Saturday, December 27, 2014

one from Kanadasa



nee maayeyoLago, ninnoLu maayeyo
nee dEhadhoLago, ninnoLu dEhavo ||

Are you within illusion? or illusion is within you?
Are you into the body? Or is the body part of you?

bayalu aalayadoLago, aalayavu bayaloLago
bayalu aalayaveraDu nayanadoLago
nayana buddhiyoLago, buddhi nayanadoLago
nayana buddhigaLeraDu ninnoLago hariye||1||

Is space within the house? Or the house within space?
Or are both space and the house within the seeing eye?
Is the eye within the mind? Or the mind within the eye?
Or are both the eye and the mind within you?

saviyu sakkareyoLago, sakkareyu saviyoLago
saviyu sakkareyaraDu jihveyoLago
jihve manasinoLago, manasu jihveyoLago
jihve manasugaLeraDu ninnoLago hariye||2||

Does sweetness lie in sugar, or sugar in sweetness?
Or do both sweetness and sugar lie in the tongue?
Is the tongue within the mind? Or the mind within the tongue?
Or are both the tongue and the mind within you?

kusumadoLu gandhavo, gandhadoLu kusumavo
kusuma gandhagaLeraDu aaghraaNadoLago
asamabhava kaagineleyaadi kEshavarAya
usuralennaLavalla ella ninnoLago hariye||3||

Does fragrance lie in the flower? Or the flower in fragrance?
Or do both the flower and fragrance lie in the nostrils?
I cannot say, O Lord Adikeshava of Kaginele,
O! peerless one, are all things within you alone?

Friday, December 26, 2014

How colours are created to paint the lords figures.

In vaikanasa agma sastra the temple idols are usually painted in a very colourful manner these colours are created in a special way. the details of creating these colours are found in detail in visvakarmiya silpa shastra. The green colour is obtained by mixing copper powder i.e. thambiram with gomiyan. this mixture is kept inside an earthern kalasam burried into the ground where no air or light is allowed to enter. after some time when the mixture is used it gives a wonderful green colour. (gomiyan is cow's urine) the reddish orange colour is obtained by mixing Jathi lingam an indigenous drug with pomegranate seeds. this is also burried for some time this process is called Mukku vithal. black colour is got from powdering Kadukkai boiling it in water and gomiyan. white colour is got from burning shanku shell and mixing it with water. yellow from true termeric powder etc.

Thursday, December 25, 2014

Favourite words.

Kainkaryam.
Tapatraya.
Thingal
sarbar.
peipenai.
vilakku.
Nachiyar.
theertham.
Perumal.
Vaishnava.

Thirukkurungudi.

Thirukkurungudi of the eighteen pandya Nadu Divya desam this place has the Lord in all the three poses Lying down (bogha sayanam, Standing pose, and sitting pose. on a hill near by there is a sannidhi for perumal which is Malai Nambi sannidhi, there is also a small rivulet close by called Thirupparkadal on the banks of which there is yet another sannidhi for Nambi, here he is known as Thirupparkadal Nambi.
Perumal is known by several names here. Nindra Nambi, Durungudi Nambi, Irundha Nambi, Vaduga Nambi, Vaishnava Nambi, thirupparkadal Nambi, Malai Nambi. The Moolavar is seen standing facing east. thayar is known as Kurungudivalli Nachiyar. the theertham is thirupparkadal and Sindhu nadhi. the Vimanam is Panchasa Ketaka Vimanam. the Lord Gave darshan to Siva and Nampaduvan. the utsavamurths of thayar sannidhis are kept along with Perumal in ekasanam in the Moolasthanam. Thus the thayar sannidhi a separate archani is not offered. 
This place is also known as Dakshina Badri. In Badrikasramam Lord Narayana did upadesam of Thirumantram to Naran (man) In thirukkurungudi a saintly man emberumanar did Upadesam to Sri Nambi who is the archa form of Narayana. Kurugam means deer.the place used to be known for a huge population of deers hence the name as Perumal appeared here.
In the Malai Nambi sannidhi people have seen a lot of Siddhars. siddhara are dark coloured they can be seen doing Pradakshinam but their feet are not to be seen. this sannidhi can be reached through jeep but only upto half way up the remaining 2 to 3 kms must be completed on foot. a dense forest covers this area.the gurgling noises the birds chirping and the swaying of the hanging boughs gives one an impression that the trees talk to each other, stories can be wound from the brooks and even the stones have stories to reveal. It is believed if one spends a night in Malai Nambi sannidhi one can hear the noise from yama pattanam. a saying like "Kooppidum dooraththil yama pattanam Irukkiradhu." The emanating noise is from Yama Pattinam.
Kari Maharaja and Udaiya Nangai the parents of Nammalwar are said to have prayed to Nambi Perumal to be blessed with a heir.
There are five sannidhis for Nambi perumal, standing he is known as Thrivikrama, as thiruparkadal nambi he is seen in Vamana form, His sitting posture is Sridhara Form, and lying down Padmanaba. Nammalwars thiruvaimozhi 5th decad gives a beautiful description of the lord here. 
he is seen holding a conch, wielding a discuss, has lotus like eyes, his mouth has the colour of a pomogranets ears adorn Kundalams, having a mole on his chest right side, also adorned with beautiful ornaments,his majestic arms hold bow, discus, mace and sword. the golden hued lord wears a basil garland round his neck. his eyebrows are long and beautiful. his nose seems to be a creeper with a bewitchingly beautiful countenance the body having a blue hue. in totality a golden appearance.
Thirumangai alwar attained moksha here.
Ramanujas connection to this place is also very interesting.
In the middle of Thirupparkadal river one sees a stone or a big bolder. it was here that Nambi perumal had kept Ramanujar hidden when he was being chased by his enemies who wanted to kill him.
the place is known as thirupparivattapari. here the images of Perumal and Ramanuja are unique. Perumal is seen standing in a humble pose like a student and Ramanujar is seen sitting on the Simhasanam like a teacher. the story connected says Perumal in the guise of a sishya once asked ramanujar as to how he proposed to reform people to make them forget the bonds of Samsara when God himself was not able to reform them. Ramanujar seems to have haughtily replied if the question is asked in a manner in which it should be asked there would be a fitting reply. immediately Nambi perumal is said to have taken a sishya position and made Emberumanar swamy take the asanam and Vaduga nambi stood as a sishya. this is seen even today in this temple. another story too of this place is once Ramanujar was applying the Vaishnava caste mark and it is said when one applies the caste mark if excess is found on ones palm after applying the mark, the hand should not be washed but the application made ready on ones palm should be used for some other person. Thus Ramanujar also applied the excess on to a old brahmin who appeared before him and actually requested that the mark be applied to him. Ramanuja obliged. Later when he went to the Moolastanam to offer worship he was suprised to see the Nambi Perumal with the caste mark who actually sported only the srichurnam. hence the names Ramanuja nambi and Vaishnava Nambi. This incident is celebrated as a festival even today during the month of chitirai when thiruvadirai star is ascendent.
How the Dwajasthamba was moved.
we find the Dwajasthamba to one side and not exactly opposite the lords idol here. the story goes that Nampaduvan a gifted Harijan was fond of singing and as he was not allowed into the temple he used to stand near the dwajasthamba and sing to the lord. he had a melodious voice and God was fond of what he sang. He usually sang in Kaisika raga. God wanted to see this devotee with out any interruption so he asked the dwajasthamba to move so that he could have a vision of his devotee. that is how we find the change here. Now Nampaduvan used to sing in Kaisika raga every night to the lord when all the temple poojas were over for the day. after this Kainkaryam he used to go home and have his meal. One day however on an Ekadasi day he was waylaid by a Brahma rakshasa.(br) as he had not offered prayers to the lord on that day he requested the br to spare him so that he could go perform his singing break his fast and on the way back offer himself to the br. after testing him the br allowed him to go on condition he would keep to his word. Nampaduvan went to the temple sang his song and returned on the way however an old brahmin tried stopping him and requested him to change his route, he would not agree as he had promised the br. knowing him to be a favoured devotee of the lord the br tricked him and attained moksha too from the Lord. this incident is enacted even now on Karthikai sukla panchami ekadasi day.
another famous story of Araiyar seva here is mentioned in one of the earlier listings with the same name. Yes God is fond of Music dance and festivities. lets present ourselves before him in like manner and be blessed.

Wednesday, December 24, 2014

Questions reveal the knowledge and devotion.

1. Did I like Akroora offer to Invite the Lord for a function?
2. Did I conquer my ego like Vidura?
3. Did I give up my life like the Rishi Pathni?
4. Did I rebuff Ravana like Thayar?
5. Did I bring back to life the dead persons like Thondaman?
6. Did I like Ghantakarna offer the corpse to the lord as a feast?
7. Did I like Anusuya take on the role of a mother and dress up Thayar?
8. Did I like Dhruva ask where is my father?
9. Did I like Kshatrabandhu repeat the mantra with three syllables?
10. As in the case of Ahalya did the holy feet touch me?
11. Did I attain the fruit of enlightenment even while young?
12. Did I like Perialwar address God as Emberuman?
13. Did I like Thirumazhisai alwar accept Vaishnavism after critically examining the alternate religions?
14. Did I like Nammalwar say that He is a small man since he is within him?
15. Did I like Kulasekhara alwar express a desire to be any object in Tirumala?
16. Did I like Krishna say that I am the truth?
17. Did I like Kabandan have an opportunity to suggest a solution to Perumal?
18. Did I like Thrijatai, the demoness share a secret with Sita Devi?
19. Did I like Mandodari say that Rama is a God?
20. Did I like Visvamitra say Ahamvedhmi?
21. Did I like Madurakavi alwar say that I seek none else but my acharya?
22. Did I like Devaki give birth to Perumal?
23. Did I like Vasudeva ask Perumal to hide the weapons?
24. Did I like Yasodha bring up Krishna?
25. Like the squirrels did I do my small bit to help Perumal?
26. Did I like Kuchela offer fried grain to Krishna?
27. Did I like Agastiar give the weapons to Perumal?
28. Was i confidant like Sanjaya?
29. Like Janaka did I practice what was preached?
30. Was I blessed with God realisation after biting him?
31. Did I do different types of Kainkaryas to Perumal like Adisesha?
32. Did I carry Perumal on my shoulder like Thiruvadi?
33. Did I live up to my word like Nampaduvan?
34. Did I have the vision of the Lord in the veranda like the first three alwars?
35. Did I bring up two kings like Valmiki?
36. Did I author two garlands of verses on Perumal like Tondaradi podi alwar?
37. Did I like Tirukachi Nambi have an opportunity to converse with Perarulalan?(dobhi)
38. Did I merge with God like Thiruppanalvar?
39. Did I like Vasishta order Dasaratha to send his sons with Visvamitra?
40. did I get acharya thiruvadi like Kongu piratti?
41. Like Kuruva Nambi did I offer a flower made of mud to God?
42. Did I like Gajendra address Perumal as "Adimoolame" and seek his help?
43. Did I like the hunchback offer sandal paste to Lord Krishna?
44. Did I offer a flower garland to Perumal like Malakarar?
45. Did I like Bharatha stay put in the place as ordered by Rama?
46. Did I have the opportunity like Lakshmana to serve the Lord?
47. Did I like Guha help the Lord in crossing the river?
48. Did I fight with the deamon Ravana like Jatayu?
49. Did I like Vibhishana change sides?
50. Did I like Sabari taste every fruit and keep for God only the sweet ones?
51. Did I like Prahaladha assert that God was present everywhere and also in the specific pillar pointed by Hiranya Kasipu?
52. Did I like Dahibandhan say that Krishna is not there?
53. Did I go to the forest like Perumal?
54. Did I like Hanuman say I have seen Sita?
55. Did I throw up both my hands like Drowpathi?
56. Did I like Vaduga Nambi ever say that I have to stay back as the milk is likely to boil over?
57. Did I like Chella Pillai ever hug Ramanuja?
58. Like Ilayatrukudi Nambi was I ever asked to stay by God?
59. Did I like Nathamuni go very far searching for God?
60. Did I like Maruthiandan say He is no more?
61. Did I like Kurattalvan say that I do not want him?
62. Did i like Emberumanar establish the supremacy of Dwaitham in a discussion?
63. Did I like Nallan have an opportunity to be blessed by God?
64. Did Ilike Alavandar go to Thiruvananthapuram?
65. Did I like Deivavari Andan ever suffer due to separation from Acharya?
66. Did i like Thiruvarangathu Amudhanar praise my acharya?
67. Did i like Malyavan offer good advise?
68. Did I like Sukracharya say that He is a kalvan?
69. Did I like Peria Nambi say that it is as meaningless as the sound of the ocean waves?
70. Did i like thirumalai Andan follow Emberumanar closely?
71. Like Thirugoshtiyur Nambi did I get any promise from Ramanuja?
72. Did I have the fortune like the dumb person to be blessed by Ramanuja?
73. Did I develop a distaste for my body like Tirunaraiyurar?
74. Did I like Uparisaravasu advise others to follow my example?
75. Did Ilike thirumalai Nambi say that I am a person of no consequence?
76. Did i jump into the waters like Kannapurathal?
77. Did I like Kasi singam under estimate the dangers of the flowing river?
78. Did I like bhattar win any argument with the might of my clever tongue?
79. Did I put my hands in the serpents mouth like embar?
80. Did i like Bhattar indicate the marks on the shoulder?
81. Did I like the sanyasihave a separate place on the river front for offering prayers?
Ramanujar was so impressed by the Lady's humility bhakti and knowledge that  he went to
Thirukkolur stayed in her house had his meals there and blessed her by offering sreepadha theertham to her.
A synopsis of an answer to any of the above questions can be given by me on request.

Tuesday, December 23, 2014

Sri Vaikuntam.

One of the Nava tirupathi of Pandya nadu. The Moolavar is Vaikuntanatha. the Utsavar is Kallapiran. Perumal appeared to Somukhan, Indra and Brahma. the Moolavar is facing east holding a mace in his hand. Adisesha is seen with his hood spread over the head of the Moolavar. though the garbagriha is placed in quite some depth the suns rays fall directly on the Moolavar on one day during Uttarayanam and Dakshinayanam. i.e. chithirai (April May) and Ippasi (Oct Nov). the moolavar idol is made from saligramam. thayar is Vaikuntavalli / Choranayaki. Chandra Vimanam. the theerthams are Brighu Theertham, Kalasa Theertham, and Tambaraparani river.

VARAGUNAMANGAI.
The Perumal is known as Vijayasanar. seated posture facing east. the thayar is known as Varagunavalli. the Vimanam is Vijayakodi Vimanam, the theertham is Deva Pushkarini and Agni theertham. Knara God appeared to Agni Devatha.
Nammalwars Pasuram sung for the Lord here.9-2-4
Oh! God!
Seen in a lying down posture in Thiruppulingudi and in a sitting posture at Varagunamangai and in a standing posture at Srivaikuntam, you have lightened my worries and lessened my troubles. You have made e your slave with your grace. Oh! God! Please bless us with your darshan so that we can dance with joy. your coral mouth looks like a creeper on a dark rain bearing cloud.
again Nammalwar says.
Madhalar thuyazh mudi mayapiran
Kazhal vazhithinal adhuvae
Ival utra noikkum aru marundu agumae.
In these lines the alwar says that the best medicine to cure the sickness of the damsel is to sing pallandu to the lotus feet of the Perumal whose body is adorned with the honey sweet smelling tulasi garland. the advice given by the foster mother is sevil thai to match the sickness and the cure.
tirukkural in tamil has a verse that goes 
Noi Nadi, Noi mudal Nadi, adhu thanickkum
Vai Nadi, Vaipa seyal.
First one must diagnose the sickness, analyse its cause, and then think as to which medicine will cure that illness and only then prescribe the correct medicine.

THIRUPPULINGUDI. 
The third of the Nava tirupathis on the notheren bank of Tamabaraparani river the Perumal isKaisina Vendhan also Bhoomi Palar. the thayar is Malarmakal Nachiyar and also Pulingudivalli. the theertham is Varuna theertham and the Vimana is Vedasara. the Lord appeared toking Dharmapura, Visuvasakan. facing east the Moolavar is seen in Bhujanga sayana pose.
An interesting story of Ramanujar's life.
Sri Ramanuja was on his way to meet Nammalwar he stayed at Thiruppulingudi. he is said to have asked the daughter of a priest the direction for going to Kurugoor and the distance to Kurugoor from that place. The daughter of the priest is said to have repeated the pasuram of Nammalwar to Ramanujar and then said that Thirukurugoor was within ear shot of the place where Ramanuja was standing. Hearing the pasuram of Nammalwar repeated by this slip of a girl, Ramanuja felt stunned. He fell at her feet and thought that she was Nammalwar herself.
The Bhujanga sayana pose of the perumal has a lotus creeper that emerges from his nabi. here the creeper depicted in stone is made eye catching by the craftsman. also another feature is that while having seva near the Garbagriha both the feet of Perumal cannot be had in a satisfactory manner as one can see only one foot of the moolavar. However on doing the pardakshinaof the Garbagriha there is a window in the outer prakara, peeping through it one can have a satisfactory darshan of both the Lords feet. 

THIRU KULANDHAI (PERUNGULAM)
the Perumal is known as Vengatavanan. the utsavar is Mayakoothan, the thayar is Alarmelvalli, Kulandhai valli, the vimanam is Anandha nilaya vimanam the theertham is Perungulam. God appeared to Bruhaspathi. 
an interesting story of a five year old little girl doing penance and wanting to marry the lord alone and god appearing before her and takig her and placing her along with the Kousthuba mani on his chest.

THIRU THULAI VILLI MANGALAM (IRATTAI TIRUPATHI)
the fourth and fifth divya desam of Nava Tirupathis. both these places are considered as one divya desam.
The moolavar is Devapiran is seen in standing pose facing east. the moolavar in the other temple is Aravinda Lochanan also facing east but in sitting posture. the thayar is Karun thadankanni Nachiyar, the theertham is varuna theertham, Kumuda Vimanam. the God appeared to Indra Vayu and Varuna.
Once Upon A Time a rishi named Suprapar came to Kedara Nilayam and was taken aback by its beauty. he decided to perform a yaga there. he started clearing the ground to make it even he found a balance (Tharasu) and a Vil bow. at his touch both turned into a beautiful damsel and a young lad. they related their story of how they were cursed and were waiting for him to redeem them. The muni performed the yaga and prayed to the lord. Perumal appeared before him and he requested the Lord to continue to stay there and bless as the place had blessed the young couple it is equally deemed auspicious for others. the Lord was Devapiran. the place came to be known as Thulaivilli Mangalam. Suprapa rishi continued to stay there and offered prayers to the lord. he would go to the Padmadhara thadakam puck lotus flowers make a nice garland of it and offer it to the Lord. The Lord was pleased by the offerings. however one day he followed Suprapar to find out from where he was collecting all the lotus flowers every day. Lord Devapiran was taken in by the beauty of the tank and the cool breeze blowing softly he decided to stay on on the banks of the tank and would be hence forth known as Aravinda Lochana and that whoever worships him with a lotus will earn his blessings. this is how it became two sannidhis but one divya desam.

THEN THIRUPPERAI
one of the Nava Tirupathis Perumal is Makara Nedum Kuzhai Kadar (Mughil Vannan) thayar is Kuzhai Kada Valli. Badra Vimanam and the perumal is seen sitting facing east. Theertham is Sukra pushkarini and Shanka theertham. god appeared to Sukra, Eesanya Rudrar and Brahma.
Nammalwar has said:
"Veda Oliyum Pillai Kuzha vilayattoliyum Arattha" Literally translated this means that this place was resounding with the sound of repeating the vedas, the music associated with celebration of festivals and the sound of children playing.
Bhoomidevi offered Makara Kundalam to the Lord here and that is how he got the name Makara Kundala dhara.
The Makara theertham is also very famous as all the rivers are said to mix or merged  here.
Rama on return from lanka is said to have gifted 18 towns in this area to Thalavakara swami veda families the descends of Jaimini muni followers of Sama Veda.
During the Sundara Pandian reign the king selected 108 families and gave them land and all other facilities to reside in Then Thirupperai. while distributing the said land and houses however he found only 107 and was much pained. that night the Lord came in his dream and said he was the 108 person. 
another interesting feature is Garudar sannidhi is not in the ususl place facing the lord here as the Lord wished to see the children enacting the deeds of perumal and playing so he asked Garudar to move from being opposite. that is how we see the sannidhi is located on the banks of the channel.

THIRUKKOLUR
This is the birth place of Madurakavi alwar. The Perumal here is Nikshepavithan or Vaithamaanidhi Perumal seen in Bhujanga sayana pose facing east. thayar is Kolurvalli Nachiyar or Kumudavalli Nachiyar. Srikara vimanam Kubera theertham. god appeared to Kubera and Madura kavi alwar.
It is said once Ramanuja was on his way to Thirukkolur. people from thirukkolur and other places came to receive him outside the limits of the town. a lady who came to receive him prostrated before him. Ramanuja asked her as to where was she coming from. She replied she came from Thirukkolur. Ramanuja smiled and quoted a line from Nammalwar's pasuram 6-7-1. and said how is it when all women are waiting to go to Thirukkolur you have left the place and coming here. she answered his question by replying with a set of eighty rhetorical questions, which refered to various incidents in the lives of sages, saints and Gods. in each of them she compared the depth of devotion displayed by the characters mentioned in that question and said she in no way equalled them as to worship Perumal and had no right to expect that Perumal would treat her in any special way. this work is called Thirukkolur Pen Pillai Rahasyam and is found in Panneerayirappadi Guru Paramparai. written by a disciple of Pillai Lokacharya called Thiruvaimozhi Pillai. Little did Ramanuja anticipate the lady to be so devout and knowledgable.
the questions with brief explanations are the next topic. hope to do so tomorrow.

Monday, December 22, 2014

Alwar Thirunagari

Alwar Thirunagari is one of the cluster of nine Vaishnavite divya desams famously known as Nava Tirupthis, earlier this place was known as Thiru Nagari Kurugoor. this place got the name Alwar Thirunagari as Nammalwar got salvation here. the five miles in and around Kurugoor is known as Thiruvazhudhivala Nadu. The forefathers of Nammalwar were the chieftains of this place and ruled over this area. There are six big towns and nine vaishnavite temples they are known as Nava Tirupathis.
1. Adinathar koil at Thirukurugoor.
2. Kaisina Vendar koil at Thirupulingudi.
3. Vijayasanar koil at Varagunamangai.
4. Kallapiran koil at Srivaikuntam.
5. Mayakoothan koil at Perungulam / Kulandai.
6. Makara Nedunkuzhai Kathan koil at Thirupperai
7. Devapiran koil at Tholaivilli Mangalam.
8. Aravindalochana koil at Tholaivilli Mangalam
9. Vaitha Maanidhi Perumal koil at Thirukkolur.

The unique Garuda Sevai at Alwar Thirunagari. Nammalwar stayed and attained Moksha in Alwar Thirunagari. His idol was installed by his equally great disciple Madhurakavi alwar. As Nammalwar is regarded as the foremost of the alwars, the perumals of Nava Tirupathi's come to alwar Thirunagari once a year to have darshan of Nammalwar. this garuda sevai was started in 1807 by Pandala Ramasamy Nayakar. he constructed a special mandapam for this next to the Rajagopuram. the Nava tirupathi Perumals seated onGaruda Vahana are brought to Alwar Thirunagari. Nammalwar is seated on the Hamsa vahanam, Madhurakavi is seated on Pirangi narkal (chair).the festival is celebrated in such a manner that one by one the Perumals of Nava tirupathi's are brought before Nammalwar and the pasurams written by Nammalwar for that Perumal extolling his greatness is sung or rendered. then the Perumals tulasi garland and Shatari are then offered to Nammalwar. after all the perumals pasurams are sung and the festivities are over the Perumal's are taken back to their respective places this is organised in such a manner it seems as if the Perumals are taking leave of Nammalwar to go back. Nammalwar seated on Hamsavahana adopts such a pose as if to enable him to have a last look at the receding figures of the Perumals. then Nammalwar too returns to Adinatha Perumal koil. this entire episode is steeped in religious fervour and faith that one gets a feeling of ecstasy for being a part of this unique festival even if just viewing it.
to be continued.