The Jambu tree connection.

There is a Jambu tree on mount meru. The fruit of that tree pours out a silvery juice. When the juice is drunk the person is believed to relieved of decrepitude. the sun and the tree of life are usually connected in all books dealing with the origin of life and prosperity.
The name of the tree also coincides with the name of the discus. people therefore believe that it is not a coincidence that the disc is known as Sudarshana which means also the jambu tree.
Another story of the origin of Sudarshana:
The Sun God marriedSamjana the daughter of Visvakarma. Samjana complained to her father that she could not bear the radiance of the Sun. Visvakarma then put Sun in a machine and decreased his radiance. Out of the dust of the Sun produced by rotating him in the machine, Visvakarma s said to have made the discus weapon, the aerial chariot pushpaka, the trident of Siva and the Shakti, and the lance of Subramanya. The discus was given to Maha Vishnu.
Another story says that once a forest khaandava was burning. Indra showered rain on that fire. At that time the God Agni gave Sudarshana discus to Sri Krishna and the Ghandeeva bow to Arjuna to fight against Indra. Sudarshana is known as a fiery weapon agneyam. by using that the owner would be superior in battle to all, and it would return to the owner after completing its task.
it is also said that it was given by Siva to Krishna when he killed Daitya who lived in the water. Siva called it Sudarshana as no one could look at it except himself.
Sudarshana is known as Chakra Raja, Thiruvazhi Alwan, Hetiraja etc.
Once up on a time,  Parvati and Parmeswara when sitting on the Ratna simhasana in Kailasa seem to have been discussing and Parvati asked Siva Which was the mantra which when repeated with sincerity would give karya siddhi i.e. success in efforts. Siva is said to have replied Sudarshana mahamantra was such a one.
Sudarshana Satakam was composed by Kura Narayana Jeer when he saw Oduvar who used to sing the Tiruvoimolzi in Srirangam was afflicted by a painful disease kanthamalai. the Jeer prayed to Sudarshana and he was cured.
Once when a village Thirupputkuzhi in Chengelpet district its people were suffering from a rare disease with high fever and many of them were dying Nigamanta Maha desikan prayed to Sudarshana with his Sudarshan Astaka stotra and the people on repeating the stotra were cured of the deadly disease. Faith is very important to follow this.

annamayya.

Pallavi

appulEni saMsAra mainapATE cAlu | tappulEni jItamokka tAramaina jAlu || Show Details

Charanam

kaMtalEni guDisokka gaMpaMtaina jAlu | ciMtalEni yaMbalokka cEreDE cAlu | jaMtagAni taruNi yEjAtaina nAde cAlu | viMtalEni saMpadokka vIsamE cAlu || tiTTulEni bradukokka dinamaina nadE cAlu | muTTulEni kUDokka muddaDE cAlu | guTTuceDi manukaMTE koMcepu mElaina cAlu | vaTTijaali baDukaMTE vaccinaMtE cAlu || laMpaTapaDani mElu lavalEsamE cAlu | roMpikaMbamaukaMTe rOyuTE cAlu | raMpapu gOrikakaMTE rati vEMkaTapati | paMpuna nAtani jErE bhAvamE cAlu ||

little women inspirational life.

Little women

This is a story from the U S A it was made into a book i the year 1868 soon after the American civil war which was between the Northern and southern parts of USA a most terrible war ever. the Notherners won ofcourse.
Tbe story is about the March family, who lived in a small town in the north. Mr March liked to call his little four girls Little Women. He was a priest and had gone away to be in the army. this is the situation of his family while he was away. One of the books the girls loved best was Pilgrims Progress by John Bunyan. they wanted to live just like Christian had done in the book.They worked very hard to help their mother help a poor neighbours. They decided to make their work less difficult by using the names of things that Christian had done in the book and so made their work into a sort of play. In Pilgrims Progress Christian had gone from the City of destruction to the Celestial city and on his  way from the wicked to the good and faced difficulties on the way. Apollyon and Vanity fair were the two dangers he had to cross. Apollyon was a wicked giant who killed the pilgrims. Vanity fair was a city full of plesant things. it goes on the March family sacrifices their Christmas breakfast in order to feed their poor neighbours and the rewards they receive is how the book begins.  etc....  


― Louisa 
“I like good strong words that mean something…” 
“I am not afraid of storms, for I am learning how to sail my ship.” 
“Your father, Jo. He never loses patience, never doubts or complains, but always hopes, and works and waits so cheerfully that one is ashamed to do otherwise before him.” 
“I've got the key to my castle in the air, but whether I can unlock the door remains to be seen.” 
“I'd rather take coffee than compliments just now.” 
“Love Jo all your days, if you choose, but don't let it spoil you, for it's wicked to throw away so many good gifts because you can't have the one you want.” 
“Don't laugh at the spinsters, dear girls, for often very tender, tragic romances are hidden away in the hearts that beat so quietly under the sober gowns, and many silent sacrifices of youth, health, ambition, love itself, make the faded faces beautiful in God's sight. Even the sad, sour sisters should be kindly dealt with, because they have missed the sweetest part of life, if for no other reason.” 
"There are many Beths in the world, shy and quiet, sitting in corners till needed, and living for others so cheerfully that no one sees the sacrifices till the little cricket on the hearth stops chirping, and the sweet, sunshiny presence vanishes, leaving silence and shadow behind.” 
“My child, the troubles and temptations of your life are beginning, and may be many; but you can overcome and outlive them all if you learn to feel the strength and tenderness of your Heavenly Father as you do that of your earthly one. The more you love and trust Him, the nearer you will feel to Him, and the less you will depend on human power and wisdom. His love and care never tire or change, can never be taken from you, but may become the source of lifelong peace, happiness, and strength. Believe this heartily, and go to God with all your little cares, and hopes, and sins, and sorrows, as freely and confidingly as you come to your mother.” 
“Love is a great beautifier.” 
"Because they are mean is no reason why I should be. I hate such things, and though I think I've a right to be hurt, I don't intend to show it. (Amy March)” 
“Watch and pray, dear, never get tired of trying, and never think it is impossible to conquer your fault.” 
“...for love casts out fear, and gratitude can conquer pride.” 
“Let us be elegant or die!” 
“Have regular hours for work and play; make each day both useful and pleasant, and prove that you understand the worth of time by employing it well. Then youth will bring few regrets, and life will become a beautiful success.” 
“Don't try to make me grow up before my time…” 
“I want to do something splendid...something heroic or wonderful that won't be forgotten after I'm dead. I don't know what, but I'm on the watch for it and mean to astonish you all someday.” 
“You don’t need scores of suitors. You need only one… if he’s the right one.” 
“Be worthy love, and love will come.” 
“I keep turning over new leaves, and spoiling them, as I used to spoil my copybooks; and I make so many beginnings there never will be an end. (Jo March)” 
“You are the gull, Jo, strong and wild, fond of the storm and the wind, flying far out to sea, and happy all alone.” 
"...the love, respect, and confidence of my children was the sweetest reward I could receive for my efforts to be the woman I would have them copy.” 
“Some people seemed to get all sunshine, and some all shadow…” 
“Conceit spoils the finest genius.” 
“Every few weeks she would shut herself up in her room, put on her scribbling suit, and fall into a vortex, as she expressed it, writing away at her novel with all her heart and soul, for till that was finished she could find no peace.” 
“Be comforted, dear soul! There is always light behind the clouds.” 

good reads indeed.

You are the only one. {A}

Neevanaga nokachota nilichiyunduta ledu
Neevanuchu ganugonna nijamella neeve

Tanayaatmavalene bhootamula yaatumalella
Nanayambu ganugonna yatade neevu
Tanuganna thalligaa taganitara kaantalanu
Anaghudai madi joochu natade neevu

Satata-satyavrataachaara sampannudai
Athisayambuga melagunatade neevu
Dhruthidooli dravyambu trunimugaa bhavinchu
Hata kaamakudaina yathade neevu

Modamuna sukha duhkamulu nokkareethigaa
Naadaripuchununna yatade neevu
Vedoktamatiyaina Venkataachalanaatha!
Aadiyunu antyambu nantayunu neeve

Free transalation:
You are not confined to a specific place
But, if we realise You, then we know You are everywhere
and You are the ultimate Truth.
You are the only One who always considers all the Atmas of other living beings as Your own Atma.
You are the only One who is able to see in your mind's eye
Your own mother in all the women;
You are the only One who has an exemplary and eternal vov of speaking the Truth as Your entire wealth;You are the only One who considers riches as no more valuable
than a blade of grass, and are free of all desires.
You are the only One treating both pleasure and pain with equal nonchalance
O Lord of Venkatachala, glorified in the Vedas!
You are the beginning, You are the end, You are everything.

In this song Annamayya enumerates all the virtues of an ideal person and contends that only Lord Venkatesvara is that ideal person, who is the repository of "Samastha Kalyana Gunas" and therefore is a "Paripoorna"
An Upanishad truth is expatiated in this song. the Upanishad passage says "Asthi brahmeti ched veda; Santham evam tato viduh"
(If one thinks that God exists, then the man thinking thus becomes an existing entity)
"Asthi ityeva upalabdhasa tatvabhaavah Praseeda ti"
(Only to a man who has started with the conviction that God is existing, only then the Truth will dawn upon him)

Nammalvar also says:
"Ulan enil ulan avan uruvam ivvruvugal
Ulan alan enil avan aruvam ivvaruvugal"
If you say He is, then He exists; and all this is He only. If you say He is not, then too He exists; as the formless spirit in all"

When the poet says that God is the only One who sees the Atmas of other beings as his own Atma, it is also another Truth. 
The Mahabharata says:
"Atmavath sarva bhootaani yah pasyati, sa pasyati"
i.e. one who sees other living beings as his own self is one who really sees. i.e. knowing everything.
Do unto others what you would like others to do to you. and Love thy neighbours as your self:
The chaandogya Upanishad also says "Tat Tvam Asi", That thou art
i.e. Atma is the same for all. similarly the poet stresses that one must have the same high regard for all women as one has towards one's mother.
Annamayya also lists out one of the characteristics of the Supreme Truth (Satya) being His wealth(sampada) the quality of speaking only Truth is His unequalled wealth as exemplified in Rama avatara.
He then goes on to say God being the only one who regards pleasure and pain alike like in the Bhagvad gita chapter 12 verse 13 to 19.  eg. "Samah satrau cha mitre cha Tathaa maana ---avamaanayoh!
Seetoshna sukha dukheshu Samah sanga vivarjitah"
He who is the same towards foe and friend, and also in honour and dishonour, who is same in cold and heat, pleasure and pain, one who is free from attachment.... that man is dear to me;
annamayya says God is the only one who treats pleasure and pain with equal non-chalance. 

SATYANARAYANA JI KI AARTHI.

Jai Lakshmiramana, Shri Jay Lakshmiramana,
Satyanarayan Svaami, Janapaatak Harana. Om Jai…
Ratn Jadit Sinhasan, Adbhut Chavi Raaje,
Naarad Karat Niraajan, Ghanta Dhvani Baaje. Om Jai…
Pragat Bhaye Kali Kaaran, Dvij Ko Darash Diyo,
Budho Braahman Bankar, Kanchan Mahal Kiyo. Om Jai…
Durbal Bhil Kathaaro, In Par Kripa Kari,
Chandrachud Ek Raja, Jinaki Vipati Hari. Om Jai…
Vaishy Manorath Paayo, Shraddha Taj Dini,
So Phal Bhogyo Prabhuji, Phir Stuti Kini. Om Jai…
Bhaav Bhakti Ke Kaaran, Chhin-Chhin Rup Dharyo,
Shraddha Dhaaran Kini, Tinako Kaaj Saryo. Om Jai…
Gvaal Baal Sang Raja, Van Mein Bhakti Kari,
Manavaanchhit Phal Dinho, Dindayaal Hari. Om Jai…
Chadhat Prasaad Savaaya, Kadali Phal Meva,
Dhup Dip Tulasi Se, Raaji Satyadeva. Om Jai…
Satyanarayan Ki Aarati, Jo Koi Nar Gave,
Kahat Shivanand Svami, Vanchhit Phal Pave.

AISI LAGI LAGAN.

Aisi lagi lagan, meera ho gai magan

Woh to gali gali gun gane lagi

Mehlon mein pali ban ke jogan chali

Meera rani deewani kahane lagi  ||1||

Koi roke nahin, koi toke nahin

Meera govind gopal gane lagi

Baithi santon ke sang, rangi mohan ke rang

Meera premi preetam ko manane chali  ||2||

Woh to gali gali gun gane lagi

Rana ne vish diya, maano amrit piya

Meera sagar mein, sarita samane lagi

Dukh lakhon sahe, mukh se govind kahe

Meera govind gopal gane lagi  ||3||

Woh to gali gali gun gane lagi

Aisi lagi lagan, meera ho gai magan

Woh to gali gali gun gane lagi

Ita naa to karnaa swaami, jab praan tana se nikale

Govind naam lekar, tab praan tana se nikale              ||1||

 Shri gangaa ji kaa tat ho, yamunaa kaa vanshii vat ho

Meraa saanwaraa nikat ho, jab praan tana se nikale

Pitaambari kasi ho, chabi man men bhi basin ho

Hothoon pe kuch ha.nsi ho, jab praan tana se nikale    ||2||

Us waqt jaldi aana, nahin shyaam bhool na jaanaa

Radhe ko saath laanaa, jab praan tana se nikale

Ek bhakti ki hai arji, khudgarj ki hai garji

Aage tumhaari marji, jab praan tana se nikale          ||

Jana tha Ganga par prabhu Kevat ki naav chade, (2)Avadh chod prabhu van ko ayee, Siya Ram Lakhan Ganga Tat ayee,
Kevat man hi man harshaye, ghar baithe parbhu darshan payee,
Haath jod kar prabhu ke aage kevat magan khade

Prabhu bole tum naav chalao, par hame kevat pahuchao,
Kevat kehata suno hamari Charan dhul ki maya bhari,
Main garib naya meri mahi na hoi pade

Kevat daud ke jal bhar laya, Charan dhoye charanamrit paya,
ved granth jis ke yaash gaye kevat unko naav chadaye,
barse phool gagan se aise bhakt ke bhaag bade

Chali naav Ganga ki Dharaa, Siya Ram Lakhan ko paar utara,
prabhu dene lage naav utrai kevat kahe nahi Raghurai,
paar kiya maine Tumko, Ab Tu mohe paar kare

Mati Kahe Kumhar Se Tu Kyo Rondhe Moy

Ek Din Aesa Aayega Mai Rondhu Ki Toy
Ek Din Aesa Aayega Mai Rondhu Ki Toy

Ram Bulva Bhejaya Diya Kabira Roy
Ram Bulva Bhejaya Diya Kabira Roy

Jo Sukh Sadhu Sang Me So Baikuth Na Hoye
Jo Sukh Sadhu Sang Me So Baikuth Na Hoye

Jo Ghar Guru Bhakti Nahi Sant Nahi Mehman
Ta Ghar Yam Dera Diyaya Jeevat Bhaya Masan

Kabira Soyi Peer Hai Jo Jane Per Peer
Kabira Soyi Peer Hai Jo Jane Per Peer
Jo Per Peer Jane Nahi So Kafir Be Peer

Guru Bin Mala Ferta Guru Bin Karta Taan
Guru Bin Sab Nishfal Gaya Boojhoo Ved Puran

8 pahar 64 ghadi Mere Aur Na Koe
Naina Mahi Tu Base Need Ka Thaur Na Hoye
KabiraNeed Ka Thaur Na Hoye

Chidi Chooch Bhar Le Gayi Nadi Na Ghatiyo Neer
Dan Diye Dhan Na Ghate

Rang de chunaria(2)

Shyam Piya more Rang de Chunaria (2)                           ||1||

Aisi rang de ke rang nahi choote

Aisi rang de rang de rang de ke rang nahi choote

Dhobiya dooye chahe ye sari umariya (2)

Oh shyam piya more rang de chunaria

Shyam piya more rang de chunaria                           ||2||

Rang de (5)

Rang de chunaria

Lal na rangavu mei

Hari na rangavu

Apne hi rang me rang de chunaria (2)                         ||3||

Oh shyam piya more rang de chunaria

Shyam piya more rang de (chunaria) (6)

Rang de (9)

Rang de chunaria

Bina rangaye mai to ghar nahi javongi

Bina… rangaye mai to ghar nahi… javongi

Pa pa da nida dapa

Pa da ma pa gama pa

Pa da ma pa ga ma ri

Ga ma riga sa ni sa

Shyam piya more rang de chunaria

Mira ke prabhu giridhar nagar

Jal se patla koun hai

Koun bhumi se bhari

Koun agn se tej hai

Koun kajal se kali

Jal se patla… patla (3)

Jal se patla jnan hai

Aur paap bhumi se bhari

Krodh agn se tej hai

Aur kalank kajal se kali

Mira k prabhu giridhar nagar

Prabhu charanan me hari charanan me

Shyam charanan me lagi nazariya

Oh Sham piya more

Shyam Piya More Rang de Chunaria (2)

Aisi rang de ke rang nahi choote

Dhobiya dooye chahe ye sari umariya (2)

lal na rangavu mei,hari na rangavu

Apne hi rang me rang de chunaria (2)

Bina rangaye mai to ghar nahi javongi

Bina…. rangaye mai to ghar nahi.. javongi

Beet hi jaye jahe, ee sari umariya

Mira ke prabhu giridhar nagar

Prabhu charanan me hari charanan me

Shyam charanan me lagi nazariya

Oh Sham piya more

JAI lAKSHMI MATA.

Om Jay Laxmii Maataa,  Maiyaa Jay Laxmii Maataa

Tum Ko Nis Din Sevat,  Maiyaajii Ko Nis Din Sevat

Har Vishnu Vidhaataa .

Om Jay Laxmii Maataa ..

Umaa Ramaa Brahmaanii,  Tum Hii Jag Maataa

O Maiyaa Tum Hii Jag Maataa .

Suurya Chandra Maa.n Dhyaavat,  Naarad Rishi Gaataa

Om Jay Laxmii Maataa ..

Durgaa Ruup Niranjani,  Sukh Sampati Daataa

O Maiyaa Sukh Sampati Daataa .

Jo Koii Tum Ko Dhyaavat,  R^iddhi Siddhi Dhan Paataa

Om Jay Laxmii Maataa ..

Tum Paataal Nivaasini,  Tum Hii Shubh Daataa

O Maiyaa Tum Hii Shubh Daataa .

Karma Prabhaav Prakaashini,  Bhav Nidhi Kii Daataa

Om Jay Laxmii Maataa ..

Jis Ghar Tum Rahatii Taha.n Sab Sadgun Aataa

O Maiyaa Sab Sadgun Aataa .

Sab Sambhav Ho Jaataa,  Man Nahii.n Ghabaraataa

Om Jay Laxmii Maataa ..

Tum Bin Yagya Na Hote,  Vastra Na Koii Paataa

O Maiyaa Vastra Na Koii Paataa .

Khaan Paan Kaa Vaibhav,  Sab Tum Se Aataa

Om Jay Laxmii Maataa ..

Shubh Gun Ma.ndir Su.ndar,  Xiirodadhi Jaataa

O Maiyaa Xiirodadhi Jaataa .

Ratna Chaturdasha Tum Bin,  Koii Nahii.n Paataa

Om Jay Laxmii Maataa ..

Mahaa Laxmiijii Kii Aaratii,  Jo Koii Jan Gaataa

O Maiyaa Jo Koii Jan Gaataa .

Ura Aana.nd Samaataa,  Paap Utar Jaataa

Om Jay Laxmii Maataa ..

KUNJ BIHARI KI.

Aaratii Ku.nj Bihaarii Kii

Shrii Giridhar Kr^ishna Muraarii Kii ..

Gale Me.n Vaijantii Maalaa,  Maalaa

Bajaave Muralii Madhura Baalaa,  Baalaa

Shravan Me.n Kundal Jhalakaalaa,  Jhalakaalaa

Nand Ke Nand,

Shrii Aanand Kand,

Mohan Br^ij Chand

Raadhikaa Raman Bihaarii Kii

Shrii Giridhar Kr^ishna Muraarii Kii ..

Gagan Sam A.nga Kaanti Kaalii,  Kaalii

Raadhikaa Chamak Rahii Aalii,  Aalii

Lasan Me.n Thaa.de Vanamaalii,  Vanamaalii

Bhramar Sii Alak,

Kastuurii Tilak,

Chandra Sii Jhalak

Lalit Chhavi Shyaamaa Pyaarii Kii

Shrii Giridhar Kr^ishna Muraarii Kii ..

Jahaa.n Se Pragat Bhayii Ga.ngaa,  Ga.ngaa

Kalusha Kali Haarini Shrii Ga.ngaa,  Ga.ngaa

Smaran Se Hot Moha Bha.ngaa,  Bha.ngaa

Basii Shiv Shiish,

Jataa Ke Biich,

Hare Agha Kiich

Charan Chhavi Shrii Banavaarii Kii

Shrii Giridhar Kr^ishna Muraarii Kii ..

Kanakamay Mor Mukut Bilasai,  Bilasai

Devataa Darasan Ko Tarasai,  Tarasai

Gagan So.n Suman Raashi Barasai,  Barasai

Ajemurachan

Madhur Mr^ida.nga

Maalini Sa.ng

Atul Rati Gop Kumaarii Kii

Shrii Giridhar Kr^ishna Muraarii Kii ..

Chamakatii Ujjval Tat Renu,  Renu

Baj Rahii Br^indaavan Venu,  Venu

Chahu.n Disi Gopi Kaal Dhenu,  Dhenu

Kasak Mr^ida Ma.nga,

Chaa.ndani Chand,

Khatak Bhava Bhanj

Ter Sun Diin Bhikhaarii Kii

Shrii Giridhar Kr^ishna Muraarii Kii ..

Mahalakshmi Manvantara.

The first Manvanthara is known as Swayambhuva Manvanthara. Mahalakshmi was born as the daughter of Brighu maharishi and was known as Bhargavi.
the second manvanthara is known as Swarochisa manvanthara when Mahalakshmi was born in Agni.
the third manvanthara is know as Owthama manvanthara when Mahalakshmi was born in waters jalam.
the fourth manavanthara is known as Tamasa when Mahalakshmi was born in Bhoomi earth.
the fifth manavanthara is known as Raivatha  manavanthara where Mahalakshmi was born in a Bilva tree.
the sixth manavantara is known as Chakshusha manavantara when Mahalakshmi was born in Lotus senthamarai.
the seventh manvanthara is known as Vaivasvatha manvanthara which is the present stage where Mahalakshmi emerged from Ksheerabdhi. 
LAKSHMI KSHEERA SAMUDRA RAJA TANAYAM.

sadasiva brahmendra kriti

Sadasiva Brahmendra Sadasiva Brahmendra, a great ascetic, a Brahma jnani lived in 17th century in Tamilnadu. He was a profound Advaita Scholar who renounced the materialistic life at an early age. His compositions are out-pourings of devotion and philosophy. They elevate us to the realms of spiritual heights. Inspite of his excellence in the knowledge of the Vedas and other scriptures he used to wander freely in his own spiritual world. Songs like Pibare Rama rasam, Manasa sancharare, Gayati vanamali etc. haunt our minds drenching us in Bhakti Rasa. Mudra:- Parama hamsa.

Sadasiva Brahmendra Krutis bhajare yadu nAdham bruhi mukundEti chintAnAsti bhajarE gOpAlam chEtah SrirAmam gAyati vana mAli pibarE rAma rasam mAnasa sanchara rE tadvat jeevatvam khElati mama

bhajarE yadu nAdham - piloo - Adi

P	bhajarE yadu nAdham mAnasa bhajarE yadu nAtham ||	Oh mind, chant the name of Krishna the lord of Yadavas.
C 1	gOpa vadhu pari rambhana lOlam gOpa kiSOrakam adbhuta leelam ||	He is delightful in the company of Gopikas. He exhibited many leelas(divine sports) astoundingly to the cowherd boys.
C 2	kapaTAngeekruta mAnusha vEsham kapaTa nATya kruta krutsna suvEsham ||	He appeared in the disguise of an ordinary human. His inumerable acts in various forms are dramatic.
C 3	parama hamsa hrudtatva swarupam praNava payOdhara praNava swarupam ||	He is the embodiment of the true nature of the hearts of supreme Yogis. He is the embodiment of Omkara. He is Pranava himself like water-bearing cloud.

bruhi mukundEti - kuranji - Adi

P	bruhi mukundEti rasanE bruhi mukundEti ||	Oh my tongue,chant the name of Mukunda.
C 1	kESava mAdhava gOvindEti krishnAnanta sadAnandEti ||	Chant the names of Kesava, Madhava, Govinda and Krishna the names that bestow eternal happiness.
C 2	rAdhA ramaNa harE ramEti rAjivAksha ghana syAmEti ||	He is the lord of Radha. He is Hari who delights all. He is lotus-eyed with the complexion of dark cloud.
C 3	garuDa gamana nandaka hastEti khanDita daSa khandara mastEti||	He moves on Garuda bird. He wields a weapon called "Nandaka" in his hand. As Rama he destroyed the ten-headed Ravana.
C 4	akrura priya chakra dharEti hamsa niranjana kamsa harEti ||	He is dear to Akrura. He holds the discus. He is serene yogi. He annihilated the demon Kamsa.

chintA nAsti kilA - SankarAbharaNam - Adi

P	chintA nAsti kilA tEshAm chintA nAsti kilA ||	Those who have the following qualities have no worries.
C 1	Sama dama karuNA sampurNAnAm sAdhu samAgama samkeerNAnAm ||	They are perfect with tranquility, fortitude and compassion. They are in the company of saints.
C 2	kAla traya jita kandarpAnAm khanDita sarvEndriya darpaNam ||	They conquer the influence of the cupid at all times. They annihilate the pride of all sensory organs.
C 3	parama hamsa guru pada chittAnAm brahmAnandAmruta mattAnAm ||	They are supreme ascetics who keep their Guru's feet in their conscience. They are intoxicated with supreme nectarine bliss.

bhajarE gOpAlam - hindOLam - Adi

P	bhajarE gOpAlam mAnasa bhajarE gOpAlam ||	Sing the praise of Gopala heartily.
C 1	bhaja gOpAlam bhajita kuchElam trijaganmulam diti suta kAlam ||	Worship Gopala who is worshipped by Kuchela. He is the primordial of the universe. He destroyed the demon progeny of Diti.
C 2	Agama sAram yOga vichAram bhOga Sariram bhuvanAdhAram ||	He is the essence of the Vedas. Yogis engross in his name. He lived in all splendor. He is the fulcrum of the universe.
C 3	kadana kaThOram kalusha viduram madana kumAram madhu samhAram ||	He took severe steps to dispel evil. He is young and beautiful. He destroyed demon Madhu.
C 4	nata mandAram nanda kiSOram hata chANuram hamsa vihAram ||	He is like the divine Mandara flower for devotees. He is the darling child of Nanda. He destroyed demon Chanura. He dwells in the hearts of pious Yogis.

chEtaha SrirAmam - sindhu bhairavi - Adi

P	chEtah SrirAmam chintaya jeemoota SyAmam ||	Oh intelligent man, contemplate on Sri Rama whose complexion is like a blue cloud.
C 1	angikruta tumburu sangitam hanumad gavaya gavAksha samEtam navaratna sthApita kOTeeram nava tulasidaLa kalpita hAram parama hamsa hrudgOpura deepam charaNa daLita muni taruNi SApam ||	He enjoyed the divine music of Tumburu, Hanuman and other celestial singers. His crown is studded with nine gems. He is adorned with fresh Tulasi garlands.He is the light in the sacred hearts of the supreme Gurus. Pious woman Ahalya who was cursed by the sage Gautama was redeemed by the touch of his sacred feet.

gAyati vana mAli - hamsadhwani - Adi

P	gAyati vana mAli - madhuram - gAyati vana mAli||	Sri Krishna the lord of the Brundavana sings sweetly.
C 1	pushpa sugandha sumalaya sameerE muni jana sEvita yamunA teerE ||	Fragrant breeze from flowers is enchanting. Many sages on the bank of Yamuna are at his service.
C 2	koojita Suka pika mukha khaga kunjE kuTilAlaka bahu neerada punjE ||	Many birds and coels are cooing melodiously in bowers. His curly locks are like a cluster of water bearing clouds.
C 3	tulasi dAma vibhushita hAree jalaja bhava stuta sadguNa Sauree ||	He is adorned with Tulasi garlands. The lotus borne Brahma worships Sri Krishna, the repository of virtues.
C 4	parama hamsa hrudayOtsava kAree paripoorita murali rava dhAree||	He delights the hearts of supreme Yogis. He enthrals the world singing on flute.

pibarE rAma rasam - chakravAkam - Adi

P	pibarE rAma rasam rasanE ||	Oh tongue, drink the essence of Rama.
C 1	janana maraNa bhaya SOka vidooram sakala SAstra nigamAgama sAram Suddha parama hamsa ASrama gitam Suka Saunaka kauSika mukha peetam ||	It dispels fear and grief from the cycle of birth and death. It is the quintessence of all the Vedas and other scriptures. It is the sacred song sung in the hermitages of the holy and enlightened Yogis. Great sages Suka, Saunaka and Kousika enjoyed that essence.

mAnasa sanchara rE - sAma - Adi

P	mAnasa sanchara rE brahmaNi mAnasa sanchara rE ||	Oh Brahman( Supreme cosmic spirit ), ramble in my mind freely.
C 1	Sri ramaNi kucha durga vihArE sEvaka jana mandira mandArE ||	Oh Krishna, your looks roam about the fort like bosom of beautiful Gopikas. You are the celestial 'Mandara' tree for the devotees serving you.
C 2	mada Sikhi pinchAlankruta chikurE mahaneeya kapOla vijita mukurE ||	Your wavy hair is beautifully decorated with wild peacock feathers. Your excellent cheeks reflect like mirror.
C 3	parama hamsa mukha chandra chakOrE paripoorita muralirava dhArE ||	Supreme yogis crave to see your moon like face like 'chakora' birds crave to enjoy moon's rays. You are the Supreme Yogi. You play the most enchanting music on your flute.