Wednesday, March 3, 2021

bharata Savitri.

 The goal of life itself as dharma or righteousness.

Bharata Savitri is a supplement to the Mahabharata and Harivamsha. This is an annexure of Harivamsha which itself is an annexure of Mahabharata.  These put together are called Bharata Samhita. Ved Vyasa recommended to recite primary four slokas composed by him. This really is known as ‘Bharata Savitri’

मातापितृसहस्राणि पुत्रदारशतानि च
संसारेष्वनुभूतानि यान्ति यास्यन्ति चापरे |

हर्षस्थानसहस्राणि भयस्थानशतानि च
दिवसे दिवसे मूढमाविशन्ति न पण्डितम् |

ऊर्ध्वबाहुम्विरौम्येश न च कश्चित् शृणोति मे
धर्मादर्थश्च कामश्च स धर्म किं न सेव्यते|

न जातु कामान् न भयान् न लोभात्
धर्मं  त्यजेज्जीवितस्यापि  हेतो:|
नित्यो धर्म: सुखदुखो त्वनित्ये
जीवो नित्यो हेतुरस्य त्वनित्य: ||



“A thousand mothers and fathers and a hundred sons and wives arise on the planet for  the ONE in the world and leave it. Others will come and go too. There are a thousand places or occasions for pleasure and a hundred for fear. These would only affect the ignorant ones but not the wise. With uplifted arms, I cry but nobody listens to me. It is from Righteousness that arises wealth and also the pleasure. Why must not righteousness be thus sought? Just not for the sake of enjoyment, fear or desire should anyone ever cast off righteousness. Life and existence too is ruled by righteousness. It is eternal. Sensory pleasure or sorrow is transitory. Jiva is the eternal soul that should venerate righteousness”. The gist of Mahabharata described in a single lakh verses discloses this excellent secret within Svargarohanika Parava. Vyasa, at the very end of Mahabharata, conveys the essence of Mahabharata, in a set of verses that are known as Bharata Savitri. Just as Gayatri is the essence of the VedasSavitri is of the Mahabharata.
Vyasa, who has elucidated Mahabharata to his son Suka, says that whoever recites these verses after getting up at dawn, gets the fruit of having recited the whole of Mahabharata, and ultimately attains the highest state.

Tuesday, March 2, 2021

beware.

 tapo na kalko'dhyayanaM na kalkaH

svAbhAviko vedavidhir na kalkaH
prasahya vittAharaNaM na kalka-
stAnyeva bhAvopahatAni kalkaH

Tapa is innocent, study is harmless, the ordinance of the Vedas prescribed for all the tribes are harmless, the acquisition of wealth by exertion is harmless; But when they are abused in their practices it is then that they become sources of evil.

Bharata savitiri.

 bhArata sAvitri is a khila or supplement to the Mahabharata and Harivamsha. This is an annexure of harivaMsham, which itself is an annexure of mahAbhArata. All these put together will be called bhArata saMhita.

This was published by Chitrashala, Mumbai, in 1936 along with the corpus of harivaMsham under the editorship of Pt. Ramachandra Shastry Kinjawadekar. But now, bhArata sAvitri is an extinct document in print media, sicne the Chitrashala edn of harivamsham itself is extinct.

Devotees are supposed to recite it daily in morning prayers, since this is called - sakala bhAarata upasaMhAarabhUta - the concluding and evocative chapter of mahAbhArata. While V.S. Sukthankar says that only two verses as bhArata sAvitri while quoting "the essence of the book (Bharata-savitrl), embodying the moral of the story,


vyāsaṁ vasiṣṭhanaptāraṁ śakteḥ pautramakalmaṣam |
parāśarātmajaṁ vande śukatātaṁ taponidhim || 1
 
vyāsāya viṣṇurūpāya vyāsarūpāya viṣṇave |
namo vai brahmanidhaye vāsiṣṭhāya namonamaḥ || 2
 
acaturvadano brahmā dvibāhuraparo hariḥ |
aphālalocanaḥ śaṁbhurbhagavān bādarāyaṇaḥ || 3
 
muniṁ snigdhāṁbujābhāsaṁ vedavyāsamakalmaṣam |
vedavyāsaṁ sarasvatyāvāsaṁ vyāsaṁ namāmyaham || 4
 
sañjaya uvāca
 
dvāravatyāṁ sthitaṁ kṛṣṇaṁ cintayāmāsa vai purā |
sandhyarthaṁ preṣayāmāsa kurūṇāṁ paṇḍavaiḥ saha || 5
 
pāṇḍavānāṁ hitārthāya śīghraṁ kṛṣṇena gamyatām |
śrīkṛṣṇo ratha vegena gatvā vai hastināpurīm || 6
 
vidurasya gṛham gatvā dṛṣṭastena janārdanaḥ |
viduraścāgataṁ dṛṣṭvā idaṁ vacanamabravit || 7
 
bhavaddarśanamātreṇa kṛtakṛtyo'smyahaṁ prabho |
adya me saphalam janma adya me saphalam tapaḥ |
adya me pitarastuṣṭā govinde gṛhamāgate || 8
 
adyāṣṭamī ca navamī ca caturdaśī ca |
adyāyanam ca viṣuvaṁ ca dinatrayam ca |
adyaiva piṇḍapitṛyajñamakhasya kālo |
dāmodareṇa sahasā gṛhamāgatena || 9
 
śrībhagavānuvāca
 
sādhu sādhu mahāprājña sarvaśāstraviśārada |
tuṣṭo'smi ca varam brūhi dāsyāmi kurunandana || 10
 
vidura uvāca
 
bhojanaṁ viprasaṁkīrṇaṁ bandhusaṁkīrṇamandiram |
śayanaṁ sutasaṁkīrṇaṁ dehi me madhusūdana || 11
 

sañjaya uvāca
 
kṛṣṇasyāgamanaṁ śrutvā rājarājaḥ suyodhanaḥ |
vidurasya gṛhaṁ gatvā idaṁ vacanamabravīt || 12
 
duryodhana uvāca
 
bhīṣmadroṇau parityajya māṁ caiva madhusūdanaḥ |
kimarthaṁ punḍarīkākṣa kṛtaṁ vṛṣalibhojanam || 13
 
śrībhagavānuvāca
 
na śūdrā bhagavadbhaktā viprā bhāgavatāḥ smṛtāḥ |
sarvavarṇeṣu te śūdrā ye hyabhaktā janārdane || 14
 
śuddhaṁ bhāgavatasyānnaṁ śuddhaṁ bhāgīrathījalam |
śuddhaṁ viṣṇupadaṁ divyaṁ śuddhamekādaśīvratam || 15
 
cāṇḍālaṁ mama bhaktam vā nāvamanyeta buddhimān |
yo'vamanyeta mūḍhātmā rauravaṁ narakaṁ vrajet || 16
 
kasya doṣa kule nāsti vyādhinā ko na pīḍitaḥ |
vyasanaṁ kairna saṁprāptam kasya saukhyaṁ nirantaram || 17
 
bhojanaṁ pṛcchase rājannādaraṁ kiṁ na pṛcchasi |
bhojanaṁ gatajīrṇaṁ syādādarassvajarāmaraḥ || 18
 
ādareṇopanītāni śākānnāni suyodhana |
prīṇanti mama gātrāṇi nāmṛtam mānavarjitam || 19
 
saṁprītibhojyānyannāni āpadbhojyāni vā punaḥ |
na ca saṁprīyase rājan na vai cāpadgatā vayam || 20
 
dviṣadannaṁ na bhoktavyaṁ dviṣantam naiva bhojayet |
pāṇḍavāndveṣṭi bho rājan mama prāṇā hi pāṇḍavāḥ || 21
 
mama vākyaṁ kuruśreṣṭhaḥ śāntimiccha suyodhana |
rājyaṁ teṣāṁ samaṁ dattvā yūyaṁ pañcottaraṁ śatam || 22
 
gotrakṣayo na kartavyo rājñām bandhujanaiḥ saha |
kurvanto te hitaṁ vākyaṁ mama bodhaṁ vibodhaya || 23
 
vane dvādaśa varṣāṇi ajñātaṁ ca trayodaśam |
pañca grāmārthino rājan pāṇḍavā dharmacāriṇaḥ || 24
 
duryodhana uvāca
 
yantrasya guṇadoṣo'sti yantriṇaḥ puruṣottama |
ahaṁ yantro bhavān yantrī mama doṣo na vidyate || 25
 
śrībhagavānuvāca
 
indraprastham yamaprasthamavantīm vāruṇāpurī |
dehi me caturo grāmānpañcamaṁ hastināpurīm || 26
 
duryodhana uvāca

 
indraprasthaṁ gurordattaṁ yamaprasthaṁ kṛpasya ca |
vāruṇāvatakaṁ bhīṣme avantī sūryanandane || 27
 
hastināpuramasmākaṁ pañca grāmānanukramāt |
evaṁ vyavasthitāngrāmān śṛṇu devakinandana || 28
 
sūcyagreṇa sutīkṣṇena yavadbhidyati medinī |
tāvanna hi pradāsyāmi vinā yuddhena keśava || 29
 
śrībhagavānuvāca
 
dvāvimau puruṣau mūrkhau
duryodhanadaśānanau |
gograham vanabhaṅgam ca dṛṣṭvā
yuddhaṁ punaḥ punaḥ || 30
 
yadā yadā paśyati vānaradhvajam
dhanurdharaṁ pāṇḍavamadhyamaṁ raṇe |
gadāprahāraṁ balinaṁ vṛkodaram
tadā tadā dāsyasi sarvamedinīm || 31
 
yadā yadā droṇavikarṇakarṇaiḥ
saṁkṣiptamātre khalu bhīṣmaśalyau |
kṛpaśca yodhāḥ patitā raṇāṅgaṇe
tadā tadā dāsyasi sarvamedinīm || 32
 
duryodhana uvāca

 
hiraṇyavarṇaṁ paripūrṇagātraṁ
meghonnataṁ mattagajendratulyam |
ādityaputraṁ bahuśatrunāśaṁ
paśyāmi karṇaṁ rathamāruhantam || 33
 
śrībhagavānuvāca
 
nare catuṣkaṁ turage ca ṣoḍaśaṁ
gaje śataṁ pancaśataṁ ratheṣu |
dṛṣṭvā'rjuno muñcati bāṇavarṣaṁ
svātīgataḥ śukra ivātivṛṣṭim || 34
 
ekadhā daśadhā caiva śatadhā ca sahasradhā |
raṇe pārthaśarā vṛṣṭirdānaṁ brahmavido yathā || 35
 
kiṁ karṇena sahasreṇa duryodhanaśatairapi |
śaragarjitameghena vṛdhā karṇena garjitam || 36
 
ekākī pādacāreṇa yadi nāyāsi kaurava |
dharmaśāstrapravartakāro manvādyā madyapāyinaḥ || 37
 
dhṛtarāṣṭra uvāca

 
brūhi sañjaya yadvṛttaṁ yuddhe teṣāṁ mahātmanām |
pāṇḍavānāṁ kurūṇāṁ ca saṁpravṛtte mahākṣaye || 38
 
ke tatra pramukhā yodhāḥ ke ca tatra mahārathāḥ |
mahābalāśca ke tatra kathaṁ te vinipātitāḥ || 39
 
bhīṣmadroṇau kathaṁ bhagnau karṇaśalyau kathaṁ hatau |
kathaṁ duryodhano rāja bhīmasenena pātitaḥ || 40
 
sanjaya uvāca
 
medinībhāranirhāram pārthasārathimacyutam |
praṇamāmi hṛṣīkeśaṁ durlabhaṁ cakrapāṇinam || 41
 
durlabhā vipragoṣṭī ca durlabhā bhāratī kathā |
durlabhā haribhaktiḥ ca gaṅgāsnānaṁ ca durlabham || 42
 
sadbhiśca sahavāsena jāhnavyā darśanena ca |
viṣṇoḥ smaraṇamātreṇa sarvapāpaiḥ pramucyate || 43
 
arjunaḥ sātyakiścaiva dhṛṣṭadyumno ghaṭotkacaḥ |
śikhaṇḍiścābhimanyuśca vāyuputro mahābalaḥ || 44
 
nakulaḥ sahadevaśca dharmarājo yudhiṣṭhiraḥ |
virāṭaścottaraścaiva drupadaśca mahārathāḥ || 45
 
pāṇḍavānāṁ bale yodhāḥ sarve viṣṇuparākramāḥ |
kauravānāṁ bale yodhāḥ sarve saṁkarṣaṇaprabhāḥ || 46
 
śakuniḥ saubalo bhīṣmaḥ kṛtavarmā jayadradhaḥ |
bhūriśravāśca bāhliko bhagadattastathaiva ca || 47
 
ulūkaḥ somadattaśca śaśibinduśca pārthivaḥ |
droṇo droṇiḥ kṛpaḥ śalyo vṛṣaseno halāyudhaḥ || 48
 
vaikartano vikarṇaśca kaliṅgastu tathaiva ca |
duḥśāsanaśca karṇaśca rājā duryodhanastathā || 49
 
ete dvāviṁśatiḥ proktā bharateṣu mahārathāḥ |
kauravāḥ pāṇḍavāścaiva ete yuddhaviśāradāḥ || 50
 
bhīṣma uvāca
 
arjunaḥ saha putreṇa droṇaḥ saha sutena ca |
ahaṁ bhūriśravāścaiva ṣaḍete'tirathāḥ smṛtāḥ || 51
 
kṛpaśca kṛtavarmā ca madrarājo yudhiṣṭhiraḥ |
virāṭo bhīmasenaśca ṣaḍete ca mahārathāḥ || 52
 
sātyakiśca śikhaṇḍiśca dhṛṣṭadyumno virāṭajaḥ |
śakunī rājaputraśca ete samarathāḥ smṛtāḥ || 53
 
duḥśāsanaśca karṇaśca vṛṣaseno'pi saindhavaḥ |
nakulaḥ sahadevaśca ṣaḍete'rtharathāḥ smṛtāḥ || 54
 
ahamekaṁ tribhirdroṇaḥ pañcabhiḥ sūryanandanaḥ |
nimeṣaṁ droṇaputrastu nimuṣārdhaṁ dhanañjayaḥ || 55
 
caturviṁśatirete vai (vīrā) bhāratasattamāḥ |
nānāśastrapraharaṇāḥ sarve yuddhaviśāradāḥ || 56
 
ādiparva sabhāparva parva āraṇyakaṁ tathā |
virāṭaparva vijñeyaṁ caturthaṁ tadanantaram || 57
 
udyogaṁ pañcamaṁ parva bhīṣmaparva ataḥ param |
saptamaṁ droṇaparva tu karṇaparva athāṣṭamam || 58
 
navamaṁ śalyaparva ca gadāparva ataḥ param |
sauṣuptikam tadā parva garbhapātanameva ca || 59
 
trayodaśaṁ tu strīparva pradānamudakasya ca |
śānti parva ataḥ proktamāśvamedikameva ca || 60
 
svargārohaṇa parva tu harivaṁśastathaiva ca |
ityaṣṭādaśaparvāṇi saṁkhyā dvaipāyanena tu || 61
 
bhāti sarveṣu vedeṣu ratiḥ sarveṣu jantuṣu |
taraṇaṁ sarvapāpānāṁ yasmādbhāratamucyate || 62
 
bhāratasya samudrasya merornārāyaṇasya ca |
aprameyāṇi catvāri puṇyaṁ toyaṁ guhāguṇāḥ || 63
 
hemante prathame māse śuklapakṣe trayodaśī |
pravṛttaṁ bhārataṁ yuddhaṁ nakṣatram yamadaivatam || 64
 
phālgunyāṁ nihato bhīṣmaḥ kṛṣṇa pakṣe ca saptamī |
aṣṭamyāṁ caiva saubhadro navamyāṁ ca jayadrathaḥ || 65
 
daśamyāṁ bhagadattastu mahāyuddhe nipātitāḥ |
ekādaśyāmardharātrau hato vīro ghaṭotkacaḥ || 66
 
tataḥ prabhātasamaye virāṭadrupadau hatau |
dvādaśyāṁ caiva madhyāhne droṇācāryo raṇe hataḥ || 67
 
trayodaśyāṁ tu madhyāhne vṛṣaseno nipātitaḥ |
caturdaśyām tu pūrvāhṇe raṇe duḥśāsano hataḥ || 68
 
tasminneva mahāyuddhe vartamāne caturdaśī |
dhanañjayena madhyāhne karṇo vaikartano hataḥ || 69
 
niḥśabdatūryaṁ hata yodhavīram
praśāntadarpaṁ dhṛtarāṣṭrasainyam |
na śobhate sūryasutena hīnam
vṛndaṁ grahāṇāmiva candrahīnam || 70
 
mukhaṁ kamalapatrākṣaṁ yathā śravaṇavarjitam |
tathā tat kauravaṁ sainyaṁ karṇahīnaṁ na śobhate || 71
 
vyūḍhoraskaṁ kamalanayanaṁ taptahemāvabhāsam |
putraṁ dṛṣṭvā bhuvanatilakaṁ pārthabāṇāvasaktam |
pāṁsugrastaṁ malinavasanaṁ putramanvīkṣya taṁ ca
mandam mandam mṛditavadanaṁ medinī mandarāśiḥ || 72
 
kṛṣṇa is saying
 
sva (yā) mayā ca kuntyā ca dharaṇyā vāsavena ca |
jāmadagnyena rāmeṇa ṣaḍbhiḥ karṇo nipātitaḥ || 73
 
sanjaya continuing
 
amāyāṁ dharmaputreṇa śalyo madrādhipo hataḥ |
ulūkaḥ śakuniścaiva yamābhyāṁ vinipātitau || 74
 
amāyāmardharātre tu rājā duryodhano hataḥ |
bhīmasenasya gadāyā tāḍito vinipātitaḥ || 75
 
abhavattādṛśaṁ yuddhaṁ kṣatriyāṇāṁ manasvinām |
anyathā bhāṣitaṁ yuddhaṁ karmaṇā kṛtamanyathā || 76
 
amāyāmeva yāminyāṁ droṇinā nihatastadā |
dhṛṣṭādyumnaḥ śikhaṇḍī ca draupadyāḥ pañca cātmajāḥ || 77
 
aṣṭau rathasahasrāṇi nava danti śatāni ca |
rājaputrasahasram ca aśvatthāma nivartate || 78
 
dināni daśa bhīṣmeṇa bhāradvājena pañca ca |
dinadvaye tu karṇena śalyenāardhadinam tathā || 79
 
dinārdhaṁ tu gadāyuddhametadbhāratamucyate |
evamaṣṭādaśaṁ hanti akṣauhiṇyāṁ dinakramāt || 80
 
dharmakṣetre kṣayakṣetre kurukṣetre mahātmanā |
pārthenārohayansvargam rājaputrā yaśaśvinaḥ || 81
 
navanāgasahasreṣu nāge nāge śataṁ rathāḥ |
rathe rathe śataṁ cāśvā aśve aśve śataṁ narāḥ || 82
 
raṇayajñe mahīyajñe dīkṣito'yaṁ yudhiṣṭhiraḥ |
vediṁ kṛtvā kurukṣetraṁ yūpaṁ kṛtvā janārdanam || 83
 
hotāramarjunaṁ kṛtvā yajamāno yudhiṣṭhiraḥ |
pāñcālīmaraṇiṁ kṛtvā vahniṁ kṛtvā vṛkodaram || 84
 
ājyaṁ kṛtvārkatanayaṁ jayadrathamukhānnṛpān |
duryodhanaṁ paśuṁ kṛtvā bhīṣmadroṇau mahahaviḥ || 85
 
ayājñikamidaṁ dravyaṁ bhayamohavivarjitam |
gāṇḍīvena sruveṇaiva hūyamāneṣu rājasu || 86
 
mātāpitṛsahasrāṇi putradāraśatāni ca |
saṁsāreṣvanubhūtāni yānti yāsyanti cāpare || 87
 
harṣasthānasahasrāṇi bhayasthānaśatāni ca |
divase divase mūḍhaṁ āviśanti na paṇḍitam || 88
 
vyAsa's cry in the wilderness
 
ūrdhvabāhurviraumyeṣa na ca kaścicchṇoti me |
dharmādarthaśca kāmaśca sa kiṁ arthaṁ na sevyate || 89
 
na jātu kāmān na bhayānna lobhāt
dharmaṁ tyajejjīvitasyāpi hetoḥ |
nityo dharmaḥ sukhaduḥkhe tvanitye
jīvo nityaḥ heturasya tvanityaḥ || 90
 
bhārata sāvitri - phala śruti
 
imāṁ bhāratasāvitrīṁ prātarutthāya yaḥ paṭhet |
saptajanma kṛtaiḥ pāpaiḥ sa muktaḥ sukham edhate || 91
 
divā vā yadi vā rātrau vaneṣu viṣayeṣu ca |
na bhayaṁ vidyate kiṁcit kāryasiddhiḥ bhaviṣyati || 92
 
yat phalaṁ go sahasrasya svarṇenālaṅkṛtasya ca |
dattasya vidhinā pātre tat phalam labhate naraḥ || 93
 
ahorātra kṛtaṁ pāpaṁ śravaṇāt eva naśyati |
saṁvatsarakṛtaṁ pāpaṁ paṭhanāt eva naśyati || 94
 
paṭhatāṁ śṛṇvatāṁ caiva viṣṇoḥ mahātmyamuttamam |
duḥsvapnanāśanaṁ caiva susvapnam ca bhaviṣyati || 95
 
bhārataṁ pacamaṁ vedaḥ yaḥ paṭhet śṛṇuyādapi |
sa mukta sarvapāpebhyo viṣṇusāyujyamāpnuyāt || 96
 
bhārataṁ pādamātreṇa śṛṇvan pāpaiḥ pramucyate |
śṛṇu rājan yathā vṛttaṁ tathā vakṣyāmi te kathām || 97
 
sā kathā bhāratī puṇyā draupadī sā pativratā |
pāṇḍavānāṁ snuṣā dhanyā prasīda puruṣottama || 98
 
gavāṁ śataṁ kanakaśṛṅgamayaṁ dadāti
viprāya vedaviduṣe ca bahuśrutāya |
puṇyāṁ ca bhāratakathāṁ paṭhati śṛṇoti
tulyaṁ phalaṁ bhavati tasya ca tasya caiva || 99
 
ādau pāṇḍavadhārtarāṣṭrajananaṁ lākṣāgṛhe dāhanam
dyūtaṁ śrīharaṇaṁ vane viharaṇaṁ matsyālaye vartanam |
līlāgograhaṇaṁ raṇe viharaṇaṁ saṁdhikriyājṛṁbhaṇam
paścādbhīṣmasuyodhanaādinidhanaṁ hyetanmahābhāratam || 100
 
iti śrī bhārata sāvitrī samāptā
 
The following is a verse for the concluding benediction, which is said to be in this bhArata sAvitri, as quoted by brahmashri vAraNAsi subrahmanya shAstri in his fourth Telugu book of bhArata tattva kathanam, pANDava nindA nirAkaraNam
 
dharmo vivarthati yudhiṣṭhirakīrtanena
pāpaṁ praṇaśyati vṛkodarakīrtanena |
śatrurvinaśyati dhanañjayakīrtanena
mādrīsutau kathayatāṁ na bhavanti rogāḥ ||
 
iti śam
--o)0(o--

Sunday, February 28, 2021

sharper.

 It seems that the jack of all trades – the perpetual beginner – may

have a sharper brain than the master of one single ability

curiosity with experience.

curiosity killed the cat when you are not aware of the dangers in indulgence in something new but with experience you know when to stay low and when to fly full throttle.

it does help picking up new skills new works new hobbies new ways of engaging in life keeps one motivated and to look forward to the morrow. so learn learn learn keep the grey cells agile. 

sukhi evaro.

 suki evvarO

raagam: kaanaDaa

22 kharaharapriya janya
Aa: S R2 G2 M1 D N2 S
Av: S N2 P M1 G2 M1 R2 S

taaLam: dEshaadi
Composer: Tyaagaraaja
Language:

pallavi

sukhi evarO rAma nAma sukhi evarO
(sukhi)

anupallavi

sukhi evarO sumukhi evarO akhila sAramagu tAraka nAma
(sukhi)

caraNam

satyamu tappaka sakala lOkulaku bhrtyuDai daiva bhEdamu lEka
nityamaina susvarapu gAnamutO nirantaramu tyAgarAjanuta rAma
(sukhi)


Meaning:
Who is the raamaa naama enjoyer? Who is that person having the good face [as a result of uttering the raama naama]? Like the pupil of the eye that liberating naama, which is the entire essence of all - that liberating raamaa naama, the enjoyer who is it? That naamaa eulogised by Thyaagaraaja, which is truth and nothing but truth in the entire world, guiding all people, without creating any difference or distinction between different gods, the eternal, with good quality singing made permanent, the enjoyer of that naamaa, who is he?

jayanta's nm chapter 6

 Jayanta was born in a Brahmin family.He soon turned out to be a child prodigy. At a young age he composed a commentary to Panini’s Ashtadhyayi and earned the name Nava-Vrittikara (new commentator)

Jayanta wrote three known treatises on Nyaya philosophy, of which only two are extant, his magnum opus, the Nyayamanjari (A Cluster of Flowers of the Nyaya tree) and the Nyayakalika (A Bud of the Nyaya tree). His third work, Pallava (probably Nyayapallava, A Twig of the Nyaya tree) though quoted in Syadvadaratnakara is not yet found.

Jayanta mentioned in his Nyayamanjari, that he wrote this treatise during his confinement in a forest by the king. This treatise is unique in the sense that this is an independent work, not a commentary of an earlier work, which was the common practice of the day. Secondly according to Jayanta, purpose of Nyaya is to protect the authority of the Vedas, whereas earlier Nyaya scholars considered Nyaya as an (scientific study) for providing the true knowledge about the real nature of the objects of cognition.

to be continued.

Friday, February 26, 2021

PBA

 Prathivadhi Bhayankaram Aṇṇan was a Sri Vaishnava Acharya, Tamil and Sanskrit scholar, the composer of the popular Venkateswara Suprabhatam. He appeared in this world bearing the name Hasthigirinathar Aṇṇan in the year AD 1361. He was one of the prominent disciples of Manavala Mamunigal, belonged to a distinguished line of "Acharya Puruṣas" and had a large number of followers. Aṇṇan composed many hymns, of which the popular Venkateṣa Suprabhātham, Venkateṣa Stotram, Venkateṣa Prapatti and Venkateṣa Mangaļāṣāsanam are recited daily at the Tirumala Venkateswara Temple at the wee-hours of the day to wake up the Lord. The rendition of the hymns by Smt. M S Subbulakshmi is played everyday in millions of households in India and abroad

Aṇṇan was born in Kanchipuram, and initiated into the Sri Vaishnava Sampradāyam by his father, who was the 10th generation descendant of Mudumbai Nambi one of the 74 simhāsanādipathis appointed by Ramanuja. He later became a disciple of Vedanta Desika's son Nayana-Varadāchārya. Nayana-Varadāchārya gave him the name "Prathivathi Bhayankaram Aṇṇan". Aṇṇan was acknowledged as an authority on Sanskrit literature and spiritual discourses in those times. He is said to be the most prominent scholar in South India of his time, and was widely respected throughout India. After studying Sribhaṣyam from Nayana-Varadāchārya, Aṇṇan went to Tirumala Venkateswara Temple and did devotional service to Lord Venkateswara.

At the Tirumala Venkateswara Temple, Aṇṇan heard the glories of Manavala Mamuni and about his nectarine discourses on the works of the Azhwars and the doctrines of Sri Vaishnava Sampradayam. Following this, Aṇṇan became the disciple of Manavala Mamuni and learnt the entire commentaries of these works from him a Srirangam. At the time Aṇṇan surrendered at the feet of Manavala MamuniManavala Mamuni gave him the dāsya nama "Sri Vaiṣnava Dāsan" seeing his humility towards the devotees of the Lord. Further, Manavala Mamuni, after seeing Annan's prowess in Sribhāṣyam, bestowed him the Sribhāṣya Simhāsanam and the title 'Sribhāṣyāchārya'. Aṇṇan also served as one of the aṣta-dik-gajas of Manavala Mamuni.

People often confuse Prathivadhi Bhayankaram Annan with a 20th-century scholar-Acharya Prathivṣdhi Bhayankaram Annangarāchārya, who was one of the first āchāryās to publish the entire works of Sri Vaishnava āchāryās like AzhwarsRamanujaVedanta DesikaManavala Mamuni etc., in the first half of the 20th Century.

The twelve divya Saligrama ṣilas and the Śri-Bhu Sametha Ranganatha Swamy idol that were once worshipped by him are now being worshipped by Sri Prativadhi Bhayankaram Raghavacharyulu, a fifteenth generation descendant in his lineage in VijayawadaAndhra Pradesh. Popular Indian Playback Singer P. B. Sreenivas was one of his descendants in his lineage in KakinadaAndhra Pradesh.


 Swamy  Mudumbai Nambee Ananthacharya  was one amongst the 74 Simhadipathees  nominated by Jagathacharyar  Swamy Ramanuja .


Swamy Ananthacharyar  belonged to the illustrious family    of  the great srivaishnava stalwarts  Swamy Pillai Lokacharyar and Vadakku Thiruvidhi pillai . 

  During 1360 , Swamy Ananthacharyar was blessed with a son who was named as Hasthagiri Ananthar Anna being ardent devotees of Lord Varadaraja . ( Lord Varadaraja has been giving darshan to the devotees at this holy place called “Hasthi giri”.  ‘Hasthi’ means elephant and “giri “ means hill) .    

 The young  boy  was very attractive  and  devotional right from his childhood  .The boy was admitted in to the school of  Swamy Nayana varadacharyar  ,  the direct descendent of Swamy  Vedanta Desikar . He received the Vedic inputs from his Acharya and progressed in leaps and bounds by his sheer devotion .

During this  period  , a staunch Advaitin Narasimha Mishra had come to Kancheepuram .  He decided to  debate with the learned scholars in that area in proving the supremacy of Advaitam and thus  convert the opponent and his  followers into his fold .

As  his mission was incomplete , he invited  Swamy Nayana varadacharyar for a debate as was done during those days .The bet was announced that  the one who looses will follow others  faith along with his followers .  Swamy Nayana varadacharyar was not keen to interact with  the  scholar and  not able to decide how to ignore  his  request too . It was the last day .The young boy could see his Acharyar’s concern .

He wanted to somehow make his Acharyar happy . He understood  from his senior disciples what made his Acharyar sad . He never wanted the rich heritage of Vishishtadwaitam being taken for a ride by  the  vedantin .It was a high time to make the world believe the glorious sampradaya  Jagathacharyar Swamy Ramanuja had given us . The young boy approached his Acharya and pleaded him to be allowed to take upon the vedantin .  Swamy  Nayanavaradacharyar was glad that the young boy was also thinking in the same lines .Confident of his victory , he blessed the child with Sri Hayagreeva Upadesa mantra and wished him the best .

The young lad  Hasthagiri Anna  with the blessings of his Acharyar  walked into the debate hall   which had  revered scholars from different places   . The locals also assembled  to watch the Vedantins arguments. He looked at the learned scholars and the great  vedantin Narasimha Mehta .  He was amused with his looks and the arrogance in his speech . The vedantin chuckled at the boys entry  for his  age and size . He said this boy is of no match to me .Anyway as his guru has sent him on his behalf , let me bundle him up with simple questions  !! he thought .

Hasthagiri Anna looked at the vedantin and said .. Hey Vedantin .. Are you going to wage a war against me ? Why does size or stature matter to you .For a person like you  I am the best match .Let me not disturb my Gurudeva ..The debate is to convince you and all these so called scholars the illustrious sampradaya of Jagath Acharyar Swamy Ramanuja is supreme .If you have any doubts , questions ask me else accept the  sampradaya which will give you moksha .

The Vedantin was surprised with the boys daring words . He decided to quiz him in shastras and then take him  on about the sampradaya . The outpouring of Vedic knowledge , apt recitation with intricate  meanings made vedantin shocked . The debate was almost looking like   a repeat of Swamy Yamunacharya debate with the Vedantin few hundred years ago and Swamy Yamunacharya was glorified as Alavandar  the King…

Few onlookers rushed to their Acharyar to inform him about Hasthagiri Annas  mastery in handling the vedantin with esoteric  truths  .The Old Acharyar walked along with his disciples to see the brave boy’s confidence  . Hasthagiri Anna presented many verses in the Vedic texts  to demonstrate the supreme position of  Swamy Ramanuja’s  Vishishitadwaitam . The debate ended with the vedantin accepting the supremacy of the sampradaya . All the scholars  unitedly agreed  with jubilations about the young boy defeating the arrogant vedantin in his own den.

Overjoyed the  Acharyar hugged Hasthagiri Anna and said henceforth you will be called as Prathivadi bhayanakaram Anna . Meanwhile the Vedantin  along with his followers rushed to Anna  accepting defeat and pleaded to be taken in their fold . The Acharyar blessed both of the disciples and handed over the reins of the school for him to take over due to his old age .

Swamy Annan was carrying out the Theertha kainkaryam at Kancheepuram as done by our  Jagath Acharyar Swamy Ramanuja . One day he took permission from Lord Vardaraja for having darshanam of Lord Sreenivasa at Tirumala after getting immersed in the Nammazhwar’s description of Tirumala and Lord Srinivasa  in Thiruvamozhi .

Anna became associated with  Swami Ananthanpillai descendants and  was engaged in serving Lord Srinivasa by collecting and preparing the water required for His worship every day. 

One day, while  returning from Akasha Ganga  after having  gathered  the holy water to be taken to the Lord, a devotee from Srirangam came across his path.  As divine will would have it, they entered into a conversation.  The devotee from Srirangam narrated the  glories of the  revered saint Svami Mamunigal  and his extraordinary service in Srirangam.  Anna was deeply moved on hearing  about Swamy’s devotion to Lordships and the zeal to carry out the mantle of Jagathacharyar Swamy Ramanuja’s philosophy  all over . In the process of hearing the satsangath , he completely forgot about the  holy water he was supposed to deliver to the Lord.

Having exhausted  with their patience, the priests from the temple  came out in search of Anna and hurriedly collected  the pots of holy water from him and rushed back to the temple to complete the worship according to established protocol . Anna was confused and hence  rushed to the temple to inform the priests that he had not yet prepared the water by mixing in it fragrant substances, as  was the norms .  But as  it was too late  the worship had already begun and nearing  completion . Anna was cursing himself for overlooking the protocol that was followed . He was dejected for not compiling with the procedures thus committing an offence . Standing all alone inside the temple Anna was seeking forgivance  .

Lord Srinivasa  , all compassionate Lord , broke his  silence  .There was a divine voice coming  from the deity form,  addressing   him , “Oh My dear  Anna!  The  holy water you delivered today  had the best fragrance and quality.  I am pleased with your service!”   Don’t be dejected !!!

This was a shock to Anna, who had not added any fragrance at all  that day.  On pondering  , Anna realized that the water must have got  fragnant by the mere mention of the account of Swami Manavala Mamunigal vaibhavam  .  Realizing the glory of the saint, Anna took permission from Lord Sreenivasa and  left  Tirumala  heading towards  south to srirangam to have Swami manavala maamuni’s darshanam .

On reaching Srirangam , Anna has darshan of the Lordships and  goes straight to attend  the discourse of Swamy Manavala mamuni  which impresses him  very much . He waits  patiently for having  Acharyar’s darshanam . Amongst all the disciples , Swamy Manavala Mamuni calls him and asks  Oh! You are that srivaishnava called as Prathivadi Bhayankaran in a lighter vein .

Anna humbly offers obesiances and replies  Swamy ,  that he is Prathivadi Bhayankaran to his opponents  and a servant of servants to srivaishnavas .  Swamy is pleased with his commitment in protecting our rich sampradaya  and honours him with  another title “SrIvaishnava dAsan”.

Later ,  Anna moves to Tirumala for   serving Lord Srinivasa . Swamy Manavalamamuni joins him at Tirumala  and  taken  by the glory of Lord Srinivasa,  he ordains his disciple Prathivadi Bhayankaram Anna to compose hymns on  Lord Srinivasa through which Lord’s  glory is well understood and enjoyed by all walks of people.  Anna taking his Acharyar’s command  composes  hymns on LORD   that shed light on the greatness of the Lord of the Seven Hills.

Annan,  pens the   morning song suprabhatham  slokas comprising of             (29 verses , stotram  11 verses ,  prapatti  16 verses  and mangalam  14 verses)  The holy verses has four  aspects Suprabhatam, which is the actual awaking of  Lordships Sree and Vishnu,  Stotram, which is essentially a  glorifications and the last  Prapatti through Sree and the beautiful  Mangalam to Lordships  which serves as a conclusion.

These  four hymnal renditions of Anna are the hallmark of worship that are  conducted  in Srivaishnava parlance.  The Vaishnava Agamas require the Lord to be worshipped and honoured at least as much as a king is.  The Suprabhatam or wishing of  an auspicious dawn is not only analogous to the service offered normally to the royalty but also an expression of Mangalasasanam. Mangalasasanam is the highest virtue recognized in Srivaishnavism. 

It is It is the exalted state of devotion where the devotee is not worried about his own welfare or the welfare of others, but only about the welfare of the Lord (which automatically ensures the well being of everyone and everything else).  He serves the Lord, sings His benediction and longs for His auspiciousness always   and the Prapatti is another core concept of Srivaishnavism that teaches the complete resignation to the saving grace of the Lord. The final goal of a Srivaishnava is to please the Lord with one’s services.  One of the most important forms of service is the service of singing the Lord’s praise.  He is sthavapriya: or one who is pleased with stotrams.  The Venkatesa Stotram serves this purpose. Through the four works, Anna captures the entire essence of Srivaishnavism as he sings the glory of Lord Venkatesa.  The pleased Lord listens to these hymns several times every day during the course of His worship in several temples…

Swamy Manavala  Mamuni then ordered his disciples  , that every day except in the month  of Margazhi, these four stotras must  be recited at the time  of opening of the temple sanctorum  in the morning which is being religiously followed till date .

Thus we have an advanced  Acharyar  Swamy Prativadi Bhayankaram Annan of Tirupati Suprabhatam fame  who was a disciple of both  Swamy Vedantha Desika’s son and Swamy Manavaala Maamunigal, indicating that there was no remarkable differences in following  between the  two sects .

His treatises establishing the unifying nature of all of our acharyas are a treasure for several generations .