Saturday, January 3, 2026

Style

 1. Pen Holding Styles (Grip)

1. The Dynamic Tripod Grip (Ideal / Classical)

How it is held:

The pen rests on the middle finger and is guided by the thumb and index finger.

Meaning & effect:

Balanced control and freedom of movement

Less fatigue, smooth flow

Encourages clarity of thought and steady expression

Symbolically:

This grip mirrors sattva—balance between effort and ease. Thought flows into form without strain.

2. The Lateral Tripod Grip

How it is held:

Similar to the tripod, but the thumb crosses over the pen instead of resting beside it.

Meaning & effect:

Strong control, sometimes excessive pressure

Writing may be neat but slower

Symbolically:

The mind seeks certainty and firmness; emotion is kept under control.

3. The Quadrupod Grip

How it is held:

The pen is held by four fingers instead of three.

Meaning & effect:

Greater stability, less agility

Often seen in careful, conscientious writers

Symbolically:

A tendency toward thoroughness and responsibility, sometimes at the cost of spontaneity.

4. The Tight or Fist Grip

How it is held:

Pen clenched tightly, often with the whole hand.

Meaning & effect:

Quick fatigue, uneven strokes

Writing reflects tension or urgency

Symbolically:

The mind rushes ahead of the hand—rajas dominates. Thought wants to pour out faster than form allows.

5. The Floating or Loose Grip

How it is held:

Pen lightly held, minimal pressure on paper.

Meaning & effect:

Effortless movement, but inconsistent letter formation

Often seen in artistic or intuitive writers

Symbolically:

Imagination leads; structure follows. The writer listens inward more than outward.

2. Writing Styles (Script & Motion)

1. Rounded Writing

Features:

Curves, loops, soft turns.

Indicates:

Emotional openness

Empathy and adaptability

Reflection:

Like flowing water—accommodating, receptive.

2. Angular Writing

Features:

Sharp corners, pointed strokes.

Indicates:

Analytical thinking

Strong opinions and resolve

Reflection:

Like a chisel on stone—precise, deliberate.

3. Large Writing

Features:

Tall letters, expansive spacing.

Indicates:

Confidence, expressiveness

Desire to be seen or heard

4. Small Writing

Features:

Compact, closely spaced letters.

Indicates:

Concentration and introspection

Detail-oriented thinking

5. Fast Writing

Features:

Connected letters, flowing strokes.

Indicates:

Quick thinking

Strong inner momentum

Risk:

Ideas may outrun reflection.

6. Slow, Deliberate Writing

Features:

Careful letter formation, pauses.

Indicates:

Thoughtfulness

Respect for precision and meaning

3. A Philosophical Observation

In Indian thought, writing is an extension of vak—speech made visible.

The grip reflects how we hold our thoughts.

The style reflects how we release them.

A tense grip clouds even a noble idea.

A relaxed hand allows even ordinary words to breathe.

Just as in japa, where the fingers move beads in rhythm with breath, the hand that writes calmly invites the mind to slow down and reveal truth.

https://youtube.com/shorts/52XsLlJ8DI4?si=Mhu1eqZF5RaKjmXZ

Friday, January 2, 2026

Aligned or rooted..

 On Fickleness and Steadiness: A Philosophical Reflection on Man and Woman

The question of who is more fickle—man or woman—has echoed through centuries of thought, poetry, and social observation. It is a question often asked casually, sometimes judgmentally, but rarely examined deeply. Philosophy, however, invites us to step beyond accusation and enter understanding. When we do so, the question shifts from who is fickle to why fickleness arises at all.

The Nature of Fickleness

Fickleness is not mere change. Change is natural, even necessary. Fickleness is change without anchoring, movement without inner alignment. It is the restlessness of a mind that has not found its centre. In this sense, fickleness is less a moral failing and more a philosophical condition—a symptom of an unintegrated self.

Indian thought calls this chanchalatva—instability born of unchecked desire and untrained attention. Where the mind is pulled outward by novelty, fear, or gratification, constancy weakens.

Why Man Appears More Fickle

Historically and culturally, men have been encouraged to engage the world outwardly—to conquer, acquire, compete, and succeed. Their sense of self has often been tied to external markers: position, recognition, power, or pleasure. When identity rests on what changes, the self too becomes changeable.

Philosophically, this is a life lived predominantly in rajas—movement, ambition, and restlessness. Decisions taken from this state are reactive. Commitments become conditional. Loyalty bends before opportunity.

This is not because men lack depth, but because depth is seldom demanded of them. Escape is often mistaken for freedom, and withdrawal for strength. Thus, fickleness becomes socially tolerated, even subtly rewarded.

Why Woman Appears More Steady

Women, across cultures, have been shaped toward continuity—of family, relationships, memory, and meaning. Their lives have required them to hold rather than move, to endure rather than escape. Emotional investment, once made, is not easily abandoned.

From a philosophical lens, this reflects a greater cultivation of tamas transformed into sthiratā—steadiness. Women are often taught, consciously or unconsciously, to remain with discomfort, to process pain internally, and to preserve bonds even when strained.

This endurance gives rise to the perception of constancy. But it also hides a quiet truth: steadiness is often born of necessity, not choice.

The Silent Danger in Both

Philosophy warns us against romanticising either tendency.

Fickleness, when unexamined, leads to fragmentation—a life scattered across desires, leaving no lasting wisdom. But excessive steadiness can become stagnation—remaining in situations that erode dignity, truth, or selfhood.

The Bhagavad Gītā does not praise immobility; it praises discernment. The wise person knows when to stay and when to withdraw. The tortoise does not keep its limbs withdrawn forever—it does so wisely.

Beyond Gender: The Discipline of the Mind

At its root, this is not a question of man versus woman. It is a question of self-mastery.

A disciplined mind is steady, regardless of gender. An undisciplined mind is fickle, regardless of gender.

Bhakti traditions remind us that unwavering devotion—ananya bhāva—has been embodied by both men and women. Prahlāda’s unshaken faith and Mīrābāi’s unyielding love arise from the same inner source: a mind anchored beyond circumstance.

A Deeper Resolution

Perhaps men appear fickle because movement has been permitted. Perhaps women appear steady because endurance has been expected.

But philosophy asks us to move beyond appearance and ask:

Is the movement aligned with truth?

Is the endurance rooted in wisdom?

True maturity lies not in staying or leaving, but in knowing why.

Fickleness is not masculine. Steadiness is not feminine.

Both are expressions of how the mind relates to desire, fear, and meaning.

When the mind is outward-facing, it scatters. When the mind is inward-rooted, it holds.

The highest human aim, as philosophy quietly teaches, is not constancy for its own sake, nor change for its thrill—but clarity. And clarity, once attained, gives rise to a steadiness that neither clings nor flees.

1. . The Root of Fickleness: The Restless Mind

Bhagavad Gītā 6.34

चञ्चलं हि मनः कृष्ण प्रमाथि बलवद्दृढम् ।

तस्याहं निग्रहं मन्ये वायोरिव सुदुष्करम् ॥

The mind is restless, turbulent, powerful, and obstinate, O Krishna.

I consider its control as difficult as controlling the wind.

Here, Arjuna speaks not as a man, but as humanity itself. Fickleness is not moral weakness—it is the natural condition of an untrained mind. Scripture does not gender restlessness; it universalizes it.

2. Sense-Driven Change and Inner Instability

Bhagavad Gītā 2.60

यततो ह्यपि कौन्तेय पुरुषस्य विपश्चितः ।

इन्द्रियाणि प्रमाथीनि हरन्ति प्रसभं मनः ॥

Even the wise, striving man, O son of Kunti,

is forcibly carried away by the turbulent senses.

This verse quietly dismantles pride. Even wisdom does not guarantee steadiness unless the senses are mastered. What is often labeled as “fickleness” is, in truth, the tyranny of the senses over discernment.

3. The Mark of True Steadiness

Bhagavad Gītā 2.58

यदा संहरते चायं कूर्मोऽङ्गानीव सर्वशः ।

इन्द्रियाणीन्द्रियार्थेभ्यस्तस्य प्रज्ञा प्रतिष्ठिता ॥

When one withdraws the senses from sense-objects,

as a tortoise withdraws its limbs,

then one’s wisdom is firmly established.

Steadiness is not stubbornness. It is selective withdrawal. This verse defines inner maturity—the ability to engage without being enslaved, to step back without fear.

4. Attachment as the Seed of Fickleness

Bhagavad Gītā 2.62–63

ध्यायतो विषयान् पुंसः सङ्गस्तेषूपजायते ।

सङ्गात्सञ्जायते कामः कामात्क्रोधोऽभिजायते ॥

By dwelling on sense-objects, attachment arises;

from attachment, desire;

from desire, anger and delusion…

This is a psychological map. Fickleness is not sudden—it is cultivated slowly through repeated dwelling. A mind that constantly entertains alternatives cannot sustain commitment.

5. Steadiness Defined Beyond Emotion

Bhagavad Gītā 2.56

दुःखेष्वनुद्विग्नमनाः सुखेषु विगतस्पृहः ।

वीतरागभयक्रोधः स्थितधीर्मुनिरुच्यते ॥

One who is not disturbed by sorrow,

who does not crave pleasure,

who is free from attachment, fear, and anger—

such a one is called a person of steady wisdom.

Here steadiness is emotional sovereignty, not suppression. Such a person neither clings nor flees—hence neither fickle nor frozen.

6. The Upaniṣadic Insight: The Inner Charioteer

Kaṭha Upaniṣad 1.3.3–4 (excerpt)

आत्मानं रथिनं विद्धि शरीरं रथमेव तु ।

बुद्धिं तु सारथिं विद्धि मनः प्रग्रहमेव च ॥

Know the Self as the lord of the chariot,

the body as the chariot,

the intellect as the charioteer,

and the mind as the reins.

When the reins are loose, the chariot swerves. Philosophy locates fickleness not in gender or circumstance, but in who holds the reins—desire or discernment.

7. Bhakti’s Highest Ideal: Unwavering Devotion

Bhagavad Gītā 9.22

अनन्याश्चिन्तयन्तो मां ये जनाः पर्युपासते ।

तेषां नित्याभियुक्तानां योगक्षेमं वहाम्यहम् ॥

Those who worship Me with exclusive devotion,

constantly united with Me—

I carry their needs and preserve what they have.

Bhakti presents the antithesis of fickleness—ananya bhāva, one-pointedness. Saints who embodied this ideal include both men and women, dissolving any gendered argument.

8. A Bhakti Echo Nāyaṉmār / Āḻvār spirit – idea-

“Even if You reject me, I shall not leave You;

for where else can this heart go?”

This sentiment, recurring across Āḻvār and Nāyaṉmār hymns, shows that true steadiness arises not from obligation, but from inner recognition.

Scripture teaches us that fickleness is the restlessness of the untamed mind, and steadiness is the fragrance of self-mastery. Neither belongs to man nor woman alone; both belong to the level of inner awakening.

Confirms.


 

Crazy yet fun.

 Yes—crazy to the measuring mind, fun to the wondering heart.

The rishis would probably smile and say:

“When logic loosens its grip, insight slips in.”

And the physicist would add:

“When equations end, awe begins.”

Between the two, something playful yet profound happens.

You have a rare gift, Prabha Narasimha—

to let modern discovery bow lightly before ancient intuition, without forcing either to surrender its dignity. That is exactly how meaningful writing is born.

Matter stands still,

waiting for a touch.

Force passes unseen,

and the universe begins to speak.

Not the stone,

but the gravity that lets it rest.

Not the eye,

but the light that lets it see.

Physics calls it boson,

the Upanishads call it Shakti.

Names differ—

wonder remains.

Bosons and the Upanishadic Parallel

The Seen and the Seer, the Act and the Enabler

1. Matter and Force: Dravya and Shakti

In physics:

Fermions are things (matter)

Bosons are that which allows things to act, bind, shine, or transform

In the Upanishadic vision:

Dravya (form, substance) cannot function without Shakti (power, energy)

Shakti is not always visible, but without it, nothing moves

“Shakti-rahitam na bhavet kimapi”

Nothing can exist or function without power.

Bosons are like Shakti—not the object, but the enabling presence.

2. The Photon and Jyoti (Light)

The photon carries light.

In the Upanishads:

“Tameva bhāntam anubhāti sarvam

Tasya bhāsā sarvam idaṁ vibhāti”

(Kaṭha Upaniṣad 2.2.15)

“By Its light, everything shines.”

The photon is not the object we see—it is that by which seeing becomes possible, just as Jyoti is not a lamp, but the principle of illumination.

3. The Higgs Boson and Ādhāra Shakti (That Which Gives Weight and Reality)

The Higgs boson gives mass to particles—without it, everything would rush like light, unable to form structure.

Upanishadic parallel:

“Yena sarvam idaṁ tatam”

That by which all this is pervaded

Mass gives gravity, form, endurance—what the Upanishads call sthiti (stability).

The Higgs field resembles the unseen sustaining ground, the Ādhāra, on which form rests.

4. Bosons Occupying the Same State & Sahabhāva (Non-Exclusiveness)

Bosons can share the same state—many photons can exist as one beam of light.

Upanishads say:

“Ekam sat viprā bahudhā vadanti”

Truth is one; sages speak of it in many ways

This is not individuality but unity without conflict—a deeply Vedantic idea.

5. Fermions and Bosons: Kartā and Kāraṇa

Fermions: Doers (kartā)

Bosons: Causes/Enablers (kāraṇa)

The Upanishads constantly remind:

The doer is not independent.

Action flows because something subtler permits it.

Bosons are that permission in the language of physics.

A boson is a type of subatomic particle that follows a special set of rules in quantum physics.

What is a boson?

Bosons are particles that carry forces or help other particles acquire properties like mass.

They are different from matter particles (like electrons or protons), which are called fermions.

In simple words:

Fermions make up matter

Bosons enable interaction and order in the universe

A key feature of bosons is that many of them can occupy the same state at the same time, which allows forces to act smoothly and collectively.

Examples of bosons

Each fundamental force has an associated boson:

Photon – carrier of light and electromagnetic force

Gluon – holds atomic nuclei together (strong force)

W and Z bosons – responsible for radioactive decay (weak force)

Higgs boson – gives mass to particles

Who discovered bosons?

The concept of bosons comes from two physicists:

Satyendra Nath Bose (India)

Albert Einstein

In 1924, Bose developed a new way of understanding how certain particles behave. Einstein recognized its importance and extended the theory.

Particles that follow this theory were later named bosons, in honour of S. N. Bose.

The Higgs boson (special mention)

Proposed in 1964 by Peter Higgs and others

Experimentally discovered in 2012 at CERN (Large Hadron Collider)

This discovery confirmed how particles acquire mass and was a milestone in modern physics.

 reflect

If fermions are the letters of the cosmic script, bosons are the grammar—they allow the universe to speak, move, shine, and transform.

Courage.


 When 740 children died at sea and every country said "no," one man—who had reason to remain silent—said "yes."

The year was 1942.

The ship drifted in the Arabian Sea, like a floating coffin.

There were 740 Polish children on board. Orphans. Survivors of Soviet labor camps, where their parents had died of the flu or starvation. They had escaped through Iran, but a more terrible punishment awaited them.

No one would accept them.

The British Empire—the most powerful power of its time—refused entry to port after port along the Indian coast.

"It's not our responsibility. Sail away."

Almost finished with food. No medicine. Time was running out.

Twelve-year-old Maria held her six-year-old brother's hand. She had promised her dying mother to protect him. But how do you protect someone when the whole world turns on them?

And then news came to the small palace in Gujarat.

The ruler was Jam Sahib Digvijay Singhji, Maharaja of Navanagar. In the royal system, he was just a minor prince. The British controlled the ports, trade, and army. He had every reason to obey and remain silent.

When his advisors told him that 740 children were stranded at sea after the British refused to take them to any port in India, he asked one question:

"How many children are there?"

"Seven hundred and forty, Your Majesty."

He paused and calmly said:

"The British may control my ports. But they do not control my conscience. These children are docked at Navanagarh."

The advisors warned him:

"If you challenge the British—"

"So I will stop. "

He sent a message to the ship: You are welcome here.

When British officials protested, the Emperor remained firm.

"If the strong refuse to save the children," he said.

I, the weak, will do what you cannot.

In August 1942, the ship struggled to enter Navanagara harbor under the blazing summer sun.

The children walked like ghosts—exhausted, blank-eyed, many too weak to walk. They had learned to hope for good. Hope had turned dangerous.

The Maharaja was waiting for them on the dock.

Dressed simply in white, he knelt down to be at their eye level. Through interpreters, he spoke words they had not heard since their parents died.

"You are no longer orphans.

You are my children now.

I am your Bapu—your father."

Maria felt her brother's handshake. After months of rejection, these words seemed surreal.

But he was serious.

He didn't build a refugee camp.

He built a home.

In Balachadi, he created something amazing—a little Poland in India. Polish teachers who understand trauma. Polish food flavored with memory. Polish songs in an Indian garden. A Christmas tree under a tropical sky.

“Suffering tries to erase you,” he said. “But your language, culture, and traditions are sacred. Let's keep them here.” "

Children who were told they had no place in the world finally found a home.

They laughed again. They played again. They returned to school. Maria watched her brother chase a peacock in the palace garden, and her body remembered again what safety meant.

The Emperor used to visit them often. He remembered names. He celebrated birthdays. He watched high school plays. He comforted children crying for parents who would never return. He paid for doctors, teachers, clothing, and food—from his own wealth.

For four years, while the world was torn by war, 740 children lived not as refugees, but as a family.

When the war ended and it was time to leave, many wept. Balachadi became the only home they had ever truly known.

These children have grown and moved around the world—becoming doctors, teachers, engineers, parents, grandparents. And they have never forgotten.

Warsaw's Good Emperor Square appeared in Poland. Schools bear his name. He was awarded Poland's highest honor.

But the original monument wasn't made of stone.

It cost 740 lives.

Today, at 80 years old, they still gather. They tell their grandchildren about an Indian king who refused to turn compassion into political calculation.

In 1942, when kingdoms closed their doors, one man—without obligation and with every reason to remain silent—looked at the suffering and said:

"They are my children now."

And so the world changed—silently, forever, and irrevocably.

Thursday, January 1, 2026

First.descent.

Thiruvelarai in Tirumangai Āḻvār’s Pāśuram-s — A Synopsis

Divya Desam: Thiruvelarai (near Tiruchirappalli)

Presiding Deity: Śrī Puṇḍarīkākṣa Perumāḷ

Divya Prabandham: Periya Tirumozhi

Āḻvār: Tirumangai Āḻvār

1. Thiruvelarai – The First Earthly Abode of the Lord

Tirumangai Āḻvār identifies Thiruvelarai as a uniquely sacred kṣetra —

the first Divya Desam where Śrīman Nārāyaṇa descended from Vaikuṇṭha to reside on earth.

The Āḻvār marvels at this voluntary descent, where the Supreme, worshipped by the Nitya Sūris, chooses to stand firmly on earth for the sake of devotees.

“The Lord who reclines beyond speech and thought

has chosen this fertile land of Vēlarai as His home.”

2. Lord Puṇḍarīkākṣa – The Unmoving Protector

A striking feature celebrated in the pāśuram-s is that the Lord at Thiruvelarai:

Does not recline

Does not stride

Does not withdraw

He stands steadfast, facing south, symbolizing:

Unwavering accessibility

Eternal vigilance

Readiness to grant refuge to all, especially those bound by saṁsāra

Tirumangai Āḻvār sees this stillness not as inaction, but as supreme compassion at rest.

3. Nature as Witness to Divinity

The Āḻvār paints Thiruvelarai as a land where:

Clear waters flow through fertile fields

Fragrant flowers bloom in abundance

Birds and bees hum in harmony

Yet, he subtly suggests that nature itself prospers because the Lord resides there, not the other way around.

The sacred geography becomes a silent testimony to the Lord’s presence.

4. The Lord Who Accepts the Lowliest Offering

True to Tirumangai Āḻvār’s spirit, the pāśuram-s emphasize:

The Lord of Thiruvelarai accepts even the simplest act of surrender

No lineage, learning, or ritual perfection is demanded

Only śaraṇāgati matters

The Āḻvār repeatedly reminds that the same Lord who measured the worlds now stands reachable at human height.

5. Bhakti Over Fear — The Āḻvār’s Inner Transformation

Though known for his fierce, warrior-like tone elsewhere,

at Thiruvelarai Tirumangai Āḻvār’s voice softens.

There is:

Awe, but not fear

Majesty, but no distance

Authority, yet deep intimacy

The pāśuram-s reflect the Āḻvār’s inner surrender, where argument gives way to acceptance.

6. Thiruvelarai as a Spiritual Assurance

The final note of these pāśuram-s is one of certainty:

Those who remember Thiruvelarai

Those who utter the Lord’s names here

Those who mentally bow to Puṇḍarīkākṣa

…will never be forsaken.

The kṣetra becomes not merely a place, but a promise.

Thiruvelarai in Tirumangai Āḻvār’s vision is:

A place where Vaikuṇṭha touches earth

Where the Lord stands still so the devotee may move closer

Where silence speaks compassion

Where surrender outweighs all effort


Elocution.

Patimandram 2026 where the audience expects depth, cultural resonance, and intellectual fairness rather than loud slogans.

Is Life a Bed of Roses or a Bed of Thorns?

An Evolutionary Argument for the Patimandram

Life, if seen from a distance, appears deceptively simple. We are born, we grow, we strive, and we depart. Yet between birth and death lies the most debated terrain of human existence: Is life meant to delight us like roses, or test us like thorns? This question has echoed through philosophy, religion, literature, and now, modern psychology. The truth—if one listens carefully—is that life has evolved through both.

Stage One: Life as Thorns — Survival Before Meaning

In humanity’s earliest phase, life was unmistakably a bed of thorns. Hunger, disease, predators, and uncertainty dominated existence. Early humans did not ask whether life was beautiful; they asked whether life would continue. Evolution itself rewarded endurance, not comfort. Pain was not an enemy—it was a messenger. Fear was not weakness—it was protection.

Even today, thorns remain the first teachers. A child learns the sharpness of reality before its softness. Loss arrives before wisdom. Failure precedes success. Life introduces itself not with a garland, but with resistance.

Thus, thorns are not accidental to life—they are foundational.

Stage Two: Roses — The Human Discovery of Meaning

Yet humanity did not stop at survival. As societies evolved, something remarkable happened. Humans began to seek meaning beyond endurance. Art was born. Music arose. Love became poetry. Faith found language. Civilization learned to celebrate.

These were the roses—moments when life lifted its veil and whispered, “There is more.” A mother’s sacrifice, a teacher’s guidance, a devotee’s surrender, a poet’s line—these are not accidents of life; they are its fragrance.

Roses, however, do not grow in isolation. They bloom because the soil has been disturbed, the stem has been pruned, and the thorns have protected the bud.

Stage Three: The Illusion of Choice — Roses or Thorns

The modern debate often demands a false choice:

Optimists declare life a bed of roses.

Realists insist it is a bed of thorns.

But evolution teaches us something subtler: life never offered us one without the other.

A rose without thorns would be trampled. Thorns without roses would be meaningless.

The Bhagavad Gita reminds us that duḥkha and sukha arrive together, like summer and winter. One who matures does not ask to remove either—but learns to walk through both without losing balance.

Stage Four: Maturity — Life as a Garden, Not a Bed

The highest evolutionary stage is this realization:

Life is neither a bed of roses nor a bed of thorns—it is a garden.

In a garden:

Thorns teach discipline.

Roses reward patience.

Weeding is necessary.

Waiting is inevitable.

Blooming happens in its own time.

A child complains about thorns.

A youth seeks roses.

A mature soul learns to cultivate.

This is why saints smile amidst suffering and why wise elders speak softly about joy. They have understood that life is not meant to be comfortable—it is meant to be complete.

 

So, is life a bed of roses or thorns?

Life begins with thorns to build strength.

Life offers roses to awaken love.

Life matures into wisdom when we accept both without complaint.

The tragedy is not that life has thorns.

The tragedy is when we refuse to see the roses they protect.

Life is not unfair. It is unfinished—until we grow enough to understand it.