Friday, October 9, 2020
SB
A critical examination of the Vedas by the three Rishis Jaimini, Kasakritsna and Badarayana. They embodied their results of their examination in sutras. The sutras of the first two rishis deal with the earlier portion of the Vedas and those of the third with the later portion. Jaimini wrote the first twelve chapters and Kasakritsna the next four and Badrayana is the author of the Brahma Sutras. The examination of the teachings of the Vedas as a whole is called Mimamsa the earlier portion is purva mimamsa and the later portion is uttara mimamsa. both form one work for the subject is the same in both and the same results are reached. here many topics are dealt hence divided into parts. Take for example a tower which takes many builders to build at different time periods but the tower is considered one so to this work.
the commentary on the sutra consists of five processes. the breaking up of the sutra into its component words the statement of their meaning, the breaking up of compound words the statement of their meaning of the sutra as a whole, and replying to objections, the objections are if contradictory all opponents must be answered. here two will not always follow one and eight seven. here one must understand that the work does not deal with what one can find for himself but to show what he cannot know without it.
The work begins with the first sutra of Jaimini and ends with the last sutra of Badarayana. The order of the topics is determined by the connection between every two of them.For a full understanding of the work it is necessary to know what the Purva mimamsas teaches for Brahma sutra has accepted the conclusions drawn and the rules of interpretation deduced in the purva mimamsa and takes many illustrations from it. The first chapter deals with pramanas are three Veda Smriti and Achara. of these Vedas possess the highest authority.
In the Vedas itself the brahmanas are of themselves authority and they require no proof for their acceptance. Mantras and arthavadas are authorities in so far as they are connected with the brahmanas. the former by showing how the karmas enjoined by them should be done and the later by practicing the karmas. Smritis come next and they are works written by great Risis who knew the Vedas fully.
to be continued.
Thursday, October 8, 2020
GP
The Guru parampara has
been identified differently by different authorities. From Sriman Narayanan to
Bhagavath Ramanuja the succession is same for all
the paramparas namely Rahasyathraya parampara, Sri Bhashya
Parampara , and sri Bhagavath vishaya parampara samAsraya parampara,Kalakshepa
parampara etc.( Bhagavan,The Devine Mother, VishvaksEnar NAthamuni,
Uyyakkondar, Ramamisrar, AlavandAr , Peria Nambi and Bhagavath
Ramanujar). From Bhagavath Ramanuja to Sri Gopalarya Maha
Desikan, the names of our poorvacharyas in each parampara
is given below (Ref: 301 st Birth anniversary malar of
Sri Gopalarya Maha dEsikan ?published in 2001 by Srirangam
srimad Andavan Asram)
Most of our
Poorvacharyas were in all 3 paramparas.
Sri Para VasudEvan
Sri
Mahalakshmi
VishvaksEnar
Nammazhvar
Sriman
Nathamuni
PundarikAkshar(Uyyakondar)
Ramamisrar(Manakkal
nimbi)
AlavandAr
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Rahasyam Sri
Bhashyam Bhagavath
vishayam
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Peria
Nambi Peria
Nambi ThirumAlai
Andan
Sri
Ramanujar Sri
Ramanujar Sri
Ramanujar
Prana
tharthi haran Thirukurugai
Pillan Thiru
Kurukai Pillan
RamAnuja
Pillan Sri
Vishnu Chithar Vishnu
chithar
RangarAja
Pillan Nadadur
Ammal NadAdur
Ammal
APPULLAR Appullar Appullar
Swamy
DEsikan Swamy
Desikan Swamy
Desika
Kumara
Varadhachar
Brahma
thanthrar Brahma
thantharar Brahma
thanthrar
Gadika
satham
Ammal Gadika
Satham
ammal Gadika
satham Ammal
Adhi Vann Satakopar AdhivannSatakopar
Sri Varadha
VishnuvAchar Sri Varadha
VishnuvAchar
Thrudeeya Parankusar
Maha
DayAdeesar MahaDaya
Deesar
Ahobilam
Desikachar Ahobilam
Desikachar
Shashta
Parankusamuni Shashta
Parankusa
muni Shashta
parankusamun
Srisaila
Thatha
Desikan Sri
saila Thatha
Desikan Vangi.Srinivasachariar
Vathsya Ananthachariar Vathsya
Ananthachariar Srisailam
srinivaschar
Vasthya
Ramanujachar
Velamur Ranga Ramanujar Nadadur. Ananthachar
Paravasthu
Venkatanathachar Velamur Ranganathachar Munivahana
Swamy
Chithana Veera
Raghavachar Chithanna
Veeraraghavachar Srisaila Venkatachar
VelAmur Rangapathi
Desikan Velamur Rangapathi
Desikan
Kalyanavaham
Ranganathar Kalyanavaham
Ranganathar Kalyanavaham Ranganathar
(Sakshath)
Swamy (Sakshath)Swamy (Sakshath)Swamy
Paduka
sevaka Ramanujar
Gopalarya
Maha Desikan Gopalarya
Maha Desikan Gopalarya
Maha Desikan
Vazhuthu
Andavan Vazhuthu
Andavan Vazhuthur
Andavan
The
kAlakshepa parampara spreaded like a banyan tree from Vazhuthur Andavan,,
namely,Srirangam
PeriAsramam, srirangam
Poundarikapuram Asramam,Thirupputkuzhi swamy, Andikadu Parampara
(KedAndipatti
swamy,Thiruvahindapuram swamy,Thiruppathi swamy, Denkanikkottai swamy,
Kapisthalam and
Echampadi swamy,Kozhiyalam swamy, Uthamur swamy, Navaneetham paramparai,
sEtlur swamy,Garudapuram
Swamy,Maduranthakam swamy, Navalpakkam Anannrya Desikan
Parampara, Ladapuram
Gopalachar, Kondanki swamy, Valapettai swamy and many other
acharyas.
Srirangam PeriAsramam
rahasyathraya parampara has been already covered. In the this final
part
Adiyen shall
cover Acharya purushas in Sribhasya/Bhagavath
vishaya parampara.
Sri Bhashya Parampara
Thirukkurugai Piran Pillan
Thanian:
VikyadhO YathisArvabhouma
jaladhEs chandrOpamathvEna ya
SribhAshyeNa yadhanvayAs
suvithA;sri Vishnu chithadhaya
VyAkhyAtham
bhAshyakrudhAgyna upanishadham yO drAmideenam
VyadhAdhu purnam tham
kurukEswaram guruvaram kArunyapurnam bhajE
Thirukkurugai Piran
Pillan (Kurukesar) ? He was born as the second son of Periya
Thirumalai Nambi. Year of Birth: Kali 4134 (1161 A.D) in the year of
Srimuka Aippasi madham Poorvashaada Nakshathram. He was born
in Shadamarshana Gothram. Tirumalainambi, entrusted the boy's education to the
care of Sri Ramanuja. Pillan studied Vedanta, Divya prabhandam and other
Sastras under Sri Ramanuja. He was performing Sidhantha pravachanam in
Srirangam. He has authored Bhagavath vishayam 6000 padi Sri ramanuja
ordered that this Grantham should be treated as a Kalakshepa Grantham.
Bhagavath Sri
Ramanuja appointed 74 Simhasanatipatis for the propagation of Sampradayam. Of
the 74 Simhasanatipatis, Sri Bhashyakarar appointed Thirukkurugai Piran Pillan,
Nadadur Azhvan, Kidambi Acchan, and Mudaliandan as Sri Bhashya Simhasanatipatis
and gave them the charge for the propagation of Sri Bhashyam. Of these four,
Bhagavad Ramanuja selected Thirukkurugau Piran Pillan as Ubhaya Simhasanatipati
and gave him the charge of propagation of Sri Bhashyam and Bhagavad Vishyam.His
disciple was Sri vIshnuchithar also known as Engal AzhvAn.
Sri Vishnu chithar?(1106
to 1197 CE)
Thanian:
Sri
vishnuchitha padha pankaja sangamAya chEtho mama spruhayathEkimatha;parENa/
nO chEnmamApi
yathishekara BhAratheenAm bhAva;katham bavithumarhathi vAgvidhEya:
He was the disciple of
Thirukurugai piran pillan. He was born in keelagam year in the month of Vaikasi
with swathi as the birth star (Kali 4169) at Thiruvallarai. He
was also known as Engal Alwan. After Pillan he was doing siddhantha
pravachanam to sri vaishnavAs in Srirangam. He has auhored a vyaakyana grantham
for Vishnu puraanam which was called Vishnu siddheeyam.
NadAdur
Ammal also called as Varadha Desikar(1165-1275)
Thanian:
VandhEham varadhAryam
tham vathsAbhi janabhooshaNam
BhAshyAmrutha
pradhAnAdyas sanjeevayathi mAmapi.
He was born in the year
Parthiva in the month of chithrai with chithai as his birth star.
His father?s name was
Deavarajan and his grand father was Nadadur Alwan who was the nephew of Sri
Bashyakarar. His gothram was Srivathsa gothram. Once when Sri Nadadurammal was
young, he wanted to learn Sri Bashyam from his father Nadadur alvan. Alvan, however,
asked Ammal to go to Engal Alvan (also known as Vishnu chiththar) at
Tiruvellarai and learn it from him. So, Ammal went from Kanchi
to Tiruvellarai and studied grantha chathustya kalakshepam at the holy
feet of Engal alvan
`He was performing
Sampradhaya pravachanam at Kachi voithAn mandam in kanchi varadhan sannidhi to
Appullar,sudharnachar,Vadakku thiruveedhipillai and other vidwans in
kanchi. He had nominated his disciple Sudharnachar to write
a vyAkyAnam to sri Bhashyam by name Srutha Prakasika. His son was
Devaraja perumal, and his grand son was Gadika satham ammal who was the Acharya
for Adhi vann satagopa yatheendra maha Desikan
When Venkatanatha (Swamy
dEsikan) was just five years old, Sri Appullar took him to Sri Bhashya
Kalakshepam being rendered by Shri Nadadur Ammal.Shri Nadadur Ammal forgot the
context of his discourse when he wanted to resume. Our five year old
Venkatanatha was quick to remind Shri Nadadur Ammal the context of Sri Bashyam.
Shri Nadadur Ammal was impressed by this child prodigy and blessed
Venkatanatha
The works authored
by Sri Nadadur Ammal are
TattvasAara,PrapannapArijaata,PrameyamAla,AahnikacuudAmaNi,AarAdhanakramam,PrameyasAram,
MangaLASAsanam,JnAnasAra,JayantidarpaNam,HetirAjastavaRahasyasangraham,
Caturlakshanasangraham,ParatattvanirNayam,DramiDOpainishatsangraham,SrIbhAshyasangraham
Srimadh Adi
Vann Satakopa Jeer
(His tanians):
PrapadhyE niravadyAm
nishadyAm
gunasampadham,
SharaNam
bhavabeethanamsatagopam muneeswaram
KesavArya krupApAthram
dheesamAdhi gunArNavam
Sri shatari yatheeshana
dEsikendramaham bhajE
He was born to Sri
Kesavachar in the year Sidhdharthi (1379), in the month of purattasi with
kettai as his birth star at thirunarayanapuram . His poorvAsirama name was
srinivAsachar. He had his samAsrayanam from his father and learnt 4000 divya
prabhandham from him. Then at the age of 16, he went to kanchipuram
and had his Bhara samarpanam and grantha chathustya
Kalkshepam under the holy feet of Gadikasathakam Ammal , grand son
of Nadadur ammal. When he was of 20 years old, Lord Lakshmi
Narasimha appeared in his dream and ordered him to come to Ahobilam
immediately. Accordingly he went to ahobilam , with the permission
of his guru Gadikasathakam ammal, There he was initiated into sanyasa asrama by
the Lord Lakshmi Narasimha himself in the form of a Yatheeswara.
(1398-Panguni). HH established Ahobila mutt and became the first Acharya of the
Ahobila mutt and was in acharya Peetam for almost 60 years(1458)
Many kainkaryams
were performed by the Jeer which include (i) Swami Sri Desikan sannidhi and
Raja Gopuram for Thirunarayanapuram temple, (ii) Steps for Thirumalai, (iii)
100 pillar hall at Kanchipuram, (iv) repair Sri Rangam wall, (v) Dasavatharam
Sannidhi with Sannidhi for Thirumangai Azhvar, and (vi) Swami Sri Desikan
Sannidhi opposite to Ranga Nachchiyar sannidhi at Sri Rangam. Sri varadha
Vishnuvachar(of Rahasya parampara) son of illustrious acharya Gadikasathakam
ammal studied Sri bashyam at holy feet of his Satheerthar, srimath Adhivann
Satakopa swamy
Sri Ranga Ramanujar (Velamur- Upanishad Bhashya kkarar)
Thanian:
YEnOpanishadhAm
BhAshyam rAmAnujamathAnugam
Ramyam
krutham prapadhyE tham Ranga Ramanujam munim
Sri
Rangaramanuja was born in Ani Madham with Mrugaseersham as his birth Star in
Bharadwaja Gothram. He belonged to sama veda and was a native of the
Velamur village in the North Arcot district of Tamil Nadu. He studied
under Sri Anantacarya - the 15th head of the Vadakalai Sri Vaisnava community,
sri bashya parampara counted from Sri Ramanujacarya. Immediately after his
studies, he was initiated into Sanyasa directly by the 15th pontiff of the
Parakala madam of Mysore. Sri Rangaramanuja was very studious by nature
and is said to have composed 60 works in all, as the title
'Shasti-prabandha-nirmata' indicates. All his works, however, have not
withstood the ravages of time. He was also very famously known as prabhanda
Nirmata and Upanishad Bhashyakarar.
Works:
Sri
Rangaramanuja composed works on the traditional Sanskrit scriptures as well as
on the devotional literature of the Sri Vaishnavas (for instance, commentaries
on the Tiruvayamozhi (9000 padi), Tiruppavai, Pallandu etc.,
1) Commentaries
on the Upanisads: Kena, Katha, Prasna, Mundaka, Mandukya (together with the
Agama Prakarana), Taittiriya, Chhandogya, Brhadaranyaka, Mantrika (Culika),
Atharvasikha, Kausitaki, Svetasvatara.
2) Commentary
on Agnirahasya Brahmana:
3) Mulabhavaprakasika:
4)
Srutha prakasa Bhavaprakasika: This is a commentary on the
Srutaprakasika of Sri Sudarasana Suri
5) Visayavakya
Dipika: This lists and comments upon the Upanisadic passages explicity
referred to in the Sri-Bhasya.
6) Saariraka
Saastrathadipika.
7) Ramanujasiddhanta
SArasamgraha:.
Sri
Ranganatha Swamy.
Nama SriRanganathAya madhujjeevana hEthavE
VedhAnthacharya
pAdhAbja chanchareekAya SooryE
Sri
Ranganatha Swamy was born in the month of Purattasi with sravanam as his birth
star. He studied grantha chathustyam at the holy feet of Sri Upanishad
Bhashyakarar Ranga Ramanuja Maha Desikan. His disciples were Peria Parakala
Vedhantha Ramanuja swamy and Sri Veeraraghava swamy
Bhagavath Vishya Parampara
ThirumAlaiAndan:
He was born in the month of masi Magam in
Thirumalirumsolai. He studied grantha chathustyam at AlavandAr?s
sannidhi and his tanian is,
Srimadh yAmuna yOgeendra padAmbOjaika dArakam;
mAladaram gurum vandhE
drAmidamnAya dEsikam
NainAchAryAr (Kumara
VaradachAryA )
SrAvanE masi rOhinyAm jatham
vEnkatadEsikad,:
VisvAmithrAnvayAbdheendhum varadharyamaham
bhajE
He was born to Swamy dEsikan in the month of
Avani with rOhini as his birth star in the year Pingala(1317 A.D). Swami Desika
was succeeded by his son and disciple, KumAra VaradAchAryA also known as
NainArachAryA. Having undergone Grantha chathustya kalakshEpam under his
illustrious father Swamy Desikan, became a scholar, and a greatest exponent of
Sri VisihtAdvaita SidhdhAantha
At the Srirangam temple, he set up an
idol of his famous father. During his stay at VennAr bank, Thanjavur, he
installed an image of his father in the temple of NeelamEgha
PerumaL. Later at KAnchi, Thooppul and other Divya Desas, NainAr AchAryA is
said to have authorized the recitation of the Thanians of NAlAyira divya
Prabhandam and dEsika Prabhandam during the Anadhyayana period when the
recitation of Divya Prabhandam remains suspended. Brahma thanthra swathanthrar
studied Bhagavath Vishyam under the holy feet of Varadhacharya and composed the
tanian ?Sriman lakshmana yOgeendra?. Sri PradhivAdhi Bayankaram
Annan swamy studied Grantha chathustyam at the feet of Kumara VaradAchArya .
He
composed Pillai AnthAdhi - a poetic tribute to his father in 20 slokas. He has
authored eight works to his credit dEsika mangalam, Pillai AnthAdhi etc., to
name a few. He composed the famous Tanian "Srimaan Venkata
Naathaarya" which is always recited today prior to the Sanskrit hymns of
Swami Desikan
Thruteeya
parankusar
He
was born in Thai sravanam Vathoola gothram. He adorned ahobila matam as the 3rd jeer.
His tanian is :
Sri
shatariyatheeshana padha pankaja shadpadam
parArdha
guna sampannam parAnkusa munim bhajE(SanyAsa Asramam)
Vangipuram Srinivasar Muni
Aippasi
moolam Born at Thiruvallur in Bharadwaja gothram
Tanian:
ParAnkusha
shatAradhi padhambOjaika DhArakam,
srinivasa
munim vandE mAdrushAmapi thArakam
Srisailam Srinivasachar (ThuriyAsramam)
Avani
rOhini --shadamarshana gothram--Born at perumAl koil .
Tanian :
SrinivAsamunEr
labdhavEdhanthadvaya sampadham
SrinivasArya
vandhEvAthsalya vAridhim (Gruhasthasramam)
MunivAhana Swamy:
Adi
Punarvasu --Srivathsa Gothram ?Perumal koil-Sanyasa Asram
Tanian:
Pithamaha
GurO; prAptha dramidAgama sAgaram;
munivahanamaham
vandhE muneendram karunAnidhim (sanyAsa Asram)
Chandragiri vEnkatacharya:
Purattasi
Revathi ---shadamarshana gothram--- Thirukkudanthai (gruhasthasramam)
Tanian:
Srimadh
vanAchala gurO: prAptha vEdhantha sampadham:
Sri
Nrusimha dayApAthram sri vEnkata gurm
bhajE
PadukA sEvaka Ramanuja
Purattasi
Sravanam;- Pravachanam at srirangam-Thirukkudanthai GopalArya Maha
Desikan studied Bhagavath vishyam at the feet of Paduka sEvaka
Ramanuja Muni;(SanyAsa Asramam)
Tanian:
Sri
thAthAryapadAbja brunga manasam vEdhantha rAmanuja sriveekshAdhi gathAgamAntha
hrudhayam sri ranganathA gurO:
SamprAptha dramidAgamAnthamanagam sri pAduka sEvaka sri rAmAnuja yOginam gurumaham vandhE krupA sEvadhim(Sanyasa Asram)
BP
Pothana was born into a Niyogi Brahmin family in Bommera Village, Warangal, Andhra Pradesh. His father was Kesanna and his mother Lakshmamma. There is a popular myth that he was related to Srinatha, another famous Telugu poet.
He was considered to be a natural Poet (sahaja Kavi), needing no teacher. He was known to be very polite and was an agriculturist by occupation. Though he was a great scholar, he never hesitated to work in the agricultural fields.
At an early age he wrote Bhogini Dandakam a poem wrote in praise of king Sri Singa Bhoopala's concubine Bhogini. This was his first poetic venture which had the seeds of his great poetic talents. Bhogini Dandakam is the earliest available Dhandaka (rhapsody which uses the same gana or foot all through) in Telugu. His second work was Virabhadhra Vijayamu which describes the adventures of Lord Virabhadhra, son of Lord Shiva. The main theme was the destruction of a yagna performed in absence of Lord Shiva by Daksha Prajapathi.
As a young man, he was a devotee of Lord Shiva. Later, Pothana became a devotee of Lord Rama and more interested in salvation. His conversion from Shaivism to Vaishnavism was triggered by an incident. One early morning during a lunar eclipse, on the banks of river Godavari, Pothana was meditating on Lord Shiva. At that auspicious moment, Lord Rama appeared dressed like a king and requested Pothana to translate Bhagavatam into Telugu and dedicate it to Him. This inspired him to translate Vyasa's Sanskrit Bhagavatam into Telugu.
The following story is a popular myth. The Padma Nayaka king of Rachakonda, Sarvajana Singha Bhoopaala , wanted Pothana to dedicate 'Andhra Maha Bhagavatham' to him. The king himself is a scholar and wrote many works including Rudranavasudhakara, a well known Sanskrit drama. But, Pothana refused to obey the king's orders and dedicated the Bhagavathamu to Lord Rama, whom he worshiped with great devotion. It is said that Pothana remarked, "It is better to dedicate the work to the supreme Lord Vishnu than dedicate it to the mortal kings." He was of opinion that poetry was a divine gift and it should be utilized for salvation by devoting it to the God. This story is highly unlikely and seems to have originated in the 17th century. It is known that Pothana was patronized by this king in his early career, Pothana dedicated his first great work to this king, the king himself was a scholar, his contemporary reputation was immense (vide Srinatha's poems). It was common practice for many poets of the time to dedicate their devotional works to God himself and not necessarily to their patron-kings. The poem containing the derision against the "Karanata Kiraata Keechakulu" is a chatuvu (apocryphal) attributed to Pothana with no proof that he actually wrote it. Even if he did, it is unclear who the Karanata villians were, very likely the rulers of Karnaata Samrajyam (the contemporary term for the Vijayanagar empire) who were raiding Rachakonda at the time. It should be noted that the Rachakonda kingdom was under intense turmoil at the time, under attack by the Bahamani's from the west, Karanata (Vijayanagar) empire from the south and the Reddy Rajas from the east. Rachakonda and it's king ceased to exist by the mid 1400's, absorbed into the Bahmani kingdom. It is more likely that Pothana composed his Bhagavatham, which is a late work, after this event.
He was quite fond of using rhythm and repetition of sounds giving a majestic grace to the style of writing. He was very skillful in using alankaras (figures of speech) like similes and metaphors. Potana imparted the knowledge of the divine to the Telugu people along with lessons in ethics and politics through Andhra Maha Bhagavatamu. He lived for sixty years.
Even illiterate Telugus readily quote verses from chapters 'Gajendra Mokshamu' and 'Prahlada Charitra' of his work, 'Andhra Maha Bhagavathamu,' the crown jewel of Telugu literature.
ala vaikuMThapuraMbulO nagarilO nAmUla soudhaMbu dApala......
This is a verse which describes the palace of Lord Vishnu in his divine abode (VAIKUNTHA), at the time the elephant king prayed for the Lord's kindness to deliver him out of the deadly grip of crocodile in a lake.
The story goes that Pothana wrote the first line of the verse, but could not continue (because he did not know how vaikuntha looks!). So he paused the writing at that point, and went to farm (he was a cultivator by profession). When he came back in the evening, he saw the verse completed.
He enquired his daughter about who wrote the other three lines. The daughter replied - "You yourself came in the afternoon and wrote some thing!". So Pothana understood that Lord Sri Rama himself came and completed the verse.
Ala vaikuntapurambulo nagarilo namula soudhambu
dhapala
mandaravanaantharaamruthasarah pranthendhukanthopalo
thpalaparyam karamavinodiyagunapanna prasannundu
vihvala nagendramu pahipahi yanuguyyalinchi samrambiyai
In fact, Pothana himself ascribed in the following poem, the purpose of his writing the Bhagavatam:
- PalikeDidhi Bhagavathamata
- Palikinchedivadu Ramabhadhrundata Ne
- Palikina Bhavaharamagunata
- PalikedaVerondu GhadhaPalukagaNela
Translated it means : "That which is spoken is the Bhagavatam and the one who made me speak/chant this is Lord Rama. The result of chanting this (Bhagavathamata) is ultimate freedom, the Liberation of soul. So, let me sing it, since there is no other story better than this (Bhagavatham)."
Wednesday, October 7, 2020
VANAMALEE
Gaayathi Vanamaali
Composer : Sadashiva Brahmendra / Raga : Hamsadhwani
Pallavi
Gaayathi Vanamaali Madhuram
Gaayathi Vanamaali Madhuram
Sri Krishna the Lord of the Brindavana sings sweetly
Charanam 1
Pushpa Sugandha Sumalaya Sameere
Munijana Sevitha Yamunaa Theere
Fragrant breeze from flowers is enchanting.
Many sages on the bank of Yamuna are at his service.
Charanam 2
Kujitha Shukapika Mukha Khaga Kunje
Kutilaalaka Bahu Neerada Punje
Many birds and coels are cooing melodiously in bowers.
His curly locks are like a cluster of water bearing clouds.
Charanam 3
Thulasidaama Vibhushanahaari
Jalaja Bhavastuta Sadguna Shauree
He is adorned with Tulasi garlands.
The lotus borne Brahma worships Sri Krishna, the repository of virtues.
Charanam 4
Paramahamsa Hrdayotsavakaari
Paripuritha Muraleeravadhaari
He delights the hearts of Supreme Yogis.
He enthralls the world singing on flute.
a Rishi
By learning a little of the vedas one becomes a brahmana by learning the whole of a branch he is known as a srotriya by learning an anga he is known as anuvachana and by learning the kalpa a rishi- and by teaching a kalpa sutra to others a bhruna.
THE ORDER
ATHATHO BRAHMA JIGYASA.
JANMADASYA YATHA
SHASTRAYONITVATH
TATHU SAMANVAYATH
ISHATEARNA SHABDAM
GONASCHENATHMA SHABDATH
TANISTASYA MOKSHOPADESHAT
HEYATVA VACHANATH
PRATIGYA VIRODATH
SWAPYAYATH
GATHISAMANYATH
SHRUTHATVACHA
AANADHAMAYO ABHYASATH
VIKARASHABDHI NETHICHENA PRACHURYATH
THADVETHUVYAPADESHACHA
MANTRAVARNIKAMEVA CHA GEEYATHE
NETROANUPAPTHE
MEDHAVYAPADESHACHA
KAMACHANANUMANAPESHACHA
ASMINNASYACHATHADOAMSHASTHI