Monday, October 5, 2020

kOil kandhAdai aNNan

 thirunakshathram: purattAsi (kanni) pUrattAdhi

avathAra sthalam:  srIrangam

AchAryanmaNavALa mAmunigaL

sishyas: kandhAdai nAyan (his own son), kandhAdai rAmAnuja iyengAr, etc.

Works: srI parAngusa pancha vimsathivaravaramuni ashtakam, mAmunigaL kaNNinuN chiruthAmbu

Born in the illustrious family lineage of mudhaliyANdAn (who is called yathirAja pAdhukA – the sandals of the lotus feet of emperumAnAr), as the son of dhEvarAja thOzhappar and the elder brother of kOil kandhAdai appan, he was named varadha nArAyaNan by his parents. He goes on to become one of the dearest disciples and ashta dig gajas (eight main personalities/disciples to propagate the sath sampradhAyam) of maNavALa mAmunigaL.

kOil aNNan (as popularly known) was living in srIrangam with many sishyas. At that time, azhagiya maNavALa perumAL nAyanAr (mAmunigaL in gruhasthAsramam) arrives at  srIrangam and was greatly welcomed by srI ranganAthan and his kainkaryapararars (servitors). nAyanAr accepts sannyAsAsramam and srI ranganAthan gives him the name azhagiya maNavALa mAmunigaL (insisting that mAmunigaL keeps the same name as himself – azhagiya maNavALan is one of the cherished names of srI ranganAthan). emperumAn asks him to have pallavarAyan mutt (which is a historical mutt from emperumAnAr‘s times) as his residence and live in srIrangam until he ascends to paramapadham just like he ordered emperumAnAr to do so. mAmunigaL instructs ponnadikkAl jIyar and other sishyas to renovate the mutt and builds a hall for his regular kAlakshEpams (lectures). While building the hall, he builds with the soil retrieved from piLLai lOkAchAryar‘s residence – as piLLai lOkAchAryar was the pioneer in documenting the rahasya arthams (confidential principles). mAmunigaL spends his time fully on re-establishing the sath sampradhAyam principles since during the previous generations there were lots of turbulence in srIrangam due to invaders attacking the town and destroying people and literature. Hearing his glories and benevolence, many people approach mAmunigaL and become his sishyas.

Once mAmunigaL blesses AychiyAr who is the daughter of thirumanjanam appA. AychiyAr being greatly devoted to mAmunigaL (who is the AchArya of her father), requests mAmunigaL to accept her as his disciple. mAmunigaL initially hesitates but later accepts her as his disciple seeing AychiyAr’s total dedication. She does not reveal this to anyone including her husband kandhAdai siRRaNNar. She stays at her father’s residence for some time. At that time kOil aNNan’s father’s srArdhdham occurs where she is requested to cook for the occassion. She performs that kainkaryam with a pure attitude and after the srArdham is completed everyone is resting at the porch (near entrance).

At that time, kOil aNNan notices a srIvaishNava coming from periya jIyar‘s (mAmunigaL) mutt. aNNan enquires the wherabouts and the purpose of his visit. The srIvaishNava mentions that his name is singaraiyyar he is from vaLLuva rAjEndhram (near by village) and he has come to become the disciple of mAmunigaL but his desire is yet not fulfilled. aNNan says to him that there are many AchAryas in srIrangam and he can become a sishya of any one. The srIvaishNava replies that it is per the order of bhagavAn himself that he becomes a sishya of mAmunigaL. aNNan becomes astonished and wants to know more, but singaraiyyar says its confidential and wont reveal the details yet. aNNan invites him inside to accept prasAdham and thAmbUlam and asks him to rest there for the night. In the night when aNNan and his brothers were lying outside, AychiyAr who is inside the house, lies down to go to sleep. She says “jIyar thiruvadigaLE charaNam, piLLai thiruvadigaLE charaNam, vAzhi ulagAsiriyan” (salutations to mAmunigaLthiruvAimozhi piLLai and piLLai lOkAchAryar). aNNan and his brothers hear this and one of them go inside to find out the matter. But aNNan and appan retains him and says we can check in the morning.

aNNan becomes reverential towards mAmunigaL and could not sleep. He goes back to singaraiyyar and enquires in the night. singariyyar explains a long incident – I periodically collect vegetables, etc from my village and submit them to the mutts/thirumALigais of AchAryas. Once, a srIvaishNava instructed me to submit this to periya jIyar mutt. I considered it a great fortune and went to jIyar mutt with the vegetables. jIyar asked me many questions such as where did these grow?, who watered them?, etc. I humbly replied to him that these were grown in pure lands and were nurtured by his sishyas only. periya jIyar became happy hearing that and accepted the vegetables. He also instructed me to go to periya perumAL and worship him before leaving. The archakar (priest) enquired me about the vegetables and to whom I offered them this time. I replied to him that they were submitted to periya jIyar mutt. The archakar became very happy hearing that and told me that I am most fortunate and I am going to get great AchArya sambandham. He also blessed me and gave thIrtham (charaNamritham – holy water), srI satagOpam, garland, abhaya hastham, etc and I felt very blessed. I returned to jIyar mutt and informed periya jIyar that periya perumAL greatly blessed me by your grace and informed him that I am returning. The kainkaryaparars (servitors) in the mutt gave me some prasAdham and I had it on my way and that purified my consciousness greatly. In the night I saw a dream. I was in periya perumAL‘s sannidhi.  periya perumAL pointed towards Adhi sEshan and told me “azhagiya maNavALa jIyar is the same as Adhi sEsha. You become his sishya”. From that time onwards, I am waiting to become the sishya of mAmunigaL. Hearing these incidents, aNNan starts deep contemplation and goes to sleep.

aNNan sees a dream during his sleep. A srIvaishNava steps down from upstairs with a whip on his hand and starts giving lashes to aNNan. aNNan, even though had the power to stop him, does not do so and understands that the srIvaishNava is punishing him for his wrong-doings. The whip broke after a while and the srIvaishNava pulls aNNan by his hand. aNNan asks what to do and the srIvaishNava instructs aNNan to go upstairs. Both aNNan and the srIvaishNava climbs up. There he observed a sannyAsi who looked very angry and he too started giving lashes to aNNan and finally that whip breaks too. The srIvaishNava prays to the sannyAsi and tells him “He is a small boy and does not know what he is doing, please stop the beatings and bless him now”. The sannyAsi then takes aNNan and keeps him on his lap and affectionately speaks to him. He says “Both you and uththama nambi committed offenses”. aNNan replies “I did not truly understand the glories of azhagiya maNavALa jIyar and became confused – please forgive me now”. The sannyAsi replies affectionately “I am bhAshyakArar (srI rAmAnuja) and this srIvaishNava is mudhaliyANdAn (your ancestor). You reform yourself and dont misuse the relationship with mudhaliyANdAn. I am Adhi sEshan and have come again as maNavALa mAmunigaL. You and your relatives become the disciple of mAmunigaL and be uplifted”. The dream stops and aNNan wakes with shock and awe. He explains the incidents to his brothers with great emotions. He goes to AychiyAr who is sleeping inside and informs her about the dream. She also informs him about how mAmunigaL purified her and blessed her with divine knowledge. He becomes happy to hear about it and returns to singaraiyyar and informs him about the dream to. Then he goes to cauvery river and performs his daily anushtAnams.

He then returns to this residence and invites uththama nambi and many other kandhAdai family members (descendants of mudhaliyANdAn). Many arrive at his residence and they are all surprised to hear that every one saw the same dream. They all go to embA who is the grandson of a famous AchArya lakshmaNAchAryar. embA becomes angry hearing about the dream and tells them that it is not befitting for their family background to go an take shelter of another jIyar. A few others also same the same and does not want to take shelter of periya jIyar.

aNNan along with many other kandhAdai family AchArya purushas go to jIyar mutt to take shelter of mAmunigaL. aNNan takes the help of his own sishya thiruvAzhiyAzhwAr and mAmunigaL’s dear sishya sudhdha saththvam aNNan to approach mAmunigaL. sudhdha sathvam aNNan used to often explain the glories of mAmunigaL to kOil aNNan. So, kOil aNNan takes the help of him to approach mAmunigaL. kOil aNNan then goes to mAmunigaL’s mutt along with many of his family members. mAmunigaL is giving a lecture at thirumalai AzhwAr maNdapam. aNNan, not wanting to disturb mAmunigaL, informs AychiyAr about their arrival and AychiyAr sends a srIvaishNava inside to let mAmunigaL know about their arrival at the right time. That srIvaishNava misunderstands the intentions of kOil aNNan and his family members and informs to mAmunigaL in the wrong sense (as if they are coming for a debate/argument or something). mAmunigaL, not wanting to cause any confusion, leaves to the backside of the mutt. In the mean time, aNNan and his relatives approach vAnamAmalai jIyar and offers their respects to him. AychiyAr following the srIvaishNavar to find out what happened explains the intentions of kOil aNNan to mAmunigaL. mAmunigaL then chastises the srIvaishNavar and welcomes kOil aNNan and his relatives with great respect. kOil aNNan and his relatives fall at his lotus feet, offers prayers and glorifications to periya jIyar and offers fruits, etc. mAmunigaL gives a short lecture on thiruppallANdu and poliga poliga padhigam (decade) in thiruvAimozhi briefly. aNNan requests mAmunigaL through ponnadikkAl jIyar to acknowledge them and accept them all as his disciples. mAmunigaL at once goes inside to a private place and invites aNNan inside through ponnadikkAl jIyar. mAmuniaL asks aNNan “You already belong to vAdhula clan (of mudhaliyANdAn) which is already well established and an AchArya purusha family. Why is this (becoming my sishya) required?”. aNNan insists that he needs to be accepted, asking forgiveness for his previous state of not giving proper respect to mAmunigaL and explaining the divine dreams. mAmunigaL accepts the request and tells aNNan that there are few other fortunate souls who would be directed by emperumAn through their dreams and instructs that every one assemble after 3 days for the pancha samskAram. aNNan happily accepts the proposal and leaves along with his relatives.

emperumAn appears in the dreams of many others and breaking the shackles of archA samAdhi (his own vow of “not interacting” with anyone in archAvathAram/deity form) instructs that mAmunigaL is non-different from bhagavAn himself and everyone should take shelter of his lotus feet to be uplifted.

After 3 days, everyone assembles at periya jIyar mutt. aNNan, without any pride about his family heritage and fully wanting to become surrendered to mAmunigaL, goes to mAmunigaL and requests him to perform pancha samskAram to everyone. mAmunigaL instructs vAnamAmalai (ponnadikkAl) jIyar to prepare the necessary aspects and performs pancha samskAram (thApam – shanka/chakram imprint on the shoulders, puNdra – Urdhva puNdram, nAma – giving a dhAsya nAmam (name), manthra – the rahasya thraya manthrams and yAga – thiruvArAdhanam procedure) to kOil aNNan and divinely blesses him.

Immediately, mAmunigaL thinks about ponnadikkAl jIyar and points towards him and announces in the big assembly “ponnadikkAl jIyar is like my life breath and well wisher. Whatever glories I have, he should also get the same”. aNNan understands mAmunigaL’s emotions and says “You should have made me a disciple of ponnadikkAl jIyar” and mAmunigaL shows his special attachment towards aNNan saying “How can I give up some one who is destined to me (by the divine orders of periya perumAL himself)?”. AychiyAr’s son appAchiyAraNNA then raises and requests mAmunigaL to make him a disciple of ponnadikkAl jIyar. mAmunigaL becomes very pleased and hails him as “nam appAchiyAraNNAvO?” (Is this our appAchiyAraNNA?). mAmunigaL then seats ponnadikkAl jIyar in his own simhAsanam (throne) and forcefully places the shankam and chakram in his hands and asks him to perform pancha samskAram to appAchiyAraNNA. ponnadikkAl jIyar at first humbly refuses, but mAmunigaL insists him to do it as it will be very pleasing for him. After appAchiyAraNNA, his brother dhAsrathi appai also becomes a sishya of ponnadikkAl jIyar. ponnadikkAl jIyar, out of humility withdraws from the Asanam (seat) and offers his praNAmams to mAmunigaL out of great respect. After that, aNNan’s brother kandhAdai appan and many others become sishyas of mAmunigaL. At that time, periya perumAL‘s prasAdham arrives and mAmunigaL accepts the same with great reverence. Everyone then goes to the temple and performs mangaLAsAsanam and returns to the mutt for a grand thadhIyArAdhanam.

One day, mAmunigaL hails the attachment of sudhdha sathvam aNNan towards kOil aNNan. He also instructs ANda perumAL (who is a great scholar coming in the family lineage of komANdUr iLayavilli AchAn) to become the sishya of aNNan and fully serve aNNan in spreading the sath sampradhAyam.

eRumbi appA who is a relative of kOil aNNan, approaches mAmunigaL through the purushakAram (recommendation) of kOil aNNan and becomes a dear disciple of mAmunigaL.

kandhAdai nAyan (who is the son of kandhAdai aNNan) was most intelligent and knoweldgable even at an young age. When mAmunigaL was explaining some meanings from dhivya prabhandha pAsurams, kandhAdai nAyan nicely gives an interpretation. mAmunigaL lifts him up and places him on his lap and greatly glorifies him and blesses him to be a leader of our sampradhAyam. kandhAdai nAyan is the author of periya thirumudi adaivu.

prathivAdhi bhayankaram aNNan approaches mAmunigaL and becomes his sishya. He too first visits kOil aNNan’s thirumALigai first and had great respect for each other.

mAmunigaL instructs kOil aNNan to explain bhagavath vishayam to kandhAdai appan, thirukkOpuraththu nAyanAr bhattar, sudhdhasathvam aNNan, ANda perumAL nAyanAr and ayyanappA and gives him the title “bhagavath sambandha AchAryar” and makes him the main AchArya for bhagavath vishayam. Once, mAmunigaL observes kandhAdai nAyan (son of aNNan) and jIyar nAyanAr (mAmunigaL’s own grand-son from his pUrvAsramam) discussing bhagavath vishayam in a detailed manner and instructs them to write an arumpadham (detailed explanation) in samskritham for eedu vyAkyAnam.

After mAmunigaL performing bhagavath vishaya kAlakshEpam in srIrangam in front of srI ranganAthan, emperumAn himself appears on the final day of Ani thirumUlam, submits the “srIsailEsa dhayApAthram” thanian and accepts mAmunigaL as his AchAryan. Immediately emperumAn instructs to all dhivyadhEsams that this thanian be recited as part of daily routines in the beginning and in the end. At the same time, in kOil aNNan’s thirumALigai (residence), aNNan’s wife and other srIvaishNavis are discussing about mAmunigaL’s glories. A small boy arrives there and submits a chit with the same thanian and vanises. Every one understands this to be a divine act of emperumAn.

Once, mAmunigaL asks kOil aNNan if we wants to go and perform mangaLAsAsanam to thiruvEnkatamudaiyAn. At that time, appiLLai glorifies aNNan as “kAvEri kadavAtha kandhAdai aNNananRO” (one who does not cross the river cauvery – one who never leaves srIrangam). But mAmunigaL highlights that srI ranganAthan stays at the top of the thirumalai being worshipped by nithyasUris. aNNan becomes very pleased and asks permission from mAmunigaL to go for thirumalai yAthrai. mAmunigaL brings him to periya perumAL sannidhi and gets his permission/blessings to leave and sends uththama nambi (dear kainkaryaparar of periya perumAL) along with aNNan. aNNan is accompanied by many srIvaishNavas. When offered a palanquin, aNNan rejects that and he walks along with the srIvaishNavas manifesting great humility. Once he reaches the foot-hills of thirumalai, ananthAzhwAn (servitor of thiruvEnkatamudaiyAn coming in the family lineage of thirumalai ananthAzhwAn), periya kELvi jIyar, AchArya purushas and many srIvaishNavas welcome aNNan and the srIvaishNavas with great pomp.

aNNan participates in the rathOthsavam and performs mangaLAsAsanam to emperumAn. He meets ayOdhya rAmAnuja aiyyangAr who was serving in srI bhadhrikAsramam. ayOdhyA rAmAnuja aiyyangAr wants to take shelter of mAmunigaL, but ananthAzhwAn explains that aiyyangAr should take shelter of aNNan which will be more pleasing to mAmunigaL. aiyyangAr happily obliges and requests aNNan to accept him as his disciple. aNNan accepts his request and performs pancha samskAram to aiyyangAr. thiruvEnkamudaiyAn acknowledging aiyyangAr’s relationship with aNNan, declares that he will be known as “kandhAdai rAmAnuja aiyyangAr”. kandhAdai rAmAnuja aiyyangAr goes on to perform many notable kainkaryams.

aNNan decides to return to srIrangam and goes to thiruvEnkatamudaiyAn to seek for permission to leave. emperumAn gives his own vasthram to aNNan and aNNan happily accepts the same. emperumAn also instructs aNNan to return in the palanquin submitted by kandhAdai rAmAnuja aiyyangAr and returns to srIrangam. On the way, he performs mangaLAsAsanam to many dhivyadhEsams and also visits eRumbi appA and his elders at eRumbi. At kAnchIpuram, aNNan desires to bring water from sAlaikkiNaRu (well from which emperumAnAr brought water for dhEva perumAL’s kainkaryam). aNNan happily performs this kainkaryam and instructs appAchiyAraNNA to continue this kainkaryam.

aNNan plans to leave kAnchIpuram to go to srIperumbUthUr and other near by dhivyadhEsams. He goes to dhEva perumAL to seek his permission to leave. At that time dhEva perumAL was enjoying thiruvArAdhanam. After thaLigai (bhOgam) is offered to dhEva perumAL, dhEva perumAL invites aNNan to the front and blesses him with his vasthrams, garlands, sandal wood and fragrance applied to him, etc and gives them to aNNan saying that all these for for periya jIyar and gives him a nice farewell. aNNan comes out and seated across kachchikku vAyththAn maNdapam and starts lecturing mAmuigaL’s glories. A few elders highlight dhEva perumAL himself saying mAmunigaL as “aNNan jIyar” (kOil aNNan’s AchAryan mAmunigaL) and glorify that very much. They also remind him how periya perumAL identified kOil aNNan as “jIyar aNNan” (periya jIyar‘s sishya kOil aNNan). At that time, a message comes from mAmunigaL to return to srIrangam since it had been long since he left. kOil aNNan at once accepts that invitation from his AchArya, offers his praNAmams towards the direction of srIperumbUthUr and other dhivyadhEsams and returns to srIrangam.

periya jIyar arrives at kOil aNNan’s residence and thirumAlai thantha perumAL bhattar arrives along with temple kainkaryaparars with periya perumAL‘s garlands and prasAdham. Every one welcomes aNNan with great delight and mAmunigaL fully blesses aNNan on his arrival. The srIvaishNavas mention to mAmunigaL that dhEva perumAL glorified him as “aNNan jIyar”. mAmunigaL becomes very pleased hearing that and says that he was blessed to have such connection with aNNan. prathivAdhi bhayankaram aNNan highlights that aNNan jIyar sounds similar to sriya:pathi – just like both emperumAn and pirAtti enhance each others glories, kOil aNNan and mAmunigaL enhance each others glories too.

Towards the end of his time in this world, mAmunigaL was writing the vyAkyAnam for AchArya hrudhayam with great personal discomfort. When aNNan goes and asks mAmunigaL why he was putting himself under so much trouble, mAmunigaL magnanimously replies that he is writing these commentaries for the benefit of his sons and grandsons (future generations to come).

mAmunigaL was instrumental in re-establishing the rights and privileges for kOil aNNan which were lost during the bad times of srIrangam when the invaders destroyed everything.

eRumbi appA (another sishya of mAmunigaL) highlights a beautiful incident in his pUrva dhinacharyA (a divine grantham narrating the daily activities of mAmunigaL) slOkam 4.

pArsvatha: pANipadhmAbhyAm parigruhya bhavathpriyau
vinyasyantham sanair angrI mrudhulau mEdhinIthalE


thirumazhisai aNNAvappangAr, in his vyAkyAnam for dhinacharyA, highlights that here the two dear sishyas mean “kOil aNNan and kOil appan”. A question arises here – should mAmunigaL not be holding on to his thridhaNdam as it is said in pAncharAthra thathvasAra samhithai that ‘a sannyAsi should always be holding on to thridhaNdam’? aNNAvappangAr nicely explains this in a few ways:

  • For a sannyAsi who is fully realised – if he does not carry his thridhaNdam for some reason – there is no defect.
  • A sannyAsi who is in constant meditation of bhagavAn, who is well-behaved and who has properly heard the meanings of sAsthram from his AchAryas, one who is knowledgable in bhagavAth vishayam and one who has control over his own senses and the whole world – for such sannyAsis their thridhaNdam, etc., are not required.
  • When prostrating before emperumAn fully, since the thridhaNdam may be a hinderance to perform such full prostration, he may not carry the thridhaNdam at that time.

mAmunigaL himself glorifies kOil aNNan through a beautiful pAsuram:

ekkuNaththOr ekkulaththOr evviyalvOr Ayidinum
akkaNaththE nammiRaivarAvarE
mikkapughazhk kArAr pozhil kOyil kandhAdai aNNanennum
pErALanai adaintha pEr


pl2

 The name Ulag-Ariya (or Lokacharya) first became associated with Sri Nampillai when Sri Kanthadai Thozhappar celebrated him as the acharya for the world ("kanthAdai thOzhappar tham ugappAl enna ulagAriyanO enRu uraikka"). Nampillai's disciple was Sri Vadakku Thiruveethippillai. Out of great affection for his acharya, Vadakku Thiruveethippillai named his first son as Pillai Lokacharya ("anbAl anna thiru nAmaththai Athariththu mannu pugazh maintharkku sARRukaiyAl").

Once Nampillai asked Vadakkuth Thiruveethip pillai's mother Ammi about her welfare. She told him that she was sad as her family was not being furthered because her son was staying away from his wife and was not having a child. Nampillai asked her to bring her daughter-in-law to his presence. When she did, he told her daughter-in-law that she would give birth to a son just like himself. He then called his disciple Vadakkuth Thiruveethippillai and told him to follow proper gruhastAsrama and that it would not cause any damage to his vairAgya.

Vadakkuth Thiruveethippillai obeyed his acharya's words and in time a son was born to him; he named him Pillai Lokacharya out of respect for his acharya. While worshipping Lord Renganatha with his disciple's son on his Apthapoorthi day, Lord commanded Sri Nampillai to bless Sri Vadakku Thiruveethippillai to have another son like Lord himself. The second son was named Azhagiya Manavala Perumal Nayanar, after Lord Renganatha. Sri Pillai Lokacharya was born as the amsam of Kanchi Devaraja (Varadaraja) Perumal in the month of Aippasi under the star Thiruvonam, in the year 1205 CE.

In their youth, both brothers learned everything from their acharya Nampillai as well as from their father. They grew up like Sri Rama and Sri Lakshmana

In foreword to his vyakhyanam of Sri Vacana Bhushanam, Manavala Mamunigal tells of the following event. Once upon a time Kanchi Devaraja Perumal out of His nirhEduka krupa selected one Manarpakkam Nambi, and appearing in his dream taught him some special rahasya meanings. He also advised him to go live in Srirangam and wait for Him there where He will teach him in further detail those meanings. Manarpakkam Nambi moved to Srirangam, built a small temple and quietly lived there worshipping Him and keeping the meanings revealed by Him to himself. One day Pillai Lokacharya came to that temple with his close disciples and seeing the quiet nature of the place began teaching them the meanings of rahasyas. Nambi listening from inside noted that these meanings were the same as taught by Lord Varadaraja to him. He then came out and bowing at Pillai Lokacharya's feet, asked him "AvarO neer?" – Are you the one (the same as Devaraja)?. Pillai Lokacharya replied "(aam aavadhen?) "Yes, what for that?". Manarpakkam Nambi explained his dream to him. This is the avatara rahasyam of Pillai Lokacharya.

Pillai Lokacharya then took him as his disciple and taught him the meanings of the rahasyas. Nambi then told him that Lord Varadaraja had asked him to request Pillai Lokacharya to collect these meanings as a book. The book thus written is Sri Vacana Bhushanam. Manavala Mamunigal speaks of the greatness of this work in several pasurams in his UpadesaratthinamAlai. Mamunigal also says that this is the greatest of Pilla Lokacharya's works ("innaruLAl seytha kalai yAvaiyilum").

Both Sri Pillai Lokacharya and Sri Azhagiya Manavala Perumal Nayanar remained as Brahmachaaris to make sure that their vyraakyam is not hindered. Because of this only, they were boldly able to advise that for a Sri Vaishnava, leading a marriage life even with his wife is not good.

Sri Pillai Lokacharya authored Ragasya Granthas with mercy in His heart towards the samsaaris. He has authored the following 18 Ragasya Granthas, collectively known as Astaadasa Ragasya.

  1. Mumukshupadi
  2. Tatvatrayam
  3. Artha Panjakam
  4. Sri Vachana Booshanam
  5. Archiraadhi
  6. Prameya Sekaram
  7. Prapana Parithranam
  8. Saara Sangraham
  9. Samsaara Saamrajyam
  10. Navarathnamaalai
  11. Navavidha Sambandham
  12. Yaadhruchikapadi
  13. Parandhapadi
  14. SriyaPathi Padi
  15. Tatvasekaram
  16. Thani Dwayam
  17. Thani Charamam
  18. Thani Pranavam

All these works are done in Manipravalam (a mix of Tamil and Sanskrit languages)

Pillai Lokacharya's primary disciples were Sri Azhagiya Manavala Perumal Nayanar, Koorakuloththama Dasa, Manarpakkam Nambi, Kollikavala Dasa (Azhagiya Manavala Perumal Pillai), KotturilaNNar and Vilanjsolai Pillai.

Also at a young age Srisailesa (Thiruvaymozhi Pillai) and Thirunaaveerudaiyapiran DaatharaNNar became his disciples. The former is the acharya of Sri Manavala Mamunigal and the latter is his father. Mamunigal's father was Kollikavala Dasa's disciple at Sikkil Kidaram and married his daughter. Thiruvaymozhi Pillai learned everything from Koorakuloththama Dasa. Thus, Mamunigal gained the great wealth of sambandham with Pillai Lokacharya through his acharya (Srisailesa), his father and his maternal grandfather.

Vilanjsolai Pillai has praised Pillai Lokacharya's work Sri Vachana Booshanam by singing "Saptha Kaathai" and Sri Vedanta Desikan sung "Lokacharya Panchaasat" (citation needed) in praise of Sri Pillai Lokacharya.

While Pillai Lokacharya lived in Srirangam heading Emperumanar's Darsanam, the Islamic invasion of the city occurred. To save the temple and Periya Perumal, His sannidhi was covered with brick stones and a different vigraha was kept in front by Sri Pillai Lokacharya. Pillai Lokacharya left Srirangam along with Namperumal and Nacchimaars ahead of the invasion. While going through a forest they were attacked by thieves who stole all the jewellery and vessels of Namperumal. Pillai Lokacharya gave them everything he had and even rejected the items when they returned them to him. Happy that they left Namperumal with him, he continued on. They then reached a small town called Jyothishkudi, near othakadai, Madurai.

Here Pillai Lokacharya fell ill due to a fall from a nearby hill (today known as Yanamalai) and reached His lotus feet. The year was 1311 CE and the day was jyEshtha suddha dvAdasi. At his death bed he advised his disciples such as Koorakuloththama Dasa and Vilanjsolai Pillai that Srisailesa was working for the king at Madurai and that they should bring him back into the Srivaishnava fold so that he could lead the darsanam. His Samadhi temple still exists, 1 km from the Narasimha temple at Othakadai, near Madurai.

While Swamy was about to leave this world and reach Achaaryan's Lotus feet, he started touching the ants and other such insects near him. (All such animals will get to reach Sri Vaikunta if they have been touched by a Sri Vaishnava.) Such was Sri Pillai Lokacharya's Karunya towards the living beings. Azhagiya Manavala Perumal Nayanar reached Achaaryan's lotus feet at his 102nd year. Pillai Lokacharya lived to the age of 118 years.

Sunday, October 4, 2020

pb

 Parāśara (Sanskrit: पराशर; IASTParāśara) was a maharshi and the author of many ancient Indian texts. He is accredited as the author of the first Purana, the Vishnu Purana, before his son Vyasa wrote it in its present form. He was the grandson of Vasishtha, the son of Śakti Maharṣi, and the father of Vyasa. There are several texts which give reference to Parashara as an author/speaker. Modern scholars believe that there were many individuals who used this name throughout time whereas others assert that the same Parashara taught these various texts and the time of writing them varied. The actual sage himself never wrote the texts; the various texts attributed to him are given in reference to Parashara being the speaker to his student. 


According to the VedasBrahma created Vasishtha, who, with his wife Arundhati, had a son named Śakti Mahariṣhi who sired Parashara. With Satyavati, Parashara is father of Vyasa. Vyāsa sired Dhritarashtra and Pandu through his deceased brother's wives, Ambika and Ambalika and Vidura through a hand-maiden of Ambika and Ambalika. Vyāsa also sired Shuka through his wife, Jābāli's daughter Pinjalā. Thus Parashara was the great-grandfather of both the warring parties of the Mahābhārata, the Kauravas and the Pandavas. Parashara is used as a gotra for the ancestors and their offsprings thereon. Parashara

There is a story of Rishi Parashara: one day in the time after the death of his father, Sakti Rishi made Vasishtha lived in his hermitage with Adrsyanti (wife of Sakti). Vasistha heard the chanting of the Vedas and Adrsyanti told him that Vedic hymn sounds were coming from the child of his son, Sakti, that was developing in her womb. Vasistha was happy to hear this. Adrsyanti gave birth to a son and the child grew up to become Parashara, father of Vyasa.

Parashara was raised by his grandfather Vasishtha because he lost his father at an early age. His father, Śakti Muni, was on a journey and came across an angry rākṣasa (demon) who had once been a king but was turned into a demon feeding on human flesh as a curse from Viśvamitra. The demon devoured Parashara’s father. In the Viṣṇu Purāṇa, Parashara speaks about his anger from this:

I had heard that my father had been devoured by a Rākṣasa employed by Viśvamitra: violent anger seized me, and I commenced a sacrifice for the destruction of the Rākṣasas: hundreds of them were reduced to ashes by the rite, when, as they were about to be entirely exterminated, my grandfather Vasishtha said to me: Enough, my child; let thy wrath be appeased: the Rākṣasas are not culpable: thy father's death was the work of destiny. Anger is the passion of fools; it becometh not a wise man. By whom, it may be asked, is anyone killed? Every man reaps the consequences of his own acts. Anger, my son, is the destruction of all that man obtains by arduous exertions, of fame, and of devout austerities; and prevents the attainment of heaven or of emancipation. The chief sages always shun wrath: be not subject to its influence, my child. Let no more of these unoffending spirits of darkness be consumed. Mercy is the might of the righteous.

Parashara Muni (Sage), at the wish of Lord VishnuBrahma and Mahadev, who maintain, create and destroy in time the entire universe, on one of his travels across the country, halted for the night in a little hamlet on the banks of the river Yamuna. He was put up in the house of the fisherman-chieftain Dusharaj. When dawn broke, the chief asked his daughter, Matsyagandha, whose name means "one with the smell of fish", to ferry the sage to his next destination. When in the ferry, Parashara was attracted by the beautiful girl. He created an island within the river by his mystic potency and asked her to land the boat there. Seeing people on the river's bank, she demurred, at which time the sage created a dense fog which enveloped the entire river. Parashara blessed her with a son, Krishna Dvaipāyana, who was dark-complexioned and hence may be called by the name Krishna (black), and also the name Dwaipayana, meaning 'island-born'. He later compiled the classic Vedic literatures of India, and so is called Vyasa who is the 17th incarnations of Lord Vishnu. Parashara granted her the boon that the finest fragrance may emit from her person. She was thereafter known as Satyavati (pure fragrance

Leaving Satyavati in the care of Vyasa, Parashara proceeded to perform Tapas (intense meditation). Later Vyasa also became a Rishi and Satyavati returned to her father's house, and in due course, married Śantanu.

Parashara was known as the "limping sage". He had his leg wounded during an attack on his āśrama. When a ṛṣi dies he merges back into an element or an archetype. When Sage Parashara was walking through a dense forest he and his students were attacked by wolves. He was unable to get away in his old age with a lame leg and he left this world merging into the wolves.

The Monument of Parashara Muni is available at Junha - Panhala fort in Tal Kavathe Mahankal Sangli district of Maharashtra. A cave supposed to be of Parāśāra Muni is present at the fort.

In the Ṛgveda, Parashara, son of Śakti Muni (Parashara Śāktya), is the seer of verses 1.65-73 which are all in praise of Agni (the sacred fire), and part of 9.97 (v.31-44) which is in praise of Soma. Below is 1.73.2

devo na yaḥ savitā satyamanmā kratvā nipāti vṛjanāni viṣvā
purupraṣasto amatirna satya ātmeva Sevo didhiṣāyyo bhūt

He who is like the divine Sun, who knows the truth (of all things), preserves by his actions (his votaries) in all encounters; like nature, he is unchangeable and, like soul, is the source of all happiness: he is ever to be cherished.

Compositions of Sage Parashara

Sage Parashara wrote and compiled many Vedic scriptures, especially on astrology. He laid down the principles of astrology.

There is a very popular legend in this context according to which Saint Maitreya requested Parashara to give him the knowledge of three parts of astrology i.e Hora, ganita and samhita. Out of all the three parts, Hora is the most important and was composed by Sage Parashara himself.

Many of the compositions of Rigveda are in his name. His compositions are Brihtaparashara Hora, Laghuparashari, Brihtaparashriya Dharmasamhita, Parashriya Dharmasamhita Smriti, Parashara Samhita Vadhyak, Parashariya Purnama, Parasharaoditam Nitishastratram, Parashararodanti, Vastushastrama etc. Kautilya Shastra has a decription of Sage Parashra. According to it, Parashara was a well known saint of ancient times. His compositions Brihataparasharahora has been included in various scriptures.

In these chapters , Rashiswaroop, Grahgunaswaroop, Lagna Vikshaleshan, Shodshavarg, Rashi Aspect, Arishta, Arishta Bhang, Bhaovivechan, Aprakash Grah, Grahsfut, Karak, Karak Shafala, Vividhyoga, Raviyoga, Rajyoga, Daridrayoga, Ayurdaya, Maraka Yoga, Dashafal, Vishesh Nakshatra, Kalchakra, Planet positions, Ashtakvarga, TrikonDasha, Pindasadhaana, Grahshanti etc has  been described.

Saturday, October 3, 2020

Wisdom

 

“By three methods we may learn wisdom: First, by reflection, which is noblest; Second, by imitation, which is easiest; and third by experience, which is the bitterest.”


― Confucious


The guru-sishya parampara is a powerful link to keep the generations of posterity connected to the spiritual tradition. The sishya tries to imbibe the teachings of the acharya by assiduous study and dedicated striving.

But it is seen that inexplicable are the ways in which devotion, yearning to get initiated, and transmission of jnana, etc, take root in the consciousness of disciples. Though Alavandar and Ramanuja did not meet, the Visishtadvaita philosophy that Alavandar had consolidated found in Ramanuja a most capable sishya who could establish it firmly on a strong footing.

Likewise, though separated from Ramanuja by a gap of 250 years, Vedanta Desika is steeped in Ramanuja bhakti and he attributes all his knowledge and devotion to this acharya. His reverence and admiration for Ramanuja, whom he often refers to as Yatiraja, finds excellent expression in his work Yatiraja Saptati. It is the tribute of a disciple to his acharya, by whom he was inspired and initiated into the vast ocean of Vaishnava tradition. As if to make up for not having the privilege of direct discipleship with Ramanuja, he creates a situation in his play Sankalpa Suryodhaya, in which he takes up the role of a disciple to the illustrious Ramanuja.

In the hymn Gopala Vimsati, he sings in ecstasy about the effulgent form of Krishna. He seems to wonder how this captivating form of the Lord got indelibly etched in his heart. He attributes this undying love for the Lord as the grace of the Ramanuja’s upadesa, which has not only inculcated sastra jnana but also bhakti which gives mukti. Sastra knowledge fails in its purpose if it does not generate true devotion and God experience.

=Gadi ek

 ghadi ek nahin jaaye re

tum darshan bin moye
ghadi ek nahin jaaye re
tum darshan bin moye
tum darshan bin moye re
tum darshan bin moye
ghadi ek nahin jaaye re
tum darshan bin moye

dhan naa bhaave
neend na aawe
birha sataawe moye
dhan naa bhaave
neend na aawe
birha sataawe moye
ghaayal si ghoomat phiroon
mero dard naa jaane koye
tum darshan bin moye
ghadi ek nahin jaaye re
tum darshan bin moye

divas to khaaye ganwaayi ore
nain gaavaayi soye
divas to khaaye ganwaayi ore
nain gaavaayi soye
praan ganvaaya ??
nain gaavaaya roye
jo main aisi jaanti re
preet kiye dukh hoye
jo main aisi jaanti re
preet kiye dukh hoye
nagar dhandhora pherti re
preet karo mat koye
tum darshan bin moye
ghadi ek nahin jaaye re
tum darshan bin moye

Friday, October 2, 2020

rare ms

 gungaroo bandh pag aayi meera 

gungaroo bandh pag aayi...........

nachata gavat brindavana me 

govind govinda gayi meera....

jagaki kula mariyada bhooli

prema me koi matuwari jhule...

ro ro gaye shyama bhulaye

kovat jagat hasayi

is rajanki sakhiyan rani

galiya nache bani diwani

na na bhathi prema ki dhara

kaisi dhisha banayi....

janaa janaa pag gungaroo bhaje

prema me ho matavali ghonje...

payal suna kar hi bhaje muraliya

devata chaal kanaye

https://youtu.be/UaW9UKYW-fA


https://youtu.be/UaW9UKYW-fA