songs

 hiraNmayIm lakSmIm

raagam: lalita

Aa:S R1 G3 M1 D1 N3 S
Av: S N3 D1 M1 G3 R1 S

taaLam: rUpaka
Composer: Muttuswaamee Dikshitar
Language: Sanskrit

pallavi

hiraNmayIm lakSmIm sadA bhajAmi hIna mAnavAshrayam tyajAmi

anupallavi

ciratara sampatpradAm kSIrAmbudhi tanayAm hari vakSasthalAlayAm harinIm caraNa kisalayAm kara kamaladhrta kuvalayAm marakata maNi valayAm

caraNam

shvEta dvIpa vAsinIm shrI kamalAmbikAm parAm bhUta bhavya vilAsinIm bhUsura pUjitAm varAm
mAtaram abja mAlinIm mANikyAbharaNa dharAm gIta vAdya vinOdinIm girijAm tAm indirAm sIta
kiraNani bhavadanAm shrita cintAmaNi sadanAm pItavasanAm guruguha mAtula kAntAm lalitAm

sithamma maayamma
raagam: vasantaa

17 sooryakaantam janya
Aa: S M1 G3 M1 D2 N3 S
Av: S N3 D2 M1 G3 R1 S

OR

lalitaa

15 maayamaaLava gowLa janya
Aa: S R1 G3 M1 D1 N3 S
Av: S N3 D1 M1 G3 R1 S

taaLam: roopakam
Composer: Tyaagaraaja
Language: Telugu

pallavi

sItamma mAyamma shrI rAmuDu mA taNDri

anupallavi

vAtAtmaja saumitri vainatEya ripu mardana dhAta bharatAdulu sOdraulu mAku O manasa

caraNam

paramEsha vashiSTha parAshara nArada shaunaka suka surapati gautama lambOdara guha sanakAdulu
dharaija bhAgavatA-grEsaru levvarO vArellaru vara tyAgarAjuniki parama bAndhavulu manasA

---

Meaning:

pallavi: O Mind (manasa)! Seetha Devi is my mother (amma). Sri Rama is my father (tandri).
anupallavi: Anjaneya (vaatatmaja), Lakshmana (Saumitri), Garuda (vainateya), Satrugna (ripumardhana)
Jambavaan (dhaata), Bharata and others are my (maaku) brothers (sodharulu). O Mind!�br> caraNam: Paramasiva (paramEsha), Vashista, Paraashara, Naarada, Saunaka, Suka�br> Indra (surapati), Gautama, Ganesha (Lambodhara), Subramanya (guha)
Sanaka and all (varellanu) the true (nija) BHAAGAVATAs on earth (gresarulu)
are my (tyagarajuniki) intimate (parama) relatives (bandhavulu), O Mind!

---

Notation:
Notation available here at Shivkumar Kalyanaraman's Krithi Archive. Also, listen to the music class here.

---

Other information:
This song has a double meaning. Tyagaraja sings Seeta is my mother (amma), Rama is my father (tandri), referring both to Lord Rama with his wife Seeta and also to his own parents, his mother Seetamma and his father Ramabrahmam.

alai paayudE
raagam: kaanaDaa

22 kharaharapriya janya
Aa: S R2 G2 M1 D N2 S
Av: S N2 P M1 G2 M1 R2 S

taaLam: aadi
Composer: OotukkaaDu VenkaTasubbaiyyar
Language: Tamil
Click to view in: KannaDa | Sanskrit | Tamil | Telugu

pallavi

alai pAyudE kaNNA en manam migha alai pAyudE
un Ananda mOhana vEnugAnamadil

anupallavi

nilai peyarAdu shilai pOlavE ninra
nEramAvadariyAmalE migha vinOdamAna muralIdharA en manam (alai)

caraNam

teLinda nilavu paTTappaghal pOl eriyudE un dikkai nOkki enniru puruvam neriyudE

kaninda un vENugAnam kATril varugudE kaNgaL shorugi oru vidham varugudE

madhyama kaalam

kaditta manattil urutti padattai enakku aLittu magizhtta vA oru tanitta vanattil aNaittu enakku uNarcci

koDuTTu mugizhtta vA kalai kaDal alaiyinil kadiravan oLiyena iNaiyiru kazhal-enakkaLittavA

kadari manamuruga nAn azhaikkavO idara mAdaruDan nI kaLikkavO idu taghumO idu muraiyO

idu dharumam tAnO kuzhal UdiDum pozhudu AdiDum kuzhaigaL pOlavE manadu vEdanai mighavODu

(alai)

---

Meaning:

pallavi
My mind is all aflutter, Oh Krishna, listening to the joyous, enchanting music of your flute, My mind is all aflutter!

anupallavi
Transfixed, I stood there like a statue, oblivious of even the passage of time, hey, mysterious flautist!

caraNam
In this clear moonlight (that makes a day of the night), I strain my eyebrows hard and look in your direction, the mellow tunes of your flute come floating in the breeze... my eyes feel drowsy and a new feeling sweeps my being

Come! Mould my tender heart, make it full and fill me with joy! Come! take me to a lonely grove and fill me with the emotions of ecstatic union!

You are the one who danced and made merry on the sun-bathed waves of the ocean! Am I to go on pleading for you with melting heart, While you are enjoying yourself with other women? Is it right? Is it proper? Is it what dharma is? My heart dances even like your eardrops do when you blissfully play the flute! (My sad heart is all aflutter)

---

sreeman naraayaNa
raagam: bowLi

15 maayamaaLava gowLa janya
Aa: S R1 G3 P D1 S
Av: S N3 D1 P G3 R1 S

taaLam: aadi
Composer: Annamaacaarya
Language: Telugu

pallavi

shrIman nArAyaNa shrIman nArAyaNa
shrIman nArAyaNa nI shrIpAdame sharaNu

anupallavi

kamalAsati mukhakamala kamalahita
kamalapriya kamalekShaNA
kamalAsanahita garu.dagamana shrI
kamalanAbha nI padakamalame sharaNu

caraNam

parama yogijana bhAgadheya shrI
paramapuruShA parAtparA
paramAtmA paramANurUpa shrI
tiruveN^kaTagiridevA sharaNu

---

Meaning:
Oh, Auspicious Narayana, I seek the shelter of your auspicious feet.

Oh, one whose wife is KamalA (Lakshmi sitting on lotus), having the face of a lotus, one who tends lotus, one who likes lotus, one with eyes like lotus,

Oh, one in lotus posture, one who rides the eagle Garuda,

Oh, one with a lotus on his navel, I seek your lotus feet.

One who brings good fortune to great yogis

One the supreme soul beyond, Oh one who has the shape of an atom (or one who gives substance to an atom)

Oh, God of Thiruvenkata mountains, I seek your feet.

Shreeman- auspicious, venerable, pAdam- feet, sharanam �seek feet, surrender

Kamala �lotus, sati- wife, mukha- face, hita- welfare, tending, priya- lover, akshi- eye,

Aasana- posture, seat, - garudagamana- going on Garuda, nAbha- navel,

Parama- supreme, beyond, bhagya- fortune, deya- giver, atmA- soul, aNu- atom, giri , deva- god,

srInivAsa tiruvenkaTa
raagam: hamsaanandi

53 gamanashrama janya
Aa: S R1 G3 M2 D2 N3 S
Av: S N3 D2 M2 G3 R1 S

taaLam: aadi
Composer: Paapanaasam Shivan
Language: Tamil

virutam

ceDiyaaya valvinaigaL teerkum tirumaaLE
ceDiyaaya valvinaigaL teerkum tirumaaLE
neDiyaanE
vEnkaTavaa nin kOvilin vaasal aDiyaarum
aDiyaarum vaanavarum arambaiyarum
kiDandiyengum paDiyaay kiDandu
un pavazha vaay kaaNbEnE

pallavi

shrInivAsa tiru vEnkaTamuDaiyAi jaya gOvinda mukunda anantA

anupallavi

dIna sharaNyan enum pugazh koNDaAi dInan enaippOl vErevar kaNDAi

caraNam

jagam pugazhum Ezhumalai mAyavanE tirumagaL alarmEl mangai maNALanE
jagannAthA shankha cakra dharanE tiruvadik-kabhayam abhayamayyA (un) jaya

---

Meaning:
Oh, Lord, one who wipes out the sins left over (from life), oh extensive (omnipresent) one, May I (Let me) watch your coral mouth, while being the steps at the entrance of your temple, traversed by (your) devotees, celestial gods and celestial goddesses,

Oh, Srinivasa (Dwelling place of Lakshmi), lord of auscpicious Venkatam, Victory to you, Oh Govinda (friend of cows), Oh, mukunda (liberator), Oh Endless One.

You earned the fame as the refuge of the meek, where have you seen one more meek than me?

Oh, lord of the seven hills, one who is praised by the whole universe, Illusory one,

Oh, husband of AlarmElmangai

Oh, lord of the Universe, wielder of the wheel and the conch

I seek the refuge of your feet, free me from fear!

ceDi- left over, vazhvu- life vinai �sin, teerkum- relieving, ending, tirumaal- Lord Narayana, neDiyaan- extensive one, nin- your, kovil �temple, vaasal- entrance, paDi- steps, kiDandu- lying, being, aDiyaar- devotee, servant, vaanavar- celestial being, arambai- celestial woman, pavazha- coral, vaay- mouth, kanbEne- let me, may I,

Shri- Lakshmi, nivas- home, thiru- venerable, auspicious, uDayaay- Lord, Owner, Ananta �Endless, Jagam �Universe, world, Ezhu- seven, malai- hill, Maayavan- Illusory, MaNalan- husband, naathan �lord, keeper, shankha- conch, chakra- wheel, dharan- wielder, aDi- feet, abhayam- free from fear.

tuLasee dalamulachE
raagam: maayamaaLava gowLa

15 maayamaaLava gowLa mela
Aa: S R1 G3 M1 P D1 N3 S
Av: S N3 D1 P M1 G3 R1 S

taaLam: roopakam
Composer: Tyaagaraaja
Language: Telugu

pallavi

tuLasI daLamulacE santOSamugA pUjintu

anupallavi

palumAru cirakAlamu paramAtmunipAdamulanu

caraNam

sarasIruha punnAga campaka pATala kuruvaka karavIra mallikA sugandha rAja sumamula
dhara nivi oka paryAyamu dharmAtmuni sAkEtapura vAsuni shrI rAmuni vara tyAgarAja nutuni

---

Meaning:
I shall ever be worshipping with joy the Transcendental Lord, the personification of righteousness, this Prince of Ayodhya (kingdom where Rama lived), with tender tulasi (a type of sacred basil) leaves. I shall garland Him with fragrant flowers like the lotus, punnaga, campaka, jasmine, and lily.

yaarE rangana
raagam: hindOLam

20 naTabhairavi janya
Aa: S G2 M1 D1 N2 S
Av: S N2 D1 M1 G2 S

taaLam: aadi
Composer: Purandara Daasar
Language: KannaDa

pallavi

,,Yaare rangana yaare krishnanaa |
yaare rangana kareya bhandhavanaa ||

anupallavi

gopaala krishnanaa paapa vinaashanaa |
eepari indhali kareya bhandavanaa || (Yaare rangana)

caraNam

venu vinodhana praana priyanaa |
jaaneyara rasana kareya bhandhavanaa || (Yaare rangana)

kari raaja varadhana parama purushanaa |
purandhara vitalanaa kareya bhandhavanaa ||

---

Meaning: by PT Rajalakshmi and Suhasini Jayakumar and Anonymous
Who is calling "Ranga?" Who is calling "Krishna?" Who is calling "Ranga?" Has he come to call me?

Is it Gopalakrishna? Is he the one who redeems you of all sins? Is he the one who has come to call me in this way?

Is he the one who works wonders with his flute? The one as dear as life itself One who appreciates goodness Has he come to call me?

Is he the one who granted a boon to the elephant king Is he the prime, the formost Man Is he Purandara's Lord Vittala Has he come to call me?

thelisi raama
raagam: poornacandrikaa

29 dheera shankaraabharaNam janya
Aa: S R2 G3 M1 P D2 P S
Av: S N3 P M1 R2 G3 M1 R2 S

taaLam: aadi
Composer: Tyaagaraaja
Language: Telugu

pallavi

telisi rAma cintanatO nAmamu sEyavE O manasA

anupallavi

talapu lanni nilipi nimiSamaina tAraka rUpuni nija tatvamulanu

caraNam 1

rAmAyaNa capalakSula pEru kAmAdula pOru vAru vIru
rAmAyaNa brahmamunaku pEru AmAnava jananArtulu dIru

caraNam 2

akramanucu jilleDu taru pEru markaTa buddhu leTla dIru
arkuDanucu bhAskaruniki pEru kutarkamanu andhakAramu dIru

caraNam 3

ajamanucu mESamunaku pEru nija kOrika lElA gIDEru
ajuDani vAgIshavaruniki pEru vijayamu galgunu tyAgarAja nutuni

ciTTaswaram

r,,r gmrg mpm-g ,mrs | r,,, ,,n.p rs,n srgm ||
r,rp mpdd pmp-g mrn.s | rgmp ,mgm pddp p,,, ||
rrgm pmdp Snp-R Snpm | rgmd p-RSn SRGM R,,, ||
RR-SM GMPM GMRS nRSn | p-Snp np-RS npm-g mrn.s ||
(telisi)

---

Meaning:by PT Rajalakshmi
pallavi: telisi - knowing
cintanatO - with thoughts
nAmamu - name (japa)
cEyavE - do
manasA - mind

Keeping thoughts of Rama steady in the mind, say his name steadily (even for one minute), oh mind.

anupallavi: talapulanni - your thoughts (anni - all)
nilipi - stopping
nimisha - minute
maina - even, only
tAraka roopuni - rama
nija - real
tattvamulanu - (tattva-way) his sayings and doings

Even for one minute, steadily thinking thoughts of his doings, say the name of Rama

caraNam 1: capalakSula - moving eyes all the time (aksha - eye)
ramayani - Rama is
pEru - name
kAmAdula - those with bad thoughts, desires
pEru - anem
vAru - those people
vEru - it is different

Rama is the name of girls with eyes moving all the time. The name of those with bad thoughts and desires is different.

ramayani - Rama is
brahamunaku - Brahmam's
peru - name
a manava - those souls
janartula - sincere people (jana - people, arthi - sincere tapas or thinking)
teeru - make disappear, destroy

Rama is Brahmam's name. It will make the troubles of those who do sincere tapas disappear.

caraNam 2: arkamanucu - milk-weed plant, called arka
jilledu - milk-weed, a tree for Pillayar
taru - tree
peru - name
markata - monkey
buddu - mind
etula - how
teeru - go away
When saying arka, if the mind thinks of milk-weed, how will monkey-like thoughts go away?

arkuDanucu - surya, also called arka
bhaskaruniki - sun
peru - name
tarkamanu - unnecessary arguments
andakaramu - darkness, ignorance
teeru - go away
When saying arka, if the mind thinks of the sun, the ignorance of unnecessary thoughts will disappear.

caraNam 3: ajamanucu - the male goat, called aja
mEsamu - male goat
peru - name
nija - real
korika - wants
elagu - how
eederu - achieve

When saying aja, if the mind thinks of the he-goat, how will real wants be achieved?

ajuDani - Lord Brahma, also called ajan
vAgIshavaruniki - consort (ishvaran) of saraswati (vak) also
pEru - name
vijayamu - success
galgunu - will come
tyAgarAja nutuni - praised by this tyagaraja

When saying aja, if the mind thinks of Lord Brahma, it will attain success. (Chant the name of Rama, praised by this tyagaraja)

entha maathramuna
raagam: raagamaalikaa
taaLam: mishra caapu
Composer: Annamaacaarya
Language: Telugu

pallavi (raagam: brindaavani)

22 kharaharapriya janya
Aa: S R2 M1 P N3 S
Av: S N2 P M1 R2 S

, enta maatramuna | evvaru talacina ||
, anta maatrame | neevoo ||
, anta raantaramu | lencee cooda ||
pindantE nippadi | ennaatLoo ||
(enta maatramuna)

anupallavi (same raagam)

koluturumimu vyshnavuloo |
koorimitO vishnudanee ||
palukuturoomimu vedaantulu |
parabrahma vanusu ||
talaturumimu shaivuloo takina |
bhaktulanoo shivudanusoo ||
alaripokaTuturu kaapaaliku |
laadibhyravundanusoo ||
(enta maatramuna)

caraNam (raagam: maayamaaLava gowLa)

15 maayamaaLava gowLa mela
Aa: S R1 G3 M1 P D1 N3 S
Av: S N3 D1 P M1 G3 R1 S

sarinennuturu shaaktEyuloo |
shaktiroopu neevanusu, dari- ||
shanamulamimu naalaavidulanu |
talapula kolatula bajinturoo ||
sirulu mamanE alpa buddhi tala- |
cina vaariki alpamba vuduvoo ||
garimala mimunE gaNamaNi tala- |
cina gaNabuddhulaku ganudavoo ||
nee valana koratE lEdumari |
neeru korati taamaravoo aa- ||
vala bhaageerati tari bhaavula |
aajalame oorina yetloo ||
shree venkatapati nee vydE |
danu cEkoni vunna daivamani ||
eevalanE nee sharana nedunu |
itiye paratatvamunaaku ||
itiye paratatvamunaaku |
itiye paratatvamunaaku, oo... ||
(enta maatramuna)

---

Meaning:
In whatever way anyone imagines you, you are that way.

manasa sanchararE
raagam: shyaamaa

28 harikaambhOji janya
Aa: S R2 M1 P D2 S
Av: S D2 P M1 G3 R2 S

taLam: aadi
Composer: Sadaashiva BrumhEndrar
Language: Telugu

pallavi

mAnasa sancararE brahmaNI mAnasa sancararE

caraNam 1

madashikhi pincchAlankrta cikurE mahanIya kapOla vijitamukurE

caraNam 2

shrI ramaNI kuca durga vihArE sEvaka jana mandira mandArE

caraNam 3

paramahamsa mukha candracakOrE paripUrita muraLirvadharE

kaalaharaNa
raagam: sudda saavEri

29 dheera shankaraabharaNam janya
Aa: S R2 M1 P D2 S
Av: S D2 P M1 R2 S

taaLam: roopakam
Composer: Tyaagaraaja
Language: Telugu

pallavi

kAlaharaNa mElarA harE sItArAma

anupallavi

kAlaharaNa mEla suguNa jAla karuNAlavAla

caraNam 1

cuTTi cuTTi pakSulella ceTTu vedaku rIti bhuvini puTTulEka nE n padamula baTTu konna nannu brOva

caraNam 2

poDavuna entADukonna bhUmini tyAgambu rIti kaDu vElpula nIvugAka evaru nannu brOva

caraNam 3

dina dinamu tirigi tirigi dikkulEka sharanu jocci tanuvu dhanamu nIdEyaNTi tyAgarAja vinuta rAma

caraNam 4

iSTa daivamA manObhISTa mIyalEka inka kastamA tyAgarAju kAmitArtha phala mosanga

---

Meaning:
O SIta RAma! Why this undue delay to protect me? O Treasure of virtues! Abode of mercy! Like birds flying hither and thither seeking the haven of a tree to perch, I have been wandering high and low seeking you and your grace, to terminate the cycle of birth and death. Why this delay to protect me? As among all types of charity, the highest and most reputed on is sacrifice - TyAga - so also among deities, which bestow small favors, you are the best. Barring you, who else can protect me? Day in and day out roaming about feverishly and finding no way out, I have come seeking shelter at your feet, surrendering my body and my possessions, as they really belong only to you. My favorite God! Is it difficult for you to grant my prayer? To grant this TyAgarAja's desires, why this delay?

TA-4

 Once upon a time, Thirumazhisai Yazhvar was stitching a cloth. At that time, Eesan and Parvathi were moving  in Rishabh vehicle.

At that time Devi said, ′′ Who is this? She asked me ′′ Eesan answered ′′ He is a great Tejas. The best Vaishnavar was praised by Vaishnavar bhakta.
She was surprised. She said, ′′ Come on, let's give the boon if you want Both of them came towards the place of Thirumazhisai Yazhvar.

Thirumazhisaiyar was very careful in sewing the cloth. ′′ We have come to give boon. You look so careless! Siva-Parvathi asked ′′

But Mr. Mazhisai said, ′′ I don't want anything
They continuously asked, ′′ When we come forward to give boon, why do you refuse.

 Ok, can you give the Paramapath of the world of salvation? Thirumazhisai Yazhvar asked
′′ Mokshamicheth Janarthanath. The one who can give salvation is Mukundan,  Ask something else ′′ said, Mahadevar.

He said, ′′ Well, long life to receive that face and to enjoy its spiritual devices
′′ Your life is already written. I can't extend it ′′ Eesan replied.

At last Mr. Mazhisai Yazhvar said, ′′ Make this thread easily come through the hole of the needle.

After listening to this, Paramasivam got angry. He opened his forehead, saying, ′′ I will pierce you like an an anangan (like a manmadhan), so that there is no body like a man (like a manmadhan). Agni flame rebelled from it.

When he saw this, Mr. Mazhisaippiran opened an eye on the thumb of his right thumb by saying, ′′ Even if the whole body is seen like Indhiran.

From it a great fire arose and the fire of the time became several times bigger, controlling the fire that was torn from the forehead and started to burn the face of the face.

Ganga Dharan Eesan showered many clouds from his body to calm down the fire like a corrupt rain.

As the clouds also rained, there would be a huge flood. The Parama Bhagavadharan Thirumazhisai Yazhvar, did not move a little bit, but he was meditating on the  Lord.

At the end, Tripuranthakar Siva Peruman awarded Alwar as 'Bhakti Sarar' and joined Kayilayam.

There cannot be a greater Bhakta than Lord Siva for he is always contemplating on Vishnu and so is Lord Vishnu having Siva in great esteem. 

Even if the above has happened it only goes to show how to emphasize on the bhakti of a devotee God takes various roles to set an example.

How great is Alwar Bhakti for Tirumalisai alwar pasurams have got an intelligent content in them. Simple living high thinking living example.

People who narrate these stories have exaggerated them to a great extent or we are not able to comprehend that these things did happen.

Thirumazhisai and stayed in a hill cave, thinking that many would harm him.

at that time the first three Alwars knowing he was there visited him all four of them spent time ruminating on the glory of the Lord and each derived a great source of joy.

after some time they all came to triplicane and performed a yaga for a long time 

to be continued.

KVRP

 According to the sthala-purana, Lord Brahma practiced severe austerities with the desire of seeing the beautiful four-handed form of the Supreme Lord and the Lord manifested in the form of water (at Pushkar in Rajasthan).

As Lord Brahma wanted to see the beautiful four-handed form of Lord Vishnu he was disappointed. Lord Brahma once again went to a different place and started practicing severe austerities to propitiate Him.

However, the Lord manifested in the form of forest (at Naimisharanya in Uttar Pradesh) this time and Lord Brahma was once again disappointed. Lord Brahma appealed to the Supreme Lord to bless him with the vision of His enchanting four-handed form. An akashavani (ethereal voice) asked Lord Brahma to perform 100 Ashvamedha sacrifices if he wanted to have a vision of the Lord.

Lord Brahma did not have the patience to perform 100 Ashvamedha sacrifices as that would take a very long time. Therefore, Lord Brahma requested the akashavani to tell him if there were any short-cuts.

The akashavani once again said that performing one sacrifice at a particular location in South India is equal to performing 100 sacrifices at any other place on this planet. Being pleased with the akashavani’s advice, Lord Brahma came to the location that was identified by the akashavani and started preparations for performing the sacrifice.

In his eagerness to see the Lord at the earliest, Lord Brahma forgot to invite his consort Goddess Sarasvati to the sacrifice and this enraged Sarasvati. Sarasvati decided to disturb the sacrifice and prevent the successful completion of the sacrifice.

Sarasvati created various demons and sent them to vandalize the sacrifice. As Lord Brahma was not supposed to fight when he was performing the sacrifice, he had invoked none other than the Supreme Lord to protect his sacrifice and, thereby, ensure its successful completion.

The Supreme Lord Narayana appeared in an eight-handed form and destroyed all the demons that were sent by Sarasvati in a flash and foiled all their efforts to disturb the sacrifice. Therefore, the Supreme Lord is worshipped in His eight handed form as Ashtabuja Perumal in one of the temples at Kanchipuram even today.

The frustrated Sarasvati manifested as Vegavati river and started flowing towards the sacrificial arena with great speed with the intention of washing away things that were stored for the successful completion of the sacrifice. The Supreme Lord manifested along with His serpent in a reclining posture on the path of Vegavati river.

River Vegavati, a manifestation of Sarasvati, saw the reclining form of the Lord and decided to flow underground to avoid incurring the wrath of the Supreme Lord. This form of the Lord is worshipped at Thiru-vekha, within the present Kanchipuram town, as Bhujanga-sayana Perumal even today.

According to the sthala purana, the Lord was reclining on the Sesha on His right hand side when He appeared as Bhujanga-sayana Perumal. As Vegavati river had offered her prayers to the Lord before going underground, a Deity of Vegavati personified was symbolically installed near His feet. This temple of Lord Bhujanga-sayana Perumal and its surrounding places came to be known as Thiru-vekha.

Thus, Lord Narayana thwarted Sarasvati’s efforts to prevent the successful completion of Lord Brahma’s Ashvamedha sacrifice and at the conclusion of the sacrifice; Lord Vishnu appeared in His four-handed form in the sacrificial pit as Varada, the giver of boons. Lord Brahma requested Lord Vishnu to stay in that place always and, therefore, Lord Vishnu continued to abide in that place as Varada-Raja Perumal.

As Lord Brahma who is referred to as “ka” in the Vedic scriptures worshipped Lord Vishnu in that particular place, it came to be known as Kanchi and later on grew into a big city. The abode of the Lord in the form of Varadaraja Perumal came to be known as Hasthagiri. 

TA-3

 Thirumazhisai-alwar continued his meditation on the Supreme Lord for a very long time and he once had a vision of the Lord’s Deity form as reclining on His Anantha at Thiru-kkudandai, the present Kumbakonam. The Deity of the Lord at Kumbakonam is popularly called as Ara-vamudan or Sarangapani Perumal.

Being captivated by the beauty of the Lord, Thirumazhisai-alwar decided to pay a visit to the Lord and spend some time at Kumbakonam. After taking the permission of Yadhokthakari Perumal, who was very dear to him, Thirumazhisai-alwar proceeded to Kumbakonam. After reaching a remote village called Perum Puliyur on his way to Kumbakonam, Thirumazhisai-alwar decided to rest for a while beneath the protruding roof of one of the houses. The Brahmanas who were reciting Vedas in that house stopped their chanting as soon as they saw Thirumazhisai-alwar coming towards them; as in those days shudras were prohibited from chanting Vedas or even listening to them.

After sometime, the Brahmanas wanted to resume their recitation and none of them could recollect the verses that they were chanting. Thirumazhisai-alwar, who was standing at a distance, reminded them the verses that they had forgotten by removing the husk of the paddy grain with his fingers as the verses were related to a ritual in which the wife of the performer of Rajasuya sacrifice removes the husk from the paddy grain. The Brahmanas realized that he was not an ordinary man though he appeared to be a shudra and fell at his feet seeking forgiveness.

It is said that the presiding Deity of Perum Puliyur turned His head towards the direction that Thirumazhisai-alwar went and the people who noticed it went and reported the same to Perum Puliyur Adigal, who was known for his piety in the village. After verifying what he heard from the villagers, Perum Puliyur Adigal went and fell at Thirumazhisai-alwar’s feet, offered his obeisance and took Thirumazhisai- alwar to the sacrificial arena where many Brahmanas were performing a sacrifice.

The Brahmanas, who were busy performing various sacrifices, started shouting at Adigal for bringing Thirumazhisai-alwar, a shudra, and humiliated the alwar by making derogatory comments against him for entering the sacrificial arena as shudras were not supposed to enter the sacrificial arena. Being hurt at the attitude of the ignorant Brahmanas, Thirumazhisai-alwar decided to teach them a lesson and requested the Lord, who was enshrined in his heart, to reveal Himself to enlighten the puffed-up Brahmanas.

The Lord appeared as if He was reclining on Anantha in a gigantic form in the sky and all the Brahmanas were astonished to see that and immediately prostrated before the alwar. They apologized to him, carried him on their shoulders to a chariot and took him in procession around the village to seek his forgiveness and blessings. The alwar imparted various esoteric secrets that can help one to realize the Absolute Truth and become closer to the Supreme Lord to the aspiring Brahmanas before continuing his journey to Kumbakonam.

It is said that the all-merciful Lord, who is reclining on His serpent as Lord Sarangapani at Kumbakonam, started to rise to receive and welcome Thirumazhisai-alwar as soon as he reached the precincts of the temple and the alwar who saw the Lord rise requested Him to stay as He is. Therefore, the Deity of the Lord at Kumbakonam seems as if He is getting ready to rise from His sleeping pose even today. It is said that the alwar was moved by that gesture of the Lord and started to meditate on that form while staying at Kumbakonam.

According to tradition, Thirumazhisai-alwar meditated on that form of the Lord for 2,300 years before concluding his pastimes, which lasted for 4,700 years, on this planet. Thirumazhisai-alwar has composed 216 hymns (pasurams), which are classified under two titles – Nanmugan-tiruvandadi and Thiru-channda-vrattam.

Thiru-channda-vrattam that consists of 120 hymns is included in the first thousand hymns of Nalayira-Divya-Prabandham and Nanmugan-tiruvandadi, which consists of 96 hymns, is included in the third thousand hymns of the Divya-Prabandham.

5 pre for S

 Five prerequisites for sharanagathy.

Anukulya sankalpa: What pleases the Lord.

Pratikulya varjana : Not doing what he dislikes.

Mahavisvasa: Belief in him.

Goptrtva varna: requesting him for help.

Kaarpanya: acknowledging ones helplessness.

Draupadi had all of it hence he rushed to help her.

Humility too added

anukulyasya sankalpah pratikulyasya varjanam
raksisyatiti visvaso goptrtve varanam tatha
atma-niksepa-karpanye sad-vidha saranagatih.

anukulyasya — of anything that assists devotional service to the Lord; sankalpah — acceptance; pratikulyasya — of anything that hinders devotional service; varjanam — complete rejection; raksisyati — He will protect; iti — thus; visvasah — strong conviction; goptrtve — in being the guardian, like the father or husband, master or maintainer; varanam — acceptance; tatha — as well as; atma-niksepa — full self-surrender; karpanye — and humility; sat-vidha — sixfold; sarana-agatih — process of surrender.

The six divisions of surrender are the acceptance of those things favorable to devotional service, the rejection of unfavorable things, the conviction that Krishna will give protection, the acceptance of the Lord as one’s guardian or master, full self-surrender, and humility.

RN

 Abhayaprada,Abhistada,  Acyutapriya,  Aharada, Akasa-rupa, Alakesvara-pujya, Amavasya, Ambhoda,  Ambika, Amoha,  Anamsa,  Ananda-yukta,   Anda-rupa, 53 * Anda-samhartri, 53 * Andhakara-bhaya-dhvasta, 58 * Anga-harini, 100 * Angara-purna, 76 * Animady-asta-siddhi-da, 159 * Anna-purna, 68 * Anuttama, 19 * Anuttara, 32 * Anviksiki, 163 * Aparajita, 23, 81 * Apavrta, 138 * Apurva, 51 * Apurva-da, 160 * Ardha-candra-dhara, 99 * Ardra-pada-ga, 151 * Arjuna-sakhi, 169 * Arundhati, 184 * Asavasakta-vasana, 173 * Asesa-sadhani, 184 * Asoka, 20 * Atapa-rupa, 177 * Ati-sundari, 113 * Atita-gamana, 56 * Atita-guna, 44

Badhu-rupa, 41 * Bakula, 79 * Bakulamoda, 79 * Balaradhya, 96 * Balesvari, 96 * Bara, 104 * Bhagesvari, 95 * Bhagini, 95 * Bhaimi, 169 * Bhakta, 139, 179 * Bhakta-bhukti-subha-prada, 179 * Bhakta-gati, 124 * Bhakta-kalpa-drumatita, 44 * Bhakta-phala-prada, 139 * Bhaktananda-pradayini, 43 * Bhakti-gamya, 43 * Bhakti-priya, 43 * Bhaktika, 124 * Bhakty-atita, 124 * Bhama, 49 * Bhandira-talavana-ga, 116 * Bharati, 41 * Bharya, 174 * Bhasati-vegini, 174 * Bhaumi, 169 * Bhava-bhavini, 112, 178 * Bhava-nasanta-kariny, 121 * Bhavatiga, 120 * Bhavisya, 120 * Bhavya, 120 * Bhavya-gatra, 120 * Bhayapaha, 65 * Bhima-kulodvaha, 169 * Bhogya, 95 * Bhranti, 40 * Bhukti, 160 * Bhumi, 168 * Bhuta, 120, 184 * Bhuvana, 169 * Bhuvana-mohini, 75 * Bhuvana-sundari, 77 * Bhuvanesvari, 78 * Bilva-vapuh, 104 * Bilva-vrksa-nivasini, 104 * Bilva-vrksa-priya, 104 * Bilvatmika, 104 * Bilvopama-stani, 104 * Brahma, 112 * Brahma-patni, 36 * Brahma-rupa, 51 * Brahma-visnu-sivardhanga, 183 * Brahmaloka-pratisthita, 49 * Brahmanda-bhanda-madbyastha, 51 * Brahmanda-bhanda-rupini, 51 * Brahmanda-gocara, 112 * Brahmanda-paripalini, 51 * Buddhi, 43

Caitanya, 140 * Caitanya-rupa, 140 * Caitanya-rupini, 140 * Cancala, 77 * Cancalamoda, 77 * Candi, 69 * Candra, 99 * Candra-gatri, 119 * Candra-kesi, 143 * Candra-koti-sugatri, 82 * Candra-prema-tarangini, 143 * Candranana-manohari, 82 * Candravali, 143 * Catur-bhuja, 137 * Catura, 177 * Caturi, 177 * Citra, 27 * Citra-lekha, 75 * Citra-malini, 30 * Citra-rupini, 27

Dadhi-bhandarthini, 171 * Dadimi-kusumopama, 62 * Daksa-kanya, 48, 77 * Daksa-yajna-hara, 77 * Daksi, 77 * Dama, 175 * Dama-dharini, 175 * Damini, 175 * Damodara-priya, 13 * Danujendra-nivarini, 134 * Daru-haridrika, 174 * Daya, 40 * Daya-rupa, 115 * Dayadhara, 115 * Dayanvita, 115 * Deva-mata, 48 * Devari-kula-mardini, 33 * Devi, 33, 47, 160 * Dhairya-rupa-dhara, 63 * Dhama-rupiny, 160 * Dhana-dhanya-vidhatri, 182 * Dhanya, 109 * Dharini, 79, 133 * Dhatranandapradayini, 25 * Dhatri, 42 * Dhira, 63 * Dhrti, 33, 63 * Dhumra, 112 * Dhumra-kesa, 112 * Dina, 179 * Dipa-datri, 32 * Dipa-priya, 32 * Draupadi, 168 * Drk-pata-mohita, 98 * Dugdha-manthana-karmadhya, 170 * Dugdha-manthana-tat-para, 170 * Duhkha-hantri, 32, 127 * Duhkha-hara, 127 * Duhkha-kartri, 32 * Durba-dala-tanu-ccbavih, 144 * Durga, 46 * Durgati-nasini, 46 * Durva-dala-syama-tanuh, 144 * Dvaraka-vasini, 42 * Dvi-bhuja, 137

Eka, 46 * Ekanga, 36 * Ela-lavanga-karpura, 92

Gagana, 126 * Gaganesi, 132 * Gaja-mukta, 105 * Gajendra-gamini, 107 * Gaji, 132 * Gamanagamana-priya, 16 * Gamanatita-nirbhara, 129 * Gamya, 129 * Gana-mata, 127 * Gana-tosita, 126 * Ganadhyaksa, 19 * Ganga, 129 * Ganga-jalamayi, 129 * Gangerita, 130 * Gati, 50 * Gati-jna, 134 * Gati-nistha, 29 * Gati-prada, 16, 29 * Gatimatam-dhatri, 24 * Gati, 19, 21, 24 * Gaunya, 161 * Gaura-candranana, 115 * Gaura-vigraha, 137 * Gaurangi, 53 * Gauri, 53, 56 * Gavadhyaksa, 19 * Gavam, 19 * Gavesi, 134 * Gavesvari, 134 * Gavi-vasini, 134 * Gavisi, 134 * Gaya, 129 * Gayatri, 20 * Gayesvari, 133 * Gayottara, 136 * Geha-bhavana-bhavana, 180 * Ghati, 111 * Ghrta-lipta, 171 * Girbana, 30 * Girbana-gana-sevita, 30 * Girbana-vandya, 30 * Girija, 47 * Gita, 129 * Gita-gamya, 16 * Gita-kusala, 134 * Gokarna, 93 * Gokulananda-dayini, 15 * Gokulananda-kartri, 15 * Gokulantara-geha, 28 * Gokulanvita-deha, 91 * Gokulatva-pradayini, 91 * Gopa, 14 * Gopa-mata, 71, 133 * Gopa-nandinim, 56 * Gopa-patni, 41 * Gopa-rajya-prada, 75 * Gopa-sundari, 71 * Gopa-vanita, 75 * Gopala-palika, 70 * Gopala-vanita, 85 * Gopalasya, 29 * Gopananda-kari, 13 * Gopanganavestita, 172 * Gopaniya, 46 * Gopi, 13 * Gopinatha-manohara, 68 * Gopinathesvari, 69 * Govardhana-hasya, 132 * Govardhanesvari, 132 * Govinda-gana-pujita, 66 * Govinda-priya-karini, 87 * Govinda-raja-grhini, 66 * Gramya, 129 * Guna, 161 * Gunatita-phala-prada, 161

Hai-hai-tala-dhara, 151 * Haimavati, 50, 145 * Haimi, 99 * Hara, 133, 136 * Hara-kanta, 73 * Hara-patni, 74 * Hara-prana, 164 * Hara-prita, 74 * Hara-rata, 73 * Hara-tosana-tatpara, 74 * Harananda-pradayini, 73 * Harer jaya, 79 * Hares tanuh, 48 * Haresvari, 74 * Hari-bhakti-pradayini, 140 * Hari-bhavana-sila, 164 * Hari-bhusana-bhusadhya, 151 * Hari-dvara, 177 * Hari-kanta, 14 * Hari-kautuka-mangala, 176 * Hari-prada, 177 * Hari-prana, 164 * Hari-priya, 14 * Hari-sannidhya-datri, 176 * Hari-tosana-tat-para, 164 * Hari-vallabha, 166 * Harid-ambara-dharini, 175 * Haridra, 173 * Harini, 57, 133, 184 * Hariny, 173 * Harita, 173 * Hasya-bhasana-tat-para, 172 * Hava-bhavanvita, 111 * Haya, 132, 182 * Hayakrtih, 132 * Hayasya, 127 * Hayi, 182 * He-he-sabda-svarupa, 152 * Hela, 162 * Hema, 116 * Hema-gatri, 19 * Hema-mandana, 116 * Hema-mukhi, 99 * Hema-ragadbya, 113 * Hema-sundari, 25 * Heramba-suta, 127 * Hetu-yukta, 136 * Hi-hi-vakya-visarada, 152 * Himalaya-suta, 47 * Hiranya-da, 160 * Hrdya, 14

Indranila-mani-nyasta, 65 * Isvari, 46

Jagad-ambika, 70 * Jagad-ananda-kartri, 152 * Jagad-anvaya, 94 * Jagad-bija, 148 * Jagad-utpatti-karika, 118 * Jagad-yoni, 148 * Jagannatha, 81 * Jagannatha-priya, 25 * Jagannathesvari, 81 * Jagatam-adhisthatri, 73 * Jahnu-kanyka, 50 * Jaimuti, 84 * Jaitra-prada, 177 * Jala-saya, 156 * Jala-tala, 156 * Jalodari, 112, 141 * Jamatr-kula-vandita, 79 * Jambala-malika, 147 * Jambavati, 49 * Janakananda-karini, 71 * Janaki, 71 * Janani, 24 * Janma-mrtyu-jarapaha, 24 * Janmasunya, 24 * Jatila, 94 * Java-kusuma-sankasa, 62 * Jaya, 18, 70, 182 * Jaya-patni, 80 * Jaya-prada, 18 * Jayanti, 85 * Jimuta-rupa, 84 * Jitamitra-pramodini, 84 * Jitarthi, 177 * Jitendriya, 31 * Jiva, 18 * Jiva-vandya, 39 * Jivananda-pradayini, 18

Kadambari-pana-para, 102 * Kailasa-vasini, 72, 149 * Kailasacala-vasini, 87 * Kailasini, 175 * Kaivalya-dayini, 68 * Kaivalya-patha-da, 122 * Kaivalya-sundari, 68 * Kaivarti, 116 * Kala, 115, 168 * Kaladhinatha-vadana, 115 * Kalanathadhirohini, 115 * Kali-kalmasa-bhanga, 86 * Kali-kalmasa-nasini, 86 * Kali-kalmasa-rupa, 86 * Kalindatanaya-tira, 102 * Kalindi, 50 * Kalindi-kula-dipika, 101 * Kalpa, 53, 184 * Kalpa-rupini, 184 * Kama-bija-pradayini, 158 * Kama-kala, 101 * Kama-karika, 101 * Kama-lalasa-vigraha, 17 * Kama-prakasika, 159 * Kama-sastra-prakasini, 158 * Kama-sastra-vinoda, 158 * Kama-vallabha, 103 * Kamala, 25, 72 * Kamala-kanta-grhini, 72 * Kamala-sundari, 26 * Kamalalaya, 72 * Kamanga-harini, 46 * Kamari-kanta, 17 * Kamesi, 17 * Kamesvari, 101 * Kaminy, 159 * Kampamana, 131 * Kamsa-hara, 131 * Kanakakrti, 133 * Kancanabha, 19 * Kancanangada-dharini, 19 * Kandarpa-koti-janani, 158 * Kandarpa-koti-sundari, 157 * Kanta, 26, 96 * Kanta-nitambini, 96 * Kantara-sustha-vasini, 141 * Kantara-vasini, 32 * Kanti, 33 * Kanya, 14 * Kapala-malini, 160 * Kapila, 111 * Karani, 100 * Karika, 101 * Karini, 150 * Karna, 93 * Karttika-vrata-kartri, 156 * Karttiki, 65 * Karuna, 93 * Karunamaya-karini, 93 * Karunarnava-dharini, 57 * Karunarnava-rupini, 168 * Karunarnava-sampurna, 57 * Karunya, 93 * Karyatita, 100 * Kaulini, 94 * Kaumari, 76 * Kauseyambara-dharini, 117 * Kaya, 182 * Kesa, 101, 111 * Kesa-pasa-rata, 143 * Kesa-saivala-dhatri, 119 * Kesava, 90 * Kesava-prita, 90 * Kesava-priya, 90 * Kesavananda-datri, 89 * Kesavananda-dayini, 89 * Kesavi, 90 * Kesini, 175 * Kevala, 84 * Khecara-suta, 81 * Khecaratva-pradayini, 81 * Khecari, 81 * Kisora-sanga-samsarga, 115 * Kisora-vallabha, 101 * Kisori, 25 * Kisorini, 100 * Kosa, 117 * Kosa-rupa, 118 * Kosala, 168 * Kosavari, 118 * Koti-kandarpa-lavanya, 157 * Krida-kautuka-rupini, 163 * Kripatita, 93 * Krodhini, 171 * Krpa, 86 * Krpanvita, 161 * Krpavati, 87 * Krsna, 11, 12, 26, 32, 139, 147, 149, 171, 172, 174, 178, 181 * Krsna-bhakta-phalarthini, 150 * Krsna-bhogya, 95 * Krsna-kala, 178 * Krsna-kanta, 12, 55 * Krsna-kroda, 141 * Krsna-pivari, 96 * Krsna-prema, 140 * Krsna-prema-parayana, 44 * Krsna-prema-rata, 139 * Krsna-prema-tarangini, 109 * Krsna-premavati, 109 * Krsna-prita, 139 * Krsna-rata, 139 * Krsna-samyuta, 11 * Krsna-sangarthini, 172 * Krsna-stuta, 55 * Krsna-taranga-da, 145 * Krsna-tosana-tat-para, 139 * Krsnacandra-priya, 32 * Krsnam, 104 * Krsnananda-pradayini, 12 * Krsnananda-vidhayini, 178 * Krsnanga-vasini, 14 * Krsnartha-rahita, 179 * Krsnartha-vasana, 178 * Krsnartha-vyakula, 181 * Krsnarthini, 178 * Krsnavatara-nirata, 150 * Krsnesi, 103 * Ksama, 33 * Ksamakula, 40 * Ksema, 46, 83 * Ksema-kari, 83 * Ksetra, 94 * Ksetra-nivasini, 136 * Ksetradhisthatr-rupa, 89 * Ksetratita, 89 * Ksina, 169 * Ksirodasayini, 33 * Ksudha, 143 * Ksudra-kitanga-samsarga, 157 * Ksut, 40 * Kula-dipika, 31 * Kula-ksetra-nivasini, 129 * Kula-prada, 89 * Kula-priya, 34 * Kula-pujya, 34 * Kulajendra-nivasini, 85 * Kulavati, 87 * Kulina, 31 * Kulodvaha, 32 * Kumari, 71 * Kumuda, 103 * Kumudananda, 103 * Kusmanda-bhuta-vetala, 161 * Kusumamoda-dharini, 102 * Kutila, 94 * Kutilalaka, 97 * Kutira-vasini, 112 * Kuveresvara-vallabha, 181

Lajja, 33 * Laksmana-geha-stha, 78 * Laksmi, 33, 168 * Lalita, 30 * Langhana-ksama, 122 * Lata, 107 * Lavanga, 129 * Lavanga-namni, 91 * Lavanya-mangala, 162 * Lila, 162

Mabodari, 141 * Mada-dayini, 138 * Madana-mohini, 12, 46 * Madhava-mano, 57 * Madhavi, 57 * Maha-bhima, 84 * Maha-durga, 141 * Maha-jiva-prada, 26 * Maha-laksmi, 34, 42 * Maha-mukta, 105 * Maha-mukti-phala-prada, 105 * Maha-visnu-priya, 53 * Mahalasa, 67 * Maheyi, 76 * Malati-malya-bhusadhya, 54 * Malati-malya-dharini, 54 * Manda-lajja, 48 * Mangala-prada, 58 * Mangalamoda-janani, 146 * Mangalya, 58 * Mano-'dhisthatr-devi, 44 * Manohara, 39 * Manorama, 114 * Mathura, 180 * Mathura-raja, 180 * Mati, 21, 32, 33 * Matsya-raja-suta, 76 * Matsya-rupa, 100 * Maya, 70 * Megha-rupa, 113 * Mekhalamoda-dharini, 146 * Minavatara, 132 * Minesi, 132 * Mitravinda, 50 * Moha, 29 * Mohana, 169 * Mudrasya, 138 * Mukha-vasa-mukhanvita, 92 * Mukhi, 99 * Mukhya, 92 * Mukhya-nivasini, 92 * Mukhya-prada, 92 * Mukti-datri, 160 * Mukti-hetu, 122 * Mukti-hetu-langhani, 122

Nada-bindu-vidharini, 155 * Nada-rupa, 155 * Nadesi, 155 * Naga-karnika, 93 * Naga-mata, 163 * Nagara, 144 * Nagaralingana-para, 145 * Nagarananda-karini, 144 * Nagarangana-mangala, 145 * Nagendra, 163 * Nagendra-kanya, 88 * Nairvani, 136 * Nanda, 85 * Nanda-priya, 23 * Nanda-suta, 23 * Nandanandana-patni, 18 * Nandanangana, 171 * Nara-sevya, 165 * Narakarnava-nasini, 165 * Narakarnava-samhantri, 165 * Naranga-kula-mandana, 91 * Naranga-phala-sobhita, 98 * Narangana, 165 * Narangi, 91 * Narasimhi, 76 * Naratita, 165 * Narayana-priya, 97 * Narayani, 93 * Naresvari, 165 * Nari, 77 * Nasgari-raga, 144 * Nasini, 161 * Nava-durgika, 76 * Nava-nari, 98 * Navanitika, 98 * Navina, 98 * Nayaka-prita, 69 * Nayakananda-rupini, 69 * Nayika, 69 * Nayika-nayananvita,  Nidra,  Nila,  Nilakantha-priya,  Nilambara-vidhatri,Nilambaradhara,  Nimba-dadima-rupini,  Nirakula, Niralamba,  Niralamba-gana-priya,  Niralamba-janaih pujya, Niraloka,  Niramaya,  Nirantara, Nirasraya,  Nirguna,  Nirvana-datri,  Niscaitanya, Nisceta,  Niskulina,  Nisphala,  Nitambini,  Niti,  Niti-sastra-priya,  Nitya,  Nitya-gehini,  Nitya-rupa,  Nitya-tarangini,  Nityananda-kari,  Nityangi,  Nivasa-kusala, 

Pada-padma-subha,  Padma,  Padma-hasta, Padmangaraga-samraga,  Palini, Pana-pananda-dayini,  Pana-patra, Panarthini,  Panasakta-tara,  Panca-sakti-svarupa,  Pandava-priya,  Pandava-sakhi,  Pandita, Pandita-guna, Panditananda-karini, Para, Paranugraha-karini,  Parat,  Paripalana-kartri,  Paripurna,  Parvatadhinivasa, Parvati,  Pasa-sambandhini,  Pati-prana,  Pati-vakya-vinodini, Pati-vrata,  Paurnamasi,  Pavitra,  Pavitra-guna-siladhya,  Pavitra-guna-simadhya,  Pavitra-kula-dipani,Pavitra-kula-dipika, Pavitrananda-dayini,  Payasvini,  Payo-datri,  Payoda-da,  Pingala,  Pipasa,  Pivari,  Pradhana-gopika,  Prakrti,  Prana, Prana-priya,  Prana-rupa,  Prana-rupiny  Prana-sarvasva-dayini,  Prema,  Prema-bhakta,Prema-bhakti-prada,  Prema-bhakti-tarangini,  Prema-datri,  Prema-hara,  Prema-krida-paritangi,  Prema-priya, Prema-rupa,  Prema-saktimayi,  Prema-tarangika, Premalingana-siddhangi,  Premananda-tarangini,  Premartha-dayini,  Preta-prana-vinasini,  Priti-janani, Priya,  Pundarikaksa-gehini,   Puta-gatra,

Radha-ramana-kanta, Radhana-rupini,  Radhika,  Radhya,  Radhyanandaprada,  Ragini,  Raksasi-nasini, Rama,  Rama-rata,  Rambha,Ramesvari, Rasa,  Rasa-gamya, Rasa-krida,  Rasa-krida-kari, Rasa-mandala-madhyastha,  Rasa-mandala-sevya,  Rasa-mandala-sobhita,  Rasa-priya,  Rasa-rati,  Rasa-sundari,  Rasadhisthatr-devata, Rasasakta,Rasesvari,  Rasika, Rasikananda, Rati-prada,  Rati-prita, Rati-ranga-parityaga,  Rati-rupa, Rati-srestha,  Rati-vega,  Rati, Ratna-bhusana-bhusana,  Ratna-kundala-bhusita, Ratna-mala-vibhusita, Ratna-malya-dhara,  Ratna-manjira-bhusangi,  Ratna-simhasana-stha, Ratnalankara-samyukta, Ratnendra-sara-haradhya, Raudra,  Raudra-rupa,  Revati, Rini, Rohini, Rudrananda-prakasini,  Rukmini,  Rupa, Rupa-padapa-vasini,  Rupavati, Rupini, 

Saci,  Sad-bhuja, Sadananda,  Sadasiva-manohara,  Sadhvi, Sadhya-vilasika,  Sadyo-mukti-prada, Sahasrasya,  Saila,  Sairisi,  Saisavananda-karini,  Saiva,  Saiva-simsapa, Saivalananda-dayini, Sakalepsita-datri,  Sakhi,  Sakhi-madhya-nivasini, Sakti, Sakti-svarupini, Salila,  Sambhu-kanta,  Samha,  Samhara-karini,  Samhara-sabdadhya,  Samhartri,  Samsara-nasini,  Samsara-ragini,  Samsararnava-para-da, Samudra-jala-vasika,  Samudra-jala-vasini,  Samudra-mathanodbhuta, Samudramrta-rupa,  Sandrananda-visarada,  Sanga-dosa-vinasini,  Sankata, Sankhaspada, Sannyasa-dharma-kusala,  Sannyasesi,  Sara-bhuta,  Sara-carma-dhara, Sarac-candra-mukhi, Sarada,  Saradanvita, Saran-mukhi, Sarasvati, Sarpini, Sarva,  Sarva-bhutanam, Sarva-daityanam,  Sarva-jivesvari,  Sarva-karana-karana,  Sarva-mangala,  Sarva-vandya,  Sarvaga,  Sarvajnatva-vidhatri,  Sarvanga-sundari, Sasi-koti-sama-prabha, Sasi-sekhara,  Sasi-su-sobhana, Sastra-rupa, Sastra-siddhanta-karini, Sati, Satya,  Satya-prada, Satya-rupa, Satyavati,  Saumya,  Saumya-datri,  Saumya-kulodvaha,  Savala,  Savitri, Sesa,  Sesavati,  Seva-sevya, Sevakananda-dayika, Sevitepsita-sarvada, Sevya, Siddha, Siddha-ksetra-nivasini, Siddha-rupa, Siddha-yogini, Sila-tala-nivasini, Sindhu-kanya, Sirisa-kusumakrti, Sirisa-kusumamoda,  Sirisa-kusumojjvala, Sirisa-mrdhvi, Sisira, Sita, Sitala, Siva, Siva-bhakta, Siva-bhakti-da, Siva-bhakti-sukhanvita, Siva-brahma-hari-priya, Siva-kroda, Siva-prana, Siva-sakti-svarupa, Sivanvita,  Sivardhanga-viharini,  Smrti, Sokanasini,  Sokorahita,  Sranti,  Srestha,  Srestha-rupa, Sri-ganesa, Sri-garbha, Sri-hara, Sri-kama, Sri-kriya-rupini, Sri-krsna-bhajananvita, Sri-krsna-bhavanamoda, Sri-krsna-rahita, Sri-nitamba, Sri-nivasa, Sri-prada,  Sri-radha,  Sri-rupa, Sri-svarupasrita, Sri-svarupini,  Srida, Sridamananda-datri, Sridamasya,  Sridamesvara-vallabha,  Srila, Srimati, Srisa, Srkkani-parimohita, Srnkhala, Srsti-sthiti-kari, Sruti,  Sruti-priya,  Sthana-datri, Sthana-rupa,  Sthira,  Sthiti-vinodini,  Sthiti,  Su-gopi,  Su-komala, Su-kulina, Su-locana, Su-vesini, Subalasya,  Subha, Subhangi,  Subhankari,  Suci,  Suddha-sattva, Sukadeva-gunatita,  Sukadeva-priya,  Sukhesvari,  Suki,  Suksma,  Sulaksmana, Sunya, Sunya-sthana-sthita, Susevini, Svarga-laksmi, Svasa, Svayam, Svayam-prabha, Sveta, Sveta-campaka-varnabha, Syama,  Syama-sakhi,  Syama-vallabha,  Syamala, 

Taitilananda-paritosaka,Takra-yukta,Tami,Tami, Tamisra, Tarkali, Tejasvini, Tejo-rupa, Thai-thai-sabda-sakti-prakasini, Timingla-kulamoda, Tira-gebini, Trailokya-mata,Trailokya-sundari, Tulasi-tosika, Tulasy-adhisthatr-devi,

Ucca-nica, Ugra-rupa, Ujjvala-gatrika,  Ujjvalaprada, Unmada-vidhayini, 

Vadana, Vadhu, Vaijayanti, Vaikuntha-natha-grhini, Vaikuntha-paramalaya, Vaikuntha-sundari, Vaikunthadeva-devadhya, Vairagyakula-dipika, Vaisali, Vaisnavi, Vakra-rupa, Vakra-viksana-viksita, Vakresvari, Vallabha, Vama-bhaga,  Vama-devi,Vamanga-harini visnoh,  Varahi, Vasana-harini, Vasanta-raga-samraga,Vasanta-vasanakrti, Vasini,Vatsala,  Veda-gamini, Veda-marga-pravardhini,  Veda-sara, Veda-vadini, Vedagamya, Vedagarbha, Vedamata, Vedapara, Vedapriya, Vedatita, Vedavati,  Vegadhya, Vegavati, Venu-rati,  Venu-vadya, Venu-vadya-parayana, Vetravati, Vibhavari, Vicitra-kathaka, Vicitra-mani-bhusana, Vicitra-vasini, Vicittra-kanakojjvala, Vidusam, Viduttama, Vidvaj-jana-manohara, Vidvat-prema-vivardhini, Vidya, Vidya-svarupini, Vidyamana, Vidyarthini, Vidyut-prabha,  Viharini hareh, Vihasya,  Vijaya, Vijita, Vijitamoda, Vikalotkarsini, Vikasita-mukhambuja,  Vilasini,  Vilasiny, Vimala, Vimalangi,Vimalodaka, Vimoha, Vindhyacala-nivasini, Vindhyadri-parivasini,  Vindhyalaya,  Vipra-mata, Viraga-kusala, Virahini,  Viraja,  Visakha, Visala-grha-vasa, Visala-kula-sambhava, Visala-netra, Visala-vadari, Visnor anga-nivasini, Visnu-bhavana-tatpara, Visnu-kanta, Visnu-priya, Visnu-vaksah-sthala-stha, Visoka, Vrksa-rupa, Vrnda, Vrndaranya-priya, Vrndavana-vihari,Vrndavana-vilasini,  Vrndavanesvari, Vrsabhanu-suta,

Yacakayacakananda, Yacakojjvala, Yadavendra-vadhu, Yaga-yoga-hara,  Yamalarjuna-bhanjini, Yamini, Yamini-natha, Yaminisvari, Yamuna, Yamuna-jala-vasini, Yamuna-para-kautuka,  Yamuna-tosa-karini,  Yamunangi, Yasasvini, Yaso-'rthini,  Yasoda,  Yasoda-kroda-vasini,  Yasodananana-vallabha,Yasodananda-gehini,Yasodananda-patni, Yasodanandana-prana, Yasodanandanakrida, Yasodanandanaramya, Yasodanandanarthada,  Yasodanandanesvari,Yasogamya, Yati,Yauvanananda,Yoga-gamya,Yoga-mata,Yoga-priya, Yoga-rupini, Yoga-siddha,Yogananda-kari, Yogatita, Yogesa, Yogesi, Yogini, Yogini-gana-vandita, Yosid-ananda-karini, Yosit-sakti-svarupa,Yuga-priya,Yuvati, 

watch for sure.

https://www.youtube.com/playlist?list=RDHujsWfEl1m0&feature=share&playnext=1

please watch all the rare videos one after another.

truly a blessing can never get to watch so close.

blessings