Sunday, April 27, 2025

Chetak.


 Chetak was the legendary horse of Maharana Pratap, a Rajput ruler who resisted the Mughal Empire. Chetak, along with other horses, was acquired from travelling sellers and became Pratap's trusted companion, particularly known for his loyalty and courage in the Battle of Haldighati. During the battle, Chetak was gravely injured, but he continued to carry Pratap safely to safety, demonstrating his unwavering loyalty. 


Chetak, along with Atak and Natak, were acquired from travelling sellers from the "Danti Charans" tribe in Gujarat, and were trained for battle and rugged terrain. 

Battle of Haldighati:

Chetak played a crucial role in the battle, carrying Pratap through the battlefield, dodging arrows, and navigating treacherous terrain. 

Loyalty and Courage:

Despite being injured by an elephant's tusk, Chetak continued to carry Pratap, eventually succumbing to his wounds after ensuring his master's safety. 

Chetak's sacrifice and loyalty have made him a symbol of courage and unwavering dedication, remembered through oral histories and his memorial, Chetak Smarak, built at the spot where he died, according to Wikipedia. 

Chetak's story is a testament to the strong bond between man and beast, and his bravery is celebrated as a symbol of resistance against tyranny. 



Habit.


कृपा की न होती जो, आदत तुम्हारी
तो सूनी ही रहती, अदालत तुम्हारी

गोपाल सहारा तेरा है ,
हे नंद लाल सहारा तेरा है ,
मेरा और सहारा कोई नहीं
गोपाल सहारा तेरा है ,
हे नंद लाल सहारा तेरा है ,,,,,,,,,

ओ दीनो के दिल में, जगह तुम न पाते
तो किस दिल में होती, हिफाजत तुम्हारी
कृपा की न होती जो,,,

ग़रीबों की दुनियाँ है, आबाद तुमसे ,
ग़रीबों से है, बादशाहत तुम्हारी ,
कृपा की न होती जो,,,,,,

न मुल्जिम ही होते, न तुम होते हाकिम,
न घर-घर में होती, इबादत तुम्हारी ,
कृपा की न होती जो,,,

तुम्हारी ही उल्फ़त के, द्रिग ‘बिन्दु’ हैं यह ,
तुम्हें सौंपते है, अमानत तुम्हारी ,
कृपा की न होती जो,,,,,,,,,





If you were not in the habit of being kind,
your court would have remained empty,

O you did not find a place in the hearts of both,
then in which heart would you have been protected,
there would have been no kindness…

The world of poor people is inhabited by you,
the kingship is because of the poor
, if it were not for your kindness… Neither

would there be any accused, nor would you be the ruler,
neither would you be prayed for in every house,
there would have been no kindness…

They are the eyes of your love,
we hand over your trust to you,
there would have been no kindness…

https://youtu.be/jvhoFmqROD8?si=abNZWg9cagf1eBu8

Saturday, April 26, 2025

Sravanam

 https://youtu.be/xr_2dWTnJOQ?si=3ViCgRWg5hfBKafR

Sudhev Brahman perform Rukminis pooja. 

This is how stories are to be told.

Healers.

"In feathered flight and forest deep,

Nature teaches, and the wise ones keep."

"The winged ones, in silent lore,

Heal with herbs and Earth’s own store."

Through ant and leaf and river’s clay,

Birds find the ancient healing way."

"A bird knows where the healers grow,

In fields, in ants, where soft winds blow."



Birds often self-medicate — a behavior called "zoopharmacognosy" — using natural substances to protect themselves from parasites.

One common antiparasitic birds use is ants!

The behavior is called "anting".

Birds allow ants (especially those that produce formic acid) to crawl through their feathers or even crush the ants and rub them on their bodies.

The formic acid from ants helps kill or repel parasites like lice, mites, and fungi.

Besides anting, birds also use:

Aromatic plants (like wild herbs: mint, lavender, bay leaves) in their nests, which act as natural insect repellents.

Mud or clay ingestion by some species can bind and flush out intestinal parasites.

Smoke: Some birds even deliberately build nests near smoky areas (like burning wood) to keep parasites away.

So, the natural antiparasitic methods used by birds include formic acid from ants, essential oils from plants, and clay or mud ingestion.

1. Blue Jays and Crows – Anting

These birds pick up ants (especially formicine ants that produce formic acid) and rub them through their feathers.

The formic acid helps kill feather lice, mites, and bacteria.

2. European Starlings – Aromatic Plants in Nests

Starlings line their nests with herbs like wild carrot, yarrow, and mint.

The aromatic oils repel parasites and improve the health of their chicks.

3. Parrots (Macaws in Amazon Rainforest) – Clay Licking

Macaws and other parrots eat clay from riverbanks.

The clay binds to toxic compounds from seeds and also helps remove gut parasites.

4. House Sparrows and Finches – Smoke-seeking Behavior

Some small birds build their nests near smoky areas or use charred wood in their nests. Smoke deters parasites like mites and fleas.

5. Hoatzins (Amazonian bird) – Leaf-eating

Hoatzins eat large amounts of semi-toxic leaves that have natural antiparasitic and antibacterial properties. Helps keep their gut microbiome healthy and controls internal parasites.

Each bird seems to "know" exactly what it needs — an amazing natural wisdom!


Gems.



The Story of Indian Gems

India’s tryst with gems and precious stones is as ancient as her civilization. From the sparkling diamonds of Golconda to the lustrous pearls of the southern seas, the land of Bharat has long been celebrated as a treasury of dazzling riches. Gems in India have never been seen as mere ornaments; they have carried with them the weight of history, spirituality, trade, and royal grandeur.

A Land Blessed by Nature

India’s unique geology gifted her with a variety of precious stones. The Deccan Plateau, especially around Golconda, produced some of the finest diamonds the world has ever seen. Rivers like the Krishna and Godavari often yielded naturally polished stones, while the mines of Rajasthan and Orissa produced sapphires, garnets, and other colored gems. The coastlines, particularly near Tamil Nadu, were famous for harvesting pearls from the ocean’s bosom.

Ancient Sanskrit texts such as the Garuda Purana and Ratnapariksha detail the significance, classification, and mystical properties of various gems. Gems were believed to embody cosmic energies and were associated with planets, health, prosperity, and even the soul's evolution.

Gems in Royalty and Religion

For Indian kings and queens, gems symbolized power and divine right. Thrones were studded with rubies and emeralds; crowns glittered with diamonds. The famous Peacock Throne of the Mughal emperor Shah Jahan was a masterpiece of gem artistry, embedding hundreds of priceless stones.

Temples too became sanctuaries of gems. Idols were adorned with necklaces of uncut diamonds, nose rings of pearls, and crowns heavy with sapphires. These ornaments were not merely decorative — they were acts of devotion, seen as offerings to the divine.

Trade and the Global Fascination

As early as 3000 BCE, Indian gems were traded across Mesopotamia and Egypt. The fabled Silk Road carried Indian gems to Persia and Rome, where they became highly prized. Roman historians wrote of India as the "land of gold and jewels," and traders risked deserts and seas to reach her shores.

In medieval times, India became the envy of explorers and colonizers alike. Diamonds like the Koh-i-Noor, the Hope Diamond, and the Orlov Diamond — all originating from Indian mines — found their way into royal treasuries across Europe.

The Spiritual Significance

In Indian thought, gems were not mere luxury; they had deep metaphysical meanings. Each gemstone was linked to a planet (Navaratna system) and was worn to balance cosmic forces. Astrologers prescribed gems to enhance fortune, health, and wisdom. Ruby for the Sun, pearl for the Moon, emerald for Mercury — each carried symbolic power.

Even today, millions in India wear gemstones not just for their beauty, but as sacred shields against misfortune and as channels for divine blessings.

A Legacy That Endures

Though modern India has seen many changes, her fascination with gems endures. Jaipur is today a bustling hub of gem-cutting and jewelry-making. Indian craftsmanship in stone-setting continues to win international admiration, blending ancient techniques with contemporary designs.

The story of Indian gems is not just about wealth — it is about a civilization's deep relationship with nature, beauty, and the mysteries of the cosmos. Each glittering stone carries within it a piece of India’s soul: timeless, radiant, and filled with wonder.



The journey.


Ganjifa: India's Traditional Art of Divine Playing Cards

The word Ganjifa comes from the Persian word ganjifeh, meaning "playing cards." The earliest reference to Ganjifa appears in the biography of Babur, the founder of the Mughal dynasty, in the early 16th century. Originally a game for royalty, Ganjifa quickly found its way into the hands of the common people, evolving into a vibrant tradition of art, storytelling, and craftsmanship.

At first, Ganjifa sets were luxurious objects of courtly entertainment. Crafted from ivory or tortoise shell and inlaid with precious stones, these royal cards were known as darbar kalam. As the game spread across India, artisans began to create more affordable versions for the general public, called bazar kalam, using materials like wood, palm leaves, and thick cardboard.

Ganjifa cards are most famous for their circular shape, although some regions also made square versions. Each set was traditionally handmade and hand-painted, turning each card into a miniature work of art. A standard deck often included eight, ten, or even twelve suits — far more than the four suits we find in modern playing cards. Every suit had ten numbered cards plus a King and a Minister card.

Regional Variations of Ganjifa

As Ganjifa spread across India, different regions developed their own unique styles:

Mysore (Karnataka): Under the patronage of rulers like Krishna Raja Wadiyar III, Mysore produced rich and colorful Dashavatara Ganjifa sets, often embellished with gold.

Sawantwadi (Maharashtra): Even today, Sawantwadi remains famous for its finely painted Ganjifa cards featuring scenes from the Mahabharata and other epics.

Puri (Odisha): Strongly associated with the Jagannath Temple, Puri's Ganjifa cards focused on Vishnu's avatars and temple rituals, painted with natural dyes on palm leaf or thick paper.

Rajasthan and Gujarat: In these regions, Ganjifa incorporated Persian and local folk art styles, featuring geometric and floral motifs alongside epic narratives.

Each region’s Ganjifa sets reflected its cultural soul — whether sacred, mythological, or royal.

Famous Themes in Ganjifa Designs

Several legendary themes became common in Ganjifa decks:

1. Dashavatara Ganjifa:

The ten avatars of Lord Vishnu, such as Matsya (Fish), Kurma (Tortoise), Rama, Krishna, and Kalki, each formed a suit.

2. Ramayana Ganjifa:

Scenes from the epic Ramayana — Rama’s exile, Hanuman’s leap to Lanka, and the battle against Ravana — filled the cards.

3. Mahabharata Ganjifa:

Stories of the Pandavas, Kauravas, Krishna, and the great battles were painted in detail.

4. Mughal Ganjifa:

Early Ganjifa decks under Mughal influence displayed crowns, swords, coins, and scimitars, with more geometric and floral designs.

5. Rashi Ganjifa:

Rare decks based on the 12 zodiac signs (Rashi) also existed, especially in Bengal and Odisha.

In spiritual Ganjifa sets, playing the game became more than entertainment; it was a way to tell sacred stories, teach values, and preserve culture.

Why the Cards Are Circular

The circular shape of Ganjifa cards holds deep meaning:

The circle represents wholeness, eternity, and the divine — perfectly matching the sacred and mythological subjects painted on the cards.

It resonates with the Indian symbol of the Chakra (wheel), notably Vishnu’s Sudarshana Chakra.

Practically, the circular form allowed players to shuffle and fan the cards without damaging their delicate edges.

Philosophically, the motion of circular cards echoed the cyclical nature of time and the cosmic dance of creation and destruction.

Thus, the very shape of the Ganjifa card made it not just a game piece, but a symbol of the universe itself.

Example: The Dashavatara Ganjifa Set

A traditional Dashavatara Ganjifa set looked like this:

Each suit had:

10 numbered cards (1 to 10)

1 King card (depicting the avatar)

1 Minister card (showing a close companion or important figure)

For instance, in the Matsya suit (Fish avatar), the King card would show Matsya emerging from the ocean, saving the Vedas; while the Minister card might depict Satyavrata, the devoted king who helped.

Ganjifa is not just a card game — it is an exquisite blend of art, spirituality, and culture. Each set carries the soul of the region that crafted it, the devotion of the artist who painted it, and the stories of a civilization that saw play and prayer as parts of one sacred whole.

Today, efforts are being made to revive this beautiful tradition, reminding us that even simple objects — like a deck of cards — can carry deep wisdom and joy across centuries.



Friday, April 25, 2025

M C vyuh.




Cakravyuh (Chakravyuha):

Cakra means "wheel" and vyuha means "battle formation."

Cakravyuh is a circular, spiral-shaped military formation used in ancient Indian warfare, especially mentioned in the Mahabharata.

It is designed like a moving wheel or labyrinth, with multiple rotating layers of warriors.

The soldiers and chariots form successive circular tiers, making it extremely difficult for enemies to penetrate or escape once inside.

Only a few trained warriors knew how to enter and exit it safely — it required knowledge of precise battle strategies and timing.

In the Mahabharata, Abhimanyu, the son of Arjuna, famously entered the Cakravyuh but did not know how to exit, leading to his heroic death.

Makaravyuh (Makaravyuha):

Makara refers to a mythical sea creature (often seen as a crocodile or a composite aquatic animal) and vyuha again means formation.

Makaravyuh is a battle formation resembling the shape of a Makara — with a broad front, narrow middle, and a powerful rear, mimicking a sea creature's movement and strength.

This formation is used to confuse and trap the enemy — initially allowing them to advance, then surrounding and crushing them as they get deeper into the formation.

It combined deceptive openness with deadly force, much like a Makara would first appear slow or passive but strike with deadly precision.

It was a more fluid, adaptive strategy compared to the rigid circular motion of chakravyuh.