Mangalam Lakshmi devige.
maMgaLArati taMdu beLagire
Mangalam Lakshmi devige.
maMgaLArati taMdu beLagire
Anushasana Parva continues the theme of Shanti Parva, a discussion of duties of a ruler, the rule of law, instructions on dharma for those close to the leader. The dialogue is between Yudhishthira, Bhishma and other sages. The book debates the duties, behaviors and habits of individuals, with chapters dedicated to men and to women. Various types of marriages are mentioned and their merits compared. The parva also recites many symbolic tales and legends such as the legend of Nachiketa, as well as the death and last rites of Bhishma, the eldest member of the Kuru family.
This is a controversial book in the Mahabharata. In the 2nd-century CE Spitzer Manuscript found in Kizil Caves, China, which includes a table of contents of the Mahabharata, there is no mention of the Virata Parva and Anushasana Parva.Similarly, the old Mahabharata manuscripts in Sarada script discovered in Kashmir do not include this parva. This has led scholars such as Indologist Dieter Schlingloff to the proposal that the Anushasana Parva was a later interpolation into the epic. Others scholars disagree and suggest that the other parva titles as mentioned in the Spitzer Manuscript table of contents may have included most of the chapters now in Anushasana Parva. These and other evidence strongly support the thesis that the epic was expanded and that it evolved in the early centuries of the common era, but such minimalist evidence in old manuscripts must be taken with caution rather than summary dismissal of an entire Parva.
Govinda Pattabhishekam.
Krishna puts back the Goverdhana in its place. Indra surrenders to krishna. He bathes Krishna with the Ganges brought by Airavatha. Kamadhenu, the divine cow, showers milk on Krishna and anoints him as Govinda.It is often said that too much knowledge can be confusing. Similarly, a
devotee could be overwhelmed by the wealth of material available in our
scriptures and devotional literature. This is why our seers always say “ Ekam
Bhagavatham”. Everything one needs to know is available there and in the Kali
Yuga, it is sufficient if one listens to discourse on Govinda Pattabhishekam.
It explains everything in a succinct manner for a devotee, said Sridhar Swami
in a discourse.
When one visits Tirupati, one hears ‘Govinda’
everywhere, the chant echoes everywhere. Just as how a sugar candy attracts
ants, devotees throng Tirupati, chanting, “Govinda, Govinda.” One
interpretation of the word Govinda is that He is one who can be realised
through the Vedas.
He lived as Krishna among ordinary people as a cowherd and they had unconditional love for Him. At the end of the day, when the happy cows came home from grazing on Govardhaa hill, they would shake their bells, heralding Krishn,s retur, the Gopikas would rush out.
On one such evening when Krishna found his father Nandagopa preparing a huge sacrificial feast for Indra who had blessed them with bountiful showers and crops, Krishna objects saying, Indra is just doing his job. On the other hand the govardhana mountain is our lifeline, let us make the offerings to him. Indra observing the denial, unleashes a downpour for seven days unlike another.krishna urgently the people to herd under the Govardhana mountain that he holds aloft. None question him have faith and follow. This is a well-known story. Even to this day devotees offer a feast to the mountains.
The eleventh of December 2015 was very auspicious indeed as it marked the ‘Karthika Ammavasya’ which is very propitious for Bhagavatas. One of the proponents of Bhajana Sampradaya, Sri Sridhara Ayyaval Swamigal, out of his divine grace and compassion, made the river Ganges flow down to the south. River Ganges by flowing in the well of Sri Sridhara Ayyaval Swamigal’s home blessed the whole Bhagavata community. On the Shardha day of his ancestors, he fed a wayfarer with the food that was prepared for the Shardha and the brahmanas which in turn angered the Brahmanas and they failed to perform the Shardha. The divine lordships, Brahma, Vishnu and Shiva themselves partook the offerings of the Shardha. The brahmanas were still displeased that Sri Sridhara had committed a mistake (apachara), and wanted him to undergo expiation by taking a dip in river Ganges. Sri Sridhara Ayyaval, composed Gangastakam, which consists of eight verses invoking river Ganges. He spoke to the Brahmanas with all humility as compassionate souls, who out of their mercy have asked them to do a repentance and expiation (prayaschitta) by taking a dip in river Ganges. The beauty of Gangashtakam is that he puts himself in a lowly state. In the first verse, he says , ‘I have been chanting the divine names of Lord Shiva, and the result of Shiva nama is showing itself”. This is in accordance with Bhagavata Dharma that when one chants the divine names, he first experiences a transition within himself.
Evam vratah sva priya nAma kIrtyA jAtAnurAgo drutha cittha uccaiḥ
hasaty atho roditI rauti gAyaty unmAda van nṛutyati loka bAhyaḥ
kham vAyum agnim salilam mahIm cha jyotImsi sattvAni disO drumAdIn
sarits amudrAms cha hareḥ sarIram yat kim cha bhUtam praṇamed ananyaḥ [Srimad Bhagavatam 11.2.40-41]
When one chants the divine name, he starts to experience a transformation within himself ‘jAtAnurAgo drutha cittha uccaiḥ’. The bhakti [Anuragam]will begin to spring in one’s heart, which will exhibit through the senses, where one will sing in joy and dance in ecstasy. This is the first step and as the bhakti progresses, one will perceive Lord in the entire world. Sri Ayyaval says that with his incessant chanting of Lord Shiva’s divine names, he can only see Lord Shiva everywhere. He says that he saw Lord Shiva in the beggar and so he offered the prasad, and so he asks ‘Is there anything wrong in what I did?
shambO bhavan nAma nirantha rAnu santhAna bhAgyena bhavantha meva |
yadhEva sarvathra thathAnthyajEdhya pashyanthyahO kOthra kruthOparAgaha ||
He then says in the second verse that the best atonement for any transgression with respect to the ShrAddha ceremony is taking a dip in river Ganges, however by merely chanting ‘Gange’ the sins are absolved . He sadly says that no one believes that chanting the divine names and simply proclaim it as ‘ArthavAdha’. He then asks if he cannot take this recourse in this situation?
asthvEsha manthuhu pithru yagna nishtE gangAplavO yO vihithOpachithyaihi |
dhoorAthu thannAma japEna shuddihi na syadhu katham mae smrithi artha vAdhaha ||
He ponders within himself and thinks may be he doesn’t believe in Nama Sankirtan. He compares himself to Trisanku. He says that if I had strong belief and conviction in Lord’s names, then I don’t have to pay heed to people who say Nama is Arthavadham. He wishes to have that strong conviction in Bhagavan Nama and not caught in the midst of all rights and rituals. This precept is again mentioned in Bhagavatha Dharma by Karabhajanar. In Krishnakarnamrutham, Sri Leela Sukar also proclaims this beautiful precept – ‘SandhyAvandhana badram asthu bhavathE’ where he says that since he has tight grip on the lord’s divine names, there is absolutely no need to catch hold onto any other karma.
Sri Ayyaval in his third verse ponders as to whether he has strong faith on Nama but for which he is getting caught in the Karma and questions to how he will be alleviate himself from the thrisanku swarga?
thvan nAma nishtA na hi thAvathO me shaddhA yathaha karmasu na pradhagdhA |
thrI shangavam mae pashu pantha rAyaha muchyeya thasmAth katham Artha bandhO ||
He then looks compassionately at the Brahamanas and surrendered unto Lord Shiva and said that it may be your wish that the Shraddha should not take place and so be. But what about the Brahmanas who are fasting since yesterday and that they will not partake food anywhere else today. Sri Ayyaval calls the Brahamanas as Sharahalus and Dayalus and if the Sharddha doesn’t take place, it will be an apachara for not serving them food.
yadhadhya the shrAdhva vinashtirishtA kOham thathOn yachharithum samarthaha .
shArdhe vruthaha poorva dhinO pavAsAhA nAn yathra bhunji yuhu yidham thu kidhyE ||
Bhagavatam says -‘yatra dandena shudhyathi‘ . He hails the Brahmanas as Dayalus who want him to undergo the expiation in order to be purified.
shrAdhvAlavaha shrAdha vIgAtha bIthvA svAthmOparOgam vignayya dhIraha |
Yath prochu rathrapachitham mahanthaha thathrochitham yadhyayA videhI ||
Sri Ayyaval then looks at himself and says, ‘Oh Siva, all I know is to chant your name – Gangadahara’. He says he doesn’t even go to Kaveri river to take bath because as soon I set out, I get entangled in worldly thoughts and I stop chanting the divine names. That is verily why I take bath in my own well (koopa). When I don’t even know Kaveri, how can I know Ganges.
gangAdhara tvad bhajanAntharAya bithvA gruhE koopa kruthavagAha |
jAnena na thirthAntharam adhya gangAyAm aAsAdhayEyam katham Artha bandhO ||
I am not a Tapsvi like Sagara or Bhagiratha who prayed for Ganges to come. I also don’t know who Jahnu is. Jahnu was the great sage who drank Ganges and spit it out of his ears and Ganges became Jahnavi. I am not Brahma who can ordain you to release Ganges from your matted hair and lo the ganges flow down to the earth.
nAham thapasvi sagaranva vAyaha jAnena na jahanuhu charathi kvavEthi |
shambhO jatAjOta mapAvru nushvaethyamyarthane nAlamayam varAkaha ||
I am a normal being and Oh Shiva, your divine name Gangadhara is my only refuge and I am extremely confident that it will absolve my worldly problems. As he kept on chanting ‘Gangadhara Gangadhara Gangadhara’, he saw Ganges coming in his own well. Oh Lo! Look at Ganges who out of her compassion flows in the well. Akin to Gajendra, Sri Ayyaval prays for the prosperity for the entire mankind.
gangAdharAkyA gathirathra nanyA thAmAshrayE sangkata-mOchanAya |
hantha pravAhaha katham athra koopae vispoorjathIshaha kalu the prasannaha ||
As he kept on chanting ‘Gange Gange’, he was not inundated by the waters, but flooded in Lord’s compassion. The water of the Ganges has flooded the well and flowing out and he asked for a boon for Ganges to remain there in the well forever and thus be a solace for the posterity and all the Bhagavatas who come to take a bath in this well on the auspicious day of Karthika Ammavasya.
gangEthi gangEthi harathi grunhan aAplAvithOham dayayA porArehe |
kupOthi thOyam karunA prahavAhaha gangAshvi rAyAthra janAn punAthu ||
Sri Ayyaval was verily Srikantam (Lord Shiva); ‘Srikantam iva bhAshvantham shiva nama parayanam shreyase gurum ashraye‘ .
Sri Narayananji from Boston continued with his beautiful exposition of Govardhana Leela. The beauty of the lord being crowned with the beautiful name ‘Govinda’ , verily shows the compassion of Lord Krishna – ‘rakshisyati iti vishwasaha’ and ‘gothrupthva varanam’. 6 different precepts of Sharanagathi are completely seen in Gopas and Gopis. They surrendered unto the lord, when they were trembling in cold (seedarthaha) and wanted protection from that and surrendered unto Krishna as Govinda.
‘gopah gopyascha seedharthaha govindam sharanam ayuhu ‘
They had all the lakshanas of Sharanagathi. They had Krishna as the only refugee and were completely confident that he will protect them. The lord witnessed this and immediately lifted the mountain in order to protect them.
tasmAn mach charaṇam goshtam man nAtham math parigraham
gopAye svAtma yogena so yam mE vrata Ahitah [Srimad Bhagavatam 10.25.15]
The lord ordained the residents of Gokula to prepare different kind of rice items, dishes with dals, payasam, savories from rice flour (murrukku), appam. The lord being ‘akila kaladi gurunanartha’, is very conversant in cooking and he himself gave the menu for Govindha Pooja
.
tasmAd gavAm brAhmaṇAnAm adrEs chArabhyatAm makhah
ya indra yAga sambhArAs tair ayam sAdhyatAm makhah
pachyantAm vividhAh pAkAh sUpAntAh pAyasAdayah
SamyAvApUpa shashkulyah sarva dohas cha gruhyatAm [[Srimad Bhagavatam 10.24.25-26]
Sri Vallabhacharya analyzes this phrase ‘sUpAntAh pAyasAdayah’ that the lord ordained them to begin with payasam and end with dishes made with dhal items. The lord not only gives advice on what dishes to prepare but also how to prepare them. The reason the lord gives instructions to first make payasam is that it takes a long time for it be prepared and to make dhal related items at the end. This bhava is just a sample to demonstrated that the lord is indeed a connoisseur of culinary art. This can be viewed in another way. One needs to first cook dishes that has to be offered to Devas and Bhagavan and secondly cook food-items that has to be offered to Sadhus and finally make dishes that can be served for the common man.
Then the lord ordains the Gopas to circumambulate the Govardhana hill and offer all the offerings to the hill.
tasmai namO vraja janaih saha chakra AtmanAtmane
ahO pashyata sailOsau rUpI no anugraham vyadhAt [Srimad Bhagavatam 10.24.36]
Suddenly Lord Krishna took the unprecedented form of a big mountain and partook all the food offerings.
krishnas tva anyatamam rUpam gopa vishrambhanam gatah
sailo smIti bhruvan bhUri balim Adad bruhad vapuh [Srimad Bhagavatam 10.24.35]
The Gopas and Gopis totally believed that it was indeed the mountain who is eating the food and joyfully offered all the food items. Meanwhile, Lord Indra who was waiting for his share of food-items became furious ordered heavy rains to pour down in Gokula. Everyone took refuge in Krishna and he protected them by lifting the Govardhana mountain. He assured them by saying ‘mA baihI’. The lord took care of all of them and no one felt any pain anymore. It rained heavily for seven days. After the rains stopped, the lord kept back the mountain in the same place.
bhagavAn api tam sailam sva sthAnE pUrva vat prabhuh
pashyatAm sarva bhUtAnAm sthApayAm Asa lIlayA [Srimad Bhagavatam 10.25.28]
It was indeed lord’s divine play not only when he lifted the mountain but also when he placed it back . Everyone went back home happily not because they were not drenched in the rain or for Krishna protecting them but they now had another leela of the lord to reminisce all their lives.
tato nuraktaih pashupaih parishritO rAjan sva goshtam sa balo vvrajad dhariḥ
tathA vidhAny asya krutAni gopikA gAyantya Iyur muditA hṛudi-sprusaH [Srimad Bhagavatam 10.25.33]
Everyone in Gokula was truly happy because they could now fondly call the lord as ‘Giridhari’ and ‘Govinda Giridhari’. They could perceive Radha Devi’s friend Chamapakalatha coming down as Meera Bhai and singing the divine glories of the lord as Giridhari.
Everyone in Gokula were wonderstruck on the lord’s divine play of lifting the mountain. They started to reminisce the lord’s divine plays right from how he drank the poison and the life of Putana and all his other plays all the way to his naming ceremony. They fondly recollected how Garga named him ‘Krishna’ and called the verses from Garga as Garga Geetham.
yah sapta hAyano bAlah karenaikena lIlayA
katham bibhrad giri varam pushkaram gajarAd iva [Srimad Bhagavatam 10.26.3]
tokenAmIlitAkshena pUtanAyA mahaujasah
pItah stanah saha prAnaih kAleneva vayas tanoh [Srimad Bhagavatam 10.26.4]
iti nanda vacah shrutvA garga gItam tam vrajaukasah
muditA nandam Anarcuh krishnam cha gata vismayAh [Srimad Bhagavatam 10.26.16]
The residents of Gokula realized that the rains were sent by Indra and it is not a feat possible by normal mortals to lift the Govardhana mountain. They then started to perceive Krishna as a divine soul. Sage Suka does a beautiful Mangalasasanam on Lord Krishna as to how he culled the ego of Indra.
deve varshati yajna viplava rhushA vajrAsma varsAnilaih
sIdat pAla pashu striyAtma sharanam drishtvAnukampy utsmayan
utpAtyaika karena sailam abalo lIlocchilIndhram yathA
bibhrad goshtham apAn mahendra-mada-bhit prIyAn na indro gavAm [Srimad Bhagavatam 10.26.25]
All the Gopas and Gopis came and joyfully narrated the events to Nanda Baba and he acknowledged them and inturn mentioned that he knew all about it and reminisced what ever Garga had mentioned about Lord Krishna-‘narayana samO gunaih’ and Krishna’s naming ceremony events.
It was then the turn of Lord Indra to come down. He first sent Surabhi, the cow, ‘ Govardhane drithE sailE’ , who saw that the entire cowherd was protected by Krishna. Then Indra came down. Generally, Indra’s crown’s shines so brightfully akin to hundred sun-rays. The crown touched the holy feet of Lord Krishna as soon as it came in the divine contact of Lord Krishna’s feet, the crown indeed was blessed with Lord’s Tejas and hence began to glow like sunshine. Vedanta Desika goes a step forward and says that it was Paduka’s tejas that was imparted to Indra’s crown.
viviktha upasangamya vrIdItah kruta helanah
pasparsha pAdayor enam kirItenArka varchasA [Srimad Bhagavatam 10.27.2]
He came with his face covered due to shame. – ‘drushta shruthA nu bhAvOsya’
Until now, Indra had only heard about the glories of Lord Krishna. Now, whatever he had witnessed whatever he had seen and came to terms with the fact that Krishna is not a normal person ; ‘krishnasya amitha tejasaha’.
Indra was absolved of his ego that he was the ruler of the three worlds and fell at the feet of the lord and began to speak:
vIshuddha sattvam tava dhAma shAntam tapO mayam dhvasta rajas tamaskam
mAyA mayo ya guṇa sampravAho na vidyate te grahanAnubandhah [Srimad Bhagavatam 10.27.4]
Indra says to Krishna, ‘Oh Krishna, you never get angry because the two qualities ,rajas and thamas are verily the reasons for anger are completely bereft in you. ‘Poornam brahma sannadhanam’ has indeed taken a sattva guna and come down as Krishna. He also says that anger is related to Maya. You only punish at times to establish dharma. You don’t punish because of anger.’
When Indra showered the rains, Krishna could have immediately stripped off the power from Indra. The reason he didn’t do so was because, Indra was an epitome of Kriya and hence the lord had to do a Kriya in order to subdue Indra’s ego. The lord countered Indra directly to establish Bhagavata Dharma.
Indra then refers to the lord as Pitha (father), Guru and ruler of the entire earth and that take a form to punish. Here Indra refers to the Dashavataram .
The first Purusha avatar of the lord is considered as the father. Matsya avatar is the form of the lord where he is a Guru ‘paramO guruhu’. The other incarnations of the lord like Koorma and Varaha are indeed to protect the earth,’jagathathma dIshaha’. Narasimha and Vamana avatars of the lord are to punish and goes to the extent of killing Hiranyakashipu and punishing Bali.
The ten vitals of Lord Indra became his ten slokas in praise of the lord. The four Purusharthas and six divine qualities which he had possessed earlier and in-turn lost them due to his ego eventually became the ten slokas in praise of the lord.
yaE madh vidhAjnA jagad Isha mAninas tvAm vIkshaya kAle bhayam Asu tan madam
hithvArya mArgam prabhajanty apasmayA IhA khalAnAm api te anushAsanam [Srimad Bhagavatam 10.27.7]
Lord Indra said that it is my ego that the lord enacted this leela to subdue his ego. Indra did a retrospective analysis for the shoot up of his ego and verily attributed to his wealth (Aishwaryam).
sa tvam mamaIshvarya mada plutasya krutAgasas tE vidushah prabhAvam
kshantum prabhO thArhasi mUdha cEthasO maIvam punar bhUn matir Isha mE sathI [Srimad Bhagavatam 10.27.8]
Indra hails lord’s compassion to punish him in order to subdue his pride.
tavAvathAro yam adhokshajeha bhuvo bharAnAm uru bhAra janmanAm
chamu pathInAm abhavAya deva bhavAya yushmac charanAnuvartinAm [Srimad Bhagavatam 10.27.9]
The lord came down to remove the Asuras who were the burden on the earth. The lord prostrated to the lord and said that now being egotic, he was also a burden on the earth and instead of removing him, the lord removed his ego thus reducing the burden of the earth.
Indra finally apologized to the lord that out of his severe anger , pride and ignorance, he caused the entire destruction of entire Gokula. He then mentioned that the lord’s determination was greater than his pride and anger and corrected him thus vanquishing his pride.
Indra surrendered to the lord and beheld Krishna as Ishwara, Guru and Deivam.
The lord then replied tersely in four slokas to Indra’s stuthi. He imparted four precepts in the four slokas. He blessed Indra in the first sloka and in the second sloka he told Indra the reason for stopping Indra Yaga. He explained how Indra’s pride was nulled in the third sloka and in the fourth sloka the lord showers his grace on Indra.
The lord beautifully clarified that when he punishes someone it is not that he is angry with that person but only because of his compassion. He ordained Indra to go back and continue his work bereft of any pride. After Indra departed, Surabhi came and surrendered unto the lord and all of them did a beautiful Pattabhishekam . Surabhi brings her milk and baths Krishna in it, Airavatha brings Akasha Ganga and sprayed it on Krishna and everyone crowned Krishna with a beautiful name called ‘Govinda’. The lord was showered with different kinds of flowers, by different deities (Devas, Thumbaurus, Gandarvas, Kinaras, Siddhasm Charanas and Narada)
indrah surarsibhih sAkam chOditO deva mAtrubhih
abhyasinchata dAsArham govinda itI chAbhyadhAt [Srimad Bhagavatam 10.27.23]
The satsang concluded with prayers to Govindha to subdue all the pride which is the source of all sufferings in this mundane world and that he delivers us from the sufferings and bless us with Nama ruchi and bhakti.
enagoo aaNe ranga ninagoo aaNe
enagoo ninagoo ibbarigoo ninna bhaktaraaNe
ninna bittu anyara bhajisidarenage aaNe ranga
enna nee kai bittu hOdare ninage aaNe ।। (enagoo)
tanu manadali vancitanaadare enage aaNe ranga
manasu ninnali nilisadiddare ninage aaNe।। (enagoo)
kaaku manujara sangava maaDidarenage aaNe ranga
loukikava nee bidisadiddare ninage aaNe ।। (enagoo)
shishtara sangava mADadiddare enage aaNe ranga
dushtara sangava biDisadiddare ninage aaNe।। (enagoo)
hari ninnashraya maaDadiddare enage aaNe ranga
purandara viTHala neenoliyadiddare ninage aaNe (enagoo)
Chitrāngadā (Sanskrit: चित्रांगदा, Citrāṅgadā), in the Hindu epic Mahabaratha, was the warrior princess of Manipur and the only heir of king Chitravahana. She had a son named Babhruvahana with Arjuna. The story of Chitrangada is adapted by Indian writer, Rabindranath Tagore in his play, Chitra.
Manipur was a kingdom in India during Mahabaratha period. It was ruled by a king named Chitravahana. He had a daughter named Chitrangada, whom he named after Madhulika flower. For multiple generations, the dynasty did not have more than one heir. Since Chitravahana did not have any other heir, he trained Chitrangada in warfare and rule. Chitrangada was well-versed in warfare and acquired the skills to protect the people of her land.
It is not described in Mahabaratha as to how Arjuna, the Pandava prince met Chitrangada. The account is described inRabindranath Tagore,s play Chitra, where Tagore depicts Chitrangada (she had a maid called Sujata) as a warrior dressed in male clothes.Arjuna fell in love with her on account of her honesty and courage.Arjuna's wanderings, during his period of exile, also took him to the ancient kingdom of Manipura Visiting king Chitravahana, the ruler of Manipura, he beheld his beautiful daughter Chitrangada and fell in love with her. When he approached the king to seek her hand in marriage, the king told him the story of his ancestor Prabhanjana who was childless and undertook severe austerities to obtain offspring. Finally, Mahadeva appeared to Prabhanjana, granting him the boon that each successive descendant of his race will always have a child, but only one. As Chitravahana's one child was a daughter, he made her his heir according to the customs of the people. This meant that any child she had with Arjuna couldn't be in the Kuru line of succession. Arjuna readily agreed to this condition. Marrying Chitrangada, he stayed with her for three years. When Chitrangada had given birth to a son, Arjuna embraced her affectionately and took leave of her and her father to resume his wanderings.
Arjuna left her and returned to Hastinapura, promising her that he would take her back to his kingdom. Chitrangada started bringing up her son Babruvahana. Mahabharata loses mention about Chitrangada and her kingdom for several chapters. On the other side, the Pandavas went through various ordeals and finally winning the war against the Kauravas. Yudhistira became the king of Hastinapura. On the advice of sages, he conducted Ashvameda yagna, where a decorated horse would be sent across the kingdom and wherever it goes unopposed, the land would be acquired by the king who sent it. Arjuna was tasked to take care of the horse. While the horse moved towards the North-east, a young man opposed Arjuna. While Arjuna asked about the identity of the young man, he said he was the prince of the land and that was enough introduction to start a fight.
A fierce fight started and Arjuna was shocked to see the dexterity with which arrows were pouring at him. He was finally hit by one of the arrows, realizing who Babruvahana was just before being rendered unconscious. Chitrangada came crying to the spot hearing of the incident and she met Arjuna at his death bed. Ulupi, another wife of Arjuna, came to the spot with the Nagamani, a mythical gem capable of bringing back dead men to life. She told Chitrangada and Babruvahana that Arjuna was cursed by the Vasus that he would be killed by his own son because he was responsible for the fall of Bhishma (the eighth Vasu) and that with the incident he was relieved of his curse. Arjuna was woken up with the stone and he was happy to see both his wives and his son. Arjuna took Ulupi, Chitrangada and her son Babhruvahana to Hastinapura, where Chitrangada readily became the servant of Gandhari, the aunt of Arjuna.
Upon the onset of the Kali yuga, the Pandavas along with Drupadi retired and left the throne to their only heir Arjuna's grandson, Parikshit Giving up all their belongings and ties, they made their final journey of pilgrimage to the Himalayas, accompanied by a dog. Chitrangada went back to her kingdom, Manipur.
Emi Ruchira, Enta Ruchira from Ramadasu:
O Rama Ninamamu Emi Ruchira, Enta Ruchira?
Meaning: ( O Rama How tasty your name?)
O Rama nee naama memi ruchira
Meaning: O Rama, how tasty your name is
Sri Rama nee naama mentha ruchira
Meaning: Sri Rama, how delicious your name is
Madhu rasamula kante dadhi ghruthamula kante adhikamou
Meaning: It is sweeter than nectar and sweeter than yogurt or ghee
nee namam emi ruchira
Meaning: Your name is so tasty
Draksha phalamula kanna ikshu rasamula kanna
Meaning: It is tastier than grapes and tastier than sugar cane juice
Pakshi vahana nee namam emi ruchira
Meaning: O Lord who rides on an eagle (Garuda), your name is so tasty
Anjana thanaya hruth kanja dalamulandu ranjillu
Meaning: O Rama, your name resides in the petals of a lotus flower which is the heart of Lord Hanuman who is the son of Anjani
nee namam emi ruchira
Meaning: Your name is so tasty
Sada sividu madi sada bhajinchedi Sadanamdamagu
Meaning: Parama Shiva chants your name all the time, chanting your name gives happiness all the time
namam emi ruchira
Meaning: Your name is so tasty
Saramuleni samsaramunaku Shanthakaramagu
Meaning: To this flavorless life, your name gives peace
namam emi ruchira
Meaning: Your name is very tasty
Sarananna janamula saraguna rakshimchu
Meaning: You come straight away to protect people who ask for your help
Birudu kaligina namam emi ruchira
Meaning: That is what your title is and your name is so tasty
Kari raja Prahlada Dharanija Vibhishanula kachina
Meaning: Kari raja (Gajendra), Prahlada and Goddess Sita who is the daughter of goddess earth were saved by saying your name
nee namam emi ruchira
Meaning: your name is very tasty
Kadali Kharjura phala rasamula kadhikamu
Meaning: Your name is tastier than the fruit juices of bananas and dates
pathitha pavana nee namam emi ruchira
Meaning: You save people who are unfortunate (or unlucky). Your name is very tasty.
Thumburu Naradulu dambu meeraga
Meaning: Sages like Thumburu and Narada very proudly
ganambu chesedi nee namam emi ruchira
Meaning: sing your name(or sing your stories). Your name is very tasty.
Araya Bhdrachala Sri Ramadasuni prema nelina
Meaning: O Rama, you looked after Bhadrachala Ramadasu with affection
namam emi ruchira
Meaning: Your name is very tasty.
Kancharla Gopanna (Telugu: కంచర్ల గోపన్న) (c. 1620 – 1688), popularly known as Bhakta Ramadasu or Bhadrachala Ramadasu (Telugu: భద్రాచల రామదాసు), was a 17th-century devotee of the Hindu god Rama, a saint-poet and a composer of Carnatic music. He is a famous Vaggeyakara (classical composer)[a] from the Telugu classical era. He was born in the village of Nelakondapalli in Khammam district, and orphaned as a teenager. He spent his later years in Bhadrachalam and 12 years in solitary confinement at the Golconda prison during the Qutb Shahi-rule. Different mythical stories about his life circulate in the Telugu tradition. He is renowned for constructing the famous Sita Ramachandraswamy Temple and pilgrimage center on the banks of river Godavari at Bhadrachalam. His devotional kirtana lyrics to Rama illustrate the classical Pallavi, Anupallavi and Caranam genre composed mostly in Telugu, some in Sanskrit and with occasional use of Tamil language. These are famous in South Indian classical music as Ramadaasu Keertanalu.
Bhadrachala Ramadasu
Ramadasu was a Sri Vaishnava.[1] Ramadasu was a writer of Telugu satakams. He wrote the Daasarathi Satakamu (దాశరథి శతకము) with a 'makuTamu' (మకుటము) 'Daasarathee Karunaa payonidhee' (దాశరథీ కరుణా పయోనిధీ!), a collection of nearly 108 poems dedicated to Rama.[2]
Another by Pat A Fleming. I,m still here.
My looks are nothing special
My face reveals my age
My body shows some wear and tear
And my energy is not the same.
Too often my memory fails me
And I loose things all the time.
One minute I know what I plan to do
And the next it may just slip my mind.
I try hard to avoid my mirror
There are things I would rather not see
And even those times when I just catch a glimpse
I can no longer recognize me.
The things I used to do with ease
Can now cause aches and pains
And the quality of the things I do
Will never be quiet the same.
I always compare my older self
To those younger versions of me
And I know I am wasting too much time
Missing who I used to be.
But the thing that really makes me sad
Is despite what people see
Underneath my tattered worn out shell
I'm still the same old me.
My heart can still feel endless love
And at times it still can ache
My heart can fill with so much joy
And then it can suddenly break.
My soul can still feel sympathy
And long for forgiveness and peace
And there are times it shines boldly through
And times when it longs for release.
It's true may be now that I am older
Feeling lonely may be status quo
But it also has made me more willing
To forgive and past conflicts go
So although not as strong as before
I'm still here and want so much to live
I'm still quiet aware of the beauty inside
And no one out there is quiet like me.
Shanka Chakra Gadha Pane Dwarka Nilaya Achyutha Govindha Pundarikaksha Rakshamam Sharangatham”is.h the best one which comes to rescue, which was recited by Draupadhi during Vasthra haranam in Kuru Sabhai . The “Govindha” Sabhda protected her.
Recollecting “Moittha Val Vinayul Nindra. Moondru Ezhutthudaya Peraal Kathirbandhumanee — Thirumaalai Pasuram
Kooratazhvan’s eyesight was lost due to the fanaticism of a king. The person responsible for provoking the king to commit this heinous act was a man named Naalooraan. Ramanujacharya, who was the preceptor of Kooratazhvan, wanted him to sing in praise of Lord Varadaraja of Kanchi. Ramanuja’s hope was that Kooratazhvan would ask for his sight to be restored. Kooratazhvan sang Varadaraja Stava in praise of Lord Varadaraja, said Kazhiyur B. Devarajan, in a discourse. But instead of asking for restoration of his eyesight, Kooratazhvan prayed that his eyes should see nothing but the Lord and his Acharya — Ramanuja. He also prayed that Naalooran be granted moksha.
Three mantras are important for Sri Vaishnavas — ashtakshara, dhvaya and charama sloka. Of these three, dhvaya mantra is considered the gem, and Vedanta Desika says that nothing can give more welfare to a person than the recitation of dhvaya mantra. So significant is the dhvaya mantra that even the asktakshara mantra and charama sloka are explained in terms of dhvaya mantra. Thiruvaimozhi is said to be an elaboration of dhvaya. Dhvaya mantra has 10 segments. Thiruvaimozhi has 10 divisions, each of which is an explanation of a segment of dhvaya. Stotra Ratna of Alavandar and Saranagati Gadya of Ramanuja are also elaborations of dhvaya mantra. Dhvaya mantra is the crux of Visishtadvaita philosophy. Kooratazhvan, following in the footsteps of his predecessors, composed Varadaraja Stava to convey the meaning of dhvaya.