Alavandar, the Vaishnavite Acharya, wants to praise Lord Narayana, but wonders how he is to do it. Is he qualified for the task? That is the doubt that Alavandar has.Nammazhvar had experienced a similar feeling, but he overcame his initial hesitation, and composed verses in praise of the Lord. Alavandar too uses many arguments to convince himself that he can and must praise the Lord, said Valayapet Ramachariar, in a discourse on Alavandar’s Stotra Ratna.
Tuesday, October 11, 2022
no one left?
Friday, October 7, 2022
Shayana.
Srimad Bhagavatam has a story about a poor farmer who had no expectations in life, said P.T. Seshadri in a discourse. He used to collect fallen fruits and scattered grains to feed his family. Lord Narayana wanted to show the world the greatness of this humble farmer.
One day, as the man kept picking fruits, he noticed a gold bar. He ignored it. In the meanwhile, the Lord had come to his house in the guise of an astrologer. He told the farmer’s wife about the gold that her husband had come across. He told her to urge the farmer to go back and fetch the gold. When the farmer arrived, she told him to go and get the gold. But the farmer made no attempt to do so. The agitated wife asked the astrologer to advise her husband. The astrologer said the farmer should not hesitate to bring the gold. The world respected only those who were rich. Moreover, what would he do, if he fell ill? The astrologer added that God had intended the gold for him, which was why he had spotted it. The farmer replied that he was not going to deny the truth of anything that the astrologer had said. But so far he had enjoyed peace of mind in his life. If he were to come into possession of gold, he would worry about how to safeguard it. He would become prey to more desires. He said the Lord had put the gold there, to see if he would yield to temptation.
The farmer said the Lord had given him the jnana that the Lord was the means and the end. The farmer said this jnana was the best snaana one could have, and that one must constantly think of the Lord’s qualities. The astrologer then revealed that He was none other than Lord Hari. He said jnana about the Supreme One was indeed the best snaana. Andal refers to this jnana as neerattam (bath).
In the 13 chapter of the Gita on Kshetra Kshetrajna jnana, Krishna gives a comprehensive explanation of the core and secret of all esoteric knowledge, pointed out Sri R. Krishnamurthy Sastrigal in a discourse. The wonder in this is that it is characterised by its all pervasiveness and also by its unique quality of effulgence that illuminates all. This truth is beyond objective perception, that is, it is not tangible to the senses. This can be understood to a certain extent in the Gita itself, when Krishna grants divine vision, Jnana Chakshus, to Arjuna to behold His cosmic form. The experience or awareness belongs to the inner being and hence it is known as Jnana Chakshus. One has to see deep within one’s self to discover the nature of the undying spirit intertwined with the entire creation. The body, comprising the mind, senses, intellect and chitta is the Kshetra.
God’s unlimited power enters into creation and manifests as different beings with their respective limitations with regard to time, place and individual characteristics. There is a distinction between consciousness and the objects which the consciousness observes. So too, the indwelling spirit in the self that is not any of these, but is the cause of all, that is always aware and is the ever present witness of all, is the Kshetrajna. It is the cosmic consciousness for which the entire creation in all its infinite variety is the Kshetra, the object of awareness. So, the individual self caught in the cycle of birth and the universe come under Kshetra, or the field. If only the individual recognises the comparison of the body to a field, he can see how the body can be used to save the self from revolving in samsara. Just as the field is tilled and seeds sown to reap a harvest, the individual can work on his good and bad deeds to get salvation.
Duryodhana is jealous of the respect shown to Yudhisthira by everyone during the Rajasuya yaga. He expresses his sorrow to his father Dhritarashtra. Dhritarashtra advises him to mend his ways, said Kidambi Narayanan, in a discourse. He reminds Duryodhana that whatever parents could and should do for their son has been done for Duryodhana by his parents. He has inherited a kingdom with full rights. Why should he be upset about Yudhisthira’s yaga? Can he not perform a similar yaga if he wants? Only a man who controls his mind has peace of mind, Dhritarashtra points out.
The Pandavas are Duryodhana’s blood relatives. Hurting them would be like cutting off one’s own hands. Duryodhana has studied under the best teachers, but of what use is his knowledge, asks Dhritarashtra. Does a ladle, used to make a sweet, experience the sweetness? Similar is Duryodhana’s learning. When not put to use, knowledge is useless. Even Vidura disapproves of Duryodhana’s plans. Vidura is proficient in all the Sastras taught by Brihaspathi to Indra. If Vidura says something must not be done, it is best to avoid it. Vidura has knowledge of all three kalas — the past, present and future. So, he can foresee disasters that will result from certain decisions. When he warns against enmity towards the Pandavas, should he not be heeded, asks Dhritarashtra.
But Duryodhana says that Vidura’s ideas are not in tune with his own. Yudhishthira is more like Vyasa and Vidura, whereas, Duryodhana is not in this category. He says Vidura always talks of dharma, but this does not help. Cunning leads to victory, argues Duryodhana. One should not worry about an opponent’s strengths, he says. If you do, you will be as useless as a mat that degrades gradually, when it has been exposed to the rains.
Wednesday, October 5, 2022
v l a
https://vedicheritage.gov.in/
पशूनां रूपमन्नस्य रसो यशः श्रीः श्रयतां मयि स्वाहा।
(यजुर्वेद/Yajuveda- 39.4)
पशुओं का रूप, अन्न का रस एवं यश और लक्ष्मी, ये सब मुझमें आश्रय लें तथा मेरी यह आहुति सुहुत हो।
May the countenance of animals, deliciousness of food. Fame and splendor be granted to me through this benign offering.
© Vedam
Friday, September 30, 2022
9 c again varies.
Navratri is one of the major festivals observed in India. It literally means nine nights and is celebrated with much fervour and zeal, especially amongst the Hindus. This nine-day festival is celebrated to honour the 9 incarnations of Goddess Durga.
This festival is celebrated with much grandeur and has a lot of customs and rituals which are associated with it. One of them is wearing different-coloured clothes on all the nine days as all the days have different colours attached to them.
So, in order to make it easier for you, we have broken down the colours and food items that are related to each day.
1. Navratri Day 1
This day is dedicated to honouring the Shailputri avatar of Goddess Durga and the colour of this day is grey. Devotees are expected to wear grey-coloured clothes while worshipping the idol of the Goddess. One can make kuttu ki poori (Buckwheat flour) on this day.
2. Navratri Day 2
The second day is dedicated to Goddess Brahmcharini, who is known for her calm energy and granting the way to ‘Moksha’. The colour of the day is orange, which depicts the name, fame and money. Motichoor laddu is orange in colour and devotees can make them on this day.
3. Navratri Day 3
This day is dedicated to the worshipping of Goddess Chandraghanta. The Goddess is worshipped for granting peace and prosperity. The colour of third day is white. You can cook makhane ki kheer (fox nuts) on this day.
4. Navratri Day 4
The colour of the day is red, which reflects passion and power. It is also known to be Goddess’s favourite colour. Devotees worship Goddess Kushmunda on the fourth day. You can have beetroot and carrot juice on this day.
5. Navratri Day 5
Day 5 is dedicated to honouring Goddess Skand Mata, who is the 5th avatar of Goddess Durga. She is the mother of Lord Karthikeya, who was chosen by the gods as their commander-in-chief in the war against the demons. The colour of the day is sky blue. Hence, the devotees may have dried blueberry and prunes on this day.
6. Navratri day 6
Goddess Katyayani is worshipped on the 6th day of Navratri. She is the 6th manifestation of Maa Durga. She is known to be the destroyer the evil forces. On this day, pink colour is worn by the devotees, which symbolises hope and new beginnings. You can cook rose petal kulfi on this day.
7. Navratri day 7
The 7th day of Navratri is dedicated to Maa Kaalratri, who is considered to be the most fierce form of Goddess Durga. She is known to provide power and calmness to her devotees. The colour of the day is royal blue. One can have nariyal ki barfi on this day.
8. Navratri day 8
Maa Mahagauri is the Goddess, who is worshipped on the 8th day of Navratri. The colour of the day is yellow which signifies happiness and positivity in life. The 8th day is also celebrated as ‘Ashtami’. You can cook kesar ki kheer to please the Goddess.
9. Navratri day 9
On the 9th and final day of Navratri, Goddess Siddhidatri is worshipped, who is considered to be the possessor of 26 different wishes. The colour of the last day is green, which symbolizes prosperity. You can prepare a sweet dish of bottle gourd to celebrate this day.
9 c
01/12Navratri colors: Nine colors of Navratri and their significance
Navratri is a Hindu festival celebrated twice a year in the country – during the months of Chaitra (March-April) and Sharada (October-November). The word Navratri means nine nights in Sanskrit and is a festival that spans nine days in both these months. For these nine days, nine Navratri colors are designated, each with its significance.
Navratri is celebrated in different ways in different parts of the country. However, the triumph of the Hindu goddess Kali or Durga is the basic idea behind the celebration. Navratri is loved and cherished by countless women across the country, who fast, prepare special foods and beverages, dress up and visit friends and family all through these nine days.
The Chaitra Navaratri culminates in Ram Navami and the Sharada Navaratri culminates in Durga Puja and Vijayadashami.
READMORE02/12Durga
In the past, Shakta Hindus used to recite Durga's legends during the Chaitra Navaratri, but this practice around the spring equinox has been declining. For most contemporary Hindus, it is the Navaratri around the autumn equinox that is the major festival and the one observed. To Bengali Hindus and to Shakta Hindus outside of the eastern and northeastern states of India, the term Navaratri implies Durga Puja in the warrior goddess aspect of Devi. In other traditions of Hinduism, the term Navaratri implies the celebration of Durga but in her more peaceful forms, such as Saraswati – the Hindu goddess of knowledge, learning, music, and other arts. In Nepal, Navaratri is called Dashain and is a major annual homecoming and family event that celebrates the bonds between elders and youngsters with Tika Puja, as well as across family and community members.
03/12The nine colours
A specific color has been assigned to each day of Navratri. Incorporating that particular color in your life during Navratri is considered auspicious. During Navratri, wearing a similar color dress as that Navratri color of the day is in vogue among women, especially in Gujarat and Maharashtra. Hence, women adorn themselves with a specific color dress and accessories during each day of Navratri. Whether it is going to work or going for Dandiya and Garba, women are excited about wearing a specific color dress during each day of Navratri. Here is all you need to know about the nine days of Navratri and their significant colors. The nine forms of Mata Durga which is worshipped during Navratri are: Shailputri on Pratipada; Brahmacharini on Dwitiya; Chandarghanta on Tritiya; Kushmanda on Chaturthi; Skand Mata on Panchami; Katyayani on Shashthi; Kaalratri on Saptami; Mahagauri on Ashtami and Siddhidatri on Navami.
READMORE04/12Navratri Day 1 : White
Day one of Navratri starts with white color which symbolizes peace and serenity. Maa Shailapuri is worshipped on this day. She is among one the forms of Goddess Durga. The Goddess is dressed in White attire on the first day. To plan your Navratri mandir decoration with the white color theme, you can opt for white Tulip flowers. You can decorate the wall behind the mandap with beautiful white tulips.
05/12Navratri Day 2: Red
06/12Navratri Day 3: Royal Blue
On the third day of Navratri, wear Royal Blue to enjoy the festivities with unmatched elegance and grace. Richness and serenity are symbolized by the bright shade of blue known as royal blue. Maa Chandraghanta, the goddess, is worshipped on this day. any decoration is incomplete without flowers, Thus, to start the exciting 10 days of Navratri 2022 you can bring in the vibrant blue orchids and create a jali design background with blue orchids to add detailing behind the idols.
07/12Navratri Day 4: Yellow
The fourth day of Navratri is dedicated to Goddess Maa Kushmanda. It is the day of Chaturthi and yellow is the color of the day. It is the color to celebrate the joy and enthusiasm of Navaratri and the warm color that keeps the person cheerful all day. Marigold flowers are known to appeal to the principal deity and work well as Navratri mandir decoration. You can also add marigold flowers to a floating lamp and place them in the mandir.
08/12Navratri Day 5 : Green
Green is the color of day fifth. It symbolizes nature and evokes a sense of growth, fertility, peace, and serenity. Goddess Skandmata is worshipped on this day. Green also represents new beginnings in life. his day you can opt for a traditional Navratri mandir decoration theme with Ashoka/ mango leaves. You can make a toran with mango leaves with marigold flowers in between and hang it on the mandir entrance.
09/12Navratri Day 6 : Grey
The colors of the sixth day are grey and Goddess Katyayani is worshipped on this day. Grey color represents balanced emotions and keeps the person down-to-earth. For this day instead of using grey color for mandir decoration, you can create the mandap with mirror work cloth. This will give the Navratri mandir decoration a lively yet subtle look.
10/12Navratri Day 7 : Orange
On this day worship goddess Kalratri wearing orange color. The color represents warmth and exuberance and is full of positive energy. For Navratri Day 7 take a long string of orange and yellow marigold flowers and decorate the mandir mandap giving it a temple-style shape.
11/12Navratri Day 8: Peacock green
It is the day of Goddess Mahagauri and peacock green is the color of the day. The color implies uniqueness and individuality. It is a color of compassion and freshness. And with that here’s another Navratri mandir decoration idea to create an amazing mandap using peacock feathers.
12/12Navratri Day 9 : Pink
Wear pink on the last day of the Navratri celebration and worship goddess Siddhidatri. Pink symbolizes universal kindness, affection, and harmony. It is a subtle shade of tenderness that promises unconditional love and nurturing. Now go creative and make some DIY wall hangings or handicrafts with pink and some contrasting Navratri colors to give your Navratri mandir decoration a personalized touch.