Sunday, October 4, 2020

pb

 Parāśara (Sanskrit: पराशर; IASTParāśara) was a maharshi and the author of many ancient Indian texts. He is accredited as the author of the first Purana, the Vishnu Purana, before his son Vyasa wrote it in its present form. He was the grandson of Vasishtha, the son of Śakti Maharṣi, and the father of Vyasa. There are several texts which give reference to Parashara as an author/speaker. Modern scholars believe that there were many individuals who used this name throughout time whereas others assert that the same Parashara taught these various texts and the time of writing them varied. The actual sage himself never wrote the texts; the various texts attributed to him are given in reference to Parashara being the speaker to his student. 


According to the VedasBrahma created Vasishtha, who, with his wife Arundhati, had a son named Śakti Mahariṣhi who sired Parashara. With Satyavati, Parashara is father of Vyasa. Vyāsa sired Dhritarashtra and Pandu through his deceased brother's wives, Ambika and Ambalika and Vidura through a hand-maiden of Ambika and Ambalika. Vyāsa also sired Shuka through his wife, Jābāli's daughter Pinjalā. Thus Parashara was the great-grandfather of both the warring parties of the Mahābhārata, the Kauravas and the Pandavas. Parashara is used as a gotra for the ancestors and their offsprings thereon. Parashara

There is a story of Rishi Parashara: one day in the time after the death of his father, Sakti Rishi made Vasishtha lived in his hermitage with Adrsyanti (wife of Sakti). Vasistha heard the chanting of the Vedas and Adrsyanti told him that Vedic hymn sounds were coming from the child of his son, Sakti, that was developing in her womb. Vasistha was happy to hear this. Adrsyanti gave birth to a son and the child grew up to become Parashara, father of Vyasa.

Parashara was raised by his grandfather Vasishtha because he lost his father at an early age. His father, Śakti Muni, was on a journey and came across an angry rākṣasa (demon) who had once been a king but was turned into a demon feeding on human flesh as a curse from Viśvamitra. The demon devoured Parashara’s father. In the Viṣṇu Purāṇa, Parashara speaks about his anger from this:

I had heard that my father had been devoured by a Rākṣasa employed by Viśvamitra: violent anger seized me, and I commenced a sacrifice for the destruction of the Rākṣasas: hundreds of them were reduced to ashes by the rite, when, as they were about to be entirely exterminated, my grandfather Vasishtha said to me: Enough, my child; let thy wrath be appeased: the Rākṣasas are not culpable: thy father's death was the work of destiny. Anger is the passion of fools; it becometh not a wise man. By whom, it may be asked, is anyone killed? Every man reaps the consequences of his own acts. Anger, my son, is the destruction of all that man obtains by arduous exertions, of fame, and of devout austerities; and prevents the attainment of heaven or of emancipation. The chief sages always shun wrath: be not subject to its influence, my child. Let no more of these unoffending spirits of darkness be consumed. Mercy is the might of the righteous.

Parashara Muni (Sage), at the wish of Lord VishnuBrahma and Mahadev, who maintain, create and destroy in time the entire universe, on one of his travels across the country, halted for the night in a little hamlet on the banks of the river Yamuna. He was put up in the house of the fisherman-chieftain Dusharaj. When dawn broke, the chief asked his daughter, Matsyagandha, whose name means "one with the smell of fish", to ferry the sage to his next destination. When in the ferry, Parashara was attracted by the beautiful girl. He created an island within the river by his mystic potency and asked her to land the boat there. Seeing people on the river's bank, she demurred, at which time the sage created a dense fog which enveloped the entire river. Parashara blessed her with a son, Krishna Dvaipāyana, who was dark-complexioned and hence may be called by the name Krishna (black), and also the name Dwaipayana, meaning 'island-born'. He later compiled the classic Vedic literatures of India, and so is called Vyasa who is the 17th incarnations of Lord Vishnu. Parashara granted her the boon that the finest fragrance may emit from her person. She was thereafter known as Satyavati (pure fragrance

Leaving Satyavati in the care of Vyasa, Parashara proceeded to perform Tapas (intense meditation). Later Vyasa also became a Rishi and Satyavati returned to her father's house, and in due course, married Śantanu.

Parashara was known as the "limping sage". He had his leg wounded during an attack on his āśrama. When a ṛṣi dies he merges back into an element or an archetype. When Sage Parashara was walking through a dense forest he and his students were attacked by wolves. He was unable to get away in his old age with a lame leg and he left this world merging into the wolves.

The Monument of Parashara Muni is available at Junha - Panhala fort in Tal Kavathe Mahankal Sangli district of Maharashtra. A cave supposed to be of Parāśāra Muni is present at the fort.

In the Ṛgveda, Parashara, son of Śakti Muni (Parashara Śāktya), is the seer of verses 1.65-73 which are all in praise of Agni (the sacred fire), and part of 9.97 (v.31-44) which is in praise of Soma. Below is 1.73.2

devo na yaḥ savitā satyamanmā kratvā nipāti vṛjanāni viṣvā
purupraṣasto amatirna satya ātmeva Sevo didhiṣāyyo bhūt

He who is like the divine Sun, who knows the truth (of all things), preserves by his actions (his votaries) in all encounters; like nature, he is unchangeable and, like soul, is the source of all happiness: he is ever to be cherished.

Compositions of Sage Parashara

Sage Parashara wrote and compiled many Vedic scriptures, especially on astrology. He laid down the principles of astrology.

There is a very popular legend in this context according to which Saint Maitreya requested Parashara to give him the knowledge of three parts of astrology i.e Hora, ganita and samhita. Out of all the three parts, Hora is the most important and was composed by Sage Parashara himself.

Many of the compositions of Rigveda are in his name. His compositions are Brihtaparashara Hora, Laghuparashari, Brihtaparashriya Dharmasamhita, Parashriya Dharmasamhita Smriti, Parashara Samhita Vadhyak, Parashariya Purnama, Parasharaoditam Nitishastratram, Parashararodanti, Vastushastrama etc. Kautilya Shastra has a decription of Sage Parashra. According to it, Parashara was a well known saint of ancient times. His compositions Brihataparasharahora has been included in various scriptures.

In these chapters , Rashiswaroop, Grahgunaswaroop, Lagna Vikshaleshan, Shodshavarg, Rashi Aspect, Arishta, Arishta Bhang, Bhaovivechan, Aprakash Grah, Grahsfut, Karak, Karak Shafala, Vividhyoga, Raviyoga, Rajyoga, Daridrayoga, Ayurdaya, Maraka Yoga, Dashafal, Vishesh Nakshatra, Kalchakra, Planet positions, Ashtakvarga, TrikonDasha, Pindasadhaana, Grahshanti etc has  been described.

Saturday, October 3, 2020

Wisdom

 

“By three methods we may learn wisdom: First, by reflection, which is noblest; Second, by imitation, which is easiest; and third by experience, which is the bitterest.”


― Confucious


The guru-sishya parampara is a powerful link to keep the generations of posterity connected to the spiritual tradition. The sishya tries to imbibe the teachings of the acharya by assiduous study and dedicated striving.

But it is seen that inexplicable are the ways in which devotion, yearning to get initiated, and transmission of jnana, etc, take root in the consciousness of disciples. Though Alavandar and Ramanuja did not meet, the Visishtadvaita philosophy that Alavandar had consolidated found in Ramanuja a most capable sishya who could establish it firmly on a strong footing.

Likewise, though separated from Ramanuja by a gap of 250 years, Vedanta Desika is steeped in Ramanuja bhakti and he attributes all his knowledge and devotion to this acharya. His reverence and admiration for Ramanuja, whom he often refers to as Yatiraja, finds excellent expression in his work Yatiraja Saptati. It is the tribute of a disciple to his acharya, by whom he was inspired and initiated into the vast ocean of Vaishnava tradition. As if to make up for not having the privilege of direct discipleship with Ramanuja, he creates a situation in his play Sankalpa Suryodhaya, in which he takes up the role of a disciple to the illustrious Ramanuja.

In the hymn Gopala Vimsati, he sings in ecstasy about the effulgent form of Krishna. He seems to wonder how this captivating form of the Lord got indelibly etched in his heart. He attributes this undying love for the Lord as the grace of the Ramanuja’s upadesa, which has not only inculcated sastra jnana but also bhakti which gives mukti. Sastra knowledge fails in its purpose if it does not generate true devotion and God experience.

=Gadi ek

 ghadi ek nahin jaaye re

tum darshan bin moye
ghadi ek nahin jaaye re
tum darshan bin moye
tum darshan bin moye re
tum darshan bin moye
ghadi ek nahin jaaye re
tum darshan bin moye

dhan naa bhaave
neend na aawe
birha sataawe moye
dhan naa bhaave
neend na aawe
birha sataawe moye
ghaayal si ghoomat phiroon
mero dard naa jaane koye
tum darshan bin moye
ghadi ek nahin jaaye re
tum darshan bin moye

divas to khaaye ganwaayi ore
nain gaavaayi soye
divas to khaaye ganwaayi ore
nain gaavaayi soye
praan ganvaaya ??
nain gaavaaya roye
jo main aisi jaanti re
preet kiye dukh hoye
jo main aisi jaanti re
preet kiye dukh hoye
nagar dhandhora pherti re
preet karo mat koye
tum darshan bin moye
ghadi ek nahin jaaye re
tum darshan bin moye

Friday, October 2, 2020

rare ms

 gungaroo bandh pag aayi meera 

gungaroo bandh pag aayi...........

nachata gavat brindavana me 

govind govinda gayi meera....

jagaki kula mariyada bhooli

prema me koi matuwari jhule...

ro ro gaye shyama bhulaye

kovat jagat hasayi

is rajanki sakhiyan rani

galiya nache bani diwani

na na bhathi prema ki dhara

kaisi dhisha banayi....

janaa janaa pag gungaroo bhaje

prema me ho matavali ghonje...

payal suna kar hi bhaje muraliya

devata chaal kanaye

https://youtu.be/UaW9UKYW-fA


https://youtu.be/UaW9UKYW-fA

Friday, September 25, 2020

K and PVP

 periyavAchAn piLLai – sEngaNUr

thirunkaksathramAvaNi rOhiNi
avathAra sthalamsanganallUr (sEngaNUr).
AchAryan: nampiLLai
sishyas: nAyanArAchAn piLLaivAdhi kEsari azhagiya maNavALa jIyar,  parakAla dhAsar, etc
Born as krishnan as the son of yAmunar in sEngaNUr, he becomes to be known as periyavAchAn piLLai. He is one of the prime sishyas of nampiLLai and learnt all sAsthra arthams from nampiLLai himself. periyavAchAn piLLai became an illustrious AchAryan in our sampradhAyam by the grace of nampiLLai.
As identified in periya thirumozhi 7.10.10, it is said that thirukkaNNamangai empeumAn wanted to learn the meanings of thirumangai AzhwAr‘s pAsurams from kaliyan himself – so kaliyan took the avathAram of nampiLLai and emperumAn took the avathAram of periyavAchAn piLLai to learn all the meanings of the aruLicheyal. He is also known as vyAkyAna chakkaravarthi, abhaya pradha rAjar, etc. He adopts nAyanArAchAn piLLai as his son.
In his life time, he has done vyAkyAnams for:
  • 4000 dhiyva prabhandham – He has written vyAkyAnams for all of aruLicheyal. vyAkyAnams for approximately 400 pAsurams for periyAzhwAr thirumozhi was lost and mAmunigaL just wrote those missing pAsura vyAkyAnams.
  • sthOthra granthams – He has written vyAkyAnams for pUrvAchArya srisUkthis like sthOthra rathnam, chathu slOki, gadhya thryayam, etc and jithanthE sthOthram.
  • sri rAmAyaNam – He has selected important slOkams from sri rAmAyaNam and written a detailed commentary for those in rAmAyaNa thani slOki. He was named abhaya pradha rAjar for his masterful explanation of vibhIshaNa sharanAgathi episode.
  • He has also written many rahasya granthams such as mANikka mAlai, parantha rahasyam, sakala prAmANa thAthparyam, etc which explains rahasya thrayam in an excellent manner. He was a pioneer in documenting rahasya thrayam – piLLai lOkAchAryar took the essence of nampiLLai and periyavAchAn piLLai’s teachings and wrote his astAdhasa rahasya granthams.
His expertise in aruLicheyal and sri rAmAyaNam can be understood by his grantham called pAsurapadi rAmyAyanam where he uses words from aruLicheyal to explain the whole of sri rAmAyaNam in a crisp manner.

The power of his grace can also be understood from the incident happened in vAdhi kEsari azhagiya maNavALa jIyar. jIyar, in his pUrvAshramam was serving in the thirumadappaLLi (kitchen) of periyavAchAn piLLai’s thirumALigai. He was an illiterate but had strong devotion towards his AchAryan. Once when he overheard some srivaishnavas discussing some vEdhAntha vishayam, he enquired from them about the topic of discussion. Them being arrogant and considering him as an illiterate said they were discussing about a grantham called “musala kisalayam” (newly blossomed  pounder). He went and mentioned this to his AchAryan and periyavAchAn piLLai out of his grace decided to teach everything to him. After a few years, he becomes a master of all sAstram and goes on to become vAdhi kEsari azhagiya maNavALa jIyar and writes several granthams himself on our sampradhAyam.

Just like periya perumALperiya pirAtti, periya thiruvadi, periyAzhwAr and periya kOil, AchAn piLLai also due to his greatness became to be known as periyavAchAn piLLai.
maNavALa mAmunigaL in his upadhEsa rathina mAlai dedicates two pAsurams specifically to periyavAchAn piLLai.

pAsuram: 43
nampiLLai thammudaiya NallaruLAl Eviyidap
pin periyavAchAn piLLai athanAl
inbA varubathi mARan maRaip poruLai chonnathu
irupathu nAlAyiram

Simple Translation: Out of his grace, nampiLLai orders periyavAchAn piLLai to write a commentary for thiruvAimozhi. Having that in mind, periyavAchAn piLLai wrote the most enjoyable commentary for nammAzhwAr‘s thiruvAimozhi which is the essence of all vEdhas.  The commentary was written similar to sri rAmAyaNam, i.e., containing 24000 padi (similar to 24000 slOkams in sri rAmAyaNam).

 

pAsuram: 46
periyavAchAn piLLai  pinbuLLavaikkum 
theriya vyAkiyaigaL cheyvAl
ariya aruLichcheyal poruLai AriyargatkippOthu
aruLichcheyalAyth thaRiNthu

Simple Translation: It is due to periyavAchAn piLLai’s commentaries for aruLicheyal, the great teachers are able to understand and propagate the true meanings of aruLicheyal. Without these vyAkyAnams, no one can speak about the inner meanings of aruLicheyal.

 

Also, mAmunigaL in pAsuram 39, identifies that periyavAchAn piLLai was one of the 5 vyAkyAna karthAs for thiruvAimozhi, there by saving it and propagating it to everyone since without the vyAkyAnams we cannot understand the inner meanings of aruLicheyal.

 

Several incidents from his life are recorded in vArthA mAlai grantham and other pUrVAchArya granthams. Let us see some here:
  • When some asks if we are target of emperumAn‘s krupai or leelai – periyavAchAn piLLai says “if we think that we are caught in this samsAram, we are target of emperumAn’s krupai and if we think that we are happy in this samsAram, we are target of emperumAn’s leelai”.
  • When some one asks what does pArathanthriya mean? periyavAchAn piLLai says that depending fully on emperumAn‘s sakthi, completely giving up upAyAntharams (including self efforts) and ever longing for bhagavath kainkarya mOksham is pArathanthriyam.
  • When some one asks what is upAyam? Is it us giving up everything or holding on to him? periyavAchAn piLLai says that both are not upAyam it is emperumAn who made us give up everything and hold on to him is the upAyam.
  • Once when bandhu of periyavAchAn piLLai is worried and he asks for the reason. She says she is very worried since she has been in this samsAram since anAdhi kAlam and with so much karma how emperumAn will give her mOksham. For that periyavAchAn piLLai says, we are emperumAn‘s property and he will take us when he wants to irrespecitve of our karmas.
  • When a srivaishnava finds fault in another srivaishnava, periyavAchAn piLLai says that yaman is asking his servants to move away from srivaishnavas without looking at their faults, pirAtti says “na kaschin na aparAdhyathi” – dont look at anyone’s faults, perumAL says even if my bhakthas do mistakes it is good only, AzhwAr says who ever emperumAn‘s bhakthas are, they have to be praised. So sarcastically he says, some one needs to say the faults in srivaishnavas and let that some one be this person who finds faults in the other person.
  • During a discussion about the greatness about bhAgavathas, some one starts speaking about emperumAn and periyavAchAn piLLai says  why speak sAmAnya vishyam (general matters) when speaking about visEsha vishayam (special matters).
  • periyavAchAn piLLai says every srivaishnava must have involvement in aruLicheyal.
  • and so on.

Thursday, September 24, 2020

Venkatesa Ashtakam

 1.Venkatesho , Vasudeva, pradhyumno , amitha Vikrama,

Sankarshano anirudhascha Seshadri patireva cha.

He is Lord of Venkata mountain , son of Vasudeva , Pradhyumna,
The greatly valorous Sankarshana , Anirudha and the Lord of Seshadri hills.

2.Janardhana , padmanabho , venkatachala vasana,
Srushti Kartha , jagannatho, Madhavo, Bhaktha vathsala.

He is one who punishes bad people , one with a lotus on his belly,
One who lives in the Venkata mountain, He is the creator ,
Lord of the universe, Lord of knowledge and one who is dear to his devotees.

3.Govindo , gopathi , Krishna , Kesavo , Garuda dwaja,
Varaho, Vamanaschaiva , Narayana , Adhokshaja

He is the chief of cows, Lord of cows, the black one ,
One who gives lustrous body, One with Garuda in his flag,
He is Varaha the boar, Vamana the dwarf ,
And one in whom all souls reside and one who is forever victorious.

4.Sridara , pundarikaksha , sarva deva sthutho hari,
Sri Narasimho , maha Simha, suthrakara purathana.

He is the one who carries Lakshmi , one with lotus like eyes,
He is Vishnu prayed by all devas,He is the man lion,
He is the great lion and the ancient master of all actions.

5.Ramanatho mahi bhartha, bhoodhara , purushothama,
Chola puthra Priya santho , brahmadeenaam vara pradha

He who is Lord of Rama ,husband of earth ,
One who carries earth , greatest among males,
He is son of Chola , is a dear one , he is peaceful,
And he is the giver of boons to Lord Brahma and others.

6.Srinidhi sarva bhoothaanaam bhayakruth , bhaya nasana,
Sri Ramo Ramabhadrascha bhava bhandhaika mochaka.

He who is the treasure of Lakshmi , and one who creates fear
He also destroys fear among all beings, He is Rama,
He is Rama who ensures safety and also one who cuts off the ties with birth

7.Bhuthavaso girivasa , srinivasa , sriya pathi,
Achyuthanantha govindo vishnur venkata nayaka

He lives in all beings . lives on a mountain , Lives with Lakshmi
He is the consort of LakshmiHe is one cannot be destroyed,
He is one who does not have limits , who is Vishnu and the Lord of Venkata hills

8.Sarva devaika saranam , sarva devaika daivatham,
Samastha deva kavacham , sarva deva shikamani

He is the refuge of all devas and who is the God of all devas,
He is the protection of all devas and he is the most superior among the devas.

Phala sruthi
(Effect of reading)

9.Ithidham keerthitham yasya Vishnor amitha thejasa,
Trikala ya paden nithyam papam thasya na vidhyathe.

This is the song of the great glory of Lord Vishnu,
And if this is read by one at dawn, noon and dusk ,
All his sins would not remain.

10.Rajadware padeth ghore sangrame ripu sankate,
Bhootha sarpa pisachdhi bhayam nasthi kadachana.

There will be no fear in the gates of the palace ,
In Fierce war when the enemies are troubling,
And when troubles are caused by ghosts , serpents and devils.

11.Aputhro labhathe puthraan , nirdhano dhanavan bhyaveth,
Rogartho muchyathe rogath, bhadho muchyathe bhandanath.

The sonless one will get son, The money less will get money,
The one suffering from disease would get cured,
And the one who is in the prison would be set free.

12.Yadya adhi ishtathamam loke thathat praponathya asamsaya,
Aiswaryam, raja sanmanam , bhukthi , mukthi phala pradham.

Whatever one desires most in the world , would without doubt would be fulfilled,
And results like wealth, honour by kings, pleasures , and salvation would be attained.

13.Vishnor lokaika sopanam sarva dukhaika nasanam,
Sarva iswarya pradham nirnaam sarva mamgala karaka,

This is the stair case to the world of Vishnu and destroyer of all sorrows,
It results in all sorts of wealth and results in all auspicious things.

14.Mayavi paramandam thyakththwa vaikunda muthamam,
Swami pushkarani theere ramaya saha modhathe.

One will leave the illusory happiness and reach the great Vaikunda, the land of Vishnu,
If one prays the Lord with Lakshmni in the banks of the sacred tank of the God.

15.Kalyanadbhutha gathraya , kamithartha pradhayine,
Srimad Venkata nadhaya , Srinivasaya mangalam.

Oh God who has a wonderful form giving rise to good,
Oh God who gives all the wealth one desires for,
Oh God who is the Lord of the Venkata hills,
And Oh God in whom Lakshmi lives, let there be good.

Ithi Sri Brahmanda purane , Brahma-Narada SAmvadhe , Venkata giri Mahatmye,
Srimad Venkatesha stotram sampoornam

Thus ends the prayer addressed to Lord Venkatesa, which occurs in the chapter4 on “ Greatness of tha Venkata mountain”, which occurs in the midst of the discussion between Lord Brahma and sage Narada which occurs in Brahmanda Purana.