Nava Ratna (Nava maNi) Maalai

 

orumathiyanparuLanga varnthana ulakamadanga vaLarnthaLanthana orisadaiyonRiyakangaithanthana urakapadangaLarangukoNdana tharumamuyarnthathithennan^inRana tharumanirantha thisainthu senRana sakadamudainthu kalanga venRana thamar_ka Lurunthu marunthi thenbana thirumagaL seyya karangaLonRina thigazhthu Lavunthu mananga mazhnthana sezhumaNi koNda silambilangina silaithanilan ROraNangu mizhnthana arumaRaiyantha mamarntha paNpina ayanmudi thannilamarnthu yarnthana aruLthara veNNiya yinthaivanthana adiyavar meyyar malarppathangaLE. 17.2: makaramvaLaru maLavilpeLavamadaiya vuRRalaiththanai vadivuka madamena vamarnthu kirithanaith thariththanai maliyumasuranu maidanthu vasuthaiyaippeyarth theduththanai valikoLavuNanudal piLanthu mathalai meykku thiththanai karumulaka madiyaLanthu thamarmaLuk kaLiththanai parasumunivan vadivukoNdu pagaivaraith thuNiththanai paNiyavisaivil thasamukanRan mudukaL paththuthirththanai padiyumuruvil varupilamba vasuranaith thagarththanai nagarithuvaraiyena vuganthuvarai karaththeduththanai nadamodiya lupariyil vanthun^aliva RukkavuRRanai naliyun vinaikaL segumarunthin nalamuraintha veRpinai nanugu karudan^athi kiLarntha punalukap pilvaiththanai akaramuthalavurai koLmangai kaNavanukkaLiththanai yadaiyum vinadhai siRuvanuyya varuLkoduththu yarththinai yadiyu maNaiyu menu manandhanadi thozhakka Liththanai avanimaruvu thiruvayinthai yadiyavarkku meyyanE. 17.3: puramuyarththa vasurar_katku Or_puRamuraiththa poyyinaan varaiyeduththu mazhaithaduththa mazhaiyodoththa meyyinaan thirain^iraiththa kadaleriththa silaivaLaiththa kaiyinaan aruLkoduththu vinaithavirkkum adiyavarkku meyyanE. 17.4: thEsoththaarillaiyenum theyvan^aayakanaar vaasakkuzhal maamalaraaL maNavaaLar vaasiththezhumanmathanaar maNaRROppil maasikkadalaadi magizhnthu varuvaarE. 17.5: uruLuncagadamonRuthaiththaay ulagamEzhu muNdumizhntha Lanthaay poruLumazhalu miRaiyaakap pooNdEn adimaiyinin meeNdEn iruLum maruLun tharuman^n^aaL ezhilaaraazhisangEnthi aruLuntheruLun tharavenpaal adiyOr meyya vantharuLE. 17.6: vanchanai seytha poothanaiyai maliyunchaattai mallaraiyOr mathakaLiRRai vaanOranchuNG kanchanai mun_kadinthavani paarantheerntha kaavalanE kOvalanaay ninRakOvE anchana mungaayaa vumanaiyamEni adiyavarkku meyyanE ayinthaivaazhum manchenavE yaruLpozhiyum vaLLalE nin vadivazhagu maRavaathaar piRavaathaarE. 17.7: maiyumaakada lumayilumaa mazhaiyum maNikaLungu vaLaiyungoNda meyyanE adiyOr meyyanE viNNO reesanE neesanEnadainthEn kaiyu maazhiyumaayk kaLiRu kaaththavanE kaalanaar thamarenaik kavaraathu iyanE vanthanRancha lenRaruL then Nnayinthaimaa nagara marnthaanE. 17.8: manchulaavu sOlai soozha yinthai mannuseer varaiyeduththu niraiyaLiththa maasil vaasuthEvanE sencholanbar sinthai koNdu theethilaatha thoothanaayth thErumoornthu thEsuyarntha selvam theyva naayaka vecholaaLar kaalathoothar veesu paasam vanthenmEl vizhunthazhunthi yaanayarnthu veezhvathaRkumunna nee ancha lancha lancha lenRaLikka vENdumachchuthaa adiyavarkku maruLiyakku madiyavarkku meyyanE. 17.9: poruththam porunthalum pOgunthavaRRudan poymmathimEl viruththangalithuRai mEvumazhanmatham vERiniyen thiruththamanaththiniR sEraavemaith theyvan^aayaka, nin varuththam poRaavaruLaal mannadaik kalangoNdaruLE. 17.10: anthamil seerayinthai nagaramarntha naatha nadiyiNaimEl adiyuraiyaalaimpathEththich sinthaikavar piraakirutha nooRu kooRich sezhunthamizh mummaNikkOvai seRiyach sErththum panthu kazhalammaanai yoosalEsal paravu navamaNi maalaiyivaiyunchonnEn munthaimaRai mozhiya vazhimozhi neeyenRu mukunthanaruL thantha payan peRREn naanE.

Mum Manik Kovai

 

arudaru madiyar_paan meyyai vaiththuth thErudara ninRa dheyvan^aa yagan^in NnaruLenuNY seerO rarivaiyaa Nnadhena viruLsega vemakkO rinnoLi viLakkaay maNivarai yanna ninRiru vuruvi laNiyama raagath thalangalaa yilangi ninpadik kellaan^ thanpadi yERka vanpuda NninnO davatharith tharuLi vENdurai kEttu meeNdavai kEtpith theeNdiya vinaikaN maaNdida muyanRu thannadi sErndha thamarunai yaNuga ninnudan sErndhu niRkun^in RiruvE. 16.2: thirumaaladiyavarkku meyyanaar, seyya thirumaamagaLenRunchErum thirumaarbil inmaNikkOvaiyudan ERkinRaar, enRanim mummaNikkOvai mozhi. 16.3: mozhivaar mozhivana mummaRaiyaakum ayinthaiyilvanthu izhivaarizhikavenRu innamuthak kadalaakin^inRa vizhivaararuL meyyar melladivENdiya melliyalmEl pozhivaaranangar thampoongarumpunthiyapoomazhaiyE. 16.4: mazhaiyi lezhundha mokkuLpOl vaiya mazhiyavon Razhiyaa vadiyavar meyya varumaRai yinporu Laayndheduk kungaaR Riruvuda Nnamarndha dheyva naayaga ninRiruth thanakku neethiru vaagi yindhuthan Nnilavuda Nnilanguthan maiyinai nandhutha lillaa nalviLak kaagi yandhami lamudha vaazhiyaay niRRi paaRkada RanniR panmaNi yanna seerkkaNaNY sErndha seelamel laiyilai yadiyavar pizhaiga Nin_karuth thadaiyaa thadaiyavaaN daruLu marasanu neeyE yuyarndhan^ee yunnai yemmudan kalandhanai yayindhaimaa nagari lamarndhanai yemakkaaych siththira maNiyenath thigazhuman Nnuruvi laththira maNiyena vanaiththun^ee yaNithi viNNu Lamarndha viyanuru vadhanaa leNNiya veeriraN durukkaLu madaithi panniru naamam palapala vuruvaa yinnuru vengu meythin^ee niRRi meenO daamai kEzhalkO Lariyaay vaanOr kuRaLaay mazhuppadai muniyaayp pinnu miraama riruvaraayp paariR Runniya parandheer thuvaraiman Nnanumaayk kalithavirth tharuLuNG kaRkiyaay maRRu malivathaR keNNum valvinai maaRRa naanaa vuruvaNG koNdun^al ladiyOr vaanaa rinba minguRa varuthi yOruyi rulakuk kennun^ee thiruvO dEruyi rellaa mendhiyin puRuthi yaavaru maRiyaa thengun^ee karandhu mEvuruch soozhndhu viyappinaan miguthi koNdida vemmai yadaikkala mulagiR kaNdilaNG gathiyunai yanRimaR RonRum palvagai ninRa ninpadi yanaiththinun^ tholvagai kaattun^ thuNindhuthoo maRaiyE. 16.5: thoomaRaiyinuLLam thuLangaaththuNivu tharum aamaRivaalaarnthadimai yaakinROm poomaRaiyOn paaraayaNaththiRpaNiyum ayinthain^agar naraayaNanaarkkE naam. 16.6: aar_kungaruNai pozhivaan ayinthaiyil vanthamarntha kaarkkoNdalaikkaNda kaathaRpunamayil kaNpaniyaa vErkkumugizhvikkum vithirvithirkkum veLkivevvuyirkkum paarkkinRavarkkithu naamen_kolenRu payiluvamE. 16.7: payinmathin^eeyE payinmathitharuthalin veLiyun^eeyE veLiyuRan^iRRalin thaayun^eeyE thaayaithanthukaththalin thanthaiyu neeyE munthin^inRaLiththalin uRavun^eeyE thuRavaathozhithalin uRRathun^eeyE siRRinbaminmaiyil aaRun^eeyE yaaRRukkaruLthalin aRamun^eeyE maRan^ilaimaayththalin thuyyanun^eeyE seyyaaLuRaithalin naaraNan^eeyE naaraNaanaathalin kaRpakan^eeyE naRpathantharuthalin iRaivanun^eeyE kuRaiyonRilaamaiyin inbamun^eeyE thunbanthudaiththalin yaanun^eeyE yennuLuRaithalin yenadhun^eeyE yunathanRi yinmaiyil nallaayn^eeyE pollaangilaamaiyin vallaayn^eeyE vaiyamuNdumizhthalin eNYNYamaaku meyyan^inviyalbE aNYNYanEyokka aRivathaaraNamE. 16.8: aaraNangaLthEda ayinthain^agarvanthuthiththa kaaraNaraayn^inRa kadalvaNNar naaraNanaar ippadikkumikku anReduththa paathangazhuva meyppadikkamaanathu ponveRpu. 16.9: veRpudanonRi ayinthaiyil vevvinai theermarunthonRu aRputhamaaka vamarnthamaikEttu aruLvENdin^iRkap paRpilamarnthaseyyaaL padikaatiyapaNpudai, em viRpuruvakkodikku OrvilangaamayalpeRRanamE. 16.10: peRRanain^eeyE maRRuLavellaam peRuvathun^innaiyuRuvathukoLvaar ninnaalanRi mannaarinbam ninnaporuttun^eeyenna poruttilai ninnaru ninRuminnuruththOnRum ninRanakku nigarn^innadiyadaivaar ninbaalanRiyan paaluyyaar vaaraNa mazhaikka vantha kaaraNanE.

d p

 Dhaati Panchakam was rendered by Swami Mudaliandan at thondanur when Swami Ramanuja takes his adisesha form with 1000 hoods & won over 12,000 Jainists to prove that Vishistadvaitam is true and Sriman Narayana is the Supreme God (Paramatma), Chit (Living things) & Achit (Non Living Things) exists.

As the name shows it is made of 5 slokas (Panchakam). The word dhaati means "attacking" - as this work shows the attack that Ramanuja carried over the other philosophies that were widespread at that time, it is an appropriate name for it.

Dhaati Panchakam was rendered by Mudaliandan at Thondanur.

yogamaya.

 The Bhagavata Purana depicts the situation preceding Krishna avatar graphically. Kamsa’s atrocities remain unabated even as he is warned by a celestial voice of his own end at the hands of the eighth child of Devaki, his own sister. Unable to withstand the persecution of Kamsa, Bhudevi and the celestial beings beseech Brahma for alleviation of their suffering. He counsels them to seek refuge in the Lord, who is ever-willing to come to the rescue of the oppressed.

The Lord communicates to Brahma that His incarnation will bring the much-needed succour and that He will be born in the house of Vasudeva with Adisesha preceding Him to be born as elder brother Balarama. During the incarnation, the celestial beings as members of Yadu clan will aid Him in the fight against evil. The Lord designates Yogamaya’s functions at this juncture, explained Akkarakani T. A. Srinidhi Swami in a discourse.

Yogamaya is the Lord’s divine power by which creation is enabled. The Lord assigns her specific tasks, the first to protect the foetus in Devaki’s seventh pregnancy by transferring it to Vasudeva’s wife Rohini living in the land of Yadus out of fear of Kamsa. Next the incarnation of the Lord as Devaki’s eighth child and the birth of Yogamaya herself as the daughter of Yasodha and Nanda are charted out. Accepting the directives readily, the Devi descends to the earth to accomplish her mission. With Adisesha born as Balarama, Krishna and Yogamaya are successfully swapped at birth despite almost insurmountable hurdles — Kamsa’s tight security and vigilance, the torrential rains, the Yamuna in spate, etc — all through the Lord’s inherent power of Maya.

…Yogamāyā is the name of the internal potency that makes the Lord forget Himself and become an object of love for His pure devotee in different transcendental mellows. This yogamāyā potency creates a spiritual sentiment in the minds of the damsels of Vraja by which they think of Lord Kṛṣṇa as their paramour.

Yogamaya means the mercy of the Supreme Lord which connects a devotee in the transcendental loving service of the Lord, and mahamaya means the external potency of the Lord which puts a conditioned soul into illusion that he will be happy by material adjustment.Yogamaya continues to protect her devotees.

rama rama japa

  

18.02.2021.

 Submitted 12 lakh Rama japa personally hand written books almost one for every year of my life to Ayodhya ram mandir today.  Feeling good.

6 books equals 100800. Plus a few diaries.

Padaroo

  Raghukul Reet Sadaa Chali Aayi,

In accordance with traditions of the king of dynasties.
Praan Jaaye Par Vachan Na Jayi,
You may lose your life but your promises must be kept.

Jai Raghuvanshi Ayodhyapati,
Hail the king of dynasties, The king of Ayodhya.
Ram Chandra Ki Jai,
Hail! Lord Ram.
Siyavar Ram Chandra Ki, Jai,
Hail! Beloved of queen Sita.

Jai Raghuvanshi Ayodhyapati,
Hail the king of dynasties, The king of Ayodhya.
Ram Chandra Ki Jai,
Hail! Lord Ram.
Siyavar Ram Chandra Ki Jai,
Hail! Beloved of queen Sita.

Ta Di Ya Na Dheem..
De Re Ta Na De Re Nom
Ta Di Ya Na Dheem..
De Re Ta Na De Re Nom
Ta Di Ya Na Dheem…

Raghuvar Teri Raah Nihaarein
O’Ram! You are eagerly awaited.
Raghuvar Teri Raah Nihaarein
O’Ram! You are eagerly awaited.
Saaton Janam Se Siya,
For more than seven lives by Sita!

Ghar More Pardesiya,
Come back home, O’stranger.
Aao Padhaaro Piya,
Come visit, O’dear.

Ghar More Pardesiya,
Come back home, O’stranger
Aao Padhaaro Piya
Come visit, O’dear.

Ta Di Ya Na Ta De Re Na Dum
Ta Di Ya Na Ta De Re Na Dheem
Ta Di Ya Na Ta De Re Na Dheem
Ta Da Re Na De Dheem Ta Da Ni.

Maine Sudh-Budh Chain Gawake,
I lost my senses and my peace.
Maine Sudh-Budh Chain Gawake,
I lost my senses and my peace.
Ram Ratan Paa Liya,
But found my dearest gem, Ram.

Ghar More Pardesiya, Aao Padhaaro Piya,
Come back home, O’stranger. Come visit, O’dear.
Ghar More Pardesiya, Aao Padhaaro Piya,
Come back home, O’stranger. Come visit, O’dear.

Dheem Ta Dheem Tanana Dere Na
Dheem Ta Dheem Tanana Dere Na
Dha Ni Sa Ma, Sa Ga Ma Dha, Ni Dha Ma Ga Pa
Ga Ma Pa Sa Sa, Ga Ma Pa Ni Ni
Ga Ma Pa Ni Dha Pa Ma Ga Re Ga Ma Dha Pa
Re Ma Pa Dha Ma Pa Ni Ni Dha Pa Ma Pa Ga Ma Re Sa Ni Sa Re Re Ma Ma Pa Pa Dha Dha Ma Ma
Ni Ni Ni Re Sa Ni Dha Ni Dha Pa Ma Pa Dha Ni Dha Pa Ma Ga Re Ga Re Sa Ni Sa Re Re Ga

Na To Maiya Ki Lori,
Neither my mother’s lullaby.
Na Hi Phaagun Ki Hori,
Nor the colours of spring.
Mohe Kuch Doosra Na Bhaaye Re
Nothing interests me anymore.
Jabse Naina Yeh Jaake,
Since my eyes rested on;
Ik Dhanurdhar Se Laage,
The regal archer;
Tabse Birha Mohey Sataye Re
Since then the angst of separation agonizes me.

Haan, Na To Maiya Ki Lori,
Neither my mother’s lullaby.
Na Hi Phaagun Ki Hori,
Nor the colours of spring.
Mohe Kuch Doosra Na Bhaaye Re,
Nothing interests me anymore.
Jabse Naina Yeh Jaake
Since my eyes rested on;
Ik Dhanurdhar Se Laage
The regal archer;
Tabse Birha Mohey Sataaye Re
Since then the angst of separation agonizes me.

Duvidha Meri Sab Jag Jaane,
Duvidha Meri Sab Jag Jaane,
The whole world is aware of my dilemma.
Jaane Naa Nirmohiya,
Alas! ignorant is the callous one.

Ghar More Pardesiya,
Come back home, O’stranger.
Aao Padhaaro Piya,
Come visit, O’dear.

Ghar More Pardesiya,
Come back home, O’stranger
Aao Padhaaro Piya
Come visit, O’dear.

[Tabla Taal]

Haa, Gayi Panghat Par Bharan
Went to the riverbank to fetch water.
Bharan Paniyan Deewani
Delirious in love.
Gayi Panghat Par Bharan
Went to the riverbank to fetch water.
Bharan Paniyan Deewani
Delirious in love.

[Sargam]

Gayi Panghat Par Bharan,
Went to the riverbank to fetch water.
Bharan Paniyan Deewani,
Delirious in love.
Gayi Panghat Par Bharan,
Went to the riverbank to fetch water
Bharan Paniyan…
Delirious in love

Ho Naino Ke, Naino Ke Tere Baan Se,
The charm of your eyes stunned me;
Murchhit Huyi Re Hiraniya,
Like a deer struck by an arrow.
Jhoom Jha Na Na Na Na…
Jhana Na Na Na Na…
Bani Re Bani Main Teri Joganiya.
And I became your devotee.

Ghar More Pardesiya,
Come back home, O’stranger.
Aao Padhaaro Piya,
Come visit, O’dear.

Ghar More Pardesiya,
Come back home, O’stranger
Aao Padhaaro Piya
Come visit, O’dear.

Luggage.

 https://www.facebook.com/anuhasan.india/videos/3270461599671339/