchami celebrates gentle joy—the joy of understanding, learning, and inner flowering.

Saraswati Puja: Worship of Wisdom

Across India, books, musical instruments, manuscripts, and tools of learning are placed before the Goddess. Children are encouraged to write their first letters in the ceremony known as Vidyarambham.

“Yā kuṇḍendu tuṣārahāra dhavalā, yā śubhra vastrāvṛtā

Yā vīṇā varadaṇḍa maṇḍita karā, yā śveta padmāsanā”

“She who is white as the moon and jasmine,

Who holds the veena and sits upon a white lotus—

May that Goddess Saraswati protect us.”

Significantly, on this day no learning is withheld—even the simplest attempt at knowledge is considered sacred.

Celebrations Across India

West Bengal, Odisha, and Bihar

Basant Panchami is synonymous with Saraswati Puja. Educational institutions, homes, and community spaces host elaborate rituals. Students often fast till the puja is complete, acknowledging humility before knowledge.

Punjab and Haryana

The day is celebrated as a kite festival, especially in Punjab, where the skies bloom with colour. Here, Basant Panchami reflects exuberance and youthful joy—the soul rising like a kite towards freedom.

“Udd jā basantī patang, le ja sandesh bahār ka”

“Fly, O yellow kite,

Carry the message of spring.”

Uttar Pradesh

In regions like Prayagraj and Ayodhya, the day holds Vaishnava significance. It is believed that Shri Krishna wore yellow garments on this day, marking divine joy and love.

Rajasthan

Royal processions, folk songs, and dances celebrate Basant Panchami as a festival of culture and refinement, once patronised by kings and poets.

South India

Though Saraswati Puja is more prominent during Navaratri, Basant Panchami is observed through temple worship, chanting, and special prayers—particularly in Vaishnava and Advaita traditions.

Basant Panchami and the Poet’s Heart

Indian poetry often sees Basant as the season of longing and creativity. Kalidasa describes spring as nature’s invitation to beauty and emotion. Basant Panchami thus becomes the festival where art, learning, devotion, and nature speak the same language.

“Na hi jñānena sadṛśam pavitram iha vidyate”

(Bhagavad Gita 4.38)

“There is nothing as purifying in this world as knowledge.”

A Quiet Festival with a Lasting Message

Unlike festivals marked by noise or spectacle, Basant Panchami whispers its wisdom. It tells us that true growth begins silently, like a bud forming beneath the soil. Knowledge must be nurtured with humility, patience, and reverence.

In a world rushing towards information, Basant Panchami reminds us to pause and ask: Are we becoming wiser, or merely busier?

May Goddess Saraswati bless us not only with learning, but with the discernment to use it well.

“Ārohati sa vidyā yā vimuktaye”

“That alone is true knowledge which leads to liberation.”

Wednesday, January 21, 2026

Protect.



Vitamin B12: The Silent Protector of Nerves, Blood, and Brain

Vitamin B12 is a quiet but powerful guardian of the human body. It protects the nerves by maintaining the myelin sheath, ensures healthy blood by enabling proper red blood cell formation, and preserves the brain by supporting memory, clarity, and emotional balance. A deficiency often goes unnoticed at first, yet it can lead to fatigue, anemia, numbness, confusion, and cognitive decline. Especially common among vegetarians and the elderly, B12 deficiency reminds us that nourishment is not merely about filling the stomach but about sustaining the delicate intelligence of the body itself.

Vitamin B12 – A Lesson in Silent Support

Vitamin B12 works unseen, unheard, and unnoticed—much like many forces that sustain life. It guards the nerves without announcing itself, strengthens the blood without display, and preserves the brain without demand. Only when it is absent do we realize its value. In this, B12 mirrors a deeper truth of life: that protection, care, and grace often operate silently. What sustains us most is rarely dramatic—it is steady, faithful, and humble in its service.


Disciple.

What is Thotaka Ashtakam?

Thotaka Ashtakam (also spelled Totakashtakam or Thotaka Aṣṭakam) is a Sanskrit devotional hymn composed by Totakacharya, one of the foremost disciples of Adi Shankaracharya. It consists of eight verses (aṣṭakam) written in a lyrical meter. The hymn is a tribute to Adi Shankaracharya’s grace and wisdom and expresses the devotee’s deep reverence and humble yearning for the Guru’s blessings. 

This hymn is widely sung in traditional Advaita Vedanta and Shankaracharya lineages during worship, pujas, and Guru shraddha (devotion to the spiritual teacher).

Thotaka refers to Totakacharya, the author of the hymn.

So Thotaka Aṣṭakam means “the eight-verse poem of Totaka.”” 

There’s a traditional story that Totakacharya was not academically gifted but was deeply devoted to his teacher. Adi Shankaracharya, to encourage him, bestowed wisdom upon him. Totakacharya then composed this hymn out of love and gratitude. 

Sample Opening Verse (from Sanskrit)

Here’s the first verse in Sanskrit (devanagari) — this is widely documented in traditional sources:

नयनिरितमानसभूमि: शिरसि प्रचलप्रचलाकशिखः ।

मुरलीध्वनिभिः सुरभिस्त्वरयन्

पशुपीविरहव्यसनं तिरयन् (1).

Each verse of Thotaka Ashtakam praises the Guru (Adi Shankaracharya) by describing his divine attributes and recounting the effect of his grace on the devotee. The central themes are:

 1. Reverence for the Guru

The hymns describe the teacher as the embodiment of supreme wisdom, whose very presence dispels ignorance and suffering.

2. Devotion, Not Scholarship

Totakacharya emphasizes that devotion and grace are greater than mere book knowledge. His own limitations in scholarship did not stop him from receiving the Guru’s blessings — highlighting that true spiritual progress is through devotion and the Guru’s grace.

 3. Inner Transformation

The verses speak of how the Guru transforms the heart and mind, much like how spiritual insight uproots the weeds of ego and delusion.

4. Path of Advaita (Non-Dual Wisdom)

Underlying the devotional exultation is the non-dual philosophy advaita, teaching that the self and the absolute (Brahman) are one, and the Guru reveals this truth. 

In short, the hymn is less about literal concepts and more an expression of bhakti (devotion) and guru-prapatti (surrender to the Guru) — common in Shankaracharya traditions.

Totakashtakam celebrates Adi Shankaracharya’s wisdom and benevolence.

It expresses devotional surrender and the profound transformation that comes from the Guru’s grace.

It teaches that pure devotion and grace are what liberate the mind more than intellectual prowess. L

This hymn is addressed to Adi Śaṅkarācārya by his disciple Śrī Totakācārya, overflowing with gratitude for the Guru’s grace.

Śrī Totakāṣṭakam

(Eight verses in praise of Adi Śaṅkarācārya)

Verse 1

Sanskrit (IAST)

viditākhila-śāstra-sudhā-jala-dhe

mahita-upaniṣat-kathitārtha-nidhe

bhava-bhaya-haraṃ tava suprasādaṃ

bhaja śaṅkara deśika me śaraṇam


O Śaṅkara, my revered Guru!

You are an ocean of the nectar of all scriptures,

The very treasury of the truths declared in the Upaniṣads.

Destroyer of the fear of worldly existence,

I seek refuge in your supreme grace.

Verse 2

karuṇā-varuṇālaya pālaya mām

bhava-sāgara-duḥkha-vidūna-hṛdām

racayākhila-darśana-tattva-vidāṃ

bhaja śaṅkara deśika me śaraṇam


O ocean of compassion, protect me!

My heart is tormented by the sorrows of worldly life.

You are the knower and revealer of the essence of all philosophies.

O Śaṅkara, my Guru, I take refuge in you.

Verse 3

bhavataḥ pada-yoḥ śaraṇaṃ karavāṇi

na hi me gatir anyā bhavānīśa jāni

anukampayā māṃ kuru deśika me

bhaja śaṅkara deśika me śaraṇam


At your sacred feet alone I take shelter,

For I know there is no other refuge for me.

Out of compassion, uplift me, O my Guru.

O Śaṅkara, I surrender unto you.

Verse 4

aviditākhila-śāstra-sudhā-jala-dhe

durita-kṣaya-kāraṇa he karuṇā-nidhe

bhava-bhītaṃ mām uddhara deśika me

bhaja śaṅkara deśika me śaraṇam


Though I am ignorant of the ocean of scriptural wisdom,

You are the compassionate one who destroys all sins.

Lift me up, who am terrified of worldly bondage.

O Śaṅkara, my Guru, I seek refuge in you.

Verse 5

na hi śaṅkara te śaraṇāgata-vatsala

bhava-duḥkha-tamohara bhāskara bhāsura

bhava-bhītaṃ mām uddhara deśika me

bhaja śaṅkara deśika me śaraṇam


O Śaṅkara, you are ever affectionate to those who surrender to you.

You shine like the sun, dispelling the darkness of worldly sorrow.

Rescue me, who am fearful of samsāra.

O Guru, I take refuge in you.

Verse 6

viditākhila-darśana-tattva-bodha

vicakṣaṇa he karuṇāika-sindho

kuru māṃ tava pāda-saroruha-bhaktaṃ

bhaja śaṅkara deśika me śaraṇam


O knower of the essence of all philosophies,

O wise one, ocean of boundless compassion!

Make me a devoted servant of your lotus feet.

O Śaṅkara, I surrender unto you.

Verse 7

bhava-duḥkha-janita-klamaṃ karuṇayā

bhava-bandha-vimocana-sādhu-dayayā

kuru māṃ tava pāda-parāyaṇaṃ

bhaja śaṅkara deśika me śaraṇam


Wearied by the sorrows born of worldly life,

Free me from bondage through your saintly compassion.

Make me wholly devoted to your feet.

O Śaṅkara, my Guru, I seek refuge in you.

Verse 8 (Phala Śruti – Concluding Verse)

totakena kṛtaṃ śaṅkarāṣṭakam etat

paṭhati ya iha bhaktyā sa labhate muktiṃ

bhaja śaṅkara deśika me śaraṇam


This Śaṅkarāṣṭakam was composed by Totaka.

Whoever recites it here with devotion attains liberation.

O Śaṅkara, my Guru, I take refuge in you.

Essence of Totakāṣṭakam

Guru-bhakti surpasses scholarship

Grace dissolves ignorance instantly

True knowledge flows from surrender

Adi Śaṅkara is seen as compassion incarnate

This hymn is especially powerful when chanted before study, during spiritual confusion, or on Guru Pūrṇimā.


Tuesday, January 20, 2026

Does.

 “Among thousands of men, one strives for perfection.”

— Bhagavad Gītā 7.3

In every sphere of life, the ratio of doers to followers remains quietly unequal. A handful act, while many watch; a few initiate, while the rest respond. Progress, change, and meaning are always born from this small band of doers—those who move despite uncertainty, who act without waiting for approval. The followers are not lesser; they give strength, continuity, and spread to what has been begun. Yet history, spirituality, and even daily life remind us that the first step is always taken by one. As the Gītā gently observes, among thousands, only one truly strives. The world moves forward not by numbers, but by the courage of those few who choose to do.

Doers ignite

Followers amplify.

Both are needed, but progress always begins with the doer.


Monday, January 19, 2026

Layer by layer.

 This extraordinary stone structure reveals how devotion was built layer by layer, both physically and spiritually. Every tier, every miniature carving, reflects patience, discipline, and a deep understanding of sacred geometry. Such monuments were never meant to impress only the eyes; they were designed to quiet the mind and draw attention inward. Standing before this masterpiece, one can sense how ancient builders used stone as a language of faith, telling stories without words. Even after centuries, the harmony, balance, and reverence carved into these walls continue to inspire awe and support the system.

This close-up captures the quiet poetry hidden within ancient stone carvings, where every curve, groove, and ornament speaks of devotion and discipline. The sculptor’s patience is visible in the finely etched details, created without modern tools yet filled with unmatched precision. These forms were shaped not just to be seen, but to be felt spiritually, guiding the viewer into reflection and reverence. Time has weathered the surface, but it has only deepened the character of the stone. Such craftsmanship reminds us that true art endures far beyond generations.