Sunday, September 13, 2026

Ek anek.


One Goddess, Many Forms — The Unity Within Hindu Diversity



One of the most beautiful features of Hindu worship is that unity does not require uniformity.

The Goddess may be worshipped as Meenakshi in Madurai, Kamakshi in Kanchipuram, Lalita Tripurasundari in another tradition, Durga in another, Parvati in yet another. Each has her own temple, mythology, iconography, rituals and centuries-old tradition.

And yet the devotee does not necessarily experience these as competing Gods.

There is room for the extraordinary idea that the One can be approached through many forms.

A devotee standing before Meenakshi does not have to deny Kamakshi.

One who worships Durga does not have to reject Parvati.

Different names do not diminish the Divine; they give the human mind different doors through which to approach it.

That is why the photograph is so intriguing.

The two mūrtis are not literally the same physical image. They belong to two different sacred centres. Yet when we place their photographs side by side, something in us instinctively recognises a common presence.

Perhaps that is the real beauty of Hindu worship.

The forms are many.

The names are many.

The temples are many.

The traditions are many.

But the Divine need not be divided merely because our ways of approaching it are different.

Hinduism has never needed every devotee to stand before the same image, chant the same prayer or enter the same temple in order to discover the sacred.

It seems to say something wonderfully simple:

Choose the form through which your heart can reach the Divine.

The Divine is not confined by the form.

And perhaps this is why India can have thousands of temples, innumerable deities and countless local traditions—and still speak of the One Reality appearing in many forms.

Many mūrtis.

Many names.

Many paths.

One Divine presence.

Saturday, September 12, 2026

Clover leaf flyover chennai.


 Take this stretch on way back from office. It's an amazing butterfly bridge. Take two loops. 


Indias largest clover leaf bridge. 

We approach take the rare left loop go on to rare right loop and return towards home cross three more bridges from Anna University to kathipara and another at adyar bakery to forrtis malar hospital then immediately take the third bridge over adyar river. 




More than

 I learnt this from my grandson the youngest fellow in our family. Amazing told me three facts of which this was interesting.

on average, women tend to have more taste buds than men, particularly more of the taste-bud-containing structures called fungiform papillae on the tongue.

But there are important qualifications:

Women are somewhat more likely to be “supertasters”—people who perceive certain tastes, especially bitterness, much more intensely.

This is partly influenced by genetics, particularly variations in taste-receptor genes.

The difference isn't absolute. Some men have very high taste sensitivity and some women have relatively low sensitivity.

Taste is also strongly affected by smell, so what we call “taste” is actually a combination of taste and olfaction.

Taste sensitivity can change with age, illness, medications and other factors.

So the popular statement “girls have more taste buds than boys” has some scientific basis, but it is an average difference rather than a rule.

And there is a fascinating consequence: supertaster children may find vegetables such as broccoli, bitter gourd or certain greens much more bitter than other people do.

Quack fact.

 Not quite “quack” like a duck! 

But queen bees do make a distinctive sound. It is called “tooting.” A queen bee can produce a high-pitched toot-toot sound, especially when there are other queens in the hive.

There is an even more fascinating part:

Virgin queen: produces a clear “tooting” sound.

Queens still inside their sealed cells: can respond with a muffled “quacking” or “quacking/ piping” sound, often described as quacking.

The sounds help queens communicate with and compete against one another.

So your question is actually surprisingly close to the truth: queen bees can “quack”! 

Thanks to little fellow today I learnt three new facts. The worst part is he gave me three facts not even half an hour ago. I am growing old quickly now and have forgotten what the third was. 

Friday, September 11, 2026

Homa.



Sudarśana Homa → auspicious purification/protection → wedding/upakarma-type ceremony
In many Sri Vaishnava families, a family undertaking a Sudarśana Homa before an important samskāra is understood not merely as "doing a homam," but as creating an auspicious ritual setting and seeking the Lord's protection before the major event. House warming, wedding 
The ratha procession adds another fascinating dimension. The temple chariot is itself a moving sacred structure: the deity who normally resides within the temple comes outward among the people. So we have:
the kuṇḍa — sacred space constructed according to measure
the ratha — sacred space set into motion
the temple — sacred space permanently established








No of bricks is specific for the conduction of the Homa. Their arrangements and other details are religiously followed to the T.


 Sudarshana Homa

Sudarshana Homa is a sacred fire ritual dedicated to Sri Sudarshana, the divine Chakra of Lord Vishnu. In Sri Vaishnava tradition, Sudarshana is not merely regarded as a weapon in the Lord's hand, but as a divine presence in his own right—Chakrathazhvar, the radiant protector of devotees. 
The very name Sudarshana carries a beautiful meaning—su, auspicious or good, and darshana, vision or sight. Thus, Sudarshana is associated with auspicious vision and the dispelling of darkness and obstacles. 
In the Homa, sacred offerings are made into the consecrated fire while appropriate mantras are recited. Fire becomes the medium through which the offering is carried to the divine. The prayer is essentially one of protection, purification, well-being and the removal of obstacles, seeking the Lord's grace rather than merely asking for worldly results. 
There is something especially striking about watching a Sudarshana Homa. The Chakra, often represented as a blazing wheel, seems to capture the very idea of divine energy in motion—swift, luminous and purposeful.
For many Sri Vaishnava families, a Sudarshana Homa may also become part of an important family occasion. In our own family tradition, such a Homa has been undertaken before major ceremonies such as a wedding. It becomes more than a ritual performed on a particular day: it is a way of placing an important family milestone under the protection and grace of Sri Sudarshana and Lord Narayana.
And perhaps that is the most beautiful way to understand the Homa—not simply as a ritual seeking something from God, but as an act of surrender, prayer and thanksgiving, placing ourselves and our loved ones in His care.
*Sri Sudarshanaya Namah.*

Dyna.

 LORD RĀMA'S DYNASTY

A lineage that stretches across the ages

Lord Rāma belonged to the Sūryavaṁśa, the Solar Dynasty, traditionally traced back to Vivasvān, the Sun-god.

The Śrīmad-Bhāgavatam, Ninth Canto, preserves a remarkable genealogy of this dynasty. Generation after generation, kings appear, rule, disappear and give way to the next — until, many generations later, we reach Daśaratha and Lord Rāmacandra.

What is striking is not merely the number of names.

It is the extraordinary sense of continuity across time.

From Vivasvān to Manu, from Ikṣvāku through generations of kings, through Sagara, Bhagīratha, Raghu and Daśaratha, the lineage eventually reaches Rāma.

And even after Rāma, it does not end.

His son Kuśa continues the line, followed by generations of kings extending far beyond the Ramayana age.

Among these names is Maru, the 81st king in this list. Tradition says that Maru attained perfection through yoga and remains at Kalāpa, awaiting the end of Kali-yuga, when he will restore the Solar Dynasty.

Thus the genealogy becomes more than a record of kings.

It becomes a meditation on time itself.

Kings come and go. Kingdoms rise and fall. Yet a lineage continues, carrying memory from one generation to another.

And at one point in that long stream of names appears the name that has remained alive for thousands of years:

Śrī Rāmacandra.


SPIRITUALITY IN SHORT – 2


LORD RĀMA'S DYNASTY


1. Vivasvān, the sun-god


2. Śrāddhadeva, the current Manu


3. Ikṣvāku


4. Vikukṣi


5. Kakutstha


6. Anenā


7. Pṛthu


8. Viśvagandhi


9. Candra


10. Yuvanāśva


11. Śrāvasta


12. Bṛhadaśva


13. Kuvalayāśva


14. Dṛḍhāśva


15. Haryaśva


16. Nikumbha


17. Bahulāśva


18. Kṛśāśva


19. Senajit


20. Yuvanāśva


21. Māndhātā


22. Purukutsa


23. Trasaddasyu


24. Anaraṇya


25. Haryaśva


26. Prāruṇa


27. Tribandhana


28. Triśaṅku


29. Hariścandra


30. Rohita


31. Harita


32. Campa


33. Sudeva


34. Vijaya


35. Bharuka


36. Vṛka


37. Bāhuka


38. Sagara


39. Asamañjasa


40. Aṁśumān


41. Dilīpa


42. Bhagīratha


43. Śruta


44. Nābha


45. Sindhudvīpa


46. Ayutāyu


47. Ṛtūparṇa


48. Sarvakāma


49. Sudāsa


50. Saudāsa


51. Aśmaka


52. Bālika


53. Daśaratha


54. Aiḍaviḍi


55. Viśvasaha


56. Khaṭvāṅga


57. Dīrghabāhu


58. Raghu


59. Aja


60. Daśaratha


61. Lord Rāmacandra


62. Kuśa


63. Atithi


64. Niṣadha


65. Nabha


66. Puṇḍarīka


67. Kṣemadhanvā


68. Devānīka


69. Anīha


70. Pāriyātra


71. Balasthala


72. Vajranābha


73. Sagaṇa


74. Vidhṛti


75. Hiraṇyanābha


76. Puṣpa


77. Dhruvasandhi


78. Sudarśana


79. Agnivarṇa


80. Śīghra


81. Maru


82. Prasuśruta


83. Sandhi


84. Amarṣaṇa


85. Mahasvān


86. Viśvabāhu


87. Prasenajit


88. Takṣaka


89. Bṛhadbala


90. Bṛhadraṇa


91. Ūrukriya


92. Vatsavṛddha


93. Prativyoma


94. Bhānu


95. Divāka


96. Sahadeva


97. Bṛhadaśva


98. Bhānumān


99. Pratīkāśva


100. Supratīka


101. Marudeva


102. Sunakṣatra


103. Puṣkara


104. Antarikṣa


105. Sutapā


106. Amitrajit


107. Bṛhadrāja


108. Barhi


109. Kṛtañjaya


110. Raṇañjaya


111. Sañjaya


112. Śākya


113. Śuddhoda


114. Lāṅgala


115. Prasenajit


116. Kṣudraka


117. Raṇaka


118. Suratha


119. Sumitra


Note 1: The 81st king, Maru, attained full perfection in the practice of yoga, and he still lives in the village of Kalāpa. At the end of this Age of Kali, he will revive the dynasty of the sun-god.


Note 2: In many instances, there are multiple sons for each king, which are not mentioned here.


Note 3: To know the glories of these great kings of Lord Rāma's dynasty, please read Śrīmad-Bhāgavatam, 9th canto.

A dynasty is not merely a list of ancestors. It is a river of time.

One generation enters.

One generation leaves.

The river continues.

And somewhere along that vast river came Rāma.

Yet Rāma's greatness is not that he was merely another king in the lineage.

He became the name by which the lineage itself is remembered.

Vedic altra the how


 How a Vedic Altar Led to One of the World’s Great Geometric Discoveries

Long before mathematics entered the classroom, it was already being practised on the ground.
A few wooden pegs.
A length of rope.
A carefully measured space.
And a sacred purpose.
In ancient India, the construction of a Vedic fire altar was not something that could simply be improvised. Its shape, dimensions and orientation were prescribed. The altar had to be constructed accurately because the geometry itself was part of the ritual.
And so, surprisingly, religious ritual became one of the settings in which sophisticated geometry developed.
The manuals that preserved these methods came to be known as the Śulba Sūtras. The Sanskrit word śulba is associated with the measuring cord or rope used in these constructions. The texts give practical instructions for drawing lines, constructing squares and rectangles, transforming one geometric figure into another, and establishing precise right angles. 
Among these texts is the Baudhāyana Śulba Sūtra, generally dated by modern scholars to around 800 BCE, although the dating of the Śulba literature is not certain. 
And there, hidden inside instructions for altar construction, is a remarkable geometric relationship.
The rope across the rectangle
Baudhāyana states, in essence:
The square on the diagonal of a rectangle is equal in area to the squares on its length and breadth.
Today we write it simply:
a² + b² = c²
It is the relationship that schoolchildren throughout the world know as the Pythagorean theorem.
The astonishing part is not merely the formula. It is where we find it.
It was not presented as an abstract mathematical theorem in a geometry textbook.
It appears as a practical rule for construction.
The ancient builder had a rope. The rope could be stretched between two points. If the dimensions were chosen correctly, it could establish a perfect right angle. The Śulba tradition even gives examples corresponding to what we now call Pythagorean triples, such as 3-4-5 and 5-12-13. 
Imagine the scene.
A bare stretch of earth.
Four points marked out.
A cord pulled taut.
A line drawn from one corner to another.
What looks like a simple act of measurement is actually an encounter with geometry.
The altar was the problem. Mathematics was the answer.
This is perhaps the most beautiful part of the story.
The ancient Indian mathematician did not necessarily begin by asking:
“What mathematical theorem can I discover?”
The question was much more practical:
“How do I construct this sacred shape accurately?”
Once the problem was posed, measurement led to geometry. Geometry led to relationships between lengths and areas. And those relationships could be expressed as rules.
The sacred requirement had unintentionally created a mathematical laboratory.
The Śulba Sūtras contain other remarkable geometric procedures as well, including methods for constructing squares equivalent in area to rectangles and for working with diagonals. Baudhāyana also gives an approximation for √2 that is remarkably accurate for its time. 
But was it really “Pythagoras's theorem”?
Here we need to be careful.
The relationship was known before Pythagoras, and the Baudhāyana Śulba Sūtra contains an explicit statement equivalent to the theorem. Pythagoras himself lived centuries later, around the sixth century BCE. 
But it would be misleading to say that Baudhāyana invented the theorem and that Pythagoras merely copied him.
The same mathematical relationship was known in other ancient cultures too; Babylonian mathematics contains evidence of knowledge of Pythagorean triples centuries earlier. We have no evidence establishing that Pythagoras learned the rule from India.
So the more historically accurate statement is also more interesting:
Ancient Indian Śulba texts preserve one of the earliest known explicit geometric statements equivalent to the Pythagorean theorem.
From sacred space to universal mathematics
There is something deeply Indian about the setting in which this knowledge survived.
The purpose was not initially to conquer mathematics.
It was to build correctly.
The purpose was not to separate science from spirituality.
It was to fulfil a sacred order.
Yet the moment human beings began asking how a diagonal relates to two sides, the answer ceased to belong to one altar, one ritual or even one civilisation.
It became universal.
A² + B² = C² works whether the triangle is drawn on a Vedic altar, scratched into Mesopotamian clay, demonstrated in a Greek school, used by an architect, or taught to a child thousands of years later.
Perhaps that is one of the great wonders of mathematics:
A question born from a particular human need can reveal a truth that belongs to everyone.
And so, somewhere in ancient India, a measuring cord stretched across the earth.
It was being used to construct a place of worship.
But along that cord, humanity was also discovering something about the geometry of the world.
**The altar was sacred.
The measurement was practical.
But the truth it revealed was universal.**