Monday, September 26, 2016

interesting chapter 9 32.from web.

 Generally speaking, Hinduism is not as strongly patriarchal as other contemporary religions, however, women are still quoted in some religious texts to be inferior to men. For example, women are, in general, not allowed to read the Vedas, Upanishads and also not allowed to perform certain rituals, rites etc. 

But at the same time, in a text called 'Arthapanchakam' which talks about 5 essential truths of life, one of the questions was 'Who is Paratma?' ie "Who is God' ? It is said that the most important identification mark of God is that He is 'Sri-aph-pati' - which means the One with Sridevi in His Heart/ One who is the Husband of Sridevi. 

The ultimate mark of God is not the fact that "HE IS GOD!" instead, we are asked to call the 'One who has Sridevi in His Heart' as God.  To respect women is the mentioned as THE sign of a God. That seems to be the ultimate mark of reverence for womanhood. 

The truth is that most of our Vedic texts have gone through many iterations through very different times. The social mores of that period of time have to some extent, altered some components of these texts. So we cannot say with certainty 'What was actually said in the Vedas when they were written'! As most of these texts have come to us through 'word of mouth', definitely there have been changes to it. So during a period of time when women were persecuted, it is likely that similar minded alterations were made to some texts. We cannot say for sure, but we cannot discount the possibility either. 

But interestingly, the Vedas, Puranas and Upanishads contain numerous instances of women displaying incredible intellect, skill and devotion, far surpassing that of their male counterparts. For example, read about Gargi Vachaknavi.  

The way I like to view it is that whether you are a man or a woman, it does not matter at the end of the day. We are all jiivatmas. We all have a common goal, that is to break out of the Karmic Cycle and becoming one with the Paramatma. How we go about breaking this cycle becomes our Karma which will depend on whether we are men or women. 

For a man, say a Brahmin, he will have to learn and live by the Vedic texts and pass that knowledge to the world and forever abide by its teachings. That is the only way he can break out of the cycle and reach his goal.
For a woman, different activities have been prescribed such as preparing food for the Lord, preparing garlands for Pujas, taking care of children etc. When a woman performs her allotted duties, she will also reach the same goal. 
Similar roles were attributed to women all over the world before the modern age. It was simply the social mode of that time. 

But nowhere is it said that these activities are in anyway inferior. That mentality is solely a human bias which has been added over time. 

So the essence is that, the starting point  (jiivatma) and the destination (Paramatma) are the same for Man and Woman and for all castes. Only the route towards the destination is different. That does not make one good and the other bad. 

So nowadays when I come across instances where women or other castes are described in an inferior way, I tend to reconcile myself with this knowledge. We are also a part of the long chain of transmitting the knowledge of these texts to future generations. I hope that the notion of equality which (I really hope) is the dominant social notion of our time, will eventually be reflected in these texts over time. 

Vaishya and shudra are considered to be of lower birth because of being born in lower modes of material nature - passion and ignorance. For business purpose Vaishyas have to engage themselves in speaking lies sometimes, also they have think about making profit. That type of intelligence is not suitable for spiritual progress. Therefore Vaishyas are recommended that they should donate something for religious purposes to nullify some of the discrepancies in their natural behaviour. Since religious performances need financial support as well, Vaishyas can easily donate a part of their profits for purpose of executing religious ceremonies. Therefore despite their flaws they can participate in religion and hence be qualified for salvation. Brahmanas are qualified for conducting such ceremonies but they don't earn money in conventional business activities. So Vaishyas support Brahmanas for conducting religious ceremonies. Kshatriyas give protection to Brahmanas because envious people sometimes try to disrupt religious activities. So basically this is a very logical structure where one group supports and facilitates the progress of another group, and consequently all groups benefit ultimately.
Same with shudras because they are usually not very clean or austere. They are not inclined towards vedic study and spiritual knowledge. So they are told to do some physical labour for brahmanas and Kshatriyas, vaishyas, and make their living. They are also told to hear scriptural stories like Mahabharata and Ramayana so that they can easily understand the message of the Vedas, because they don’t have so much analytical mind to study Vedas directly and understand their purpose. So Vedavyasa Muni presented Vedic philosophy in form of Mahabharata and Ramayana to make it easier for them to understand Vedas.
Vedic philosophy is very inclusive and broad. It has a plan for every individual according to his or her natural tendencies, so that they can achieve salvation.
About women, it is a tricky part. As far as I have read from scriptures and seen in direct experience - they are more attached to material world. They are especially very much attached to husband and children. They cannot let go of that attachment at any cost. They do not like their husband taking sanyaas and renouncing the world for spiritual advancement, leave aside doing it themselves. They really hate their child becoming a naisthik brahmachari (celibate for life) under a spiritual master (Guru). They always desire that family life should go on without any end, and within family life only we can serve God. So basically they want to enjoy the world and simultaneously serve God also. In short, they don't want to surrender completely to God - they are ready to surrender partially. The sanskrit word for women is "stri" which literally means the one who causes expansion of material desires. Their demeanor is such that they always try to induce worldly desires in the heart of man. First children , then house, then car , then social networking, kitty parties, marriages, gossips, etc etc. It is endless. That is why scriptures declare that women are of lower birth because they are not intelligent enough to give up material attachment and surrender to God completely (100%). And that is also the reason why scriptures recommend that those men who do not want to get entangled more and more in worldly affairs, and want to focus on spiritual progress, should avoid associating with women completely/absolutely (naishthik brahmachari) or should restrict it to a bare minimum.
Having said that, women do a lot of service for God in every way, they will come to temples in large numbers, they have a lot of faith in God. But the moment you talk about renouncing family ties and worldly desires - they just lose their mind. Following lines by a woman about the nature of women should be enlightening :
"Not knowing your transcendental situation, I have loved you while remaining attached to the objects of the senses. Nonetheless, let the affinity I have developed for you rid me of all fear.
- Srimati Devahuti, daughter of Syambhuva Manu, Srimad Bhagavatam, Canto 3.

Sunday, September 11, 2016

works. v d.

Annexure I
Swami Desika’s works:
A: DEVOTIONAL POEMS (STOTRAS)- (in alphabetical order)- 29
 1. Abheeti Sthavam
2. Achyuta Sathakam
3. Ashtabuja Ashtakam
4. Bhagavad Dhyaana Sopaanam
5. Bhoo Sthuthi
6. Dasaavataara Stotram
7. Dayaa Sathakam
8. Dehaleesa Sthuthi
9. Devanaayaka Panchaasath
10. Garuda Dhandakam
11. Garuda Panchaasath
12. Godhaa Sthuthi
13. Gopaala Vimsathi
14. Hayagriva Stotram
15. Kaamaasika Ashtakam
16. Nyaasa Dasakam
17. Nyaasa Tilakam
18. Nyaasa Vimsathi
19. Paramaartha Sthuthi
20. Raghu Veera Gadhyam (aka) Mahaveera Vaibhavam
21. Saranaagathi Deepikai
22. Shodasa Aayudha Stotram
23. Sree Sthuthi
24. Sudharsana Ashtakam
25. Vairaaghya Panchakam
26. Varadaraaja Panchaasath
27. Vegaa Sethu Stotram
28. Yathiraaja Sapthadhi
 
B: KAAVYA GRANTHAS -5
 1. SUBHASHITHAANIVI
2. YAADHAVAABHYUDHAYAM
3. PAADUKAA SAHASRAM
4. HAMSA SANDHESAM
5. Samasya Sahasri (Luptham-Lost)
 
C: DRAMA -1
1. SANKALPA SURYODHAYAM
D: RAHASYA GRANTHAS (ESOTERIC WORKS) -32
 1. Sat Sampradaaya Pari Suddhi
2. Tattva Padhavi
3. Rahasya Padhavi
4. Tattva Navaneetham
5. Rahasya Navaneetham
6. Tattva Maatrukai
7. Rahasya Maatrukai
8. Tattva Sandhesam
9. Rahasya Sandhesam
10. Rahasya Sandhesa Vivaranam
11. Tattva Ratnaavali
12. Tattva Ratnaavali Prathipaadhya Sangraham
13. Rahasya Ratnaavali
14. Rahasya Ratnaavali Hridhayam
15. Tattva Thraya Sulakam
16. Rahasya Thraya Sulakam
17. ABHAYA PRADHAANA SAARAM
18. Rahasya Sikhaamani
19. ANJALI VAIBHAVAM
20. PRADHAANA SATHAKAM
21. UPAKAARA SANGRAHAM
22. Saara Sangraham
23. Muni Vaahana Bhogam
24. Madhura Kavi Hridhayam (Luptham- Lost)
25. PARAMA PADA SOPAANAM
26. PARA MATHA BHANGAM
27. HASTHIGIRI MAHAATHMYAM
28. RAHASYA THRAYA SAARAM
29. Saara Saaram
30. Virodha Parihaaram
31. Nigama Parimalam (Lutham-Lost)
32. Thiru Mudi Adaivu (Luptham- Lost)
 
E: VEDANTHA GRANTHAS -11
Group 1:
1. Tattva Mukthaa Kalaapam
2. Adhikarana Saaraavali
3. SATHA DHUSHANI (aka) Satha Doshaani)
4. Nyaaya Parisuddhi
5. Seswara Mimaamsa
6. Mimaamsa Paaduka
Group 2:
7. Nikshepa Raksha
8. Sat Charitha Raksha- containing-
? (i) Sudharsana Paancha Janya Vidhi
? (ii) Oordhva Pundra Dhaarana Vidhi
? (iii) Bhagavan Nivedhitha Upayoga Vidhi
9. Rahasya Rakshaa
Group 3:
10. DRAMIDOPANISHAD TAATPARYA RATNAAVALI ( A commentary on Nammalwar's Tiruvoimozhi)
11. Dramidopanishad Saara ( A shorter version of above)
F: VYAAKHYAANA GRANTHAS ( Commentaries) -10
 1. Sarvaartha Siddhi
2. Tattva Teekha
3. Chatus Slokee Bhashya
4. Stotra Ratna Bashya
5. Gitaartha Sangraha Raksha
6. Taatparya Chandrika
7. Isaavaasyopanishad
8. Vedaartha Sangraha (Luptam-Lost)
9. Rahasya Raksha (aka) Gadhya Thraya Bashya)
10. Adhikarana Darpanam

G: ANUSHTAANA GRANTHAS -4
 1. Bhagavad Aaraadhana Vidhi
2. Yagnopaveetha Prathishta
3. Hari Dina Tilakam
4. Vaishnava Dinasari

H: MISCELLANEOUS GRANTHAS -13
 1. Bhoogola Nirnayam
2. Silpaartha Saaram
3. Stheya Virodham
4. Chakaara Samarthanam
5. Vaadhi Thraya Khandanam
6. Vaisvadeva Kaarika
7. Guru Paramparaa Saaram
8. Dathi Panchakam
9. Yamaka Ratnaakaram
10. Daasa Deepikaa Nigantu
11. Vedaartha Sangraha Vyaakhyaanam
12. Saara Dheepam
13. Tattva Sikhaamani (Luptham-Lost)
 
I: TAMIL PRABHANDHAMS -24
 1. Amrita Ranjani
2. Adhikaara Sangraham
3. Amritaaswaadhini
4. Parama Padha Sopaanam
5. Para Matha Bhangam
6. Mei Vratha Maanmiyam
7. Adaikkalap Pathu
8. Artha Panchakam
9. Sri Vaishnava Dhinasari
10. Tiruchchinna Maalai
11. Panniru Naamam
12. Tiru Mantira Churukku
13. Dvaya Churukku
14. Charma Sloka Churukku
15. Gitaartha Sangraham
16. MumManik Kovai
17. Navaratna (aka Navamani) Maalai
18. Prabhandha Saaram
19. Aahaara Niyamam
20. Pandhu (Luptham-Lost)
21. Kazhal (Luptham-lost)
22. Ammaanai (Luptam-Lost)
23. Oosal (luptham-Lost)
24.  Yesal (Luptham-Lost)

Friday, September 9, 2016

Spite too is beautiful.r

can you imagine when irked by spite you can blossom so that generatin after generation can benefitit with the outcome. Any guesses. Hint vd. Yes vd.
This is what exactly happened to Sri Vedanta Desikar. Out of spite some people irked him and the outpourings of the great poet Saint was so profound in every way that generations and generations of humanity live by what he has written. Can one even try to imagine how he would have reacted to a humble and respectful request. But as we very well know people of the caliber that V D had were always heady and strong. It I'll defines our author yet if one tries to imagine. The situation of the ancient times where chaos reigned in every sphere of life. The impact such authors as V D made was so great it was no less than a miracle not possible by normal standards. Be it the verse writing as challenge or prayer to bless an ardent student to get the goddess to rain gold coins, to build a well/ temple out of uneven bricks, to make a life consistent statue which bled, can one imagine too such a character as this not humanly possible why our super man and spider man fade in comparison. Should we the srivaishnavite community then not be proud of such a person in our ansistry. We the followers of such a man are blessed indeed. It is surprising g that so little literature is available on the author though he is the one  who has contributed the most no of works. Being followed today. It I'll defines us if we do not put such a great one on a pedestal and worship him. He did not require a computer to sort out his work under different headings chapter wise it just flowed from him in a disaplined manner. What a strong character and principled being (too harsh a word to call him man) he was God incarnate. Priceless are his works yet when one sees his work published and translated in various languages selling for a pittance (though it may be so that every one be encouraged to buy and read his works) we should be duty bound to popularise such works and authors poets. It should be ingrained in every one like a chip being imbedded in humans as is the custom now, there would be no need for a pacemaker the fever created by the life and works of such great beings should be enough to last for a long life to be able to read even once in our life time the works authored by them.

Thursday, September 8, 2016

Thirucchandaviruttam_

http://azhwar.org/music/Sri_Thirumazhisai_Piran/009_Thirucchandaviruttam_1-76_new.mp3

http://azhwar.org/music/Sri_Thirumazhisai_Piran/010_Thirucchandaviruttam_77-120_new.mp3

Friday, August 26, 2016

all forms.

Srivatsyavaradagururbhiranugrhitam;
SRI PARATVADIPANCAKAM.

Vandeham varadaryam tam vatsabhijanabhusanam
bhasyamrtapradanadyah sanjivayati mamapi.

PARAVASUDEVASTUTIH.

udyad bhanusahastra bhasvara paravyomaspadam nirmala
jnananda Ghana svarupamamala nirmala jnanadibhissadgunaih
Justam surijanadhipam dhrtarathangabjam subhusajjvalam
Sribhusevyamanantha bhoginilayam srivasudevam Bhaje.

Vyuhavasudevastutih.

Amode bhuvane pramoda Uta sammodeca sankarshanam
Pradyumnamca tathaniruddhamapitam srstisthiti capyayam
Kurvanan matimukhya sadgunavaraih yuktam striyugmatmakaih
Vyuhadisthita vasudevamapitam ksirabdhinatham bhaje.

Vibhava Stutih.
Vedan Vasana mandaradribharana ksmoddharana svasrita
Prahaladavana bhumibhikshana jagadvikrantayo yatkriya
Dustaksatranibharanam dasamukhadyunmulanam karsanam
Kalindya atipapa kamsanidhanam yat kriditam tannumah.

Antaryami stutih.

Yodevadicaturvidhesta janisu brahmandakasantare
Sambhaktesu caracaresu nivasannaste sadantarbahih
Visnum tam nikhilesvanusvanutaram bhuyassubhuyastaram
Svangusthaparamitamca yogihrdaye svasinamisam Bhaje.

Arca Stutih.

Srirangasthala Venkatadri karigiryadau salestottare
sthane gramaniketanesu caprada sannidhyamaseduse
Arcarupina maracakabhimatitah svikurvate vigraham
Pujam cakhilavanchitan vita rate srisayatasmai Namah.

Phalasrutih.

Pratarvisnoh paratvadi pancakastutimuttamam
Pathan prapnoti bhagavadbhaktimvarada nirmitam.

It's sri paratvadipancakam Sampurnam.


Sunday, August 14, 2016

Shabdartha Chintamani.

wlhen read from left to right it is the Ramayana." .  and when read from  right to left it becomes the story of Krishna Mahabharata. Unique work found only in the sarasathy mahal library.

Thanjavur has been renowned as a great center of Art, Culture and Literature for more than ten centuries. Successive generations of the Cholas, Nayaks and Maratha rulers have contributed and enriched the cultural greatness. Thanjavur is well known throughout the world for its Brahadeeswar Temple, magnificent Palace and the Sarasvati Mahal Library.  The Thanjavur Maharaja Serfoji's Sarasvati Mahal Library is one among the few medieval libraries exist in the world. It is an unbounded repository of culture and inexhaustible treasure house of knowledge built up by the successive dynasties of Nayaks and Marathas of Thanjavur. It contains very rare and valuable collection of manuscripts, books, maps and paintings on all aspects of Arts, Culture and Literature. The encyclopedia of Britannica in its survey of Libraries of World mentions this as "the most remarkable Library in India".





 A majority of the manuscripts in the library numbering thirty nine thousand are in Sanskrit. These manuscripts are written in Grantham, Devanagari, Nandinagari, Tikalari and Telugu scripts. Some of the outstanding Sanskrit works, unique to this library deserve a special mention. Amongst these, some of the most valuable ones are rare lexicons, the grammar of a rare dialect called Bhandira Bhasha, a play written by King Krishnadevaraya title Jambavatiparinaya, poetess Ramabhdramba’s biographical poem on her patron King Raghunatha Nayak, a work on temple architecture and Viswakarmiyavastu Sastra on construction of houses respectively may also be found here. Two texts in this section which show the scholar’s mastery of the language and grammar are Shabdartha Chintamani and the Kathatrayi of Chidamabarakavi. In Shabdartha Chintamani, the poet uses several rare techniques of writing. Reading the stanza from left to right, we find ourselves reading Ramayana and reading the same stanza from right to left, we come across the story of Krishna. His other work Kathatrai narrates stories from Ramayana and Bhagavatam. This library has a large number of manuscripts on music and dance, ayurveda medicine architecture and manuscripts on Kshetramahatmiyas, the puranic accounts of the sanctity and legends attached to great shines and sacred villages and towns found in the Cauvery delta.



 Along with manuscripts, the library also has rare printed books.The Book collection of this Library started by the King Serfoji II. He himself collected nearly 4500 books in English, French, Latin, Italian etc., from foreign countries. Later books were added to this Library since 1918 A.D., Now, the Reference Books section has more than 65,000 books in English, Tamil, Sanskrit, Marathi, Hindi, Telugu and other Indian languages.
       Raja Serfoji enriched this library by collecting not only manuscripts but also Books, Illustrated Manuscripts, Drawings, Atlases and Maps, Lithographic engravings, etc., Because of his multi-focal attraction he collected a large number of books in European languages. Now this Library has 3830 English books, 421 French books, 108 German books 35 Danish books and few books in Dutch, Greek, Latin languages. Serfoji has autographed all the books in his collection. These books mostly printed in London, Edinburgh, Paris and the year printing spanned from 1696 to 1830. These books dealt with all disciplines.
             It has the richest collection on European languages and literatures, Medical Sciences, Chemistry, Astronomy Geography, Explorations and Voyages, English Almanacs, Periodicals, Encyclopaedias etc., This collection has some rare and first editions of highly valued books.

Friday, August 12, 2016

hindi bhajans.

Thumak Chalat Ram Chandra


Lyrics -

Thumak chalat ram chandra bajat paijaniya


Kilaki Kilaki uthat dhaye girat bhumi latpataye

dhaye maaye god let dashrath ki raniya

vidrum se arun adhar bolat mukh madhur madhur

sundar nasika bich latkat latkaniya

mewa modak rasal man bhave so lehu laal

aur lechu ruchir paan kanchan jinjhiniya

Sita Ke Ram Radha Ke Shyam


Lyrics -

Sita ke ram radha ke shyam

meera ke giridhar nagar sur ke ghanshyam

mehlon ka sukh siya ne ram ka sath nibhaya

laxmi ne dhar roop siya ka jag ka paap mitaya
bana diya tha is dharti ko ram bhakti ka dham

radha ne shree shyam sundar sang aisa raas rachaya

teeno lok mein shyam aur radha ka roop samaya
koti koti bhakton ke mukh par radhe shyam ka naam


Wo Kala Ek Basari Wala


Lyrics-

Woh kala ek baansuri wala 
Sudh bisara gaya mori re
Sudh bisara gaya mori
Makahan chor woh naddkishore 
kar gayo dil ki chori re

Panghat pe meri baiyan marori 

Main boli to meri mataki phodi 
Paiya pado karoon vinati main ose
maane na phir bhi mori re
Sudh bisara gaya mori 

Chip gayo aise baan chala ke 

Kahan gayo ek taan suna ke 
Gokul dhunda maine Mathura dhoondi 
Koi nagariya na chodi re 
Sudh bisara gaya mori

Hare Krishna Krishna



Lyrics-

Hare krishna krishna krishna krishna hare hare

Hare ram ram ram ram hare hare

Papiyon ke paap se dharti apawan thi kabhi 

krishna ke vardan se pawan huen manav sabhi

dharma ke path par chale to swarg ban jaye dhara 

krishna kripa prem se yadi man humara ho bhara 

bhul se bhul ho jaaye to hum sweekaar lein

dukh ke pal mein ram ka bhi naam sau sau baar lein

aacharan sundar rahe kartavya se vichalit na hon 

hum swayam apne hi  karmon se kabhi shapit na ho 

Sakhi Baaje Pag Paijaniya


Lyrics-

sakhi baje pag paijani 

jhanannana na na  baje mohan pag paijani 
kali banmali chhavi nirali sohe man mohe jiya dole 
hume praman  niyatan taan mare jo baan gayi jaan 
murali ki taan kare madhur gaan sang baje pakhavaj
jhananan baje ...
saptsuran teen gram bansi baje sasa ni ni dha dha pa pa
re ma ni da pa re sa 
charan dharan dharat paad parat nahi pagan jhanjhar jhanke 
jhananna ....  

Radha Ke Bina Shyam Aadha


Lyrics-

radha ke bina shyam adha kehte radheshyam 

janam janam ke bhagya jaga de 

vyarth pada mala bin moti vyarath rahi deepak bin jyoti   

chanda bina chandani kaisi suraj bina dhoop na hoti 
bin radha ke kahan hai pura nat naagar ka naam 

satth hai jaise jal ki dhara saath hai jaise nadi kinara 

sath hai jaise neelgagan ke suraj chanda tara tara
vaise inke bina adhoora man vrindavan dham

shree radha ko jisne bhulaya usne apna janam ganvaya 

dhanya hui wo vaani jisne radhe shyam naam hai gaaya 
unka sumiran kare bina kab milta hai vishram  

Man Mein Base Hain Do Hi Naam


Lyrics-


Man mein base hain do hi naam 

sita ram jai seeta ram 

puchho mere tan man  se 

bandhe ho preet ke bandhan se 
pran hain tere drishti mein 
door nahi ho ankhiyan se 
kyu puchho main tera kaam 

jhoote tan ko chhod diya

toote man ko jod diya  
yug beeta jag chhod diya 
sabse naata tod diya 
mujhko hai bas tumse kaam

ho sakta hai koi aisa 

kaun hai duja tere jaisa 
main jaanoo ki tu hai kaisa 
jaise gun hai roop hai waisa
tujhko sumirun aathon yaam 

Ram Ramaiya Gaye Ja




Lyrics-

"Ram naam ratate raho jab tak ghat mein pran
Kabhi to deen dayaal ke bhanak padegi kaan "

"Keep on enchanting the name Ram till you have breath in your body 
your voice will sure reach to that merciful someday ."

Raam ramaiya gaaye ja Ram se lagan lagayeja
Ram hi taaren Ram ubaaren Ram naam dohraaye ja 

"Keep on enchanting Ram Ramaiya, Keep on loving Ram 
Ram takes you accross this world only Ram brings you out from this ocean of world 
Keep on repeating the name "Ram"!!!!!!!!!!!".

Subhah yahan to shaam wahan hai 
Raam bina aaraam kahan hai
Ram Ramaiya gaye ja jeevan ke sukh paayeja
Ram hi taaren Ram ubaren ram naam dohraaye ja 

Bhatkaaye jab bhool bhulaiya 
beech bhanwar jab atke naiya 
Ram Ramaiya gaaye jaa har uljha suljhayeja 
Ram hi taaren Ram ubaren ram naam dohraaye ja 

Ram naam bin jaga soya
andhiyaare mein khoya 
Ram Ramaiya gaaye ja man ka deep jalaye ja
Ram hi taaren Ram ubaren ram naam dohraaye ja 


Radha Aisi Bhai Shyam


Lyrics -

radha aisi bhayi shyam ki deewani ki brij ki kahani ho gayi 

ek bhole bhali ganva ki ganwaran ki panditon ki baani ho gayi 

radha na hoti to vrindavan ki vrindavan na hota 

kanha to hote banse bhi hoti bansi mein pran na hota 
prem ki bhasha janta na koi kanhaiya ko yunhi manta na koi 
bina parinaya woh prem ki pujaran kanha ki patrani ho gayi 

radha ki paayal na bajti to mohan aisi na raas rachate 

nindiya chura kar madhuban bulakar ungali pe kisko nachate 
kya aisi khushboo chandan mein hoti  kya aisi mishri makan mein hotti 
thoda sa makhan khila kar woh gwalin annapurna si dani ho gayi 

radha na hoti to kunjgalin ki aisi nirali na hoti 

radha ke naina na rote to yamuna aise kali na hoti 
sawan to hota jhoole na hote radha ke sang natvar jhoole na hote
sara jeevan lutakar woh bhikharan dhaniko ki rajdhani ho gayi  

Jinke Hrurde Hari Naam Base


Lyrics-

Jinke hirdaya hari naam base 
tin aur ka naam liya na liya 

jinke dware par gang bahe 

tin koop ka neer piya na piya

 jin kaam kiya parmarath ka 

tin haath se daan diya na diya 

jinke ghar ek saput bhayo

tin lakh kapoot bhaya na bhaya  


Govind Jai Jai



Lyrics-

Govind jai jai gopal jai jai 

radha raman hari govind jai jai

brahma ki jai jai vishnu ki jai jai 
uma pati shiv shankar ki jai jai 

radha ki jai jai rukmini ki jai jai 

mor mukut bansi wale ki jai jai 

ganga ki jai jai yamuna ki jai 

saraswati triveni ki jai jai

ram ji ki jai jai shyam ji ki jai jai 

dashrath kunwar charon bhaiyon ki jai jai 

krishna ki jai jai laxmi ki jai jai 

krishna baldev dono bhaiyon ki jai jai   

Bharat Bhai Kapi Se



Lyrics -

Bharat bhai Kapi se urin hum nahi

Lord Ram Returned from exile and is narrating the story of his exile to his brother  Bharat ji .He was introducing everyone who helped him in conquering the war and when he went upto Hanumn ji his eyes got wet and  he said
these very special words for Hanuma ji

Kapi se Urin hum nahi Bharat bhai 
kapi se urin hum nahi 
bharat bhai kapi se urin hum nahi

Dear brother Bharat I can never overcome to be oblized by Kapi ("The ape" here for Hnuman ji )

sau yojan maryad samudra ki 
100 yojans (1yojan = 6-15 kilometers) skirts of ocean 
ye kudi gayo chhan mahi
He jumped over in seconds 
lanka jari siya sudhi layo
Set fire in Lanka and brought the information of Siya's well being 
par garv nahi man mahi 
But he dont feel proud for all 

shakti baan lagyo lakshman ke
Laxman was shot by shakti baan
hahakaar bhayo dal mahi
there was an upheavel in the crowd 
dhaulagiri kar dhar le aayo 
He carried the Dhaula mountain peak in his hands 
bhor na hone paayi 
before the dawn broke out

ahi ravan ki bhuja ukhadi 
He pulled off the arms of Ahi Ravan 
paithi gayo math mahi 
jo bhaiya hanumat nahi hote
Oh brother ! if Hanuman was not there 
mohe ko lato jag mahi 
who had brought me back in this world 

Agya bhang kabahun nahi kinhi
He never became disobedient 
jahan pathayo tahan jayi 
whereever I sent Him He went there 
Tulsidas pawansut mahima 
Tulsidas ji says that the glory of Pawansut (The son of Wind = Hanuman ji )
prabhu nij mukh karat badhai
Lord appraises by his own mouth 

Tan Ke Tamboore Mein


Lyrics-

Tan ke tambure mein do saanson ki taar bole jai siya ram ram 
jai radhe shyam 

Ab to is man ke mandir mein prabhu ka hua basera 
magan hua man mera choota janam janam ka phera 
magan hua man mera 
pyasi do ankhiyon se aansuon ki dhaar bole jai siya ram ram 
jai radhe shyam 

lagan lagi leeladhari se jagi re jagmag jyoti 
ram naam ka heera paaya sham naam ka moti jagi re jagmag jyoti 
man ki muraliya se sur ka sringaar bole jai siya ram ram 
jai radhe shyam  


Ramcharan Sukhdai



Lyrics-

Bhajman ram charan sukhdayi japo re ram charan sukhdayi 

Jin charnan se nikasi sursari sankar jata samayi
 jata shankari naam padyo hai tribhuvan taranhari 

Jehi charnan ki charan paduka bharat rahyo liv laayi 
soyi charan kevat dhoyi linhi tab hari naav chadhayi 

Dandakvan prabhu paavan kinhi rishiyan traas mitayi 
soyi charan gautam rishi nari parsi param pad payi 

Joyi charan santan jan sevat sada rahat sukhdayi
 soyi prabhu trilok ke swami kanak mriga sang dhayi 

Shiv sankadik aru bhrahmadik shesh sahas mukh gaayi Tulsidas marut sut (son of maruti : Hanuman ji ) ki prabhu nij mukh karat badhayi 



Chadaryan Jhini Jhini Re



Lyrics-

Jhini re jhini re jhini chadariya
  ram naam ras bhini chadariya
 jhini re jhini re jhini chadariya
ashta kamal dal charkha doley
 panch tatva, gun tini chadariya
saiin ko siyat mas dus lagey
 thokey-thokey ke bini chadariya
so chadar sur nar muni odi
odi ke maili kini chadariya
das kabir jatan so odi
 jyon ki tyon dhar deen chadariya


Maine Linho Govind



Lyrics- 

maai mai to liyo Ramaiyyo mol

koi kahae chhane, koi kahe chavde,
liyo hai bajanta dhol

koi kahe kaalo, koi kahe goro
liyo hai main aankhya khol

koi kahe halko, koi kahe bharo
liyo hai tarazu tol

tan ka gahnaa main sab kuchh deenaa
diyo hai baajuband khol

meera ke prabhu girdhar naagar
purab janam ko hai kaul

main to leeno govind mol, maai ri
main to leeno govind mol

koii kahe sastaa, koii kahe meh.ngaa
leeno taraazuu tol,

koii kahe braj mein, koii kahe ban mein
karat govind kalol

meeraa kahe prabhu giridhar naagar
aavat prem ke mol


Janam Tera



Lyrics -

Janam tera baaton hi beet gayo 
re tune kabahun na krishna kahyo

paanch baras ka bhola re bhala ab to bees bhayo 
makar pachisi maya kaaran desh videsh gayo

tees baras ki ab mati upaji lobh badhe nit nayo
maya jori lakh karori ajahun na tripta bhayo

vridh bhayo tab aalas upaji kaff nit kanth rahyo 
sangati kabahun na kini birtha janam liyo 

yah sansaar matlab ka lobhi jhutha thaath rachyo 
kahat kabir samajh man murakh tu kyu bhool gayo 

re tune kabahun na krishna kahyo 


Rang De Chunaryan




Lyrics -

Rang de chunariya
Shyam piya mri rang de chunariya 

Aisi rang de ki rang nahi chhute 
Dhobiya dhove chahe ye saari umariya 
Shyam piya...

Lal na rangau main to hari na rangau 
Apne hi rang mein rang de chunariya 
Shyam piya ...

Bina rangaye main to ghar nahi jaungi
Beet hi jaaye chahe ye saari umariya 

Meera ke prabhu giridhar naagar


"Jal se patla kaun hai kaun bhumi se bhari 
Kaun agan se tez hai aur kaun kaajal se kaali 

Jal se patla gyan hai aur paap bhumi se bhari 
Krodh agan se tez hai aur kalank kaajal se kaali "

Hari charnan mein(shyam charnan mein,prabhu charnan mein)
Jaoon balihariya 
Shyam piya ... 



Mati Kahe Kumhar Se


Lyrics- 

mati kahe kumhar se tu kya roundhe mohe 
ik din aisa aayega main roundungi toye 

aayen hain to jayenge raja rank sabhi 
ek singhashan chadhi chale ek bandhe zanzir 

durbal ko na sataiye jaki moti haaye 
bina jeebh ke haaye ke loha bhasm hoyi jaye

tulsi is sansaar mein sabse miliye dhayi
na jaane kis roop mein Narayana mil jaayen


Shree Ram Chandra



Lyrics - 

shree ram chandra kripalu bhajman haran bhava bhaya darunam
nav kanj lochan kanj mukh kar kanj pad kanjarunam 

kandarp aganit amit chhavi nav neel neeraj sundaram
pat peet manahu tadit ruchi suchi naumi janak sutavarm 

sir mukut kundal tilak charu udar ang vibhushanam 
aajanubhuj sir chapdhar sangram jit khardushanam

bhaj deenbandhu dinesh danav daitya vansh nikandanam
raghunand anandkand koshalchand dasrath nandanam

iti vadit tulsidas shankar shesh muni man ranjanam
mam hridaya niwas kuru kamadi khal dal ganjanam 



Itna To Karna Swami



Lyrics -

itna to karna swami jab pran tan se nikale 
gobind naam lekar tab pran tan se nikale

pitambari kashi ho chhavi man mein ye basi ho 
honthon  pe kuchh hansi ho jab pran tan se nikale

us waqt jaldi aana nahi shyam bhool jaana 
radhe ko saath laana jab pran tan se nikale 

ek bhakt ki hai arzi khud garj ki hai garzi 
aage tumhari marzi jab pran tan se nikale


Surdasji Ka Ek Tara



Lyrics-

surdas ka iktara meera ki kar taan 

bole jai giridhar gopal

haanth chhudaye jaat ho nirbal jaan ke mohe 

hirdaya se jab jao to sabal  main jaun main 
hanth chhuda ke chale kanahiya phir bhi saath na chhoda 
darshan ki pyasi ankhiyon ne hari se nata joda 
chhodi mamta chhodi maya chhoda jag janjaal 

giridhar nagar ki bhakti ka paya aisa heera 

rana ji ka vish ka pyala has ke pee gayi meera
meera giridhar lage raji pehan bhakti varmal 

surdas ki ektare ne chhedi aisi gatha 

jisko sunkar jhuka liya tribhuwan ne apne matha 
bhakt ki suni pukar  daud kar aayen thein nandlal 

Hari Naam Ka Pyala



Lyrics -

Hari naam ka pyaalaa hare Krishna ki haalaa
aisi haalaa pi pi karke chalaa chale matwaalaa


Radha jaisi baalaa aur vrindavan ka gwaalaa
aisaa gwaalaa Murli Manohar Japo Krishna ki maalaa


Hare Krishna kaa jap ho aur Hare Krishna ki maalaa
Dev jyoti se hriday suddha ho  nikle man ki jwaalaa


 
Krishna ki dhun main tan ho, aur Hare Krishna main man ho
Aise tan man ke Mandir main Krihsna dale haalaa


 
Hare Krihsna main Bal hain, Krishna jal aur thal hai
aise jal thal nabh se pi lo Narayan ki haalaa

Jag Mein Hai Sundar Do Naam



Lyrics - 

Jag mein sundar hain do naam
chahe Krishna kaho ya Ram
Bolo Ram Ram Ram
Bolo Shyam Shyam Shyam 

Makhan Brij Mein Ek Churaave
Ek Ber Bhilni Ke Khaave
Prembhav Se Bhare Anokhe
Donon Ke Hain Kaam

Bolo Ram, Ram, Ram
Bolo Shyam, Shyam, Shyam


Ek Kams Paapi Ko Maare
Ek Dusht Ravan Samhare
Donon Deen Ke Dukh Harat Hain
Donon Bal Ke Dhaam

Ek Radhika Ke Sang Raaje
Ek Janaki Sang Biraaje
Chaahe Sita-Ram Kaho
Ya Bolo Radhe-Shyam


Ek Hriday Mein Prem Badhaave,
Ek Taap Santap Mitaave,
Donon Sukh Ke Sagar Hain,
Aur Donon Pooran Kaam,

Chaahe Krishna Kaho Ya Ram
Jag Mein Sundar Hain Do Naam
Chaahe Krishna Kaho Ya Ram
Bolo Ram, Ram, Ram
Bolo Shyam, Shyam, Shyam

Makhan Mein Maa


Lyrics - 

makhan mein maa shabd samahit isiliye ye bhave 

jab jab lage honthon se maa teri yaad dilave 

maa jab tu le haanth mein mathani dahi mathne ko baithe 

tu jaane hai tera kanha chhup chhup tujhko dekhe 
jaane hai to haanth se apne kyun nahi khilaye 
maiya chori karan uksave 

maa tujhse ye nata hi to makhan sa hai mitha 

is bandhan ka matlab maine hai tujhse hi sikha 
tere naina har pal hi to neh barkha barsave 
maiya hardam pyar jatave 

 Prabhu Ji Tum Chandan Hum Paani



Lyrics-


Prabhu ji tum chandan hum paani
Jaki ang ang baas samayi
Prabhu ji tum ghanban hum mora
JAise chitwat chandra chakora

Prabhu ji tum deepak hum baati
JAki jyot bare din rati

Prabhu ji tum moti hum dhaga
Jaise sonehu milat suhaga

Prabhu ji tum swami hum dasa
Aisi bhakti kare Raidasa



Main Nahin Makhan Khayo



Lyrics-


Maiyaa mori, main Nahi Makhan Khayo

Bhor bhayo gaiyan ke paache, Madhuvan mohi pathayo .
chaar prahar vanshivat bhatakyo, saanj pare ghar aayo ..

main baalak bahiyan ko choto, chinko kidi vidhi payo .
gwaal baal sab bair pare hain, barbas mukh laptayo ..

Tu janani man kii ati mori, inke kahe patiyaayo .
Jiya tete kachu bhed upjihai, jaani parayo jaayo ..

yaha le apani lakuti kambaliyaa, bahutahi naach nachaayo .
Jiya tete kachu bhed upjihai, jaani parayo jaayo ..
Surdas tab bihashi Yashoda  lai ur kanth lagaayo


Aisi Laagi Lagan


Lyrics-


Hai aankh wo jo shyam ka darshan kiya kare
hai sheesh woh prabhu charnon mein jo vandan kiya kare
bekar woh mukh hai jo lage vyarth baaton mein
mukh woh hai jo hari naam ka  sumiran kiya kare

Heere moti se nahi hai shobha hanthon ki
hain haath woh bhagwaan ka pujan kiya kare
mar kar bhi amar hai us jeev ka is jag mein
Prabhu prem mein balidan jo jeevan kiya kare

Aisi lagi lagan meera ho gayi magan
woh to gali gali hari gun gaane lagi
Mehalon mein pali ban ke jogan chali
Meera rani deewani kahanelagi

Koi roke nahi koi toke nahi
Meera Goind Gopal gaane lagi
baithi santon ke sang rangi mohan ke rang
meera premi preetam ko manane  lagi
woh to gali gali hari gun gaane lagi

Rana ne vish diya mano amrit piya
Mano sagar mein sarita samane lagi
dukh lakhon sahe mukh se Gobind kahe
Meera Govind Gopal gaane lagi
woh to gali gali  hari gun gaane lagi


Rasna nis din bhaj hari naam 


Lyrics -

rasna nis din bhaj hari naam

ram krishna shree krishna ram bhajo 
dono sukh aur anand dham 

kanha yachit chor kaho ya 

raghuvar avadha kishore kaho 
pratidin bolo antho yaam 
ram krishna shree krishna ram bhajo 

raaghav sa koi kripalu nahi 

maadhav 


Do din ka jag mein mela 


Lyrics-


chalti chaki dekh ke diya kabira roye 

do patan ke beech mein sabut bacha na koye 

Do din ka jag mein mela sab 

chala chali ka khela

koi chala gaya koi jaave 

koi gathari baandh sidhave 
koi  khada taiyar akela 
ye chala chali ka khela re khela re khela re   

paap kapat chhal maya kar ke

 lakh karor kamaya 
sang chale na ek adhela 
ye chala chali ka khela re khela re khela re 

maat pita sut nari bhayi

 ant sahayak nahi 
phir kyun dharta paap ka dhela 
ye chala chali ka khela re khela re khela re 

yeh to nashwar sansara

 bhajan tu kar  le esh ka pyara 
brahmanand kahe sun chela
 yeh chala chali ka khela 


Naam hari ka japle bande 


Lyrics -


Naam hari ka jap le bande

phir peechhe pachhtaye ga

tu kehta hai meri kaya kaya ka guman kya

chand sa sundar yeh tan tera mitti mein mil jayega

wahan se kya tu laya bande yahan se kya le jayega

mutthi baandh ke aaya jag mein haanth pasare jayega

balapan mein khela khyaa aayi jawani mast raha

budhapan mein rog grase khat pade pachhtaye ga

japna hai so jap le bande akhir so mit jayega

kahat kabir suno bhai sadho karni ka phal payega

Sanwariya mori naiya tara de 



Lyrics -


Sanwariya mori naiya tara de

naiya tara de paar laga

nanda nai sagan kasai hui mastani meerabai

aisa hi mujhe mast bana  de

gaj ke aake phand chhudayo drupad suta ke cheer badhayo

aisa hi mujhe bhakt bana de

moh ke vash mein arjun aaya roop virat se har li maya

aisa hi mujhe roop dikha de

Mat kar tu abhiman re bande 



Lyrics -


mat kar tu abhiman re bande

jhoothi teri shaan re mat kar tu abhiman

Aarti kije hanuman lala ki 



Lyrics -


Aarti Ki Jai Hanuman Lala Ki, Dushat Dalan Ragunath Kala Ki.
Ja Ke Bal Se Giriver Kaanpe, Rog Dosh Ja Ke Nikat Na Jaanke.

Anjani Putra Mahabaldaye, Santan Ke Prabhu Sada Sahaye.
De Beeraha Raghunath Pathai, Lanka Jaari Siya Sudhi Laiye.

Lanka So Kot Samundra Se Khaiy, Jaat Pavan Sut Baar Na Laiye.
Lanka Jaari Asur Sab Maare, Siya Ramji Ke Kaaj Sanvare.

Lakshman Moorchit Parhe Sakare, Aan Sajeevan Pran Ubhaare.
Paith Pataal Tori Yamkare, Ahiravan Ke Bhuja Ukhaare.

Baayen Bhuja Asur Dal Mare, Daayen Bhuja Sab Santa Jana Tare.
Surnar Munijan Aarti Utare, Jai Jai Jai Hanuman Uchaare.

Kanchan Thaar Kapoor Lo Chhai, Aarti Karat Aajani Mai.
Jo Hanumanji Ki Aarti Gaave, Basi Baikuntha Amar Padh Pave.

Lanka Vidvance Kiye Ragurai, Tulsidas Swami Aarti Gaaie.
Aarti Ki Jai Hanuman Lala Ki, Dushat Dalan Ragunath Kala Ki.

Pawan Tanay Sankat Haran Managal Moorti Roop,
Ram Lakhan Sita Sahit Hridaya Bhasu Sur Bhoop