Wednesday, January 28, 2015

wonders of nature.

Nature is not so poor to possess only one of anything nor throughout her varied realms has she been known to offer an excellent exceptional creation. when we explore her many mountain ranges we find that there are scattered identical characteristics each presenting in varied scale the same mural as to say giving the whole landscape a unique appearance. when one visits say norway, sweden finland alaska where nature has been untouched and allowed to paint its own picture one can see how beautiful and self absorbing nature can be. the largeness the continuity the serene atmosphere mystifies one to realise how insignificant one is in the full drama of creation and maintenance.
There is a love of wild nature in everyone. Nature's peace will flow into you as sunshine flows into the trees, the wind will blow their freshness into you, the storms their energy share the abundance of creation encaptures you in all its magic. the feeling has to be experienced not related. Its given only to a few gifted people who are nature lovers like John Muir genre to comment and study nature. The way nature is described is as if it is a nature that controls all human behavior.

Monday, January 26, 2015

Thiruvaimolzi 4.9 NANNADAR

Strangers laugh and good relatives weep
Over countless miseries the world heaps; what ways are these?
Lord with beautiful eyes who churned the ocean
Tell me quick the path to your feet, or give me death.

Kith and kin heap destruction and death,
Cheat each other fall and weep; what ways are these?
O lord on serpent couch, I see no way for myself.
Heed my prayer, fine a way and call me unto you quick!

Gaity, friendship, kith and kin and bountiful wealth,
flower tressed women and household all depart at death,
Ocean hued lord, I cannot bear this world, what ways are these?
Do not treat me as in the past: pray call me to your service quick!

Great wealth kindness a raging fire of desire,
Then wraps a cover of darkness all around.
Benevolent gem hued lord, what ways are these?
Wean me by your grace, and grant me your feet.

In the world that blossomed from the deluge waters,
All beings suffer the pain of birth, death, disease and age
And after that, hell; what ways are these?
Gem hued lord, pray do not forsake me, take me there!

They forsake, chain, beat, kill and eat.
Who ever realizes the truth, what ways are these?
Lord of tulasi crown, my ambrosia; sinner that i am,
You changed me and took my service; now call me to your feet.

When you are yourself the sentient and the insentient
In all this world existing for no other reason,
beyond disease, age, birth, death and misery.
Pray do ot show me the wicked world; call me, you must!

You show yourself and vanish,
You make the world, and with it, earth, water, fire air and sky.
May I cross the great sphere, abode of the gods,
And reach your radiant high feet, O, when will that be!

Lord on serpent couch, you make even Gods roam without redemption,
i too know this, Shearing me of my desires,
You have made me bear your feet and roam,
I now see I am inseparable from your rare lotus feet!

I have seen the pleasures of seeing, hearing, touch, smell and taste,
And the limited joy of heaven unattainable through the senses,
Only you and the fair bangled Lakshmi are permananent.
What wonder my lord, I have attained your lotus feet.

This decad of a thousand pure Tamil songs,
By prosperous Kurugur city's Satakopan,
Is addressed to the feet of effulgent Narayana, Kesava.
Recited with humility, it will secure the lord's feet.


Ratha Saptami.

Surya's chariot
Sun worship is deep rooted in the Vedas of the Hindu religion and its antiquity also relates to several mythologies of the world such as that of China, Egypt and Mesopotamia. The Gayathri Mantra jap – the sacred Vedic chants to Savitr (Sun god) – is recited by the Hindus every day with great reverence. As the puranic Hinduism evolved around the early Christian era, the worship of Sun, linked to the equinoxes, was established.
In the Rig veda Mandala 10/Hymn 85, the sun god's bride seated on a chariot pulled by two steeds is mentioned. This symbolism is therefore common to both Norse mythology and Vedic history.
The relevant verses (translated from Sanskrit by Ralph Griffith) are as follows:
10. Her spirit was the bridal car; the covering thereof was heaven: Bright were both Steeds that drew it when Surya approached her husband's, home.
11. Thy Steeds were steady, kept in place by holy verse and Sama-hymn: All cars were thy two chariot wheels: thy path was tremulous in the sky,
12. Clean, as thou wentest, were thy wheels wind, was the axle fastened there. Surya, proceeding to his Lord, mounted a spirit-fashionied car.
Ratha Saptami marks the seventh day following the Sun’s northerly movement (Uttarayana) of vernal equinox starting from Capricorn (Makara). It is symbolically represented in the form of the Sun God Surya turning his Ratha (Chariot) drawn by seven horses, with Aruna as the charioteer, towards the northern hemisphere, in a north-easterly direction. The symbolic significance of the ratha and the seven horses reigned to it is that it represents the seven colours of the rainbow. The seven horses are also said to represent the seven days of a week starting with Sunday, the day of Sun god Surya. The chariot has 12 wheels, which represents the 12 signs (each of 30 degrees) of the Zodiac (360 degrees) and constituting a full year, named Samvatsara. The Sun’s own house is Leo (Simha) and he moves from one house to the next every month and the total cycle takes 365 days to complete. The Ratha Saptami festival seeks the benevolent cosmic spread of energy and light from the Sun God.
Ratha Saptami also marks the gradual increase in temperature across South India and awaits the arrival of spring, which is later heralded by the festival of Ugadi or the Hindu lunar New Year day in the month of Chaitra.
Legends
Ratha Saptami also marks the birth of Surya to sage Kasyapa and his wife Aditi and hence celebrated as Surya Jayanti (the Sun-god’s birthday). A legend is narrated by the Kamboj empire's King Yashovarm, a noble king who had no heir to rule his kingdom. On his special prayers to God, he was blessed with a son. The king’s vows did not end with this, as his son was terminally ill. A saint who visited the king advised that his son should perform the Ratha Saptami pooja (worship) with reverence to rid of his past sins. Once the King’s son performed this, his health was restored and he ruled his kingdom well. It is also said that sage Bhishma breathed his last breath fourth day after the Rathasaptahmi day on ekaadashi
Sun temples
Sun Temples in India
Surya-Konarak.jpg
Modhera SunTemple.JPG
Surya idol at Konaraktemple
There are Surya temples all across India where Ratha Sapthami is fervently celebrated. However, the most famous one is the World Heritage Site of the Konarak Sun Temple, in KonarkOrissa. Besides Konark, there is another sun temple in Orissa, the Biranchi Narayan Temple (Biranchi khetra) in BugudaGanjam District. There are sun temples inModheraGujarat, created by king Bhimdev of the Solanki dynasty, in ArasavalliAndhra Pradesh and in clusters ofNavagraha temples in Tamil Nadu and Assam. The Sun Temple at Martand (Jammu and Kashmir) and Sun Temple of Multan are temples, which were destroyed during Muslim conflicts in the past. Details of few temples are elaborated.[4]
Religious observances[edit]
Surya, the Sun God
God Vishnu in his form as Surya (the Sun-God) is usually worshipped on this day. Usually, Rathasapthami begins in households with a purification bath (bathing is also done in a river or sea) by holding several Ekka (Calotropis Gigantea) leaves on their head while bathing and chanting a verse which is supposed to invoke the benevolence of the Lord in all that one indulges in during the rest of the year. Argyam or (Tharpanam) (water held in the palms) is offered to the Sun God on this day while chanting hymns are performed to the Sun God. It also involves doing a puja with the ritual Naivedhya (food offering to God), and offering of flowers and fruits. Important prayers offered to the Sun god on this occasion are the AdityahridayamGayathri,SuryashtakamSurya Sahasram namam. The preferred time for the pooja is within one hour after sunrise.[4][7] In places likeMysore and Melkote, ceremonial processions carry the Surya Mandala - the icon of Surya. [7]
Ekka leaves (in Kannada), are also known as Arka (in Sanskrit, meaning a ray or flash of lightning) leaves, Jilledu in Telugu, Erukku in Tamil and Calotropis Gigantea (bowstring hemp) in English. Arka is also a synonym for Surya or Sun. Its significance to Sun God could be compared to the significance of Tulsi (Ocimum tenuiflorum) leaves to Vishnu. Arka leaves are also used for worship of god Ganesha known by the name Arka Ganesha and also for Hanuman worship. Its stems, called samidha (sacrificial offerings of wood) are used for the Yagna ritual as a sacrificial offering to a ritual fire. Its shape is said to represent the shoulders and chariot of Sun God. Its use during the ritualistic ceremonious bath involves placement of seven leaves - one on the head, two on the shoulders, two on the knees and two on the feet.[4] On this day, in South IndiaRangoli is drawn with coloured rice powder depicting a chariot and seven horses as symbolic of the Ratha Saptami. Cowdung cake is also burnt at the centre of this depiction and milk boiled on the fire is offered to the Sun God. In some of the important Vaishnavite temples such as the Tirumala,SrirangamSrirangapattana and Melukote, Ratha Saptami is one of the important festivals of the year.
In Tirumala[edit]
On Ratha sapthami a one-day Brahmotsavam is held in Tirumala.On this day, the presiding deity of Lord Malayappa Swamy along with his divine consorts Sridevi and Bhudevi are taken to a procession in Thiru Mada streets in Tirumala. The deities carried out in a jubilant procession around the Thiru mada streets encircling the holy Shrine of Balaji on seven different vahanams(sapthami=seven) .Due to this reason the day of RathaSapthami is called as "Mini-Brahmotsavam" in Tirumala.The day starts with 'Surya prabha vahanam' at early morning followed by SeshaGarudaHanumanthaKalpavriksha, sarvabhoopala vahanams respectively.The day is ended with theChandra prabha vahanam.

Saturday, January 24, 2015

Sangya's marriage to the Sun God(web)

Sangya's marriage to the Sun God

Vishwakarma was a great sage. He asked his daughter, Sangya, to marry the sun, Surya. She was very happy and very proud to marry him. But alas, a very short time after their marriage, she became frightened to death whenever she saw her husband. He was extremely luminous and powerful. His brilliance and power tortured her, and she was unable to go near him.
So she created a lady exactly like herself and called her Chhaya. Then she left the lady with Surya and went back to her parents' house. Her father was extremely annoyed with her. He said, "How can you do this? How can you deceive your husband? He is so kind, so good, so great."
"But Father, what can I do? He is too powerful. His heat kills me. As soon as he comes near me, I die from his excessive heat."
Vishwakarma said, "You should be very proud of him. You should ask him if there is a way to keep his heat from torturing you. He is so powerful. You must go. I don't want you to come back to stay with me. After getting married, it is absurd to leave one's husband and come back to one's parents. Now you must go. I will not keep you with me."
So Sangya left her father, but she did not go back to Surya. She took the form of a female horse and roamed around the earth.
In the meantime, Surya looked everywhere for his wife. He knew that Chhaya was not his real wife, so he searched for Sangya. Finally he came to know that she had taken the form of a horse and was roaming around. Surya also took the form of a horse and found her. He said, "I am so sorry that my heat tortured you. I am taking human form again. You also please take human form again. Let us remain happily married. I will not hurt you with my heat. I will reduce my heat and power to keep you. You were so beautiful, so kind to me once upon a time. I want you to be happy. Let us go home."
Sangya went home with Surya. He kept his promise to her and reduced his heat and power, and they lived together peacefully and happily.

Lost beauty of Angkor Vat.

The great lake of Kampuchea where people have lived for many centuries is Tonle Sap. Hard working clever and powerful rulers belong to this Cambodia's past. Angkor Vat in this area was built by the Khmer's who were powerful fine artists and hard workers to worship Brahma. They added figures of people, real and imaginary animals and also scenes from the ancient stories, that the people related and were famous. the religion of the rulers were not necessarily the religion of the people living in the area. the area around Angkor Vat housed people of Indians, Kampuchea's, Buddhists to name a few. so the gods of these people were also represented in the numerous carvings found here. They mostly used brown and this was an area which received sufficient amount of rainfall so there was lot of greenery with various plants growing everywhere. So the brown stone carvings the greenery and the blue sky exhibited a wonderful picture. on moon lit nights the beautiful girls from Kampuchea danced in the temples. This beauty could be viewed from the sky as well when planes flew over this area and people were attracted to visit. today it has become a tourist destination but war in the area could once again get this beautiful place out of bounds.

Wednesday, January 21, 2015

Ranganathaswami Perumal temple Thiruneermalai

In Brahmanda purana this place is referred to as Totadri. today Thiruneermalai. means mountain surrounded by water. This is a svayam vyakta kshetram. other such kshetrams are:
Srirangam :           Sri Ranganatha & Sri Ranganayaki.
Srimushnam:        Sri Bhoovarahamurthi & Sri Ambujavalli.
Venkatachalam:   Sri Srinivasa & Sri Padmavati.
Naimisaranyam:   Sri Devaraja Swamy & Sri Pundareekavalli.
Pushkaran:           Sri Paramapurusha swamy & Sri Pundareekavali.
NaraNarayana
Ashramam:           Sri Badrinarayana & Sri Aravindavalli.
Salagramam:         Sri Murti & Sri Devi.
Thiruneermalai:     Sri Ranganatha & Sri Padmasini.

Lord here is seen in four postures as Neeravannan as Ninran, Lord Narasimha as Irundan, Lord Ranganatha as Kidanthan and as Lord Trivikrama as Nadanthan.
the neervanna Perumal temple is at the foot of the hill, here is also a shrine for Lord Rama and for all the alwars. the utsava vigraha of Lord Ranganatha is also kept here.(the main Moolavar shrine is on top of the hill) the other three deities are on top of the hill. Lord Ranganatha is seen facing south in a lying posture on Adisesha under sri ranga vimana. this posture of the God is called Manicka sayanam. this is the main sannidhi. On the side of this in the prakara is the shrine for Trivikrama seen under the Thoyagiri vimana. by the side is also the sannidhi of Sri Santa Narasimha under the shanta vimanam. here is also a shrine for Ranganayaki thayar.

Nityakalyana Perumal Thiruvidaventhai.
The Lord is Natyakalyana Perumal as Utsavar and as Moolavar is known as Sri Lakshmi Adi Varahaswamy. the idol is 9ft in height, he is also known as Gnanapiran. the right foot is firmly planted on the ground the left foot is raised and kept on the head of Adisesha. the consort Bhoomidevi is resting on the thigh of the Lord. Interesting stories are related about the lord here and the Rishis who lived here.

STHALA SAYANA PERUMAL TEMPLE
Thirukkadalamallai Mahabs.
The lord is seen in a boar incarnation and is known as Gnanapiran also as sthala perumal. the description of the temple here is lost in stories which are very interesting and as it is on the sea shore the temple is depleted condition also a story for this condition is related.

Tuesday, January 20, 2015

Sri Veeraraghava swamy thiruvallur.

The idol of the Lord is very beautiful, he is seen lying down posture on Adhisesha, with one hand stretched out towards Lord Brahma, as if explaining the Pranava Mantra to him. the other hand is pointing downwards with the palm placed on the head of Salihotra Maharishi who performed a severe penance here the Lord  appeared and is seen blessing him. the Lord is facing south and the feet are pointing towards the north. the lord is known as Veeraraghavan. He is also said to be the one with the name Vaidya Veeraraghvan (Bheshajam bhishak), meaning a doctor who cures the physical ailments of his devotees. the Lord is seen under the Vijayakoti vimanam, the teertham is Hritapapanasini. interesting stories are related as to the importance of this theertham. The goddesses is Kanakavalli thayar, also known as Vasumathi.
An important Divya desam with lots of stories and people have a great belief in the blessings from the Lord here.

The temple priest at one of the sannidhis will splash water with lot of force on to your face when you visit the temple.



Lord Veeraraghava Perumal Temple, Tiruvallur


The legend connected with the origin of this temple shows that once upon a time, in Krita Yuga, a sage by name Purupunyar lived with his wife Satyavathi in Badarikashram. They had no children. Purupanyar performed a Sali Yajna. (Putrakameshti Yaga) with great fervor and devotion. The Sage offered 1000 Ahutis (oblations of gheeto the sacrificial fire after chanting the mantra each time) every day, for one full year. ‘On the last day, when Purnahuti (the final offering) was performed, Lord Narayana was pleased with the austerity of the ritualistic observances of the Sage, and appeared in the sacrificial fire in a blissful mood to offer boons. The Sage prayed for a noble son.The boon was granted with the condition that he should be named after the name of the Yajna as Salihotran. With this blessing, Lord Narayana disappeared. Then the Sage collected the ash strewn around the Yajna Peetha and gave a handful of it to his consort to take in with great veneration as Prasadam. In the tenth month after that, a glorious son was born to Sage Purupunyar.
The child was named Salihotran as ordained by Lord Narayana. With the growth of years, the child showed signs of precocity and started on a pilgrimage-visiting temple after temple. On Tai Amavasya day (New Moon day in January-February), he reached Tiruvallur where he found that Lord Brahma, other Devas and great sages like Vasishtha, were engaged in taking bath in the Hrittapanasini tank.
Next year, on the same Pushya Amavasya day, he completed one year of penance and took a holy bath in the Hrittapanasini tank and observed his morning prayers. As he was fasting for one year without food or drink, he collected on that day some paddy and prepared prasadam out of that. He divided it into three parts; the first part was offered to Lord Narayana.The second part was kept for offering as charity and the third for his own consumption. At this juncture, Lord Narayana took the form of an old Brahmin and came the way where Salihotran was waiting to offer the share to a guest. When Salihotran saw the old Brahmin, he immediately requested him to grace his hermitage. He respectfully offered to the Brahmin the prasadam meant for the guest. Quickly the Brahmin ate up the offering and Salihotran felt from his facial appearance that he was not satisfied.
On inquiry, he learnt that the old Brahmin had had no food for the last 4 or 5 days and his hunger was not fully satisfied. At this, th-2 portion kept for himself was offered to the guest. The guest was satisfied and – left the place. Salihotran commenced another year’s penance without food and drink. Again, on the day of Pushya Amavasya at its close, he took his holy bath in the tank and noticed many unusual good omens on his way. After finishing his morning rituals, he procured some paddy and prepared oblations. Like the previous year, he offered a portion to Lord Narayana and was waiting for a guest to offer the second portion, leaving the. Last portion for him.
This time also, Lord Narayana took the form of an old Brahmin and was coming by that way. Salihotran-welcomed him and while accompanying him to the hermitage, the old Brahmin expressed that he was feeling extremely hungry and thirsty and needed a place for rest also. In the hermitage, Salihotran offered the entire prasadam meant for the guest as well as for himself. The old Brahmin was greatly pleased and asked Salihotran, “Where is the place for me to lie (Evvul)?” The prince was so charmed by the beauty of the princess that he voluntarily expressed that he, a prince was on the lookout for a bride. The princess advised the prince to go and worship Lord Veeraraghava in the temple situated on the northern bank of Hrittapanasini tank, if he wanted to marry her.
But the prince did not move, but argued that if the mutual love was real, God Himself would come down to approve of it. The princess then sent for her parents. Arriving there, they enquired about the prince’s lineage but the prince would not divulge his identity. However, he swore by Lord Veeraraghava that after his marriage with the princess, he would stay there. This being a very sound proposal, the marriage was fixed; and performed. Following the traditional custom of offering prayer at the temple after marriage, by the newly wedded couple, the prince and princess, accompanied by the parents and the invited guests, went to the temple of Lord Veeraraghava.
When they approached the sanctum sanctorum, to the utter amazement of all present, the newly married couple merged into the deity and stood transformed as Lord Veeraraghava, and his divine consort Kanakavalli, who blissfully blessed the parents and the assembly to attain salvation after their preordained, stay in the world.
The sacred tank here is known as Hrittapanasini. The following Sanskrit sloka describes the sanctity of the tank:
“Darsanat sparsanat snanat, Sadyo hrittapanasanah,
Ato sarveshu lokeshu, Namna Hrittapanasanah”
The tank is so holy that evens a sight or a touch or a bath would immediately dispel all anguish of heart. The local tradition attaches greater importance to this tank than to the Ganga, the Godavari, etc Unfortunately, the tank is now dry. As usual, at the centre of the tank there is a mandapam, where seasonal Festivals are performed. Tiruvallur was also known as Bhikshwaranyam (the forest where, sages lived on alms) in ages gone by. During January 1999, Kumbhabhishekam was performed in this temple after all the gopurams were renovated and repainted. It is a marvelous sight to see the glorious specimens of Dravidian art in sculptures depicting the mythological legends of Hindu scriptures in the pinnacles of the gopurams.