Tuesday, January 20, 2015

Sri Yoga Narasimhaswamy Sholingur./ Thiruninravur.

Also know as Ghatikachalam. The Lord faces east and is seen as Yoga Narasimha, the thayar is Amritavalli. thirumanjanam for the lord is performed only on Fridays and on Narasimha Jayanthi day. The temple is vary famous and is said to be on a hill, the utsavamoorthy of the perumal is kept in the Perumal temple in sholingur town and not on the hill. The lord is known by different names as Akkara Kani, Mikkan, Thakkan, Pukkan, Ilamkumaran and as Bhakthochithan, the lord who rushes to rescue his devotees unmindful of the difficulties.
There is a neighbouring hill smaller than the one above and here there is a temple for Anjaneya swamy, Known as Yoga anjaneya, the shrine is facing west, the Lord is with four hands holding Lord Narayana's insignia of Shanka and chakra.
Garuda sevai here is synchronised with Garuda sevai at Kanchi.

Sri Bhaktavatsala Perumal Tiruninravur.
What a wonderful name Bhaktavatsala, the goddesses too is know as Ennai Petra thayar. there is every thing in the name itself, what more can be said.
Thirumangai alwar was haunted by the lords roopan from this temple and he went on praising this perumal even on visiting Mahabalipuram and Thirukkannapuram too.

Vijayaraghava Perumal temple.

The Lord here Vijayaraghavan is seen sitting facing east on his thigh, he is holding Jatayu and is shown as if he is performing the final rites for the bird. the idols of Sridevi and Bhoodevi are seen as if they are deeply sorrowed and are depicted as if they are averting their eyes. also Sridevi is seen on the left side of the Lord. the goddesses here is Maragathavalli thayar her shrine is also to the left of the main shrine. she is very powerful and generous in granting boons. The theertham is Jatayu pushkarini.
Sri Ramanuja's Teacher Yadhavaprakasa lived here and Ramanuja is said to have learnt the Advaita philosophy here there is a depiction of the teacher student and the mantapam is present here.
another interesting feature is during the Brahmotsavam the 8th day the horse is used as the vahanam, this vahanam is known as the Keel Kuthirai i.e. mechanical horse as the vahana moves almost like a chariot drawn by a real horse. the carpenter who make this vahana refused to make a similar vahana for any other temple. In appreciation of this single minded devotion on the 8th day of Brahmotsavam the God is taken to the street where this carpenter lived.
Thirumangai alwar has sung the following pasuram as if as the mother of Parakalanayaki reporting to God the deep devotion and steadfast ties that her daughter has to that Lord. (this is the pasuram in which the alvar expresses through romantic ideas the unalloyed bliss and sweetness resulting from yearning for Him the ultimate supreme truth.)

* alangkezhu thadakkai Ayan vAyAmbaRku * azhiyumAl en uLLam ennum *
 pulangkezhu porunIrp putkuzhi pAdum * pOdhumO nIrmalaikku? ennum **
 kulangkezhu kolli kOmaLavalli * kodi idai nedu mazhaik kaNNi *

 ilangkezhil thOLikku en ninaindhirundhAy? * idavendhai endhai pirAnE! 

My daughter is mad with joy and says that her heart melts when she hears the beautiful sound of music that flows from the flute played by Lord Krishna, who as Balarama had a plough as his weapon, she also sings of the bountiful rich water and land resources at Thiruputkuzhi. She also wants to go to Thiruneermalai to see you. O Lord who resides in Thiruidavendai tell me what have you to say about this lady who is beautiful like the hill tribe maiden, who has a waist as delicate as a flower creeper, and who'es eyes fill with tears like a burst of cloud, and the one who has lovely shapely shoulders.

Monday, January 19, 2015

chapter 5 verse 19.

ihaiva tair jitaḥ sargo
yeṣāḿ sāmye sthitaḿ manaḥ
nirdoṣaḿ hi samaḿ brahma
tasmād brahmaṇi te sthitāḥ
Translation of Bhagavad Gita 5.19
Those whose minds are in a state of undisturbed equilibrium have conquered rebirth even here on earth. The state of Divinity is one of perfect purity and equanimity. those who'es minds are in such a state are therefore in the divine state. 
Desires constitute impurity of the mind. a desireless mind is a pure mind. as long as there are desires the mind is unsteady and vacillating. a desireless or pure mind is steadfast, and is balanced under all circumstances. those who are in such a state are jivanmuktas, god men or liberated souls.

Sunday, January 18, 2015

sringara lahari.

The girl who plunged into the ocean of love- sringaralahari- Part1
She was born a princess in traditional Rajasthan. How many  were the shackles that bound her ? More than for a normal girl in her land because she was of royal birth. But her spirit like a parrot caged, was yearning to be free to fly to the top of the emerald mountain , the mountain of beauty, the peaks of love from which the streams of mercy are always flowing down to earth.
Meera was her name but she became the heera, diamond in the pendant of the necklace on the chest of Girdhara Gopala, who changed her bed of thorns into a bed of roses. She dedicated her whole body and soul to her Giridhari and her love was in no way inferior to that of gopis . It seems that Radha herself has become Meera in kaliyuga to show us that the love of Radhakrishna was not a myth but  a reality.
She cannot escape to Brindavan like Radha did to meet her Krishna but she had to live among people with worldly desires and pursuits and her whole life was a penance and she had to satisfy herself by singing and composing bajans on her Lord. The whole plains of Rajasthan and the banks of Ganga and Yamuna reverberated with her bajans . Even to day Meera bajans are  wonderful and moving, which melts the heart of whoever sings them and whoever hears them.
Meera was practically cradled in krishnabhakthi. She was given a Krishna idol by a great devotee Roopagoswami who came to the palace and she enjoyed dressing and decorating the idol whom she called Giridhara Gopal. Legend says that she once saw a marriage procession and asked her mother who was to be her bridegroom and by the will of  the Lord her mother pointed to the Krishna idol and said that he was going to be her bridegroom. This made a deep impression in her young mind and thereafter she started worshipping Krishna as her beloved by way of madhurabhakthi, like that of Gopis and Radha. There is a view that Meera was the Incarnation of Radha herself, taken with the purpose of spreading devotion towards Krishna.
. As was the custom of the royal families Meera had a good education in arts and literature especially bhakthi literature and listened to the saintly visitors to the palace and acquired a good  knowledge of the bhakthi literature and stories of the Lord. She also had a great  skill in music and composing songs and from childhood she used to compose bajans on her Giridhaari. Of all the leelas of the Lord she perhaps considered His uplifting the Govardhan for the protection of the gopas to be the best which made  her always think of Him as GiridharaGopala, little knowing that He was going to shield her from the shower of opposition later.
Being born in a royal family she had no option but to marry young as she was not as fortunate as Andal of South , who had the good fortune to have a devotee  like Periazvar as her father and hence Meera, though she was saying that she would marry only Giridhar Gopala, could not transgress the code of conduct set for the royal princesses. So she had to marry against her wish and consoled herself that it was her svadharma. But later she found that her svadharma was entirely different. The mischievous lifter of mountains would not leave her peacefully to follow the life of an ordinary queen.
Her elders expected that she would become normal like any other wife after marriage, though she was always spending her time till she got married spent in decorating Giridhari, talking to Him, singing and dancing to Him and she was immersed in premasagara, ocean of love. Meera on the other hand went to her husband’s land expecting to continue her plunge into the premsagar, But she was not aware of the sharks in the sagara.
Meera considered herself already married to  her Giridhari but others did not take her seriously as to them Giridhari was only an idol. She was hocked at this and pleaded to her Lord to save her as he saved the honour of Draupadi or take away her life. But the Lord who planned to show her devotion to the world and wished her to set an example of the path of love, came to her in ger drean mand sid that the time had not come yet for her to unite with Him and she had to go through her destined path. . He told her that she was born to spread devotion and her marriage would not in any way hamper the relation between Him and her. He embraced her and disappeared.
Then she said to Him, “ I belong to you body and soul. If you wish to give me to others I will obey. I completely surrender to you. You do whatever you wish to me.” Thus she attained complete saranagathi in which one becomes the sesha of the Lord, the dasa who does the His bidding without question.
Sringaralahari part2
 
Meera was comforted by a sahdu who came to see her who narrated the devotion gopis had with Krishna but that did not deter them from discharging their duties towards their husbands and family. Moreover he said that Kumbha Rana who wanted to marry her was a great devotee himself and would not stand in her way in her worship of her Giridhari. Then she got married and went to Chithore with her husband.
 
But she was disgusted with the formalities and the attitude of people around her and all the time she was thinking about her Giridhari and none else. Even at the time of marriage she sat with her idol of Gitridhari in her lap because in her mind the marriage was between her and Giridhari. All the people especially those on the bridegroom’s side ridiculed her but Kumbha Rana told them to leave her alone as he was pleased with the depth of her devotion. And thus the marriage was celebrated but nothing registered in the mind of Meera.Meera traveling with Rana and others never seemed to think that she is going to the house of Rana but she happily sang that maim girivarke ghar jaavoom, she was going to the house of her husband, Giridhari.
 
What devotion and love!  Was her Giridhari not hearless to send her away to a land where she would be subjected to much heart ache  and suffering? But who can  understand the will of the Navaneetha chor? He not only steals the heart like he stole butter but also makes it melt and become clarified butter  so that the it would result in a delicious sarkarai pongal inthe end mixed with  the  cooked rice of self less devotion and the sweetness of His grace  so that it will delight the world.
 
When they arrived at Chithore they all went to the temple of Durga, their goddess of worship. After the elaborate pooja there the priest told the newlywed to prostrate tin front of  the goddess but Meera refused. She said ‘mere tho giridhar gopaal dhooasro na koyee’ that Giridharagopal was the only God for her and she would not bow down to any one else. Her in laws and Rana himself tried to persuaded her but she did not agree.
Her Giridhari was in her heart, in her blood and in her soul and to prostrate to any other God would be sacrilege in her opinion as it would be as though she was making Giridhari Himself prostrate before others.
 
Everyone was shocked to hear the newlywed bride saying that but Rana who understood her devotion told them all to leave her alone. From that time  itself the seed of discord was sown in the  royal family. If only Rana remained steadfast in his support! But it is too much to expect an ordinary man who, though a devotee, could not go beyond his worldly desires.
 
The life in the palace of Mewar to her was like a prison and she felt like a parrot bound in a golden cage. She was a misfit among the vainglorious  and worldly women in the royal family and she was bewildered like a deer among wild animals. Her only consolation was Rana who gave her enough freedom to pursue her devotion and never interfered in her daily routine and she continued as she used to in her childhood home . When Rana used to come to her he found her all the time talking and singing about Giridhari and reading Bhagavatham etc. Rana liked her Krishnabhakthi since he was also a devotee of Krishna and had written a commentary on Gitagovinda of  Jaydeva called rasapriya. He used to talk to her only about the things that interest her and leave her alone and never insisted on the conjugal rights as a husband.
 
He even built a temple for Krishna and Meera  spent most of her  time in the temple . Her fame as the devotee of Krishna spread far and wide and sadhus started to come to her temple and Meera used to sing and dance in ecstasy. Thus she started to live as happily as she was before marriage. But Rana was also human and though a devotee not as highly evolved as Meera. So there arose difficulties that came as impediments to the happiness of Meera in Chithore.
Rana was torn between his disappointment that Meera was not like a normal wife and his pride and love for her to see her devotion and popularity. He could not love her but as a wife though  Meera loved him as a brother or her elder relative. Hence slowly his mind started to change.
Srngaralahari3
The path of love is never smooth and it is true even if it is the love for God. Meera was happy singing and dancing in her temple of Krishna and the sound ‘meeraaprabhugiridari ‘ echoed all over the country. She breathed Krishna , lived in Krishna , ate and drunk the nectar of Krishnabhakthi. But in the royal household she was an outcast and her situation was similar to that of Seeta in asokavana since she was surrounded by equally vicious people as those around Seetha. But she was oblivious because Rana was her solace and he appeared to her not as aRavan a but as a vibheeshana. She was so immersed in devotion to Krishna to whom she considered herself to be married. Such was the childlike innocence of agirl to whom the world around did not seem to exist. As Krishna said in Gita, ‘yaaniSaa sarvabhoothaanaam thasyaam jaagarthi samyamee; yasyaam jaagarthi bhoothaani saa niSaa paSyatho muneH.’ The saintly souls live in the world of their own and what seems to be as real as the day for them appears to be dark like the night for the worldly people and vice versa.
But the devotee who enjoys the communion with the Lord always, cannot restrain himself, nor could his adoration be watered down to suit the taste of the world. So he is looked upon by the world as being mad or a dullard. Jadabharatha and Rshabhadeva were the examples of this.
Abhirami Bhattar was seeing the vision of Goddess Abhirami in his mind’s eye and when the king who came there asked him what was the thithi that day (it was silly question though to ask a devotee who was in trance enjoying the divine manifestation, anyway,) Bhattar replied that it was poornima when actually it was amavasya
Even though Meera was aware that the svadharma of a wife is to please and serve  her husband and her in laws, she could not bring herself to do it because first, she never considered anyone except her Giridhari as her husband and secondly, her svadharma changed from the moment she gave her heart to Him.
It is saadharana dharma that one has to follow the svadharma ordained by their situation in the world, as a mother, as a wife, as a disciple, as a son etc.but the visesha dharma is that which supersedes the saadhaarana dharma, and according to it anyone  and anything that comes between oneself and the Lord should be given up. This is the svadharma of an ardent devotee. Vibheeshana , Prahlada and Ramanuja are the illustrations for this visesha dharma taking precedence over saadharanadharma. It was this intense devotion that gave the courage to Meera to pursue her path in spite of opposition even from Rana himself later.
 
The mind of Rana slowly changed as Meera did nothing that expected of her as a queen and as a wife. In the royal household she was criticized for throwing all decorum to the winds and singing and dancing with sadhus and devotees in the temple. But Her devotion which made her unaware of the protocol to be observed by married women especially a Rajput queen, did not create any aversion to others since she was looked upon as a divine being and not a  mortal by the devotees who gathered in the temple. They thought that some gopi from Brindavan has taken  birth as Meera.
She herself was not aware of anything but her love for Giridhari. When she was immersed in the river of Krishna she could only pity those who dare not come into the river but sitting on the banks pouring water on them in pitchers. The devotion of uninitiated is just that. It is a pastime not a passion. She sang to her Girdidhari saying, “I can only laugh at this world which is crooked filled with sorrow , disgrace and difficulties, because I am the servant of the feet of Hari. So the world does not affect me.” But the Lord who willed to put her on the touchstone to show her worth to the world started His leela.
Oodha the sister of Rana poisoned his mind saying that Meera had a lover and entertained her in the temple and that is why she did not return to palace even during the nightbut stayed in the temple. Rana did not believe it but the seed of suspicion sown in the mind did not leave him in peace and he wanted to know the truth.
Rana went to the temple and he saw that it was locked from inside. He heard Meera talking to someone in endearing terms. He banged on the doorfurously and when Meera opened it what he saw inside maded him ashamed of himself.
What did he see there. Meera was having her Giridhari in her lap and talking to him. She was surprised to see Rana barging in like that. He saved his face by tellingher that people were talking ill of her and that upset him. But Meera could not care less about what people were talking and told him that as long as he believed in her she did not bother about others. But Rana said that he did care and wanted her to stop her activities. Saying so he left her and poor Meera was desolate with grief. How could she stop worship her Giridhari? She would rather die than doing so and singing His glory. Whom else she can turn for solace? She said, ‘thumbin mere koyee kabar le govardhan giridhari,’mnaing “I do not see anyone else who can take care of me oh Giridhari.”
“If you want me to behave like an ordinary wife and as a queen, why did you enslave me in my childhood in the first place? “ She sang,
‘thum suno dhayaaL mein araji, ‘bhoosaagar mein bahijaat hun,’ “Oh Lord, you are compassionate . Hear my prayer. I am drowning in the ocean of samsar.” ‘Yo sansaar sage nahi koi,’ “I have no one in this world.”
Crying piteously Meera feel at the feet of Giridhari and a flower fell on her from His garland. She looked at Him and forgot her anguish seeing His bewitching smile and started singing and dancing again. mhaaro man har lenyaa ranachor , she sang, “ my Ranachor has captivated my heart.” She saw Him with His peacock feathers on his head, an umbrella over His head and the earrings  which dangle beautifully when He played the flute and she forgot the world and her misery.
Giridhari had decided to cut off her bondage and make her His own. But the gold must be purified by  going through the ordeal of fire. This is what happened to Meera. She underwent an ordeal equal to that of Prahlada.  Once she received a basket containing a snake under the pretext that it was flowers. She put her hand in it but by the grace of the Lord it was only flowers. Then her sister in law persuaded Rana to send her a cup of poison. Meera drank it but nothing happened. Meera happily resumed her singing. She sang ‘vish ka pyaalaa raNaajeene bhejaa peevatha Meera hansi re pag gungurubandh meeraa naachi re’ meaning that Ranaji has sent poison but Meera drank it and  laughed. Meera is dancing tying the bells around her ankles. She said raNaji ne jaharadhiyomheu jaani kjaiseykaancahn dhahath again main nikasat baarabaani , “Ranaji I know, has given me poison but as the gold emerges form the fire with more brightness my love for Giridhari has become stronger after drinking the poison.”
Just as the fragrance of a flower could not be shut out, the fame of Meera and her devotion spread far and wide, and it reached the ears of the Mogul emperor Akbar.    Akbar was known to be unprejudiced with respect to religion and he respected holy men of all faith. He heard Tansen, his court musician singing the bajan of Meera and was impressed by it. He wished to see Meera but Tansen told him that it was impossible since she is the queen of Mewar and the rajput kings of Mewar and regions around it were his enemies. But Akbar was determined and asked him to find a way. Tansen suggested that they could go there disguised as sannyasis and both of them reached Mewar in the disguise of sadhus and went to the temple where Meera was singing bajans along with other sadhus. Akbar was awestruck with her devotion and the sweetness of her music and met her after the bajan was over and everyone had left and told her that they came from Brindavan. Meera being innocent was overwhelmed on their mention of Brindavan and talked with them. Akbar gave her a very valuable gem necklace to be adorned on her Giridhari.
Even though Akbar was disguised the news of his coming to the temple and having touched her feet and presented her a gem necklace reached the ears of Rana who became mad with anger. He remonstrated with Meera for having seen the sworn enemy of the Rajputs who replied that they were sadhus. Meera was terrified by his anger. Rana ordered the temple to be demolished, which broke her heart. The devotees refused to move from the temple and neither did Meera.
She was crying to Giridhari, ‘hari thum aharo kjan kee bhee.’  She said, “ You protected Droupadhi when she called out to you tom svar her honour.You came as Narahari to protect your devotee Prahlada and killed Hiranya kasipu. You saved gajendra from the teeth of the crocodile. Now protect Meera who is your devotee. “ Then Rana stopped the plan and the temple was saved. But his anger did not sunbside and he told Meera to go and drown herself in river Yamuna. Meera went straight to the river and entered in. She had had enough.
But will her Giridhari let her down? He came to her and lifted her from the river and told her that all her ordeal was over and she is free from the worldly entanglement. Then she lost consciousness.
In Brindhavan sant Raidas was meditating after his morning ablutions in the river Yamuna and felt something at his feet. When he saw what it was he became disturbed that it was a body of a young woman. He pulled her ashore and found that she was alive. He revived her and found the idol of Giridhari tied to her clothes.
Meera did not want to  part from Him even when she went to die. The sadhu recognized her because he was none other than Raidas  who gave her the idol when she was a child.   Meera opened her eyes and asked where she was, and when told that she was in Brndavan, she fainted again in ecstasy she recognized Raidas and told him that the seed that was sown by him in her heart has become a full grown tree and the  Lord has finally brought her to her guru. Raidas said the seed and the tree were all the doings of Giridhari she was indeed the guru of all regarding the path of bhakthi..
 
All the worldly miseries are ended for Meera . She sang and worshipped Krishna in Brindavan. She was conversing with Raidas regarding Krishna in Brindavan.
Meera- “where will I see Him in Brindavan?”
Raidas- “Where will you not see Him my child ? He is in every creeper, every tree,  he is in the river, the bank, in the sand He fills the air in Brindavan. To one who has love for Him He appears everywhere in Brindavan. But if you want to see Him  in the form you imagine Him to be, go on loving Him and He will come to You when he chooses to do so.”
Meera sings- ‘kunjankunjan phirat radhika sabat sunat murali ko , aaleemhanelaage vrindavan neeko,’ (“Radha crazy for you roams around from bower to bower in Brindavan to listen to the melody of your flute. I find Brindavan very nice.” )
Raidas-“ You go on singing His glory and   he will grant all your wishes.”
Meera- “My wishes? I do not have any other wish other than to be accepeted as the servant of the Lord. “(sings)                                      ‘chaakararaakhoji maney’
” His sight will be my wages, the emotion and devotion will be my treasure, remembrance  of Him will be my daily expenditure. I  will keep a beautiful garden and grow flowers for His worship and adornment.”
Meera spent her days happily in Brindavan and felt that she had found  the  purpose of her life. She imagined herself as a gopi and as Yasodha and practically lived with Krishna in her mind. She would wake up Krishna in her role of Yasodha singing, ‘jaago bansi vaarey lalanaa,jaago mere pyaare.’ Like a gopi she called Krishna to come to her house, ‘mere ghar aavo sundar shyam,’ heard his music at the banks of Yamuna and lost her heart, ‘muraliya baajaa jamaanaa theer,’ she envisaged the scene of the gopis selling butter etc. calling out Krishna instead of their wares, ‘sira dhara maṭakiyaa ḍole re “koyee Syaama manohara lo re! more koyee Syāma manohara lo re.”    like the gopi selling butter and curds called out govinda dhamodhra madhava etc.
vikrethukaama kila gopakanyaa
muraaripaadhaarpithachitthavrtthi
dhaDHyaadhikam mohavaSaath avochath
govindadhaamodharamaadhavethi ( Krishna karnamrtha of Leelasuka)
The gopi wishing to sell curds etc., with her mind engrossed in the thought of Murari(Krishna) called out ‘govindha dhaamodhara maadhava, instead of saying curds, milk etc.
Still she was pining to get the darsan of Giridhari in Brindavan crying ‘darsan ke maim pyaasee.’ Some vaishnavas , followers of Chaithanya took her to their mutt and showed the idol of Chaithabnya and told her that it was her Krishna. Meera burst out into the song, ‘kaha chaaḍi vahu mohan murali?kaha chaaḍi saba gopī? mora mundaayi gora kati bandhee, maane na maanee gopee!’ saying , “why have you discarded your peacock feather and pithambar? Where are the gopis? Why are you appearing with shaven head and ochre robes?”
Then the idol changed into Krishna appeared in front wearing peethambara , peacock feather etc. She stayed there singing bajans for some time and then went to see jivagoswami who was the head of the devotees in Brindavan. He refused to see her saying that he never allows women in his asram. Then Meera laughed and said that only then she came to know that there was another male besides Krishna in Brindavan as Krishna was only purusha and all the rest are women in Brindavan. Goswami came out and prostrated to her regretting his folly.
One day a group of sadhus came to Brindavan singing the glory of the Lord and enquired after Meera. When they found her they asked her to go with them to Dvaraka as the temple doors were closed and would not open unless a true devotee comes there. Meera took it as the command of the Lord and set out to Dvaraka.
Meera went ot Dvaraka with the multitudes of sadhus and many kings of Rajasthan and UP, including Rana of Mewar,  knowing her greatness, provided all facilities for the journey. Meera went on singing the glory of Giridhar and the refrain meera prabhu giridhari came from everyone all over the land. Meera went to Dvaraka and saw the   closed doors  of the sanctum sanctorum.
 
Meerra sat in front of the closed door saying that she will not leave till the Lord shows His darsan. She sang ‘main to toray charaN lagee gopaal, kirpakeejau darsan deejau,’ “ I have resorted to your feet now and have mercy on me and show yourself.” She entreated Him to grant salvation to end the cycle of birth and death. ‘mira ke prabhu giridhar naagar aavaagaaman nivaar.’ She asked Him ‘kabare milogee’ “when will you meet me?”
 
Meera took up nama sankeerthana and all people joined in ecstasy. Meera forgot herself with her mind totally absorbed in the Lord. Then a miracle happened and the doors burst open showing Dvarakanath inside in all His glory. Meera went in and there was a splash of light and she was seen no more and the doors closed. When they opened again people heard her voice singing  and the flute accompanying it. That was the end of the story of the great devotee Meera.
Only prayer we can have is to get such bhakthi at least in a later janma. Even to acquire bhakthi one needs the grace of the Lord. What then we should do? Love Him with all your heart.  Remember Him always . Sing His glories. Talk about Him and listen to the stories about Him. More important than all that love your fellow human beings. Of course you may say “How can I do it? “ I cannot love my neighbor who is always giving me trouble? First try not  to hate. What ever comes to us through others or through things outside is all given to us by God  for some reason , may be to make us a better person.  Nothing or no one can resist love.  It is absolutely impossible to hate a person who loves you. First begin with people close with you and then slowly , may be in this life or in next you will be able to love all when God will come and reside in you.
prabha

Saturday, January 17, 2015

D D temples at Kanchipuram.

Thiruppadagam
Pandava Dootha Perumal here is seen in a sitting pose facing east under the Badra Vimana.
the Lord appeared to Janmejaya the great grand son of Arjuna and a rishi named Hareeta who performed severe penance and wanted to have a view of the Lord as he appeared in the court of Duryodana.
The lord here is 25 ft tall and has a beautiful smile. this idol of Krishna is one of the biggest ever. He seems to be amused at the way the worldly people think and live. just as we enjoy to watch a child play so too God may be enjoying at how we handle situations and make our actions. Pada means big and agam is stay hence he seems to be displaying his visvaroopa form.

Thirutanka
Deepa prakasha the god appeared as a shining light to dispel darkness and assist in performing good deeds.
the Lord is seen in a standing pose facing west, the goddesses is Margatha valli and the sri Kara vimana.

Tiruvehka
Lord Bhujagasayana also known as Yadokthkari. The Lord is said to have listened to his ardent disciple here and a famous story well known for which the Lord got a special name too as Sonnavannam Seitha Perumal both the names mean the one who listened to and  did as requested. his posture too before and after the incident changed implying that a change had taken place, and how powerful praying to the idol is. some people may not understand this though.
the consort is Komalavalli, the Vimanam is Vedasara Vimanam and the Lord is facing west. mention of this temple and incident is made in very many old literature proving this temple to be an ancient one.
Poigai alwar is said to have been born in a lotus of this temple tank.

Ashtabhuja Perumal.
Beneath the chakragosha vimana the lord with eight hands is seen standing facing west. the four arms on the right are seen holding Sudarshana chakra, a sword, a lotus flower and an arrow. the four arms on the left are seen with celestial conch, a bow, a shield and a mace. this is the only vaishnavite shrine in kanchi to have a vaikunta vasal. the goddess is Puspakavalli. she is worshipped before one worships the lord.

Velukkai.
Vel means desire and irrukai is the place where he stays. Lord is Mukunda Nayaka seen in the form of Narasimhar. seen standing facing east under the Kanaka vimana first know as Mukunda Nayaka, later in the form of Narasimhar facing west. the transformation has a story which runs that the Lord took up this form to fight a demon who wanted to stop Brahma from performing a yaga.
There are three sannidhis here one for the Lord one for the goddesses amruthavalli and one for Garudar.

Nilathingal thunda Perumal.
this shrine is in one of the prakaras of Ekambaresvara temple. there is a saivite priest who does the worship in this shrine. the Lord is known as Nilathingal Thundathan or Chandrachooda perumal seen in standing posture facing west under the Purushasukta Vimana. There are two stories connected with this kshetram but one is very interesting.
Once goddess Parvathi for fun covered the eyes of Lord Siva with her hands. As the two eyes of Lord Siva are considered to be the Sun and Moon the whole world was covered in Darkness and Siva had to open his third eye to illuminate the world. the Lord was angry with Parvathy and asked her to perform penance on earth to atone for the unthinking act. the goddess came as a child to Badarikasrama. Katyayana rishi brought Her up and gave her the name Katyayani.the rishi being aware of the purpose of her birth sent her to the south giving her 13 articles namely a Yogadandam, a rosary, skin of a tiger, a holy book, fried green gram, sand from the ganges, an umbrella, a fan made of palmyra leaves, two chowries (fly whisks) a water pot,  vidyadharam,deepastambham and Ganges water. He told her as soon as she reached Kanchipuram the 13 articles would be transformed into a trident, a bilva garland, somvritta, kamadhenu, sprouted green gram dhal, a lingam, an ornament shaped like a serpent, a parrot, two beautiful women, the pedestal for the lingam and a needle respectively. accordingly she set out to Kanchi on reaching Kanchi she made a siva lingam out of the sand and requested the two beautiful women to stand guard. She then stood on top of the needle and performed severe penance under the mango tree. Lord siva wanted to test her penance and let out ganges from his mated hair. As the flood waters were aproaching the site of Her penance, Parvathy checked the floods with the help of the two shaktis who tookthe form of Kaliand stored the waters in the skull held in her hand. she was known as maha Pralayabandhini, Lord siva then made the waters flow out of the skull head too. then Katyayini prayed to her brother Narayana for help. Vishnu asumed the form of Visvaroopa, prevented the flood and advised His sister to embrace the sand lingam with both her hands to prevent it from dissolving. At the time Vishnu took the form of Visvaroopa the rays of the moon fell directly on His throat and hence he got the name Nilathingal thunda perumal. siva too was pleased and Parvathy joined Siva.

Sri Pavalavannar Temple.
Pavalavannar dwells under Pavala Vimana, seen sitting on the divine couch of the five headed Adisesha facing west, with one foot bent majestically at right angle almost upto his waist with abhayahasta mudra. famous stories related are of Bhrigu Maharishi, the Thayar is Pavallavalli thayar. opposite this shrine rater close by is a shrine of Pachaivannar temple which has a mention in the Puranas. the lord Pavalavannar is said to assume different hues in the different yugas.

Sri Vaikuntaperumal Temple
The Vaikunthaperumal dwells under the Mukunda vimana seen sitting facing west, his consort is known as Vaikunthavalli thayar.
the temple is in three tires wherethe Lord is seen sitting standing and reclining unique features are seen in the build up of the temple.
the story goes that Virosana maharaj who was ruling vidarbha had no heir. he worshipped Lord Kailashanatha, and due to his grace the two dwarapalakas of Vishnu were born to him as his sons. these sons performed an Asvamedha yaga and the Lord appeared to them.  

Sri Adivaraha Perumal temple Kalavanur.
In the prakaram of Goddesses Kamakshi temple, seen with four hands in a sculptured piece of a pillar facing east.
there is an image of Apoorva Lakshmi in the temple of Kamakshi and all the devotees who pray at the shrine of Kamakshi are given kumkum in good quantity and they apply the said kumkum to the aporva Lakshmi which is said to have got Lakshmi back her beautiful form and the devotees were blessed by both Kamakshi and Lakshmi. the lord is said to have come stealthily to look at the beauty of Lakshmi too here so we see the figure of the lord in a pillar. 
The story goes that during the churning of the milky ocean, Lord Vishnu appeared in the form of a tortoise Kurma bearing the lofty mandara mountain on his back, he was svethavarna in colour due to the poison that was emanating on churning the ocean. Goddesses Lakshmi who has a golden hue is said to have looked at Vishnuand said that he was no match for her because of his dark complexion. the Lord who is known for his quick loosing of his temper is said to have cursed her to loose her beauty. goddesses Lakshmi is said to have prayed to Goddesses Kamakshi to help her. Goddesses Kamakshi is said to have requested lakshmi to remain in the left of her sannidhi in the gayathri mandapa, and that all the devotees who receive the kumkuma prasada at her shrine will offer it to Goddesses lakshmi and through the efficacy of that she would regain her lost beauty. though the Lord Vishnu came stealthily to view her Goddesses lakshmi recognised him and called him Kalvar, meaning a loveable thief. hence the name. though these days due to the heavy pilgrim crowd thronging the kamakshi temple people are not allowed to enter this prakara. we were able to go visit this prakara with an influential dr. who was now in textile business in Kanchi. and the group of sixteen women thanked him for arranging this very special darshan for them.

Sri Ulagalanda Perumal Temple
The Ooragam, Neeragam, Karagam and Kaarvannam Divya desams. four divya desams.
Ulagalanda Perumal the one who is said to have measured the world with his three steps, the Lord is known as Peragathan. Seen standing facing west under a Srikara vimana. The idol which is 35 ft in height has two fingers of the right hand pointing upwards, conveying the meaning that two steps taken covering the earth and heavens, the left hand points one finger downwards, asking Mahabali where he has to place the third step which was promised to him. the left foot is seen pressed on the head of Mahabali. the point to be noted is the right foot is in a lifted posture indicating the foot having measured the earth and heaven. the story of Mahabali wanting to conquer heaven from Indra is well known. Doing good too with greedy intentions are wrong. Mahabali was a great king and was a greater donor too but his intention of wanting to take the place of Indra was not right so he had to scumb, but being a great soul he did realise his folly, also to be noted is the advice of Sukracharya. Mahabali could not see the full figure of the lord as Ulagalanda perumal. to enable Mahabali to see him, the Lord took the smaller size of Adisesha, this vishnu shrine is known as Ooragam. the consort is amritha valli thayar.
In the same temple in the second prakaram there is a beautiful 16 pillared mandapam behind which a shrine for Neeragathan also called Jagadeeswara perumal, under the Jagadeeswara vimanam, seen standing facing east. the consort is known as Nilamangai Nachiyar. he is said to have appeared before Markandeya Rishi who wanted to see his pralaya form.
In the third Prakaram of the temple we have the Karagam shrine, the Lord Karunakara Perumal seen in a standing posture facing south under the Ramya vimana. the consort is Padmamani thayar, he gave darshan to Niketana rishi.
there is also the shrine of Karvannam in the prakaram of the Ulagalanda perumal temple, the Lord is known as Navaneetha chora who dwells under the Pushpaka vimana seen in a standing posture facing west.the consort is Komalavalli thayar. having given darshan to Parvathy Mahabali and Asvathama.

to be continued.

Friday, January 16, 2015

chapter 17 verse 2 BG.

Sri Vaisnava Sampradaya:

Ramanuja
Ramanuja's Commentary




The gunas or three modes of material nature are sattva guna the mode of goodnes, raja guna the mode of passion and tama gunathe mode of ignorance. They are singularly inherent within the faith of all mankind and they conform to the characteristics and disposition particular to each jiva or embodied being. The impressions from past life incarnations arise as tendencies pursued in a present life correspondent to one's mood and taste and from that mood and taste ones' faith arises. Displays of enthusiasm are indications of faith where underlying is the belief that the effort will be successfully fulfilled. Tendency, taste and faith are actually properties of the atma or immortal soul; but they are only evoked when the atma happens by chance to come in contact with the gunas. It has been deduced that when there is tranquillity in the mind there is control of the senses and peacefulness of the body and such effect manifests the chance contact between the atma and the gunas resulting insattva guna. Agitation of the mind, unbridled senses and over indulgence of the body results in raja and tama guna. Thus effectively the experiences from past lives manifest into one of the three gunas.

Wednesday, January 14, 2015

What to recite and when.

Nityanusandanam are to be recited on Ashvini, Bharani, Pusam, Ayilyam, Purattasi and  Utirattati. 
Amalanatipiran is to be recited on rohini nakshatra days.
Ramanuja Nurrathati to be recited on Mrugasiram, tiruvatarai, Hastam, Anusam, Puratam, Utiratam.
Perumal Tirumoli is to be recited on Punarvasu star day.
Nanmukam Thiruvantati to be recited on Makam nakshatra days.
Nacchiyar Thirumoli on the puram days.
Ciriya thirumadal on Utiram nakshatra days.
Kanninum ciruttumpu on chitirai nakshatra days.
Perialwar Thirumoli on swati nakshatra days.
Thiruviruttam on vishakam days.
Thirumalai on Kattai nakshatram days.
Upadesha ratnamala  on mula nakshatra days.
Mudal Thiruvantati on thiruvonam days.
Irandam Thiruvantati on on Avittam
Munram Thiruvantati on catyam(shatabhisha) days.
Tirumalai on revathi days.
Tirukkuruntantakam and tirunetuntantakam on Karthika days.
 a cycle of 27 days rest are holidays.