Wednesday, July 31, 2024

Gudakesha.

Chapter 10, Verse 20 of the Bhagavad Gita:



अहमात्मा गुडाकेश सर्वभूताशयस्थितः |

अहमादिश्च मध्यं च भूतानामन्त एव च ||

aham ātmā guḍākeśa sarva-bhūtāśaya-sthitaḥ

aham ādiś ca madhyaṁ ca bhūtānām anta eva ca


"I am the Self, O Gudakesha (Arjuna), seated in the hearts of all creatures. I am the beginning, the middle, and the end of all beings."



1. Aham ātmā: I am the Self or the Soul.

2. Guḍākeśa: A name for Arjuna, meaning one who has conquered sleep.

3. Sarva-bhūtāśaya-sthitaḥ: Situated in the hearts of all creatures.

4. Aham ādiś ca madhyaṁ ca I am the beginning and the middle.

5. Bhūtānām anta eva ca: And indeed the end of all beings.


In this verse, Lord Krishna asserts His presence as the inner Self of all living beings, emphasizing His role as the eternal and omnipresent reality that pervades the entire cosmos. By declaring Himself as the beginning, middle, and end of all entities, He signifies that all aspects of existence are encompassed within His divine essence. This verse underscores the idea of God's immanence and transcendence in the universe.

"Gudakesa" is one of the many names of Arjuna, a key character in the Indian epic, the Mahabharata. This name translates to "one with thick or beautiful hair" or "conqueror of sleep." Arjuna earned this name due to his ability to stay awake and vigilant for extended periods. This quality signifies his dedication, discipline, and focus, attributes that are crucial for a warrior.

Ajnana.

 Bhagavad Gita, Chapter 10, Verse 11:


तेषामेवानुकम्पार्थमहमज्ञानजं तमः |

नाशयाम्यात्मभावस्थो ज्ञानदीपेन भास्वता ||

teṣām evānukampārtham aham ajñāna-jaṁ tamaḥ

nāśayāmy ātma-bhāva-stho jñāna-dīpena bhāsvatā

"Out of compassion for them, I, dwelling in their hearts, destroy the darkness born of ignorance with the shining lamp of knowledge."


1. Teṣām evānukampārtham: For them (my devotees), out of compassion.

2. Aham ajñāna-jaṁ tamaḥ nāśayāmi: I destroy the darkness born of ignorance.

3. Ātma-bhāva-stho: Dwelling in their hearts.

4. Jñāna-dīpena bhāsvatā: With the shining lamp of knowledge.


In this verse, Lord Krishna explains that out of compassion for his devotees, he resides in their hearts and dispels the darkness of ignorance with the bright light of knowledge. This symbolizes the divine intervention that leads to spiritual enlightenment and the removal of ignorance, allowing the devotee to perceive the ultimate truth.

Sunday, July 28, 2024

Purusha.

"Purusham sasvatam divyam adi-devam ajam vibhum" from the Bhagavad Gita:


Eternal Divine Purusha: Understanding the Line "Purusham Sasvatam Divyam Adi-devam Ajam Vibhum"


The Bhagavad Gita, a profound spiritual text, contains numerous verses that encapsulate the essence of Hindu philosophy and spirituality. Among these, the line "Purusham sasvatam divyam adi-devam ajam vibhum" stands out for its rich meaning and the depth of its implications. This verse can be found in Chapter 11, Verse 18, where Arjuna is witnessing the universal form of Lord Krishna.


Sanskrit:

त्वमक्षरं परमं वेदितव्यं त्वमस्य विश्वस्य परं निधानम् |

त्वमव्ययः शाश्वतधर्मगोप्ता सनातनस्त्वं पुरुषो मतो मे ||

Transliteration:


tvaṁ akṣaraṁ paramaṁ veditavyaṁ tvaṁ asya viśvasya paraṁ nidhānam

tvaṁ avyayaḥ śāśvata-dharma-goptā sanātanas tvaṁ puruṣo mato me


Translation:

"You are the Supreme, Imperishable, the Ultimate Truth to be known. You are the support of all the worlds. You are the eternal guardian of the everlasting dharma. You are the Ancient, Eternal Purusha."


Breaking down the key terms in the line "Purusham sasvatam divyam adi-devam ajam vibhum" provides a deeper understanding of its significance:


1. Purusham (पुरुषम्) The term 'Purusha' denotes the Cosmic Being or the Supreme Person. In the context of the Gita, it represents Lord Krishna as the Supreme Consciousness that pervades the entire universe. The Purusha is the eternal observer and the ultimate reality behind the manifested world.


2. Sasvatam (शाश्वतम्)This word means eternal or everlasting. It underscores the timeless nature of the Purusha, indicating that the Supreme Being is beyond the constraints of time and is forever unchanging.


3. Divyam (दिव्यम्)The term 'Divya' means divine or transcendent. It signifies the sublime, spiritual nature of the Purusha, who is beyond the material realm and its limitations.


4. Adi-devam (आदि-देवम्)Adi-deva' means the original or primeval deity. This emphasizes that the Purusha is the source of all gods and the first cause of everything that exists. The Purusha is the primordial being from whom all creation springs.


5. Ajam (अजम्)Aja' means unborn. It highlights the Purusha's nature as uncreated and self-existent. Unlike beings who are born and die, the Purusha is beyond birth and death, existing eternally.


6. Vibhum (विभुम्) This term means all-pervading or omnipresent. It denotes the infinite presence of the Purusha, who exists everywhere and in everything, permeating the entire cosmos.


The Philosophical Significance


This line encapsulates the core of Vedantic philosophy, which views the Supreme Being as both immanent and transcendent. The Purusha is not only the underlying reality of the physical universe but also transcends it, existing beyond the dualities of creation and destruction, birth and death.


In the Bhagavad Gita, Lord Krishna reveals his universal form (Vishvarupa) to Arjuna, demonstrating that he is the ultimate source and sustainer of everything. Arjuna's recognition of Krishna as "Purusham sasvatam divyam adi-devam ajam vibhum" signifies his understanding of Krishna's true nature as the Supreme Divine Personality who governs the universe with eternal and unchanging principles.


The Relevance to Devotees


For devotees, this verse serves as a reminder of the divine nature of the Supreme Being. It inspires reverence and devotion, encouraging them to seek a deeper connection with the eternal and all-pervading Purusha. Recognizing the Supreme as both the immanent reality within all and the transcendent force beyond, devotees are called to live in accordance with the eternal dharma and to see the divine presence in all aspects of life.


Conclusion


The line "Purusham sasvatam divyam adi-devam ajam vibhum" from the Bhagavad Gita is a profound declaration of the nature of the Supreme Being. It encapsulates the essence of the Purusha as eternal, divine, the original source of all, unborn, and all-pervading. This understanding forms the foundation of spiritual knowledge and devotion, guiding seekers towards a deeper realization of the ultimate truth and the eternal presence of the Divine in the universe.

Incomprehensibility.

 The phrase "Na me viduh sura-ganah prabhavam na maharshayah" is from Chapter 10, Verse 2 of the Bhagavad Gita. In this verse, Lord Krishna emphasizes the incomprehensibility of his true nature even to the gods and great sages. Let's explore the meaning and significance of this phrase in detail.


Na me viduh sura-ganah prabhavam na maharshayah: An Analysis


 Introduction

The Bhagavad Gita is a timeless spiritual and philosophical text, where Lord Krishna imparts profound wisdom to Arjuna. Chapter 10, known as the Vibhuti Yoga, focuses on the divine glories of Krishna. Verse 2 reads:


_"Na me viduh sura-ganah prabhavam na maharshayah"_ 


Translated, this means:

_"Neither the hosts of gods nor the great sages know my origin, for in every way, I am the source of the gods and the great sages."_

Na me viduh (Do not know me)

"Na me viduh" means "do not know me." Here, Lord Krishna is stating that his true nature and origin are beyond the understanding of even the most enlightened beings. This suggests that the divine essence is beyond human comprehension, emphasizing the mysterious and transcendental nature of the divine.


Sura-ganah (Hosts of gods)

"Sura-ganah" refers to the hosts of gods. In Hindu mythology, the suras are celestial beings or deities who are considered highly knowledgeable and powerful. Despite their elevated status, even they cannot fully comprehend the true nature of Krishna. This highlights the supreme and unfathomable nature of the divine, surpassing the knowledge of even the gods.


Prabhavam (Origin)

"Prabhavam" means origin or source. Lord Krishna declares that his origin is unknown to the gods and sages. This signifies that the divine existence is self-manifested and not subject to the limitations of birth and death. The concept of a self-originating divine being underscores the idea of an eternal, uncaused cause, which is a central theme in many spiritual traditions.


Na maharshayah (Nor the great sages)

"Na maharshayah" means "nor the great sages." Maharshis are great sages or seers known for their deep spiritual insight and wisdom. However, even they are unable to grasp the complete essence of Krishna. This points to the limitations of intellectual and spiritual pursuits in comprehending the ultimate reality, suggesting that the divine transcends all levels of knowledge and understanding.


Philosophical Significance

This verse emphasizes the transcendental and infinite nature of the divine. By asserting that neither the gods nor the great sages know his true origin, Krishna highlights the limitations of even the highest forms of knowledge and wisdom. It suggests that the divine essence is beyond the grasp of the mind and intellect, accessible only through direct experience or revelation.


The idea that the divine is the source of all, including the gods and sages, underscores the concept of a singular, supreme reality from which everything emanates. This aligns with the Advaita (non-dual) philosophy, which posits that all diversity in the universe ultimately stems from a single, undivided reality.

 Conclusion

The phrase "Na me viduh sura-ganah prabhavam na maharshayah" from the Bhagavad Gita serves as a profound reminder of the incomprehensible and transcendental nature of the divine. It challenges us to recognize the limitations of our knowledge and encourages humility in our spiritual pursuits. By acknowledging that even the most enlightened beings cannot fully understand the divine, we are inspired to seek a deeper, more experiential connection with the ultimate reality, transcending intellectual understanding and embracing the mystery of the divine.

PPSNBA

The phrase "Prabhava Pralayah Sthanam Nidhanam Bijam Avyayam" comes from Chapter 9, Verse 18 of the Bhagavad Gita. This verse highlights the omnipotence and eternal nature of the divine. Let’s delve into an essay that explores each term, their meanings, and their philosophical significance.


Prabhava Pralayah Sthanam Nidhanam Bijam Avyayam: A Philosophical Exploration


Introduction

The Bhagavad Gita is a profound spiritual text, a dialogue between Lord Krishna and the warrior prince Arjuna, set on the battlefield of Kurukshetra. Among its many teachings, Chapter 9, Verse 18 stands out as a declaration of the eternal and all-encompassing nature of the divine. The verse reads:


_"Prabhavaḥ pralayaḥ sthānaṃ nidhānaṃ bījam avyayam"_


Each term in this phrase encapsulates a fundamental aspect of the divine's relationship with the cosmos. Let us explore these terms in detail.


Prabhavaḥ (The Origin)

Prabhava refers to the origin or source of all creation. In the context of the Bhagavad Gita, it signifies that the divine is the beginning of everything. All that exists originates from this divine source. This concept underscores the belief in a singular, supreme power that is the cause of all creation, emphasizing the idea of God as the creator.

 Pralayaḥ (The Dissolution)

Pralaya means dissolution or destruction. It indicates that just as the divine is the source of creation, it is also the force behind the dissolution of the universe. This cyclical nature of creation and destruction is a central theme in Hindu philosophy, symbolizing that the end of one cycle is the beginning of another. The divine power is thus not just a creator but also a destroyer, ensuring the dynamic balance of the universe.


Sthānam (The Abode)

Sthānam signifies the abode or the resting place. It suggests that the divine is the ultimate refuge and resting place for all beings. In spiritual terms, this means that all souls eventually return to this supreme abode after completing their earthly journey. This idea reinforces the concept of the divine as an eternal, unchanging sanctuary amidst the transient nature of the material world.


Nidhānam (The Repository)

Nidhānam translates to the repository or the ultimate end. It implies that the divine is the final resting place of all souls, the ultimate destination where everything culminates. This aspect of the divine highlights its role as the ultimate goal of all existence, the final destination where all life converges.


Bījam (The Seed)

Bījam means seed, representing the potential for all creation. The divine is seen as the seed that contains within itself the potential for the entire universe. Just as a seed germinates and gives rise to a plant, the divine seed gives rise to all creation. This emphasizes the inherent potential and the latent power within the divine that manifests as the cosmos.


Avyayam (The Immutable)

Avyayam denotes the immutable or the unchanging. Despite being the source, sustainer, and dissolver of the universe, the divine remains unchanged. This concept is crucial as it highlights the eternal and constant nature of the divine amidst the ever-changing universe. The divine is beyond time, space, and causation, existing in a state of perfect constancy.

 Philosophical Significance

The verse "Prabhava Pralayah Sthanam Nidhanam Bijam Avyayam" encapsulates a profound understanding of the divine nature. It portrays the divine as an all-encompassing reality that is simultaneously the origin, sustainer, and end of all existence. This holistic view of the divine underscores the interconnectedness of all aspects of the universe, emphasizing that creation, preservation, and destruction are all manifestations of the same supreme power.


Furthermore, the immutable nature of the divine provides a sense of stability and permanence in a world characterized by constant change. This philosophical perspective encourages individuals to seek refuge in the eternal and unchanging divine, transcending the transient nature of material existence.

 Conclusion

The phrase "Prabhava Pralayah Sthanam Nidhanam Bijam Avyayam" from the Bhagavad Gita offers a deep insight into the nature of the divine. It reminds us of the omnipotent and eternal aspects of the divine, encouraging a holistic understanding of existence. By contemplating these attributes, one can gain a deeper appreciation of the divine's role in the cosmos and find a sense of peace and purpose in the eternal nature of the divine.

 



Saturday, July 27, 2024

The power of intention.

 The Power of Intention to Renounce Desires


The phrase "Sankalpaprabhavankamamstktva" can be translated as "The power of intention to renounce desires." This concept holds a significant place in various philosophical and spiritual traditions, particularly within the context of Hinduism and Buddhism. It embodies the idea that a strong and resolute intention (sankalpa) has the profound ability to help individuals transcend and renounce their desires (kama). This essay explores the implications and applications of this concept in personal growth and spiritual development.

 The Nature of Sankalpa


Sankalpa, or intention, is a powerful mental force that shapes our actions and determines our paths in life. It goes beyond mere wishful thinking; it is a focused and committed resolve that aligns one's mind, body, and spirit towards a specific goal. In many Eastern philosophies, sankalpa is considered the seed of all actions. It is the initial spark that sets the wheel of karma in motion.


A well-formed sankalpa is not just a fleeting desire but a deep, heartfelt commitment. It requires clarity of purpose and unwavering determination. When one sets a sankalpa with full awareness and dedication, it harnesses the latent energies within and directs them towards the fulfillment of that intention.


The Influence of Prabhava


Prabhava refers to the effect or influence of something. In this context, it highlights the transformative power that intention wields. The influence of a strong sankalpa can be profound and far-reaching. It can reshape one's habits, alter thought patterns, and ultimately transform one's life. The prabhava of a sankalpa is evident in the way it guides and sustains an individual through challenges and obstacles.


When one is anchored by a strong sankalpa, it serves as a guiding light, illuminating the path and providing the strength needed to overcome distractions and difficulties. This influence is not merely psychological but also spiritual, as it aligns the individual's energies with their higher purpose.


Renunciation of Desires (Kama)


Kama, or desire, is a fundamental aspect of human existence. It drives much of our behavior and shapes our experiences. While desires can motivate and inspire, they can also lead to attachment, suffering, and a sense of incompleteness. In spiritual traditions, the renunciation of desires is often seen as a crucial step towards liberation and inner peace.


The process of renunciation does not imply a rejection of life or its pleasures but rather a conscious and deliberate letting go of attachments. It involves recognizing the transient nature of desires and understanding that true fulfillment lies beyond the realm of sensory experiences. Renunciation, in this sense, is a liberation from the constant craving and aversion that characterize much of human experience.


The Interplay of Sankalpa and Kama


The concept of "Sankalpaprabhavankamamstktva" beautifully encapsulates the interplay between intention and desire. It suggests that the power of a well-directed intention can help one transcend and renounce desires. This process is not about suppression but about transformation. A strong sankalpa channels one's energies towards higher goals, making the lower desires fade away naturally.


In practical terms, this means that when one is deeply committed to a higher purpose or goal, the distractions of lesser desires lose their grip. For instance, a person with a strong sankalpa to achieve spiritual enlightenment will find it easier to renounce materialistic pursuits. The sankalpa provides the necessary focus and strength to rise above the fleeting temptations of the senses.

 Practical Application


Applying the principle of "Sankalpaprabhavankamamstktva" in daily life involves cultivating a strong and clear sankalpa. This requires self-reflection, understanding one's true purpose, and committing to it wholeheartedly. Meditation, mindfulness, and self-discipline are essential practices in this journey. By constantly aligning one's actions with the sankalpa, one can gradually weaken the hold of desires and move towards greater inner peace and fulfillment.


In conclusion, the power of intention to renounce desires is a profound concept that highlights the transformative potential of a committed and focused resolve. It teaches us that by harnessing the power of sankalpa, we can transcend the limitations of our desires and attain a higher state of being. This principle, rooted in ancient wisdom, offers valuable insights for personal growth and spiritual evolution in the modern world.

Friday, July 26, 2024

Responsible adult.

 One of the Origin Stories of America’s Favorite Nursery Rhyme:


Effie Crockett was invited to help some mothers in the Muskogee Tribe. Once she arrived in camp, Effie laughed at what she saw. The Muskogee Tribe had a custom of cradling their pappooses among the swaying branches of birch trees. This protected their babies from ground insects, the sun, and wild animals.


After first finding it funny, she soon learned all the great reasons for this practice and marveled at the beauty of it.


Effie watched the swaying and soothing motion of the topmost branches of the trees. She loved how each baby enjoyed nature, how they listened to the songbirds, observed every ladybug, and smiled at the colors of a butterfly, every little breeze was felt and enjoyed by these young ones; each babe seemed perfectly content.


One of the Tribal mothers began to sing a song to the children in her native tongue. As the Muskogee mother sang, Miss Effie observed a small tear running down the mother’s cheek.


Effie translated the words and kept the tune. She shared it with everyone and it soon became a wildly popular nursery rhyme among the Colonies.


The English translation:

Rock-a-bye baby on the tree top,

When the wind blows the cradle will rock,

When the bough breaks the cradle will fall,

And down will come baby, cradle and all.


Why did the Muskogee mother cry?


A “bough” is simply a tree branch, and its breaking was used by the Muskogee mothers as an analogy of their little baby growing up.


Their little baby would soon outgrow his cradle. With each gently rocking wind, time was passing. One day, the little baby would no longer need the protection of their mother. One day, the “branch” would break because her little baby had become too heavy. The “cradle” would fall to the earth – the child, no longer a baby, would dust themselves off and grow into a self-responsible adult.


The now famous lullaby was first printed in Mother Goose’s Melody.

- ❤ 


Credits to @Native Tribes Culture

Ggv

 "Gopala Gokula Vallabhe" is a traditional devotional song in praise of Lord Krishna, a central figure in Hinduism. This bhajan is typically sung in the context of Krishna worship and is popular among devotees for its soulful melody and evocative lyrics. Here's a brief overview of the song and its historical context:


1. **Origins**: The exact origins of "Gopala Gokula Vallabhe" are not well-documented, but it is rooted in the Bhakti movement, which emphasized devotion to personal gods like Krishna. This movement gained prominence in India between the 7th and 17th centuries and produced a rich legacy of devotional music and poetry.


2. **Themes**: The song praises Krishna's beauty, divine playfulness, and his role as a protector and beloved deity of Gokula, the village where he spent his childhood according to Hindu mythology. "Gopala" is another name for Krishna, emphasizing his role as a cowherd, while "Gokula Vallabhe" refers to his beloved status in Gokula.


3. **Musical Tradition**: This bhajan is often performed in classical Indian musical styles, such as Hindustani or Carnatic, as well as in more contemporary devotional contexts. It can be accompanied by traditional instruments like the harmonium, tabla, and flute.


4. **Cultural Significance**: "Gopala Gokula Vallabhe" is more than just a song; it's a part of the living tradition of Krishna worship. It is sung during various festivals, especially Janmashtami (Krishna's birthday), and in temples dedicated to Krishna. The song helps to create a devotional atmosphere and aids devotees in their spiritual practice.


5. **Lyrics and Interpretation**: The lyrics of the song typically highlight Krishna's charming personality, his divine leelas (playful activities), and his deep connection with his devotees. Singing or listening to this song is believed to bring spiritual peace and a sense of closeness to the divine.


If you have a specific version or rendition of the song in mind, I can provide more detailed information or lyrics analysis based on that.

This song is written and sung by tulasidas. Who is a Rama bhakta. When he goes to the temple instead of Rama he sees Krishna so sings this song but ends it with his usual Rama in the end. 

Tulsidas, a renowned 16th-century Hindu poet-saint, is indeed best known for his devotion to Lord Rama and his magnum opus, the "Ramcharitmanas." However, the anecdote you mentioned highlights the spiritual unity seen in the Bhakti tradition, where devotion to one form of the divine can lead to experiences of another form, reflecting the underlying belief in the oneness of God.


According to the story, Tulsidas went to a temple expecting to see an image of Lord Rama, but instead, he had a divine vision of Lord Krishna. Moved by this experience, he composed and sang "Gopala Gokula Vallabhe," expressing his spontaneous devotion to Krishna. True to his usual practice, Tulsidas is said to have concluded the song by invoking Lord Rama, demonstrating his enduring devotion.


This tale beautifully illustrates the fluidity and interconnectedness of bhakti (devotion) in Hinduism, where different deities are viewed as manifestations of the same supreme reality. Tulsidas's experience underscores the idea that the divine can reveal itself in various forms to the true devotee.


While "Gopala Gokula Vallabhe" may not be as famous or widely documented as Tulsidas's works dedicated to Rama, this story reflects his versatility and deep spiritual insights, embracing the divine in its many forms.


गोपाल गोकुल वल्लभे प्रिय

गोप गोसुत वल्लभं

चरनरविन्दं  अहं  भजे

भजनीय सुरमुनि दुर्लभं

घन श्यामं  काम अनेखा  छभि

लोकाभि  राम  मनोहरं

किञ्चल्क  वसन  किशोर  मूरति

भूरि गुण करुणाकरं

सिरकेकी पिञ्च विलोल कुण्डल

अरुण वनरुहा लोचनं

कुजव दंस विचित्र सब्

अङ्ग दातु भव भैय मोचनं

कच कुटिल सुन्दर तिलक ब्रु

राका मयङ्ग समानानां

अपहरण तुलसि दास

त्रास बिहसा बृन्दा काननं


gOpAla gOkula vallabhI priya gOpa gOsuta vallabham

The cowherd (gOpAla), beloved (priya) of the women (vallabhi) of gOkul, the favorite (vallabham) of the cowherds (gOpa) and children of (gOsuta) gOkul

caraNAravindam aham bhajE bhajanIya suramuni durlabham

I (aham) worship at his lotus (aravindam)-like feet (caraNa), the venerable one (bhajanIya), whom even the gods (sura) and ascetics (muni) find it difficult to attain (durlabham)

ghana shyAma kAma anEkacApi lOkAbhirAma manOharam

The one with a dark/deep (ghana) blue (SyAma) complexion, the embodiment of a multitude (anEka ca api) of desires (kAma), with an attraction (manOharam) that stems from a beauty (abhirAma) that is unsurpassed in the world (lOka)

kinjalka vasana kishOra mUrti pUri guNa karuNAkaram

One who wears garments (vasana) made of threads from lotus stalks (kinjalka), the embodiment (mUrti) of youthfulness (kiSOra), the one whose character (guNa) is without defcit (pUri) [1], the ever-compassionate one (karuNAkaram)

shira kEkapiccha vilOla kuNDala aruNa vanaruha lOcanam

Adorned with peacock feathers (kEkapiccha) on his head (Sira), and dangling (vilOla) earrings (kuNDala), with eyes (lOcanam) like the red (aruNa) lotus (vanaruha) [2]

kunjAvatamSa vicitra shubhAnga dAtu bhava bhaya mOcanam

With a crown (avataMsha) of forest flowers (kunja), with amazing (vicitra) and beautiful limbs (SubhAnga), he gives/grants (dAtu) release (mOcanam) from the fear (bhaya) of this mortal world (bhava)

kaca kuTila sundara tilakabrU-rAgamayanga samAnanam

With curly (kuTila) locks (kaca), and a beautiful (sundara) tilaka, his face (Ananam) is like (sama) the red (rAgamaya)…????

pApa haraNa tulasidAsa trAsa vihara brndakAnanam

Resident of vRndAvan (bRndakAnanam), destroyer (haraNa) of sins (pApa), who removes (vihara) the fear/anxiety (trAsa) of the poet, tulsidAs!


Thursday, July 25, 2024

Conch.

 


They say music is a science, yes! Pythagoras is considered to have created the theory of music by combining intervals and mathematical calculations to create notes for the major scale. But perhaps only Leonard Bernstein, in his famous Harvard speech, [ The Unanswered Question 1973 ] truly explained why and how. Through his explanation of the harmonic series, he demonstrated the scientific basis of music theory. 


However, he also noted something profound: 


"What we calculate and explain or try to explain through music theory of Pythagoras, only appreciators of Indian music can feel it, they can demonstrate any mood through their scales, which they call Raaga. And a Raaga is not just a scale; it's something more. If you can't appriciate or feel it, it will put you to sleep in a few minutes. "


After observing how a harmonic series and a conch shell are similar, I feel that this connection and our ancient understanding of music may lead to this deeper understanding. Our ancestors understood everything before the father of music theory, Pythagoras.


The only word that is coming to my mind after watching this picture is PANCHAJANYA.


“The highest goal of music is to connect one’s soul to their Divine Nature, not entertainment.”


— Pythagoras


{The top image is a graph of the first nine harmonics of a harmonic series. The bottom image is an x-ray of the inner structure of a conch shell.}



Bhavam

 The Sanskrit word "bhāvaṃ" (भावम्) is rich in meaning and deeply rooted in the cultural and philosophical traditions of India. Its significance spans various domains, including literature, philosophy, and performing arts. This essay explores the multifaceted nature of "bhāvaṃ" and its implications in different contexts.


## Etymology and Basic Meaning


In Sanskrit, "bhāvaṃ" derives from the root "√bhū," which means "to be" or "to become." Thus, at its core, "bhāvaṃ" signifies a state of being, existence, or becoming. It encompasses the idea of an inherent quality or essence that defines the nature of a person, object, or phenomenon. 


## Bhāvaṃ in Indian Philosophy


In Indian philosophy, "bhāvaṃ" plays a crucial role in understanding the nature of reality and human experience. Different philosophical schools interpret "bhāvaṃ" in unique ways:


1. **Vedanta**: In Vedantic philosophy, particularly Advaita Vedanta, "bhāvaṃ" is often associated with the state of existence that emerges from Brahman, the ultimate reality. It signifies the transient and illusory nature of the phenomenal world (maya), which contrasts with the unchanging, eternal nature of Brahman.


2. **Sankhya and Yoga**: In Sankhya and Yoga philosophies, "bhāvaṃ" refers to the various states or modifications (vrittis) of the mind and consciousness. These schools categorize "bhāvas" into different types, such as pleasure, pain, delusion, etc., which influence human behavior and spiritual evolution.


3. **Buddhism**: In Buddhist philosophy, "bhāvaṃ" signifies becoming or the process of coming into existence. It is closely related to the concept of dependent origination (pratityasamutpada), where "bhāvaṃ" represents the stage of existence or rebirth in the cycle of samsara (the cycle of birth, death, and rebirth).


## Bhāvaṃ in Literature and Arts


In Indian literature and performing arts, "bhāvaṃ" holds a central position, particularly in the context of aesthetics (rasa theory) and dramatic expression (natya shastra):


1. **Rasa Theory**: Developed by Bharata Muni in the Natya Shastra, rasa theory elaborates on how emotions (bhāvas) are evoked in the audience through artistic expression. Bhāvas are the emotional states depicted by performers, which transform into rasa (the aesthetic experience) in the minds of the audience. There are eight primary bhāvas: love (śṛṅgāra), laughter (hāsya), sorrow (karuṇa), anger (raudra), energy (vīra), fear (bhayānaka), disgust (bībhatsa), and wonder (adbhuta).


2. **Dramatic Expression**: In classical Indian dance and theatre, performers use facial expressions (abhinaya), gestures (mudras), and movements to convey bhāvas. These expressive elements are meticulously crafted to communicate the underlying emotions and themes of a performance, creating a profound connection between the performer and the audience.


## Bhāvaṃ in Everyday Life


In everyday life, "bhāvaṃ" signifies an individual's emotional state, attitude, or disposition. It reflects how one perceives and interacts with the world. The concept encourages self-awareness and mindfulness, as understanding one's bhāvaṃ can lead to greater emotional intelligence and personal growth.


## Conclusion


The Sanskrit word "bhāvaṃ" embodies a spectrum of meanings that resonate across philosophical discourses, literary traditions, and artistic expressions. It captures the essence of existence, emotional states, and the transformative power of art. By delving into the depths of "bhāvaṃ," one gains insight into the profound ways in which this concept shapes human experience and cultural heritage.


In Indian music, "bhavam" (भावम्) refers to the emotion or mood conveyed by a piece of music. It's a fundamental concept in both Carnatic and Hindustani classical music, where the primary aim is to evoke specific feelings in the listener. 


Bhavam can be broken down into three main aspects:


1. **Raga Bhavam**: This refers to the emotional expression of the raga itself. Each raga has a unique mood or feeling associated with it, which is conveyed through its specific notes and progression.


2. **Sahitya Bhavam**: This pertains to the emotions expressed through the lyrics or the poetic content of the song. The words play a crucial role in enhancing the overall emotional impact of the music.


3. **Sangita Bhavam**: This is the overall musical expression, combining the raga and sahitya bhavam, along with the performer's interpretation, to create a rich emotional experience for the audience.


Bhavam is considered a vital element in Indian classical music as it bridges the gap between the performer and the listener, making the music a deeply immersive and emotive experience.

Wednesday, July 24, 2024

Anahankara.

 Anahankara is a Sanskrit term that combines two words: 'anaham' meaning 'I am not' or 'absence of ego', and 'ankara' meaning 'ego' or 'identity'. Together, Anahankara represents the state of being free from ego or the sense of individual identity. In spiritual and philosophical contexts, Anahankara refers to a state where one transcends the egoistic attachments and identifies with a deeper, more universal consciousness.


The concept of Anahankara is significant in various spiritual traditions, particularly in Hinduism and Buddhism, where overcoming the ego is seen as essential for spiritual growth and enlightenment. It involves recognizing that the ego, which often manifests as attachment to one's self-image, desires, and possessions, creates suffering and limits one's true potential.


Practices such as meditation, self-inquiry, and mindfulness are often employed to cultivate Anahankara. By observing the transient nature of thoughts, emotions, and external circumstances without identifying with them, individuals can gradually diminish the influence of the ego. This process leads to a deeper understanding of one's true nature beyond the limited constructs of the ego.


Anahankara is not about negating individuality or self-worth but rather about transcending the ego's dominance to experience a state of inner freedom, peace, and interconnectedness with all beings. It encourages humility, compassion, and a broader perspective on life.


In conclusion, Anahankara signifies the journey towards self-realization and spiritual liberation by transcending the ego. It offers a pathway to discover one's authentic self and to live in harmony with the world.

Monday, July 22, 2024

The steady intelect.

 Stitha-prajna, often translated as "steady-minded" or "one with steady intellect," is a concept from ancient Indian philosophy, particularly highlighted in the Bhagavad Gita. It refers to a state of inner steadiness, equanimity, and unwavering intellect amidst the flux and challenges of life. 

Stitha Prajna: The Steady Intellect

In the vast tapestry of human emotions and experiences, there exists a state of being that transcends the tumultuous waves of joy and sorrow, success and failure. This state is known as stitha-prajna, a concept elucidated in the Bhagavad Gita, where Lord Krishna imparts profound wisdom to Arjuna on the battlefield of Kurukshetra.

Stitha-prajna, literally meaning "one with steady intellect," embodies a person who has attained inner equilibrium and mental stability. It is a state of mind characterized by unwavering resolve, clarity of thought, and a deep-seated sense of peace irrespective of external circumstances. This concept is not merely philosophical but serves as a practical guide to navigating life’s challenges with grace and wisdom.

The Bhagavad Gita describes several key attributes of stitha-prajna that are essential for understanding its essence. Firstly, such an individual is unaffected by dualities such as pleasure and pain, heat and cold, success and failure. This does not imply a lack of sensitivity but rather a transcendence of emotional reactions driven by external events. The steadiness of intellect enables one to respond to situations rationally and with composure.

Secondly, stitha-prajna is characterized by a profound sense of detachment coupled with engaged action. This paradoxical combination emphasizes the importance of performing one’s duties diligently while remaining detached from the fruits of those actions. This detachment liberates the mind from anxiety and desire, allowing it to focus wholly on the present moment and the task at hand.

Furthermore, stitha-prajna embodies clarity of perception and an intuitive understanding of the underlying unity of all existence. Such an individual sees beyond superficial differences and recognizes the interconnectedness of all beings. This holistic vision fosters compassion, empathy, and a sense of universal responsibility.

The path to becoming stitha-prajna involves disciplined practice and inner reflection. It requires cultivating virtues such as patience, resilience, and self-awareness. Meditation, mindfulness, and introspection are instrumental in quieting the fluctuations of the mind and attaining inner tranquility.

In today’s fast-paced world, where stress and uncertainty abound, the concept of stitha-prajna holds profound relevance. It offers a blueprint for harmonizing the demands of modern life with spiritual growth and emotional well-being. By cultivating a steady intellect and embracing the principles of detachment and equanimity, individuals can navigate challenges with clarity, grace, and resilience.

In conclusion, stitha-prajna represents the pinnacle of human spiritual evolution—a state where the mind remains steady like a rock amidst the turbulent waters of life. It beckons individuals to transcend the limitations of ego and desire, and awaken to their true nature. Embracing the teachings of stitha-prajna empowers individuals to live authentically, cultivate inner peace, and contribute positively to the world around them.

Thus, let us strive to embody the essence of stitha-prajna in our lives, aspiring towards a state of unwavering peace, wisdom, and compassion.

This essay explores the essence of stitha-prajna as depicted in the Bhagavad Gita, emphasizing its relevance in contemporary life and its significance in achieving inner peace and spiritual growth.

Friday, July 19, 2024

Akrodha.

 


Akrodha is a Sanskrit term meaning “absence of anger.” In yoga, akrodha is regarded as a virtuous and beneficial quality, and it is often referenced in yogic literature. Both Hinduism and Buddhism see akrodha as one of the 10 freedoms needed for a person to live a good life.



Anger is said to interfere with reason and prevent contentment, so akrodha is necessary in order to allow a person to live a rational, peaceful life. It is also said to be impossible for a person to fully live their dharma, or right way of living, without experiencing akrodha.



Akrodha is demonstrated when there is a reason why someone might become angry, but they do not succumb to anger. It is not the absence of causes of anger, but the absence of an angry reaction to these potential causes. This means that the person remains calm in the face of provocation, insults, or abuse.


The opposite of akrodha – krodha or “anger” – is excessive mental agitation when some desire or attachment is not fulfilled. In this state, anger clouds judgement and peace of mind. In contrast, when the state of akrodha is achieved, a person’s mind is clear and free, and they are able to find self-knowledge, truth and liberation. They will also not harm others through their anger.


Akrodha, often translated as 'non-anger' or 'absence of anger' in Sanskrit, holds profound significance in various philosophical and ethical teachings, particularly in Hinduism and Buddhism. It encompasses not merely the suppression of anger but a deeper state of emotional equanimity and spiritual maturity.



The concept of Akrodha underscores the idea that anger is a destructive force, both internally and externally. When we experience anger, it clouds our judgment, disrupts our relationships, and often leads to regrettable actions. In contrast, cultivating Akrodha involves mastering one's emotions, fostering patience, and responding to situations with clarity and compassion.



In Hindu philosophy, particularly in the Bhagavad Gita, Lord Krishna emphasizes the importance of controlling anger. He describes anger as one of the three gates to self-destructive hellish conditions, urging Arjuna to overcome it through discipline and detachment. The Gita advocates for maintaining a balanced mind amidst the dualities of life, including pleasure and pain, success and failure, and praise and criticism.



Buddhism, too, addresses the detrimental effects of anger through teachings on mindfulness and the cultivation of loving-kindness (Metta). The Buddha taught that anger arises from distorted perceptions and unrealistic expectations. By practicing mindfulness and developing compassion towards oneself and others, individuals can gradually diminish anger and its harmful consequences.



Moreover, Akrodha extends beyond personal well-being to societal harmony. In interpersonal relationships, conflicts often arise from unchecked anger. By embodying Akrodha, individuals contribute to a more peaceful and cooperative community, fostering mutual respect and understanding.



Practicing Akrodha requires conscious effort and self-awareness. Techniques such as deep breathing, meditation, and introspection help individuals recognize the triggers of anger and respond to them calmly. Over time, this cultivates emotional resilience and strengthens one's capacity to navigate life's challenges with grace.



In conclusion, Akrodha is not merely the absence of anger but a state of inner tranquility and wisdom. It teaches us to transcend impulsive reactions and cultivate virtues like patience, forgiveness, and empathy. By embracing Akrodha, individuals not only enhance their own well-being but also contribute positively to the world around them, fostering harmony and peace in all aspects of life.




Apratima prabhavaha.

 अप्रतिम

Amazing

matchless

अतुलनीय, बेजोड़, नाबराबर, अप्रतिम, बेमिसाल, लाजवाब

unequalled

अप्रतिम, असमान, असम, नाबराबर

जिसके समान कोई दुसरा न हो । असदृश । अद्वितीय । अनुपम । बोजोड़ । प्रायोजित कड़ी - हटाएं. अप्रतिम. noun ...


Apratima, often translated as "incomparable" or "unparalleled," is a concept deeply rooted in Indian philosophy and literature. It represents the idea of something that cannot be equaled or matched, something that stands out uniquely in its excellence or beauty.In the realm of art and aesthetics, apratima signifies the highest form of beauty or craftsmanship that transcends comparison. It is used to describe works of art, sculptures, poetry, or music that are so exquisite that they defy comparison to anything else. Each piece is considered a masterpiece in its own right, incomparable to others due to its distinctiveness and perfection.For instance, in classical Indian sculpture, a statue may be described as apratima if its craftsmanship, detailing, and spiritual essence are of such extraordinary quality that it is unmatched by any other statue. The same applies to literature, where a poem or a piece of prose may be deemed apratima if its composition, depth, and emotional impact are beyond anything previously written.Beyond the arts, apratima extends into the realm of personal qualities and virtues. A person may be described as apratima if they possess exceptional qualities or talents that set them apart from others. This could be in terms of intellect, compassion, courage, or any other admirable trait that makes them stand out as extraordinary and unparalleled in their field.In Indian spiritual thought, apratima also carries a deeper philosophical meaning. It reflects the concept that the divine or the spiritual essence is incomparable and beyond any material comparison. The divine is considered apratima because its qualities, virtues, and presence transcend human understanding and cannot be adequately described or equaled by anything worldly.In conclusion, apratima encapsulates a profound appreciation for uniqueness, excellence, and transcendence in various aspects of life. Whether in art, literature, personal qualities, or spiritual understanding, it celebrates those rare instances of unparalleled beauty, skill, or virtue that elevate human experience and inspire awe and admiration.

Apratima Prabhava" is a concept rooted in Hindu philosophy and spirituality, often translated as the 'incomparable power' or 'unparalleled influence'. It signifies the extraordinary and unmatched impact that certain beings, actions, or principles possess in shaping the world and human lives.In Hinduism, particularly in the context of mythology and scripture, Apratima Prabhava refers to the awe-inspiring and transformative power exhibited by gods, goddesses, sages, and divine incarnations. These figures are believed to possess qualities and abilities that are beyond human comprehension and are capable of influencing destinies, altering cosmic events, and bestowing blessings or curses that can profoundly impact individuals and entire civilizations.One of the most prominent examples of Apratima Prabhava is found in the various incarnations (avatars) of Lord Vishnu, such as Lord Rama and Lord Krishna. These incarnations are described as possessing divine attributes and powers that are unparalleled and serve to uphold righteousness (dharma) and protect the universe from evil forces (adharma). Their actions and teachings not only serve as moral and spiritual guidelines for devotees but also demonstrate the extraordinary impact that divine intervention can have on the course of history.Moreover, Apratima Prabhava extends beyond divine beings to include exceptional human beings who achieve greatness through their actions, wisdom, or spiritual attainment. Saints, sages, and enlightened masters are revered for their ability to bring about positive change in the world and uplift humanity through their teachings, selfless service, and spiritual guidance. Their influence transcends generations and continues to inspire people to lead meaningful and virtuous lives.In a broader sense, Apratima Prabhava can also be understood as the profound impact of universal principles such as love, compassion, truth, and non-violence. These principles are considered timeless and universal because their influence transcends cultural, religious, and geographical boundaries. They have the power to unite people, transform societies, and bring about positive change on a global scale.In conclusion, Apratima Prabhava encapsulates the concept of extraordinary and unparalleled influence or power that is found in divine beings, enlightened individuals, and universal principles. It underscores the belief in forces and beings whose actions and qualities transcend ordinary human experience and serve as sources of inspiration, guidance, and transformation for humanity. Through their incomparable influence, they embody the highest ideals of virtue, wisdom, and spiritual enlightenment, offering a path towards personal growth, societal harmony, and universal peace.


Tuesday, July 16, 2024

Romaharsha.

 He was a suta by birth. He was born to a brahmana father and kshatriya mother. He was a disciple of Veda Vyasa. During a yajna, Romaharshana did not stand up to greet Lord Balarama when the latter was on his pilgrimage during the Kurukshetra war."This holy place, Naimisaranya, is still existing in India, and in ancient times it was especially used for the meetings of great sages and saintly persons with the aim of understanding spiritual life and self-realization. When Lord Balarama visited that place there was a great sacrifice being performed by a great assembly of transcendentalists. Such meetings were planned to last thousands of years. When Lord Balarama arrived, all the participants of the meeting--great sages, ascetics, brahmanas and learned scholars--immediately arose from their seats and welcomed Him with great honor and respect. Some offered Him respectful obeisances, and those who were elderly great sages and brahmanas offered Him blessings by standing up. After this formality, Lord Balarama was offered a suitable seat, and everyone present worshiped Him. Everyone in the assembly stood up in the presence of Balarama because they knew Him to be the Supreme Personality of Godhead. Education or learning means to understand the Supreme Personality of Godhead; therefore, although Lord Balarama appeared on the earth as a ksatriya, all the brahmanas and sages stood up because they knew who Lord Balarama was.


Unfortunately, after being worshiped and seated at His place, Lord Balarama saw Romaharsana, the disciple of Vyasadeva (the literary incarnation of Godhead), still sitting on the vyasasana. He had neither gotten up from his seat nor offered Him respects. Because he was seated on the vyasasana, he foolishly thought himself greater than the Lord; therefore he did not get down from the seat or bow down before the Lord. Lord Balarama then considered the history of Romaharsana: he was born in a suta family, or a mixed family, born of a brahmana woman and a ksatriya man. Therefore although Romaharsana considered Balarama a ksatriya, he should not have remained sitting on a higher seat. Lord Balarama considered that Romaharsana, according to his position by birth, should not have accepted the higher sitting position, because there were many learned brahmanas and sages present. He also observed that Romaharsana not only did not come down from his exalted seat, but he did not even stand up and offer his respects when Balaramaji entered the assembly. Lord Balarama did not like the audacity of Romaharsana, and He became very angry with him. When a person is seated on the vyasasana, he does not generally have to stand to receive a particular person entering the assembly, but in this case the situation was different because Lord Baladeva is not an ordinary human being. Therefore, although Romaharsana Suta was voted to the vyasasana by all the brahmanas, he should have followed the behavior of other learned sages and brahmanas who were present and should have known that Lord Balarama is the Supreme Personality of Godhead. Respects are always due Him, even though such respects can be avoided in the case of an ordinary man. The appearance of Krsna and Balarama is especially meant for reestablishment of the religious principles. As stated in the Bhagavad-gita, the highest religious principle is to surrender unto the Supreme Personality of Godhead. It is also confirmed in the Srimad-Bhagavatam that the topmost perfection of religiousness is to be engaged in the devotional service of the Lord.


When Lord Balarama saw that Romaharsana Suta did not understand the highest principle of religion in spite of his having studied all the Vedas, He certainly could not support his position. Romaharsana Suta had been given the chance to become a perfect brahmana, but because of his ill behavior in his relationship with the Supreme Personality of Godhead, his low birth was immediately remembered. Romaharsana Suta had been given the position of a brahmana, but he had not been born in the family of a brahmana; he had been born in a pratiloma family. According to the Vedic concept, there are two kinds of mixed family heritage. They are called anuloma and pratiloma. When a male is united with a female of a lower caste, the offspring is called anuloma; but when a male unites with a woman of a higher caste, the offspring is called pratiloma. Romaharsana Suta belonged to a pratiloma family because his father was a ksatriya and his mother a brahmana. Because Romaharsana's transcendental realization was not perfect, Lord Balarama remembered his pratiloma heritage. The idea is that any man can be given the chance to become a brahmana, but if he improperly uses the position of a brahmana without actual realization, then his elevation to the brahminical position is not valid.


After seeing the deficiency of realization in Romaharsana Suta, Lord Balarama decided to chastise him for being puffed up. Lord Balarama therefore said, "This man is liable to be awarded the death punishment because, although he has the good qualification of being a disciple of Lord Vyasadeva, and although he has studied all the Vedic literature from this exalted personality, he was not submissive in the presence of the Supreme Personality of Godhead." As stated in the Bhagavad-gita, a person who is actually a brahmana and is very learned must automatically become very gentle also. In the case of Romaharsana Suta, although he was very learned and had been given the chance to become a brahmana, he had not become gentle. From this we can understand that when one is puffed up by material acquisition, he cannot acquire the gentle behavior befitting a brahmana. The learning of such a person is as good as a valuable jewel decorating the hood of a serpent. Despite the valuable jewel on the hood, a serpent is still a serpent and is as fearful as an ordinary serpent. If a person does not become meek and humble, all his studies of the Vedas and Puranas and his vast knowledge in the sastras become simply outward dress, like the costume of a theatrical artist dancing on the stage. Lord Balarama began to consider thus, "I have appeared in order to chastise false persons who are internally impure but externally pose themselves to be very learned and religious. My killing of such persons is proper, to check them from further sinful activity."


Lord Balarama had avoided taking part in the Battle of Kuruksetra, and yet because of His position, the reestablishment of religious principles was His prime duty. Considering these points, He killed Romaharsana Suta simply by striking him with a kusa straw, which was nothing but a blade of grass. If someone questions how Lord Balarama could kill Romaharsana Suta simply by striking him with a blade of kusa grass, the answer is given in Srimad-Bhagavatam by the use of the word prabhu (master). The Lord's position is always transcendental, and because He is omnipotent He can act as He likes without being obliged to the material laws and principles. Thus it was possible for Him to kill Romaharsana Suta simply by striking him with a blade of kusa grass.


At the death of Romaharsana Suta, everyone present became much aggrieved, and there was roaring crying. Although all the brahmanas and sages present there knew Lord Balarama to be the Supreme Personality of Godhead, they did not hesitate to protest the Lord's action, and they humbly submitted, "Our dear Lord, we think that Your action is not in line with the religious principles. Dear Lord Yadunandana, we may inform You that we brahmanas posted Romaharsana Suta on that exalted position for the duration of this great sacrifice. He was seated on the vyasasana by our election, and when one is seated on the vyasasana, it is improper for him to stand up to receive a person. Moreover, we awarded Romaharsana Suta an undisturbed duration of life. Under the circumstances, since Your Lordship has killed him without knowing all these facts, we think that Your action has been equal to that of killing a brahmana. Dear Lord, deliverer of all fallen souls, we know certainly that You are the knower of all Vedic principles. You are the master of all mystic powers; therefore ordinarily the Vedic injunctions cannot be applied to Your personality. But we request that You show Your causeless mercy upon others by kindly atoning for this killing of Romaharsana Suta. We do not, however, suggest what kind of act You should perform to atone for killing him; we simply suggest that some method of atonement be adopted by You so that others may follow Your action. What is done by a great personality is followed by the ordinary man."


The Lord replied, "Yes, I must atone for this action, which may have been proper for Me, but is improper for others; therefore, I think it is My duty to execute a suitable act of atonement enjoined in the authorized scriptures. Simultaneously I can also give this Romaharsana Suta life again, with a span of long duration, sufficient strength, and full power of the senses. Not only this, if you desire I shall be glad to award him anything else which you may ask. I shall be very glad to grant all these boons in order to fulfill your desires."


This statement of Lord Balarama definitely confirms that the Supreme Personality of Godhead is free to act in any way. Although it may be considered that His killing of Romaharsana Suta was improper, He could immediately counteract the action with greater profit to all. Therefore, one should not imitate the actions of the Supreme Personality of Godhead; one should simply follow the instructions of the Lord. All the great learned sages present realized that although they considered the action of Lord Balarama to be improper, the Lord was immediately able to compensate with greater profits. Not wanting to detract from the mission of the Lord in killing Romaharsana Suta, all of them prayed, "Our dear Lord, the uncommon use of Your kusa weapon to kill Romaharsana Suta may remain as it is; because of Your desire to kill him, he should not be brought to life again. At the same time Your Lordship may remember that we sages and brahmanas voluntarily gave him long life; therefore, such a benediction should not be nullified." Thus the request of all the learned brahmanas in the assembly was ambiguous because they wanted to keep intact the benediction given by them that Romaharsana Suta would continue to live until the end of the great sacrifice, but at the same time they did not want to nullify Balarama's killing him.


The Supreme Personality of Godhead therefore solved the problem in a manner befitting His exalted position, and said, "Because the son is produced from the body of the father, it is the injunction of the Vedas that the son is the father's representative. Therefore I say that Ugrasrava Suta, the son of Romaharsana Suta, should henceforth take his father's position and continue the discourses on the Puranas, and because you wanted Romaharsana to have a long duration of life, this benediction will be transferred to his son. The son, Ugrasrava, will therefore have all the facilities you offered--long duration of life in a good and healthy body, without any disturbances and full strength of all the senses."


Lord Balarama then implored all the sages and brahmanas that aside from the benediction offered to the son of Romaharsana, they should ask from Him any other benediction, and He would be prepared to fulfill it immediately. The Lord thus placed Himself in the position of an ordinary ksatriya and informed the sages that He did not know in what way He could atone for His killing of Romaharsana, but whatever they would suggest He would be glad to accept.


The brahmanas could understand the purpose of the Lord, and thus, they suggested that He atone for His actions in a manner which would be beneficial to them. They said, "Our dear Lord, there is a demon of the name Balvala. He is the son of Ilvala, but he is a very powerful demon, and he visits this sacred place of sacrifice every fortnight on the full moon and moonless days and creates a great disturbance to the discharge of our duties in the sacrifice. O descendant of the Dasarha family, we all request You to kill this demon. We think that if You kindly kill him, that will be Your atonement on our behalf. The demon occasionally comes here and profusely throws upon us contaminated, impure things like pus, blood, stool, urine and wine, and he pollutes this sacred place by showering such filth upon us. After killing Balvala, You may continue touring all the sacred places of pilgrimage for twelve months, and in that way You will be completely freed from all contamination. That is our prescription."


Saturday, July 13, 2024

Nirahankaram

 अद्वेष्टा सर्वभूतानां मैत्र: करुण एव च |

निर्ममो निरहङ्कार: समदु:खसुख: क्षमी || 13||

सन्तुष्ट: सततं योगी यतात्मा दृढनिश्चय: |

मय्यर्पितमनोबुद्धिर्यो मद्भक्त: स मे प्रिय: || 14||


adveṣhṭā sarva-bhūtānāṁ maitraḥ karuṇa eva cha

nirmamo nirahankāraḥ sama-duḥkha-sukhaḥ kṣhamī


santuṣhṭaḥ satataṁ yogī yatātmā dṛiḍha-niśhchayaḥ

mayy arpita-mano-buddhir yo mad-bhaktaḥ sa me priyaḥ


adveṣhṭā—free from malice; sarva-bhūtānām—toward all living beings; maitraḥ—friendly; karuṇaḥ—compassionate; eva—indeed; cha—and; nirmamaḥ—free from attachment to possession; nirahankāraḥ—free from egoism; sama—equipoised; duḥkha—distress; sukhaḥ—happiness; kṣhamī—forgiving; santuṣhṭaḥ—content; satatam—steadily; yogī—united in devotion; yata-ātmā—self-controlled; dṛiḍha-niśhchayaḥ—firm resolve; mayi—to me; arpita—dedicated; manaḥ—mind; buddhiḥ—intellect; yaḥ—who; mat-bhaktaḥ—My devotees; saḥ—they; me—to Me; priyaḥ—very dear


adveshta sarva-bhutanam maitrah karuna eva cha

nirmamo nirahankarah sama-duhkha-sukhah kshami


santushtah satatam yogi yatatma dridha-nishchayah

mayy arpita-mano-buddhir yo mad-bhaktah sa me priyah

Those devotees are very dear to Me who are free from malice toward all living beings, who are friendly, and compassionate. They are free from attachment to possessions and egotism, equipoised in happiness and distress, and ever-forgiving. They are ever-content, steadily united with Me in devotion, self-controlled, of firm resolve, and dedicated to Me in mind and intellect.


Commentary


Having stated that devotion to His personal form is the best, Shree Krishna now goes on to explain in verses 13 to 19, the qualities of His loving devotees. 


Free from malice toward all living beings.  The devotees realize that all living beings are tiny parts of God.  If they harbor envy toward others, it is tantamount to harboring envy toward God Himself.  So the devotees are free from malice even toward those who are inimical toward them.


Friendly and compassionate.  Devotion engenders the feeling of unity amongst all living beings by virtue of their being children of the one God.  The notion of seeing others as alien to oneself is wiped out.  This leads to the growth of affability in the devotees and sympathy toward the sufferings of others.


Free from attachment to possessions and egotism.  The biggest enemy of devotion is pride.  One can only progress on the spiritual path if one practices self-effacement.  Proficient devotees naturally become humble and eliminate pride and proprietorship from their personality, as well as the false identification of being the body.


Equipoised in happiness and distress.  Devotees have faith that only efforts are in their hands, while the results are in the hands of God.  So whatever results come their way, they see them as the will of God, and accept them with equanimity.


Ever forgiving.  Devotees never think of punishing wrongdoers for their emotional satisfaction.  Harboring such negative thoughts toward others ruins one’s own devotion.  So accomplished devotees refuse to harbor unforgiving thoughts in all circumstances and leave the task of punishing wrongdoers upon God.


Ever contented.  Contentment comes not from increasing our possessions, but by decreasing our wants.  Devotees no longer look upon material objects as the source of pleasure, and thus are content with whatever they get. 


Steadily united with Me in devotion.  As explained previously, “Yog” means union.  Devotees are yogis because their consciousness is absorbed in God.  This absorption is not occasional or intermittent, but steady and constant because they are established in their relationship with God.


Self-controlled.  Devotees attach their mind to God in loving devotion.  It is thus detached from the world, and this gives them mastery over their mind and senses.

Firm in conviction.  The quality of determination comes from possessing a resolute intellect.  Since devotees tie their intellect to the knowledge of the scriptures and the instructions of the Guru, it becomes so resolute that even if the whole world tries to convince them otherwise, they do not budge an inch from their position.


Dedicated to Me in mind and intellect.  The soul is a servant of God by its inherent nature, and as we become enlightened with this knowledge, we naturally dedicate ourselves to the Supreme Lord.  In this surrender, the mind and intellect are of primary importance.  When they are devoted to God, the rest of the personality—body, working senses, knowledge senses, worldly possessions, and soul—naturally get dedicated in His service.  Shree Krishna says that devotees who exhibit these qualities are very dear to Him.



Friday, July 12, 2024

Principle.



Truly said principle.

Chapter 1 : Wrong thinking is the only problem in life.

Chapter 2 : Right Knowledge is the ultimate solution to all our problems.

Chapter 3 : Selflessness is the only way to progress & prosperity.

Chapter 4 : Every act can be an act of prayer.

Chapter 5: Renounce the ego of individuality & rejoice in the Bliss of Infinity.

Chapter 6: Connect the higher consciousness daily.

Chapter 7: Live what you learn.

Chapter 8: Never give up on yourself.

Chapter 9: Value your blessings.

Chapter10: See divinity all around.

Chapter 11: Have enough surrender to see the truth as it is.

Chapter 12: Absorb your mind in the higher.

Chapter 13:Detach from maya and attach to divine.

Chapter 14:Line a lifestyle that matches your vision.

Chapter 15:Give priority to divinity.

Chapter 16:Being good is a reward in itself.

Chapter 17:Choosing the right over the pleasant is a sign of power.

Chapter 18:Lets Go,

Lets move to Union with God.

By Maharishi Ved Vyas- Author of shreemad Bhagwat Gita



Thursday, July 11, 2024

Vibes.

 Narayaneeyam begins with the words Sandaranandham, truly encapsulating the delight and spiritual merit one derives from stepping foot in Guruvayur. If Sandra signifies the purity of the ground, anandham denotes delights that is indescribable: it has to be experienced by each individual, much as Narayana Bhattathiri did, when he composed Narayaneeyam, said Damal S. Ramakrishnan in a discourse.

There are various kinds of anandham, but Sandaranandham is the highest form. Every morning before dawn at Guruvayur, devotees rush in, chanting His name in pure joy, eager for a first sight of Him. The ancient stone idol (pathala anjana kal) was fashioned by Vishnu Himself and handed over to Brahma who gave the idol to a couple. Vishnu informed the couple that he Himself would come to earth and conduct puja for the idol no less than three times and safeguard it so that devotees in Kali Yuga can reap spiritual benefit. Vishnu did so, first as Prasnigarban, son of Prashni and Suthapas; later as Vamanan (son of Aditi and Kashyap) and finally as Krishna, son of Devaki and Vasudevan. The new-born Krishna showered two leaves on the idol and asked that Vasudeva and Devaki be taken care of.

Later, as His sojourn on earth was nearing its end, Krishna asked Uddava to save the idol from the impending deluge. When Uddava struggled to hold aloft the idol, Varuna tempered the fury so that Guru and Vayu could spot the idol and preserve it. Since Guru and Vayu installed the idol, the town took on the name of Guruvayur and the deity came to be known as Guruvayurappan.

Bhattathiri, who obtained his guru’s affliction and later composed the epic running into 1,034 verses in Guruvayurappan’s presence for 100 days at a stretch, condensed the essence of Bhagavatham in his work and Guruvayurappan took delight in hearing his devotee compose it. 

Monday, July 8, 2024

Lineage

Lineage of Sri Rama

1. Changeless Brahma
2. Marichi begotten from Brahma
3. Kashyapa, the son of Marichi
4. Vivasvan or Sun-god, begotten from Kashyapa
5. Manu, the son of Vivasvan

6. Ikshvaku, the son of Manu and first king of Ayodhya
7. Kukshi, the son of Ikshvaku
8. Vikukshi, the son of Kukshi
9. Bana, son of Vikukshi
10. Anaranya, son of Bana
11. Prithu, son of Anaranya
12. Trishanku, son of Prithu
13. Dhundhumara, son of Trishanku
14. Yuvanashva, son of Dhundhumara and a charioteer
15. Mandhata, son of Yuvanashva
16. Susandhi, son of Mandhata
17. Dhruvasandhi, son of Susandhi
18. Bharata, son of Dhruvasandhi
19. Asita, son of Bharata

20. Sagara, son of Asita, whose birth is associated with poison
21. Asamanja, son of Sagara
22. Amshuman, son of Asamanja
23. Dilipa, son of Amshuman
24. Bhagiratha, son of Dilipa
25. Kakustha, son of Bhagiratha

26. Raghu, son of Kakustha
27. Pravriddha, son of Raghu
28. Shankhana, son of Pravriddha
29. Sudarshana, son of Shankhana
30. Agnivarna, son of Sudarshana
31. Shighragah, son of Agnivarna
32. Maru, son of Shighragah
33. Prashushruka, son of Maru
34. Ambarisha, son of Prashushruka
35. Nahusha, son of Ambarisha
36. Yayati, son of Nahusha
37. Nabhaga, son of Yayati
38. Aja, son of Nabhaga
39. Dasharatha, son of Aja
40. Sri Rama, son of Dasharatha

(Valmiki Ramayana - Bala Kanda - 70)

"Family of Sri Rama
• Kulaguru: Sage Vasishtha
Father: King Dasharatha --> (Son of king Aja)
Mother: Kaushalya --> (Queen of Dasharatha) (Mother of Rama)
Mother: Kaikeyi --> (Queen of Dasharatha) (Mother of Bharata)
Mother: Sumitra --> (Queen of Dasharatha) (Mother of Lakshmana and Shatrughna)
Father-in-law: King Janaka --> (Son of Hrasvaroma) (Elder brother of Kushadhvaja)
Father-in-law's brother: King Kushadhvaja --> (Younger Brother of Janaka)
Mother-in-law: Sunayana --> (Queen of Janaka) (Mother of Urmila)

Wife: Sita --> (Found and brought up by king Janaka)
Brother: Bharata --> (Son of Kaikeyi) (Married to Mandavi, daughter of king Kushadhvaja)
Brother: Lakshmana --> (Son of Sumitra) (Married to Urmila, daughter of king Janaka)
Brother: Shatrughna --> (Son of Sumitra) (Married to Shrutakirti, daughter of king Kushadhvaja)
Sister-in-law: Urmila --> (Daughter of king Janaka & Sunayana) (Wife of Lakshmana)
Sister-in-law: Mandavi --> (Daughter of king Kushadhvaja)
Sister-in-law: Shrutakirti --> (Daughter of king Kushadhvaja)

Sons: Lava and Kusha

Sunday, July 7, 2024

para tattvam.


Entha maathramuna evvaru thalachina Antha maathrame neevu

Antharaantharamu lenchi chooda Endanthe ippati annatlu ||


Koluthuru mimu vaishnavulu koorimitho Vishnudani

Palukuduru mimu vendanthulu para brahmam banuchu |

Thalathuru mimu saivulu thagina bhakthulunoo shivudanuchu

Alari pogadudhuru kaapaalikulu aadi bhairavudanuchoo ||



Sarinennuduru shaaktheyulu shakti roopu neevanuchu

Darishanamulu mimu naanaa vidhulanu, Thalapula koladula bhajinthuru |

Sirula mimu alpa buddhi, Thalachina vaariki alpambaguduru

Darimala mimuye ghanamani thalachina, Ghana bhuddhulaku ghanudavu ||


Nee valana korathe ledu mari Neeru koladi thaamaramu

Aavala bhaageeradhi thari baavula Aa jalame oorinayatlu |

Sri Venkatapathi neevaithe Mamu chekoni yunna daivamu

Nee valenay nee sharananedanu Idiye para tatvamu naaku ||


Annamayya Keerthana – Enta Matramuna Meaning:

Oh Lord! Your devotees visualise You in many ways. They want to see You in different forms and ways. However, the deeper one’s heart envisions You, the more shallower is Your grace felt!


Vaishnavites assume and believe You profoundly to be Lord Vishnu;

Vedantas envisage You as the ‘Supreme Lord’ or ‘Parambrahma’;

Shivites and some others deem You as Lord Shiva;

Kaumalikas pray and revere You as Adi Bhairava;

Shaaktheyas presume You to be the incarnation of Shakthi;

You bless all of them in the form they desire You to be in !!


In this way, Your devotees revere and prostrate before You, giving you the form and shape they wish to see You in.


To those devotees who see You in the tiniest form, You are the tiniest to them;

Likewise, those who revere you with high esteem, You are the greatest and all-in-all for them.

There is no dearth of anything in this world if only You are beside me!


Just as a lotus plant creeps all over the span of water (in a pond/lake/river or wherever it is) leaving no space for anything else,

Just as the wells around the great Bhagirathi river never dry up (because the wells are always fed with water from this river beside);

(I pray to You, Oh Lord! Please be beside me!)

If YOU are the Lord incarnated on the Venkatadri mount, YOU are bound to be by my side!

It is You, Oh Lord, who have made me to become Your devotee;

It is You, Oh Lord, who have knocked my doors ~ only to grant me the Protective Asylum under Your Lotus Feet;

You are the ONE who enlightened me;

This is the eternal bliss for me!

This is the Para-Tattvam for me!

This is my moksha-marga (and salvation)!



Saturday, July 6, 2024

In life.

 


The term stotra refers to praising one’s good qualities. God is called Stotra Priya — who can be easily pleased with praise and prayer. The grandsire Bhishma’s praise of God is called Bhishma Sthuthi. Sri Bhishma refers to Him as Sthavya Sthava Priya stotram in Sri Vishnu Sahasra Nama. Similarly, Dhruva Sthuthi, Kunti Sthuthi, Utharai Sthuthi and Prahladha Sthuthi praise Him. Azhwars, Nayanmars and Acharyas have all sung in praise of Him. Vedas praise Him through various sukthas such as Purusha Suktham. He possesses infinite good qualities (Bahavo Nrupa Kalyana gunaa:)

Sri Kesava Vajapeyar Swamy said in a discourse that Lord Krishna Himself says to Arjuna that His qualities cannot be fully described. Still, only prominent ones can be narrated as His opulence is limitless —Hantha te Kathayishyami — chapter X, sloka 19.

We should maintain our status of ever remembering God as an unfortunate situation may arise for us at any time, and we may forget Him. The gatekeepers of Sri Vaikunta (dwara palakas), who were very close to God, were censured out of a curse to be born as demons. Born as Hiranya Kasipu, he was in search of God (forgetting Him) and asked his son Prahladha where God was.

Lord Nrusimha cooled down from his ferociousness on seeing His devotee Prahladha. The Lord told Prahladha that it was His duty to protect him. Prahladha praised the Lord in about 40 slokas, titled Parhladha Sthuthi, described in Srimad Bhagavatha’s seventh skandha (canto), Chapter IX 





Whenever a satsang happens, it is a great blessing for the attendees. Adi Sankara says, “satsangatve nissangatvam, nissangatve nirmohatvam, nirmohatve nischalatattvam, nischalatatve jivanmukti.” “(Through the company of the wise there comes non-attachment, freedom from delusion, resulting in self knowledge)“. Andal also emphasises this when she says, ‘Koodi irundhu kulirdhelor” (experiencing God). Listening to discourses on God is in itself a huge blessing, said Damal S. Ramakrishnan in a discourse.


Sage Suka informs King Parikshit, who is cursed with death in seven days’ time, that listening to the learned expositions on Bhagawan is a rare blessing, adding that only those whose ancestors in the last seven generations had performed dharmic deeds are likely to be blessed with being part of a satsang. Yudhishthira, the epitome of dharma, spent time with Krishna, but was not blessed enough to be in a satsang with Him. Similarly, Arjuna. However, Parikshit was blessed, says Suka, who proceeds to discourse on Bhagavatham, instructing the king on God, His approachability, His sporting test of bhaktas and His attainability. Do not the gopikas sing, “Sravana Mangalam sreemtaha hitam?” “(Krishna, you will give us darshan, you will come running to us when we listen to your history)“.

One may ask what benefit one can reap by listening to Bhagavata Puranam? What does the Ramayana teach? Does it not show that overnight fortunes will change in this world, but one should accept the same with fortitude and equanimity? The last verse in Rama Pattabishekham says wherever Ramayana is narrated, one’s ancestors will be present in that place, as it were, and bless their lineage. The Vedas say it is incumbent on a son to listen to satsang, perform shraddham once a year and visit Gaya at least once and offer pinda dhanam. Only with ancestors’ blessings can one progress in spiritual life.

We often face hindrances in material and spiritual progress. The supreme being is ever alert to the needs of those who repose faith in Him and reach out to Him for succour. The more gnana one develops, the better. One way to achieve this is to visit the Vasihnavite Divya Desams. Even the Pandavas visited a number of sthalams in south India in order to expiate their sins that they felt they had incurred due to the war, said Dushyanth Sridhar in a discourse.

Obstacles are a way of life and one should seek divine help to surmount them. The sthala puranam associated with the five abodes in Kancheepuram states that Brahma sought help from Perumal to conduct Ashvamedha Yagam without Saraswati. Each of the abodes testify to the various impediments she used to try and obstruct the yaga. When she sent eight women to stop the yaga, they were all stopped by Ashtabujanga Perumal, at Ashtapuyagaram. At Tirutannka, Saraswati hindered Brahma’s yaga by sending a demon to darken the world. On Brahma’s prayer, Perumal appeared bright as a light, holding a lamp in hand. Praying to the deity, Vilakkoli Perumal, will dispel one’s inner darkness. Tiruvaelukkai is another place where Saraswati despatched demons to obstruct Brahma’s work. Perumal took the form of Nrisimha to overpower them. A visit to this temple will help one conquer one’s inner demons of fear and cowardice.

At Tiruvetkka, Sarawathi Herself came in full force of river Vegavati to stop Brahma’s yagam. Perumal lay down like a bridge on the river, stopping Saraswati in Her tracks. It is also the temple where the deity left town with Tirumazhisai Azhwar, after injustice was meted out to his sishya Kani Kannan. Later, the deity returned to the sthalam after the king prayed to Him. The Supreme Being always heeds the prayer of His bhaktas.

The avataras of Lord Vishnu such as Matsya, Koorma and Varaha were for specific reasons and hence called Amsavathara. The manifestations of the Lord as Sri Rama and Sri Krishna were to establish dharma, protect righteous men and destroy unrighteous and impious (Parithranaya Sadhunam) and hence called Purnavathara (complete and total.)

the state of enjoying the divine bliss is called Paramanandham. The sloka Vasudeva Sutham devam says Sri Krishna’s mother Devaki derives Paramanandham. Usually, a mother would be happy when giving birth to a child. But Devaki, while in prison, was afraid towards her brother Kamsa, who was eager to kill her yet-to-be-born eighth baby. How could she derive Paramanandham under such a precarious situation?

Lord Krishna did not cry when He was born and showed His divine form to Devaki, holding a disc, conch, mace, and lotus in four hands. That moment was Devaki’s enjoyment of divine bliss.

By his conduct and behaviour, Lord Krishna portrayed Himself as the best Karmayogi. At the end of each day during the Mahabharatha war, Sri Krishna, as a charioteer, had done his duty of feeding, nursing and bathing the horses before leaving them in the stable and had not delegated to anyone.

Another name for Arjuna is Partha, the son of Pruthai (another name of Kunthi). Lord Krishna, the charioteer of Partha, is called Parathasarathy to protect Arjuna. We are also called Parthas, the children of Prithvi (Mother Earth), and the Lord will protect us.


Thursday, July 4, 2024

Inspirational

 The birds aren’t singing to win a Grammy.

They’re not trying to go platinum

through their marketing or planning.

They’re just jamming.

I listen even without understanding.


The truth without agenda

is authentically astounding.

It makes me think of cheetahs.

They don’t run for our approval.

They don’t judge their spots

or contemplate laser hair removal.


It makes me think of wolves.

They don’t howl for validation.

They don’t have to get the perfect

pic to post on their vacation.


It makes me think of eagles.

They’re not soaring to impress me.

Although once I saw a dolphin backflip

over a jet ski, my point is neither one of them

will sell me on Etsy and I doubt a porcupine

would ever try to come off …


Humans are the only animals pretending

to be something they’re not.

Why are we ashamed of what we’ve got?

We should strut chest out, head up.

Let’s be proud of ourselves for once.


Isn’t it exhausting sticking out your butt

and sucking in your gut?

For what’s a waste of energy

I’m giving up 

In this moment I’m enough

In this moment you’re enough

In this moment we’re enough


I’m dismantling my image

We’re perfect in our flaws.

Birds don’t care whether we listen.

They don’t wait for our approval.


I have built a lovely prison

but I live behind the walls.

So if love is my religion, I’ll escape

when freedom calls.


You have to be willing not to be

liked in order to be loved.

Otherwise, it’s your representative.

They’re thinking of.

But to truly be yourself,

you have to let go what was.


The past is like a prison.

It’s an echo repeating.

Just because -cause -cause.

We are many people in our lives,

so I’m not one to judge.


But if they love one part of you,

It’s limited to what that does.

I want your whole soul

I have no goal.


Show me the unseen stuff.

Don’t invite me over

only after you have cleaned up.

Perfect makes me want to kick my feet up.


No one’s living in a catalog

IKEA dreamed up.

Have you ever seen a lion chase

a hundred Zebras?


Have you ever seen a turtle

hide inside a shell?


A caterpillar doesn’t know

that she’ll become a butterfly!

So if you go to heaven,

are you still aware of hell.


Tuesday, July 2, 2024

Usana

 



Usanas belonged to Kavya Gotra and in Tamil, the oldest poet Tolkappiyan is believed to be from this Gotra. 3] Usanas Kavya is an ancient seer, already a half mythical figure in the Rig Veda where he is often mentioned, especially as associated with Kutsa and Indra.


Of the Vrsnis I am Vasudeva; of the Pandavas I am Dhananjaya (winner of wealth); of the sages I am Vyasa and of the poets I am Usana”.


– Bhagavad Gita 10-37



Why did Krishna say that he was Usana Kavi, an ancient poet whom we did not know much? We know a lot of other Vedic seer poets, but not Usanas.



First of all let me give you some basic information:


1.Until this day we use the word ‘Kavi’ for a poet in all the major Indian languages including Tamil (Pulavar was old and Kavinjar is current). This shows that the Rig Vedic Sanskrit lives in all our hearts. Kavi is a poet and Kavitha is a poem in all Indian languages. ‘Kavi’ is in the Veda and in the Gita!



2.Usanas belonged to Kavya Gotra and in Tamil, the oldest poet Tolkappiyan is believed to be from this Gotra. And there is another poet Kappiyatru Kappiyanar of Patitru Pathu (Ten Decads) from the same Gotra.



3. This shows the antiquity of the Gita as well. Krishna mentioned one of the oldest poets of the Rig Veda! AA Macdonell and A B Keith say in their Vedic Index of Names and Subjects, “ Usanas Kavya is an ancient seer, already a half mythical figure in the Rig Veda where he is often mentioned, especially as associated with Kutsa and Indra”. Rig Veda itself is old; in fact the oldest book we know of. Usanas had become ancient to the seers of Rig Veda! But Krishna was able to appreciate it. That means Krishna lived before the collection of Rig Vedic hymns by Vyasa.



4.”Later on Usanas becomes the Purohita/Priest of the Asuras in their contests with the Gods. A Variant of his name is Kavi Usanas. He appears in the Brahmanas as a teacher also”, say the authors. This shows that there were more poets with the same name in later days. We know that Shukracharya was the Guru of Asuras. This reveals another fact that both Asuras and Suras had Brahmin teachers. Both Devas and Asuras were sons of the soil. In Tamil also we have famous names of Sangam period, Kapila, Parana, Nakkirar and Avvaiyar at various ages. All these poets have done some works in later ages in Tamil as well. So it is possible that we had other poets with the name of Usanas. But even their works are not available!!


5.Usana’s name figured as an author of Artha sastras (Books on Economics) earlier than Kautilya alias Chanakya.











References to Usanas in the Rig Veda


His name occurs in seven out of ten Mandalas of the Rig Veda. His name is missing in Mandalas 2,3 and 7. We are unfortunate to lose the poems of such a popular poet. This shows how much of old Sanskrit literature was lost.



The way all the people praise him give the impression that the words Kavi and Kavya (poet and classics)– all originated from Usanas Kavya!



The following references are considered important (from Vedic Index):


Rig Veda 1-51-10, 1-83-5, 1-121-12;


R V 4-16-2, 6-2011, 8-23-17


R V 9-87-3, 9-97-7, 10-40-7


Probably also 1-130-9, 5-31-8, 5-34-2


Also in A V 4-29-6 (A V = Atharva Veda)



Taittriya samhita, Panchavimsa Brahmana, Sakyayana Srauta Sutra mention the Purohit/priest Usanas (Sukracharya).



Kavi Usanas is found in RV 4-26-1.













He appears as a teacher in two of the Brahmanas.


Yajur Veda and Sama Veda also praise him as a great poet.


Usanas’ few compositions are available in the Rig Veda: 9-87 to 89 and 8-84. As usual, the foot notes say that it is difficult to understand certain lines. Ninth Mandala of Rig Veda deals with Soma Pavamana (Soma Plant and Juice).


Usana, the son of Kavi is well known for making Agni the ministrant priest and offerer of the sacrifice for Manu ( RV. 8-23-17)



He is referred to as a seer and leader of the people. By his poetic gift he is said to have discovered the secret milk of cows of Indra which was concealed ( RV. 9-87-3)



Usana is said to have increased the vigour of Indra ( RV. 1-51-10) and fashioned the thunderbolt for him for slaying Vritra( RV. 1-121-12; 5-34-2).



He is characteristically wise and soma is compared with him due to his wisdom ( RV. 9-97-7)



Indu, the well armed god, is flowing onward, who quells the curse and guards from treacherous onslaught,


Father, begetter of the gods, most skilful, the buttress of the heavens and earth’s supporter


Rsi and sage, the champion of the people, deft and sagacious, Usana in wisdom


He had discovered even their hidden nature, the cows concealed and most mysterious title (RV 9-87-2/3)