Saturday, May 7, 2022

Gun gan

 https://youtu.be/w6y7vU8wQVE

Punya

 Gita shastram idam punyam yah pathet praatah puman

Vishnoh padam avapnoti bhaya shokadi varjitah

Gitadhyayana Shilasya pranayama parasya ca

Nava Santi hi papani purva janma kritani ca

Maline  mocanam pumsam jala snanam dine dine

Sakrid gitamrita snanam samsara mala nashanam

Gita su Gita kartavya Kim anyaih shastra vistaraih 

Ya svayam padmana bhadya mukha padmad vinihsrita

Bharatamrita sarvasvam vishnu vaktrad vinijsritam

Gita gangodakam pitva punar janma na vidyate 

Sarvopaishado gave dogdha gopala nandanah

Parthovatsah sudhir bhokta dugdham gita mritam mahat

Ekam shastram devaki putra gitam Eko devo devaki putra eva

Eko mantrastasya namani yani karmapy exam tasya devastating seva. 


13 in 1

 Ae ri main to prem deewaani




Mera dard na jaane koye




Ae ri main to prem deewaani




Mera dard na jaane koye




Na main jaanu aarti vandan




Naa poojaa kii riit




Hai anjaani daras deewaani




Merii paagal priit




Liye re maine do nainon ke Deepak liye sanjoy





Ae ri main to prem deewaani




Mera dard na jaane koye




Aashaa ke phoolon ki maalaa




Saanson ke sangeet




In par phooli chali rijhaane




Apne man kaa meet




Ae ri maine nain dor mein Sapne liye piroye




Ae ri main to prem deewaani




Mera dard na jaane koye




Ae ri main to prem deewaani





HE RI ME TO PREM DIWANI MERO DARAD NAA JAANE KOY LYRICS


He Ri Me To Prem Diwani Mero Darad Naa Jaane Koy


He Ree Main To Prem-divaanee Mero Darad Na Jaanai Koy.


Ghaayal Kee Gati Ghaayal Jaanai,

 Jo Koee Ghaayal Hoy.


Jauhari Kee Gati Jauharee Jaanai, 

Kee Jin Jauhar Hoy.


Soolee Oopar Sej Hamaaree,

 Sovan Kis Bidh Hoy.


Gagan Mandal Par Sej Piya Kee

 Kis Bidh Milana Hoy.


Darad Kee Maaree Ban-ban Doloon

 Baid Milya Nahin Koy.


Meera Kee Prabhu Peer Mitgee,

 Jad Baid Saanvariya Hoy.



 




Ae Ri Main To Prem Deewani Mera dard na jaane koye -


म्हारा ओलगिया घर आया जी।


तन की ताप मिटी सुख पाया, हिल मिल मंगल गाया जी॥



घन की धुनि सुनि मोर मगन भया, यूं मेरे आनंद छाया जी।


मग्न भई मिल प्रभु अपणा सूं, भौका दरद मिटाया जी॥



चंद कूं निरखि कमोदणि फूलैं, हरषि भया मेरे काया जी।


रग रग सीतल भई मेरी सजनी, हरि मेरे महल सिधायाजी॥



सब भगतन का कारज कीन्हा, सोई प्रभु मैं पाया जी।


मीरा बिरहणि सीतल होई दुख दंद दूर नसाया जी॥


हमारो प्रणाम बांकेबिहारी को।


मोर मुकुट माथे तिलक बिराजे, कुंडल अलका कारी को॥



अधर मधुर पर बंसी बजावै रीझ रिझावै राधा प्यारी को।


यह छवि देख मगन भई मीरा, मोहन गिरधर -धारी को॥


पपइया रे, पिव की वाणि न बोल।


सुणि पावेली बिरहुणी रे, थारी रालेली पांख मरोड़॥


चोंच कटाऊं पपइया रे, ऊपर कालोर लूण।


पिव मेरा मैं पीव की रे, तू पिव कहै स कूण॥


थारा सबद सुहावणा रे, जो पिव मेंला आज।


चोंच मंढ़ाऊं थारी सोवनी रे, तू मेरे सिरताज॥


प्रीतम कूं पतियां लिखूं रे, कागा तू ले जाय।


जाइ प्रीतम जासूं यूं कहै रे, थांरि बिरहस धान न खाय॥


मीरा दासी व्याकुल रे, पिव पिव करत बिहाय।


बेगि मिलो प्रभु अंतरजामी, तुम विन रह्यौ न जाय॥


मीरा बाई के काव्य में विरोध के स्वर : भक्ति कालीन काव्य में मीरा बाई का स्थान कवित्री के रूप में सर्वोच्च रहा है। जहाँ एक और श्री कृष्ण के प्रति उनका प्रेम अथाह और पूर्ण समर्पण को दर्शाता है वहीँ दूसरी और नारी की वेदना भी परिलक्षित होती है। मीरा बाई के व्यक्तित्व को जब हम जानने का प्रयत्न करते हैं तो पाते हैं की मीरा बाई कृष्ण भक्त ही नहीं उनका दृष्टिकोण पूर्णतया मानवतावाद पर भी आधारित है। मीरा श्री कृष्ण के की भक्ति में इतना डूब गयीं की उन्हें इस संसार से भी कोई विशेष लगाव नहीं रहा। वे मंदिर में बैठ कर पांवों में घुंघरू बाँध कर नाचने लग जाती। तात्कालिक समाज में नारी को विशेष अधिकार प्राप्त नहीं थे विशेषकर भक्ति में। एक नारी होकर भजन गाना, नाचना ये उच्च कुल की स्त्रियों के लिए तो मानों पूर्णतया वर्जित था। यही नहीं मीरा बाई ने सभी बंधनों को तोड़ते हुए साधुओं की संगत में रहना भी शुरू कर दिया था। उस समय की सामाजिक और धार्मिक व्यवस्था इसके पक्ष में नहीं थी। 



 









Friday, May 6, 2022

AVAGUNA

 Bhajan by sant Surdasji. There is a beautiful story about this Bhajan.

Vivekananda had stopped for some time in Khetri, at the court of the Maharaja who had become his disciple. One day while he was sitting in Durbar, the court, a performing girl made her appearance with her troupe and was about to sing. As Vivekanand was a celibate, he considered taking part in similar kinds of entertainment inappropriate for him and his sadhana. He rose to leave the assembly. “Wait Swamiji.” the Maharaja said. “you will find nothing to offend you here. On the contrary you will be pleased.” Vivekanand stayed on the Maharajji’d persistence and the girl started singing this Bhajan.
Once the Bhajan was over Vivekanand who was moved beyond words, spoke most beautifully to the girl, even thanking her for the lesson she had given him, thus removing the last vestige of a possible spiritual pride.

“prabhu ji more avgun chit na dharo

prabhu ji mere avgun chit na dharo

samdarsi hai naam tiharo 

samdarasi hai naam tiharo
Chaho toh paar karo

prabhu ji mere avgun chit na dharo

prabhu ji mere avgun chit na dharo

Ek loha pooja main rakhat
Ek ghar badhik paro
Sow duvidha paras nahi jaane
Kanchan karat kharo

ek nadi ek naar kahaavat

mailo hi neer bharo

Jab mili donon ek baran bhaya
Sursari naam bhayo
Tann maya jo Brahma kahavat
Sur so mile bigiro
Kai inka nirdhar kijiye
Kai prann jaat taro

prabhu ji more avgun chit na dharo

prabhu ji more avgun chit na dharo”

Meaning

My sweet Lord please don’t give any attention to my shortcomings,
You are called “Samdarsi”, one who is impartial and loves every one equally,
If you do please, help me cross this ocean of hardships,

Metal in it’s various forms is used in temples and other holy places and the same metal is also found in forms of various tools at places where they cut animal meat (otherwise considered impure places),
However you are like the “Paras” rock that on touching any metal changes it to gold,

A river gets it’s water from various sources, some pure as rain and other smaller rivers and also from dirty drains,
However once all that water finds it’s way to the river, the entire water becomes Ganga (the same way we mortals on finding and merging with you become one with you),

This body is full of maya (is easily corruptible) whereas the soul is Brahma himself,
However maya corrupts the soul and so sweet Lord it is up to you either to accept this being or let your promise of salvation to all souls, go unfulfilled.

It is true though. You could be the lowest of the low. The wretched of the wretched. More worthless than anything in this world. A Guru will always love you and only wishes for you to be near him so his touch can change you to pure Gold.
How they do it is upon them. But they will accept you.


MODIFIED

prabhu ji mere avgun chit na dharo
prabhu ji mere avgun chit na dharo
samdarshi hai naam tumharo
samdarashi hai naam tumharo
naam ki laaj karo
prabhu ji mere avgun chit na dharo
prabhu ji mere avgun chit na dharo

ek nadi ek naala kahaaye
mailo hi neer bharo
ek nadi ek naala kahaaye
mailo hi neer bharo

ganga mein mil kar donon ka ganga naam paro
prabhu ji mere avgun chit na dharo
prabhu ji mere avgun chit na dharo

aa aa aa
hic
madira piye
chhod gangaajal
madira piye chhod gangaajal
vyaakul man ho gayo hai paagal
man mero bigro
ho guru ji
man mero bigro
soor shyaam ki kripa bina
hic
soor shyam ki kripa bina
koi jag mein
hic
na sudhro
na sudhro
na sudhro
prabhu ji mere avgun chit na dharo
prabhu ji mere

avgun chit na dharo
prabhu ji mere
avgun chit na dharo


Living.


 https://m.facebook.com/story.php?story_fbid=10160770251802223&id=745532222&sfnsn=wiwspmo

Thursday, May 5, 2022

B GOVINDAM

 BHAJA GOVINDAM


bhaja gōvindaṃ bhaja gōvindaṃ

gōvindaṃ bhaja mūḍhamatē ।

samprāptē sannihitē kālē

nahi nahi rakṣati ḍukṛṅkaraṇē ॥ 1 ॥


mūḍha jahīhi dhanāgamatṛṣṇāṃ

kuru sadbuddhiṃ manasi vitṛṣṇām ।

yallabhasē nijakarmōpāttaṃ

vittaṃ tēna vinōdaya chittam ॥ 2 ॥


nārīstanabhara-nābhīdēśaṃ

dṛṣṭvā mā gā mōhāvēśam ।

ētanmāṃsavasādivikāraṃ

manasi vichintaya vāraṃ vāram ॥ 3 ॥


nalinīdala-gatajalamatitaralaṃ

tadvajjīvitamatiśaya-chapalam ।

viddhi vyādhyabhimānagrastaṃ

lōkaṃ śōkahataṃ cha samastam ॥ 4 ॥


yāvadvittōpārjanasaktaḥ

tāvannijaparivārō raktaḥ ।

paśchājjīvati jarjaradēhē

vārtāṃ kō'pi na pṛchChati gēhē ॥ 5 ॥


yāvatpavanō nivasati dēhē

tāvatpṛchChati kuśalaṃ gēhē ।

gatavati vāyau dēhāpāyē

bhāryā bibhyati tasminkāyē ॥ 6 ॥


bālastāvatkrīḍāsaktaḥ

taruṇastāvattaruṇīsaktaḥ ।

vṛddhastāvachchintāsaktaḥ

paramē brahmaṇi kō'pi na saktaḥ ॥ 7 ॥

kā tē kāntā kastē putraḥ

saṃsārō'yamatīva vichitraḥ ।

kasya tvaṃ kaḥ kuta āyātaḥ

tattvaṃ chintaya tadiha bhrātaḥ ॥ 8 ॥


satsaṅgatvē nissaṅgatvaṃ

nissaṅgatvē nirmōhatvam ।

nirmōhatvē niśchalatattvaṃ

niśchalatattvē jīvanmuktiḥ ॥ 9 ॥


vayasi gatē kaḥ kāmavikāraḥ

śuṣkē nīrē kaḥ kāsāraḥ ।

kṣīṇē vittē kaḥ parivāraḥ

jñātē tattvē kaḥ saṃsāraḥ ॥ 10 ॥


mā kuru dhana-jana-yauvana-garvaṃ

harati nimēṣātkālaḥ sarvam ।

māyāmayamidamakhilaṃ hitvā

brahmapadaṃ tvaṃ praviśa viditvā ॥ 11 ॥


dinayāminyau sāyaṃ prātaḥ

śiśiravasantau punarāyātaḥ ।

kālaḥ krīḍati gachChatyāyuḥ

tadapi na muñchatyāśāvāyuḥ ॥ 12 ॥


kā tē kāntā dhanagatachintā

vātula kiṃ tava nāsti niyantā ।

trijagati sajjanasaṅgatirēkā

bhavati bhavārṇavataraṇē naukā ॥ 13 ॥


dvādaśa-mañjarikābhiraśēṣaḥ

kathitō vaiyākaraṇasyaiṣaḥ ।

upadēśō'bhūdvidyā-nipuṇaiḥ

śrīmachChaṅkara-bhagavachCharaṇaiḥ ॥ 14 ॥


jaṭilō muṇḍī luñChitakēśaḥ

kāṣāyāmbara-bahukṛtavēṣaḥ ।

paśyannapi cha na paśyati mūḍhaḥ

udaranimittaṃ bahukṛtavēṣaḥ ॥ 15 ॥


aṅgaṃ galitaṃ palitaṃ muṇḍaṃ

daśanavihīnaṃ jātaṃ tuṇḍam ।

vṛddhō yāti gṛhītvā daṇḍaṃ

tadapi na muñchatyāśāpiṇḍam ॥ 16 ॥


agrē vahniḥ pṛṣṭhē bhānuḥ

rātrau chubuka-samarpita-jānuḥ ।

karatala-bhikṣastarutalavāsaḥ

tadapi na muñchatyāśāpāśaḥ ॥ 17 ॥


kurutē gaṅgāsāgaragamanaṃ

vrata-paripālanamathavā dānam ।

jñānavihīnaḥ sarvamatēna

bhajati na muktiṃ janmaśatēna ॥ 18 ॥


suramandira-taru-mūla-nivāsaḥ

śayyā bhūtalamajinaṃ vāsaḥ ।

sarva-parigraha-bhōgatyāgaḥ

kasya sukhaṃ na karōti virāgaḥ ॥ 19 ॥


yōgaratō vā bhōgaratō vā

saṅgaratō vā saṅgavihīnaḥ ।

yasya brahmaṇi ramatē chittaṃ

nandati nandati nandatyēva ॥ 20 ॥


bhagavadgītā kiñchidadhītā

gaṅgājala-lavakaṇikā pītā ।

sakṛdapi yēna murārisamarchā

kriyatē tasya yamēna na charchā ॥ 21 ॥


punarapi jananaṃ punarapi maraṇaṃ

punarapi jananījaṭharē śayanam ।

iha saṃsārē bahudustārē

kṛpayā'pārē pāhi murārē ॥ 22 ॥


rathyācharpaṭa-virachita-kanthaḥ

puṇyāpuṇya-vivarjita-panthaḥ ।

yōgī yōganiyōjita-chittaḥ

ramatē bālōnmattavadēva ॥ 23 ॥


kastvaṃ kō'haṃ kuta āyātaḥ

kā mē jananī kō mē tātaḥ ।

iti paribhāvaya sarvamasāraṃ

viśvaṃ tyaktvā svapnavichāram ॥ 24 ॥


tvayi mayi chānyatraikō viṣṇuḥ

vyarthaṃ kupyasi mayyasahiṣṇuḥ ।

bhava samachittaḥ sarvatra tvaṃ

vāñChasyachirādyadi viṣṇutvam ॥ 25 ॥


śatrau mitrē putrē bandhau

mā kuru yatnaṃ vigrahasandhau ।

sarvasminnapi paśyātmānaṃ

sarvatrōtsṛja bhēdājñānam ॥ 26 ॥


kāmaṃ krōdhaṃ lōbhaṃ mōhaṃ

tyaktvā''tmānaṃ paśyati sō'ham ।

ātmajñānavihīnā mūḍhāḥ

tē pachyantē narakanigūḍhāḥ ॥ 27 ॥


gēyaṃ gītā-nāmasahasraṃ

dhyēyaṃ śrīpati-rūpamajasram ।

nēyaṃ sajjana-saṅgē chittaṃ

dēyaṃ dīnajanāya cha vittam ॥ 28 ॥


sukhataḥ kriyatē kāmābhōgaḥ

paśchādanta śarīrē rōgaḥ ।

yadyapi lōkē maraṇaṃ śaraṇaṃ

tadapi na muñchati pāpācharaṇam ॥ 29 ॥


arthamanarthaṃ bhāvaya nityaṃ

nāstitataḥ sukhalēśaḥ satyam ।

putrādapi dhanabhājāṃ bhītiḥ

sarvatraiṣā vihitā rītiḥ ॥ 30 ॥


prāṇāyāmaṃ pratyāhāraṃ

nityānitya vivēkavichāram ।

jāpyasamētasamādhividhānaṃ

kurvavadhānaṃ mahadavadhānam ॥ 31 ॥


gurucharaṇāmbuja-nirbharabhaktaḥ

saṃsārādachirādbhava muktaḥ ।

sēndriyamānasa-niyamādēvaṃ

drakṣyasi nijahṛdayasthaṃ dēvam ॥ 32 ॥


mūḍhaḥ kaśchana vaiyākaraṇō

ḍuḥkṛṅkaraṇādhyayanadhurīṇaḥ ।

śrīmachChaṅkara-bhagavachChiṣyaiḥ

bōdhita āsīchChōdhita-karaṇaḥ ॥ 33 ॥


bhaja gōvindaṃ bhaja gōvindaṃ

gōvindaṃ bhaja mūḍhamatē ।

nāmasmaraṇādanyamupāyaṃ

nahi paśyāmō bhavataraṇē ॥ 34 ॥

1) Worship Govinda, Worship Govinda, Worship Govinda. Oh fool! Rules of Grammar will not save you at the time of your death.


2) Oh fool! Give up your thirst to amass wealth, devote your mind to thoughts to the Real. Be content with what comes through actions already performed in the past.


3) Do not get drowned in delusion by going wild with passions and lust by seeing a woman’s navel and chest. These are nothing but a modification of flesh. Do not fail to remember this again and again in your mind.


4) The life of a man is as uncertain as rain drops trembling on a lotus leaf. Know that the whole world remains a prey to disease, ego and grief.


5) So long as a man is fit and able to support his family, see the affection all those around him show. But no one at home cares to even have a word with him when his body totters due to old age.


6) When one is alive, his family members enquire kindly about his welfare. But when the soul departs from the body, even his wife runs away in fear of the corpse.


7) childhood is lost by attachment to playfulness. Youth is lost by attachment to woman. Old age passes away by thinking over many past things. But there is hardly anyone who wants to be lost in parabrahmam.


8) Who is your wife? Who is your son? Strange is this samsara. Of whom are you? From where have you come? Brother, ponder over these truths here.


9) From Satsangh comes non-attachment, from non-attachment comes freedom from delusion, which leads to self-settledness. From self-settledness comes Jeevan Mukti.


10) What good is lust when youth has fled? What use is a lake which has no water? Where are the relatives when wealth is gone? Where is samsara when the Truth is known?


11) Do not boast of wealth, friends, and youth. Each one of these are destroyed within a minute. Free yourself from the illusion of the world of Maya and attain the timeless Truth.


12) Daylight and darkness, dusk and dawn, winter and springtime come and go. Time plays and life ebbs away. But the storm of desire never leaves.


13) This bouquet of twelve verses was imparted to a grammarian by the all-knowing Shankara, adored as the bhagavadpada.


14) Oh mad man! Why this engrossment in thoughts of wealth? Is there no one to guide you? There is only one thing in three worlds that can save you from the ocean from samsara. Get into that boat of satsangha quickly. Stanza attributed to Padmapada.


15) There are many who go with matted locks, many who have clean shaven heads, many whose hairs have been plucked out; some are clothed in saffron, yet others in various colors — all just for a livelihood. Seeing truth revealed before them, still the foolish ones see it not. Stanza attributed to Totakacharya.


16) Strength has left the old man’s body; his head has become bald, his gums toothless and leaning on crutches. Even then the attachment is strong and he clings firmly to fruitless desires. Stanza attributed to Hastamalaka.


17) Behold there lies the man who sits warming up his body with the fire in front and the sun at the back; at night he curls up the body to keep out of the cold; he eats his beggar’s food from the bowl of his hand and sleeps beneath the tree. Still in his heart, he is a wretched puppet at the hands of passions. Stanza attributed to Subodha.


18) One may go to gangasagar(ganes), observe fasts, and give away riches in charity! Yet, devoid of jnana, nothing can give mukthi even at the end of a hundred births. Stanza attributed to Sureshwaracharya.


19) Take your residence in a temple or below a tree, wear the deerskin for the dress, and sleep with mother earth as your bed. Give up all attachments and renounce all comforts. Blessed with such vairagya, could any fail to be content? Stanza attributed to Nityananda.


20) One may take delight in yoga or bhoga, may have attachment or detachment. But only he whose mind steadily delights in Brahman enjoys bliss, no one else. Stanza attributed to Anandagiri.


21) Let a man read but a little from Gitaa, drink just a drop of water from the ganges, worship murari (govinda) just once. He then will have no altercation with Yama. Stanza attributed to dR^iDhabhakta.

22) Born again, death again, birth again to stay in the mother’s womb ! It is indeed hard to cross this boundless ocean of samsara. Oh Murari ! Redeem me through Thy mercy. Stanza attributed to Nityanatha.


23) There is no shortage of clothing for a monk so long as there are rags cast off the road. Freed from vice and virtue, onward he wanders. One who lives in communion with God enjoys bliss, pure and uncontaminated, like a child and as someone intoxicated. Stanza attributed to Nityanatha.


24) Who are you? Who am I? From where do I come? Who is my mother, who is my father? Ponder thus, look at everything as essenceless and give up the world as an idle dream. Stanza attributed to Surendra.


25) In me, in you and in everything, none but the same Vishnu dwells. Your anger and impatience is meaningless. If you wish to attain the status of Vishnu soon, have samabhava always. Stanza attributed to medhaatithira.


26) Do not waste your efforts to win the love of or to fight against friend and foe, children and relatives. See yourself in everyone and give up all feelings of duality completely. Stanza attributed to medhaatithira.


27) Give up lust, anger, infatuation, and greed. Ponder over your real nature. Fools are they who are blind to the Self. Cast into hell they suffer there endlessly. Stanza attributed to bharativamsha.


28) Regularly recite from the Gita, meditate on Vishnu [thro’ Vishnu sahasranama] in your heart, and chant His thousand glories. Take delight to be with the noble and the holy. Distribute your wealth in charity to the poor and the needy. Stanza attributed to sumatira.


29) He who yields to lust for pleasure leaves his body prey to disease. Though death brings an end to everything, man does not give up the sinful path.


30) Wealth is not welfare, truly there is no joy in it. Reflect thus at all times. A rich man fears even his own son. This is the way of wealth everywhere.


31) Oh devotee of the lotus feet of the Guru! May thou be soon free from Samsara. Through disciplined senses and controlled mind, thou shalt come to experience the Indwelling Lord of your heart!


32) Thus was a silly grammarian lost in rules cleansed of his narrow vision and shown the Light by Shankara’s apostles.


33) Worship Govinda, worship Govinda, worship Govinda, Oh fool! Other than chanting the Lord’s names, there is no other way to cross the life’s ocean.










Wednesday, May 4, 2022

sri Ramanujavarnanasloka Venkatadwari.

 esa bhutapuri niriksitacari dosapahantri mayo

sri manatra gunabdhiravirabhavadramunujaryo munih

trayyantamrta sindhumathanabhavaddhayangavinat makam

vijnanam yadupajnameva vidusamakyapi vidyotate.1.

kamadivairigana bhimanavadyanijanamabhilasagarima

vaimanikarya samabhumamatau vacanasimatilanghimahima

srimananutalasomanano vimaladhamavamanitaravih

ksemani jrmbhayatubhumavamutra sacaramanujoyatipatih. 2.

sajayati ramanujayatih ajayati paravadinam yadiyoketih

sanjayati bodhamanagham ranjayati budhan vyatham ca bhanjayati.3.

te mimamsasastra pramathanapariklita budhajanandah

laksmanamunch prabandhah laksmana purvajasara iva jayanti.4.

ramanujaya guruvenaravesabhaje sesaya dhutakalaye kalaye pranaman

yomadrsanapi krsan pariopalumah bhumavanatara dvdancitabodhabhuma.5.

ramaujaya yamunatirthassva paravutitau narakam niroddham

tayoh puranah praninayagitam tasya navinastu tatana tikam.6.

yamunatirthasraminau ramanujamunirmukundasca

adyamtrivenudharamadhikam anyadantadyamekavenudharam.7.

nityam heyagunanadhunanapare nairgunyavadah srutau

mukhyarttah sagunaktayah subhaguna prakhyapanadbrahmanah

advaitasrutayo visistavisayaniskrstarupasraya

bhedaktistadihathilasruthitam ramanujiyam matam.8.

jayatujagati laksmanaryapaksah jayatu vacah srutimaulidesikanam

jayatu nigamavartma nissapatnam jayatu ciraya ca murtiranjanadrau.9.

iti sriramanujavarnana slokah samaptam.